Posts Tagged ‘Single’

Listen: ‘Broken Coast’ by Best Band

Posted: 27 May 2026 in Recommended Streams and Videos, Singles and EPs
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Sometimes London based three-piece Best Band’s band name genuinely angers people and they think that the band are being cocky and are exclaiming that they are the ‘best band’ ever created. However, the name came about after drummer Simon and guitarist Richard were inspired both personally and creatively with the goal to make the ‘best band’ that they possibly could.

The pair first met as members of improvised band ‘Improvisi’ and then they formed ‘Baffy’, a surreal band with a dada approach and a failed musical. Then came punk / free jazz band ‘Madchen 84’ and instrumental / experimental project ‘Stan Dingwater’. ‘Best Band’, however is the evolution of these previous incarnations, with the name being a triumphant marker of Simon and Richard’s journey to date.

“It was always a dream to do this- the ‘best band’ that we could make”, explains Simon. “After failing many times to try and find singers and band members for all the cool instrumentals Richard makes, eventually after some debating and persuasion, I just said, “Fuck it, I’ll sing and put poems to it”, which makes things easier for everyone. We are finally living our dream, with also Cai, who was the ONLY person to answer our advert for bassist”, he further adds.

With their drummer also being their singer, Best Band have an unconventional and chaotic presence, both live and in the studio. The three members also span three different generations: one being from Gen Z, one being a millennial and one being from Gen X. It’s an unlikely combination that somehow works awesomely and has given birth to two albums Life as a Baby (2024) and Go In Rooms (2025), with the third, The People’s Cub, now ready to be unveiled.

Musically, Best Band are influenced by post punk, disco and drone rock methods and emerge as an intoxicating blend of outsider pop / avant punk, groove rock, pub rock and weird pop which they themselves describe as ‘Zolo dada no-wave avant bogrock’. The tracks on the ‘The People’s Cub’ all have a looping bassline to make a sort of hypnotizing repetition, instead of conventional verse-chorus-verse changes, which the band find more interesting and fun to play. The People’s Cub himself is a quasi-political figure, with many of the tracks on the album involving creature characters. There’s a flea, a hedgehog, voles, owls, vultures and beasts.

Album opening track and first single, ‘Broken Coast’ is a scrappy blast of energy that is both strangely catchy and weirdly poetic in its own eccentric way. The track is about personal legacies, ideals, beliefs and opinions and humans wanting to be perceived / remembered in certain ways, then that being juxtaposed with not being able to get out of bed in the morning due to depression. The band use a flea as a metaphor for believing in an idea of who you are and how you’re perceived/remembered, and your integrity, beliefs and ideals. In the song, the flea is eventually killed as the band break free from living up to any imagined idea of themselves and the created self.

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Elsewhere on the album, ‘Boghouse’ is an ode to the lower ‘toilet venue’ end of the London music scene, describing all the little events, actions and intentions of any small rock band playing in Boghouses. It features wailing guitar solos all over the track, as a tongue-in-cheek homage to many of the bands Best Band have played with over the years on the circuit. The title track ‘The People’s Cub’ is an off kilter discordant yet cuddly political satire featuring the main character and mascot of the album. ‘The People’s Cub’ is an MP / Mayor but is also a little cub so he needs to stand on a tub to make speeches and he cuts the ribbon on new a village pub/cultural hub with his little furry stub.

Overall, the record is a bizarre and surreal journey through Best Band’s own disturbed inner psyche, set within erratic fuzzy rock styles that veer between 70s / 80s punk and 90s lo-fi indie worlds. With its offbeat themes of psychosis, unironic irony, modernity, depression, pathetic love, street nomadism, smelting, the afterlife, bus journeys, dread and defiance, ‘The People’s Cub’ is an excellently odd and candidly potent soundtrack to the times in which we all now live.

Catch Best Band playing the following shows in London:

27th May Dublin Castle, Camden

30th May Dash The Henge, Camberwell (early 3pm show)

17th June- Old Dispensary, Camberwell

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Best Band

Press shot by Claire C

Listen: ‘Monopolar (Tom Furse Remix)’ by Strange Fruit

Posted: 26 May 2026 in Recommended Streams and Videos, Singles and EPs
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British artist, producer and composer Tom Furse, celebrated for his work with The Horrors and MIEN (alongside The Black Angels’ Alex Maas and Elephant Stone’s Rishi Dhir), shares a transformative remix of’ ‘Monopolar’ for dreamgaze outfit Strange Fruit. Featured on their Drips EP, newly released via Gentle Tuesday Recordings, Furse’s re-envisioning strips back the original’s sensory explosion to reveal a deeper, darker core—infusing the track with slow-burning breakbeat grooves, abrasive ambient textures, and a distinct acid house pulse. Furse lends his signature atmospheric lens to this centerpiece, immersing Strange Fruit in UK electronic innovation.

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Furse has also built a solo and scoring practice, developing immersive, cinematic compositions rooted in texture and atmosphere. As a producer and remixer, he’s worked with Depeche Mode, Charlotte Gainsbourg, Franz Ferdinand, Tame Impala, Temples and The Twilight Sad. A resident on NTS Radio and active visual artist, with commissioned work including projects involving Fatboy Slim and The Rolling Stones, his practice bridges audio and visual worlds, exploring narrative, abstraction, and sensory experience through a distinctly atmospheric lens.
Based in Jakarta, Strange Fruit is Baldi Calvianca (vocals & synth), Irza Aryadiaz (synth), John Tampubolon (guitar), Nabil Favian (bass) and Dino Kristianto (drums). Since their 2015 debut EP Dolphin Leap, they’ve moved fluidly between noise pop, krautrock, shoegaze and electronica. Now converging into a more focused, hybrid sound with deeper integration of electronic elements, this EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision.

A lucid trip to the edge of sonic consciousness, the Drips EP is a defining moment in the band’s evolution, unifying fragments of their kosmische experimentation to achieve a more cohesive sonic identity. Apart from joining an exclusive lineage of artists who have received the Furse treatment, this EP also involves renowned UK producer Sean Johnstone a.k.a. Hardway Bros (co-founder of A Love From Outer Space with Andrew Weatherall) with his downtempo club atmosphere and Jonathan Kusuma of Jakarta’s Dekadenz collective with his leftfield disco echo-rich bass drum tempos.

Produced by Strange Fruit and electronic producer Bernardus Fritz, the EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision. The title track ‘Drips’ blends shoegaze textures and electronic elements in a dense, immersive soundscape, while ‘Pouvoir Moteur’ brings steady motorik rhythms that flow seamlessly down an endless highway.  ‘Iridescent’ channels dancefloor euphoria through minimalist beats and atmospheric layering, balancing introspection with forward momentum while finding luminosity within adversity.

The album’s lead track ‘Monopolar’ is a sensory explosion suspended between dream and awareness, and between the surreal and radiant. Gradually fading and blurred in technicolor, the video was directed by Mellow Splice, who also created the EP cover artwork, reflecting the track’s fluid and surreal qualities through abstract, water-like imagery.

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Watch: ‘Faultless Deep’ by Meersein

Posted: 25 May 2026 in Recommended Streams and Videos, Singles and EPs
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The darkwave/synthpop project MEERSEIN, brainchild of the Oldenburg-based artist and radio presenter Jan Schütz, has released a lyric video for ‘Faultless Deep,’ taken from the artist’s new EP Ocean available as digifile/digital from April 10th.

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‘Faultless Deep’ is one of the most emotionally intense and musically sophisticated songs by MEERSEIN. Blending haunting melodies with atmospheric depth, the track unfolds as a powerful ballad that balances accessibility with artistic complexity. Layered harmonies, subtle dynamic shifts, and an almost imperceptible tempo change in the bridge create a listening experience that grows more profound with every repetition.

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Inspired by the ecological vision of Frank Schätzing’s The Swarm, ‘Faultless Deep’ explores humanity’s fragile relationship with nature and the illusion of control over forces far greater than itself. Through poetic imagery, the song portrays the ocean as a conscious presence – both witness and response to human arrogance, environmental destruction, and collective denial. Images of fractured coral, collapsing structures, and awakening depths reveal a world confronting the consequences it has long ignored.

With MEERSEIN, a solo project rooted deeply in emotional honesty and atmospheric synth pop, the German artist has carved out a space where music becomes a personal refuge. Strongly inspired by the sea as both a physical place and a spiritual force, MEERSEIN’s work is shaped by moments of retreat, reflection, and reconnection with himself. Many of his songs are born near water, where the noise of everyday life fades and clarity returns.

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Photo by Caitlin Stokes

Watch: ‘No Anchor’ by The Joy Thieves

Posted: 24 May 2026 in Recommended Streams and Videos, Singles and EPs
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Chicago-based alternative all-stars The Joy Thieves unveil the video for their new single ‘No Anchor’ feat. Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface), created by Lumbra Productions. The second taste of their full-length album Apocalypse Pending, out June 5th via Armalyte Industries, fumes about a chilling world where corporate giants and billionaires operate with total impunity and where the absence of a moral "anchor" leads to societal and personal dissolution.

These music mavericks eye the edge of collapse, capturing the zeitgeist with such precision. Touching on the decay of the individual, ‘No Anchor’ explores the isolation in our modern world has pushed people towards amorality and an increased sense of hopeless nihilism. on vocals, this song articulates a world slipping free of moral gravity.

Revolving around musicians-producers Dan Milligan and James Scott (a.k.a. Joy Thieves Productions), The Joy Thieves is a musical supergroup that includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

“These days, it seems like people are capable of being pushed or tempted to exist in a state where they are alone. No moral compass. No ethics. No empathy. No forgiveness. No anchor. In a society where guilt seems to be gone, people can act however they want,” says Chris Connelly.

Dan Milligan adds, “When I was writing the music for ‘No Anchor,’ I purposefully used ever-changing, off-kilter guitar riffs that seem to stray farther and farther from the song’s key as it progresses. Because the music never truly repeats, or settles down, it creates the sickening sense that everything is unresolved, and it’s only going to get worse.”

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Watch: ‘Yo No Quiero Ir Al Cielo’ by Heavenly Trip To Hell

Posted: 23 May 2026 in Recommended Streams and Videos, Singles and EPs
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Industrial rock band, HEAVENLY TRIP TO HELL has just unleashed their newest single & video for the song, ‘Yo No Quiero Ir Al Cielo,’ recorded by Addasi Addasi at Fuel Music Studios.

Lead Vocalist G Christ explains the heart behind the track: “The song was inspired by the fact that we do not want to go to heaven where certain people can’t get in, I want to go to a heaven where everyone gets in.” This release continues HEAVENLY TRIP TO HELL’s signature sounds – industrial metal fused with goth and heavy metal – born from the dirty streets of Long Beach, California.

Check it here:

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HEAVENLY TRIP TO HELL aka HTTH is made up of 6 members – G Christ on lead vocals, Sergio on Bass, Vicky Vicious on synth and keyboards, Jose on drums, Kurt on lead guitars, and Frank on rhythm guitar. Over the years the band has built a strong underground presence, including a growing footprint in Hollywood, consistently selling out iconic venues such as The Viper Room, Whisky a Go Go, and The Rainbow Bar & Grill on Sunset Boulevard.

Now celebrating nearly 30 years on the streets. HTTH has shared the stage with some of the with some of the biggest names in rock n’ roll, including Dead Kennedys, Guns N’ Roses, Billy Idol, and more – cementing their place in the lineage of legendary live performers. From there, the band reflects on a legacy built deep in the underground scene. As guitarist Kurt puts it: “Give ‘em hell!” HTTH continues forward as a relentless force in heavy music, with a story still unfolding.

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Watch: ‘Leaves’ by Argonaut

Posted: 22 May 2026 in Singles and EPs, Recommended Streams and Videos
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Argonaut return after a long year with the video for Leaves, a melancholy five minute ode to autumn and entropy. Cure-esque guitars intertwine with melodic bass and sweeping synths to create an atmospheric backdrop to Lorna’s ethereal vocals. The lyrics and accompanying ‘found footage’ video touch on themes of dementia and retreating into past memories, a topic close to our hearts at the moment.

Lorna set the scene for the video; “I was thinking about the moon cycle and the new moon and wanted to incorporate that feeling into the music. The lyrics are about somebody who is getting older and their mind is starting to deteriorate. They can remember the past more than the present. I had the image of being lost in the woods and trapped inside their memories. It’s quite a personal song.”

No stranger to the wider landscape and supported by BBC 6 Music, NME, Radio X, Argonaut are back, with a new album Interrupted. Ten songs from the past year’s abyss, documenting breakdown, burnout, dementia, depression, memory, hope and healing.

For fans of Sonic Youth, Pavement, Velvet Underground, Dodgy, The Stranglers, Siouxsie and the Banshees, Huggy Bear, Japan, La Tigre, Grunge Pop, Experimental, Garbage, Hole, Nirvana, White Magic, Witches, Wands and The Pixies.

Musically, Eighties synth influences creep in alongside syncopated bass, fuzzed up guitars and heartfelt harmonies, fronted by Lorna and Nathan Lyons. Get up again when you can. Life moves pretty fast, but there will be interruptions.

‘Leaves’ is the first song from the forthcoming album Argonaut, interrupted, which will be released by Criminal Records and available to pre-order now.

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Watch: ‘Simoon’ by Puce Moment

Posted: 21 May 2026 in Recommended Streams and Videos, Singles and EPs
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O.R.G.II is an immersive musical work that brings the traditional pipe organ into dialogue with electronic and drone compositions, unfolding within a liminal soundscape — a space of transition and encounter orchestrated by Puce Moment.

In February 2019, Nicolas Devos and Pénélope Michel first engaged with the organ through a 1942 mechanical instrument. From this encounter emerged the album O.R.G., which laid the foundation for their distinctive approach to the organ as both a sonic and conceptual medium.

Longtime collaborator and choreographer Christian Rizzo, aware of Puce Moment’s ongoing exploration of pipe organs, invited them to compose the music for his new piece à l’ombre d’un vaste détail, hors tempête, premiered at the Biennale de Lyon in September 2025.

Ahead of the release of O.R.G.II on 12th June, they’ve unveiled a video for ‘Simoon’. Watch it here:

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PUCE MOMENT is the artistic duo of Nicolas Devos and Pénélope Michel, combining visual and sound arts. With backgrounds in fine arts, contemporary arts, and classical music, they founded the experimental electronic group Cercueil in 2005, gaining recognition in the French contemporary music scene through extensive touring. Parallel to this, they launched Puce Moment, a platform for sound research and interdisciplinary experimentation.

Their creations, blending fictional ethnology with diverse musical and visual forms, are characterized by emotional intensity and ritualistic structures, ranging from harmonic clarity to raw  distortion. Using electronic and electroacoustic arrangements, they craft immersive soundscapes that merge traditional instruments (like limonary organs or Japanese gagaku) with innovative interpretations. Their work invites active audience participation through spatialized and immersive sound experiences.

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Listen: ‘an uttering of antipathy’ by BIG|BRAVE

Posted: 20 May 2026 in Recommended Streams and Videos, Singles and EPs
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BIG|BRAVE, the Montréal/Berlin-based trio of guitarist/vocalist Robin Wattie, guitarist Mat Ball, and bassist Liam Andrews, have unveiled the mountainous single ‘an uttering of antipathy,’ taken from their forthcoming album in grief or in hope, out June 12th. The single’s gargantuan, sublime chords feel gravitational as they unfold in plumes of darkened feedback. Wattie’s voice emphasises a sense of isolation inside the fray with stark clarity and at times auto-tuned undulations, culminating in a powerful conclusion: “god only blames me / you only blame me.”

Mathieu comments, "This track was actually one we performed during the past year of touring. These are the chords and instrumentation we used for the live rendition of “chanson pour mon ombre”. Given our fondness for this live track, we decided to incorporate the chord progression into a new song for this record. After several challenging days in the studio, when it was time to structure and record the track, Liam, Robin and I recorded the entire song in a single take in the live room. This was a highly encouraging moment. The vocals (with subtle autotune) effectively brought the song together, making it one of my favourites on the record." About the autotune Robin enthuses, "I’ve ALWAYS wanted to try it. i’m glad we did."

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in grief or in hope marks a shift for BIG|BRAVE towards denser, guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. Each piece is its own biome of distortions starkly contrasted with delicate, even tender, moments. The trio’s instinctual progressions are made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Within texturally maximalist loops and affected vocals, the pieces utilise the aesthetics of drone, electronic, and heavy music within a foundation of pop song form. Wattie writes: “I wanted to explore catchy, melodic phrasing weaved throughout the intensity of the instrumentation and drony chord changes. All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person.”

Together the trio deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

BIG|BRAVE will begin their European tour in support of the album this week in the Netherlands, and will be embarking on an extensive North American tour with The Body this summer.

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Photo credit: Stacy Lee

Listen: ‘The Call Beneath’ by Urzah

Posted: 19 May 2026 in Recommended Streams and Videos, Singles and EPs
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Bristol based sludge metal band Urzah release their new album  ‘A Tranquil Void’ in just a few weeks on 5th June via APF Records (Mastiff, Video Nasties, Swamp Coffin). Today sees them share one final single before the album is out in the form of ‘The Call Beneath’.

You can check out the track here:

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Formed in 2020, just before the pandemic hit, Urzah’s intensely collaborative and productive writing process was immediately evident, leading to the quick release of self-titled EPs ‘I’ (2020) and ‘II’ (2022). These laid the foundation for Urzah’s unique brand of ‘progressive sludge’. Inviting comparisons to Neurosis, DVNE, Mastodon and Elder, their forward-looking sound combines the abrasive elements of punk and post-hardcore with atmospheric post-metal passages and soaring melodies.

Urzah’s vision of ‘Earthen Heaviness’, combining oppressive darkness with moments of transcendence and cosmic awe, was realised on their critically acclaimed debut LP The Scorching Gaze (2024, APF Records). The band’s sonic world draws on both the intensely personal – rage, loss, grief and self-doubt – and a profound awe and vulnerability in the face of the celestial and natural worlds, framing visceral human struggle within vast cycles of death, decay and rebirth.

Since their debut, Urzah has refined their live shows across the UK, playing festivals and headline shows, and sharing stages with a diverse roster of heavy bands including Bongzilla, Tuskar, Mastiff, Greenleaf, OHHMS and Dopelord, as well as progressive atmospheric bands such as Hidden Mothers, Underdark and Nadja, demonstrating their strong cross-genre appeal.

The band recently announced that they are set to release new LP A Tranquil Void on 5th June 2026 via APF Records. The record marks a defining moment for the band, following up their critically acclaimed debut ‘A Scorching Gaze’ (2024, APF) with an even more assured, mature and ambitious full-length. Conceptually, ‘The Scorching Gaze’ and ‘A Tranquil Void’ function as a visual, musical and thematic diptych; where their debut burned brightly with the rage and destruction of an erupting volcano, their new LP captures the cathartic, contemplative still that follows.

Tom McElveen (vocals/guitar) comments on 3rd single ‘The Call Beneath’, “this track is about dealing with grief for the first time, and letting yourself be pulled into its depths so the earlier version of yourself can die and a new one can be reborn and ‘rise to the surface’. This process can only happen when you stop resisting it. We play with dynamics and moving time signatures to build and rebuild tension, taking us through to the final cathartic stage of rebirth at the pinnacle.”

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Watch: ‘Viper’ by The Howlers

Posted: 18 May 2026 in Recommended Streams and Videos, Singles and EPs
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The Howlers have delivered the first glimpse at their highly-anticipated sophomore album in the form of new single ‘Viper’. Carrying the band’s classic desert rock swagger, the track is accompanied by an epic video of a backlit frontman Adam Young, trusty fringe leather jacket in tow. “I’m not your usual type,” he shrugs, “but let’s pretend for the night.” Driving riffs and comparatively delicate vocals reintroduce the band, setting the scene for new album Heavy – an album exuding confidence and identity – which is set for release this autumn.

Speaking about the forthcoming new album, Young states:

“This album is those late night experiences, the after dark conversations, late night phone calls, the seductive nature of impulsiveness that seems so alluring and losing yourself in the addictive nature of recklessness, but it’s also the mirror in the morning, the wake up call, and the harsh reality of knowing those feelings won’t always last and it’s the moment you find yourself again.”

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The Howlers’ debut album What You’ve Got To Lose To Win It All earned the band a UK Official Charts Top 10 position and multiple chart positions across mainland Europe, where they also completed a headline tour last March. The record represented the emotional toll of personal loss, written and conceived by Young as a means to express and share his own experiences.

Outwardly the band was riding the high of success, but behind the scenes they were falling apart amidst the burden of independent releasing. But in the wake of the new year, Young set about working on the foundations of what would become the band’s second album. Galvanised by his newfound independence and reshaping the band into a two-piece, The Howlers recorded and released their rebirth singles ‘Night Crawling’ and ‘You Can Be So Cruel’.

This propelled the band across the continent, testing the waters on new material and rekindling a love for performing. The band have built a reputation as one of the country’s must-see bands, with plans to head back out on the road in the UK and EU surrounding their new album later this year.

Heavy, The Howlers’ sophomore album, is set for release via Frontiers Label Group on 9th October. Tour dates are soon to be announced.

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