Archive for the ‘Recommended Streams and Videos’ Category

tētēma (Mike Patton and Anthony Pateras) release a video for “Wait Till Mornin’", the second single from the band’s second album, Necroscape (April 3, Ipecac Recordings).

“Peter Gunn on methamphetamine with RD Burman as co-pilot, being pursued by Madlib through an early 80s London industrial estate,” is how Pateras describes the three minute track. He went on to add: “This was one of the first songs we wrote for the new album, and probably played a big part in convincing us doing another would be a good idea. It is the only song on the record with a drum less chorus; like a lot of our music, the drama is upside down.”

“Wait Till Mornin’” is the second track to be released from the 13-song Necroscape, with the band debuting “Haunted On The Uptake” in mid-January. Pre-orders, which include a limited edition embossed gatefold vinyl (2500 copies), CD digipak and digital download are available here: https://smarturl.it/necroscape.

Necroscape is the second album from the modernist electro-acoustic rock proposition, seeing the outfit continuing to employ the wayward orchestrations and arresting physicality of their 2014 debut, Geocidal with a renewed melodic language which grounds its multi-colored twists and turns in hallucinatory lyricism.

Watch ‘Wait Till Mornin’ here:

Ahead of the release of their second album, Inviolate, Dystopian Future Movies release ‘Black-Cloaked’ as a follow-up to ‘Countenance’, which came out in January.

Check it here:

After 3 albums Antwerp’s noisiest outfit The Hickey Underworld evaporated. They never announced a break up, they just ceased to be… but the genie’s back out of the bottle. Well sorta… Frontman and main songwriter Younes Faltakh is the sole survivor and teamed up with ex Das Pop member Niek Meul. The pair set up camp in Niek’s studio in Oslo and recorded 10 eccentric, mysterious and groovy tracks. Guitars do a lapdance wrapping their tormented strings around a worked up rhythm section while Younes’ hoarse growl sounds as familiar as it does threatening.

Birthed in post-punk, heavily infused by Eastern psychedelica, and described by their record label [PIAS] as alternative world music, most refer to Arabnormal as ‘a manically zonked-out flying carpet ride’.

Read the above and listen to Arabnormal’s new single ‘Digital Veil’ and you’ll know that doesn’t make any sense at all… ‘Digital Veil’ is a sweet, sophisticated and too cute to cuddle soft rock gem. To honour the late Hickey Underworld tradition of psycho-facemelting video’s, Arabnormal’s visual companion for their latest single is quite something. Does your mouth get wet thinking of a make-up sandwich? Well, here’s the recipe!

Pure Reason Revolution recently announced the release of Eupnea, their first new studio album in nearly 10 years, for the 3rd of April 2020. They’ve just revealed the first piece of new music taken from the record, in the form of the epic 10-minute ‘Silent Genesis’, a track which Jon Courtney co-wrote alongside original PRR member Greg Jong.

The band comments: “With some tracks it’s blood sweat & tears to get them nailed, but “Silent Genesis” came together really quickly. While Greg & I worked on the music, Chloe was blasting out vocals in London. We had a lot of fun making this track; mangling synths, riffing & unexpectedly outroing with funk!”

Listen to the track here:

The experimental chamber collective Collectress, who create unique surrealist-tinged chamber pop and have been described as a cross between "the Elysian Quartet and possessed Brontë sisters teasing an unsuspecting dinner party" (Foxy Digitalis) release a video today for new single "In The Streets, In the Fields".

Using dance as a means to explore the nature of the music, and with nods to both psychedelia (particularly 13th Floor Elevators), and the 1937 recording of Virginia Woolf’s “Words”, Collectress play at taking you somewhere imaginary whilst staying grounded in reality- ‘in the streets’ yet also ‘in the fields.’  The band remark "we liked the sense of the transience of language as evoked by the crackly Woolf recordings, of time passing and of spaces shifting, of being in one place yet another at the same time, in “Different Geographies”. In this technological world of ours, Woolf’s “Words” speaks to us from the past, visionary in suggesting we are mere vessels for language to occur, adapt and move around in. “In the Streets, In the Fields” melodically ‘sets off’ and in some way is doing this too, its simple structure unfolding, shifting and developing over the course of the song."
Collectress continue "the film for "Streets" was always going to include dance as a means to explore and express the nature of the music. We talked about parts of the body, colours and ‘elements’ to include. We each gave our interpretation and filmed ourselves dancing at our own respective ‘different geography’. What you see in the film is a layering of those interpretations to the rhythm and layers of the individual parts of the music, to create an indefinable space that we hope has something recognisable and grounded but that also allows for an element of getting lost."

Watch ‘In the Streets, In the Fields’ here:

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Collectress Spring Shows:

Friday April 10 – Brighton Album Launch at The Rosehill, Brighton

Sat May 9 – Daylight Session (plus special guests), Union Chapel, London

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Collectress

Sky Valley Mistress  recently caught our attention supporting Black Moth at their Leeds farewell show in December, and having signed to New Heavy Sounds, their debut single and its attendant video feels like the passing of a baton.

Sky Valley Mistress spent 10 days recording at Dave Catching’s Rancho de la Luna studio in California, hanging out with the likes of Hutch (QOTSA’s ex sound man), Bingo (Mojave Lords), Chris Goss (Masters of Reality), Peaches and Arctic Monkeys who also dropped by during the stay.

Footage from their time out there is featured in the video for new single ’Skull & Pistons’. Guitarist Sean ‘Starsky’ Berry comments, ‘Skull & Pistons is about Max’s (drummer) leather jacket and the cool things he’s done in it, the video shows the band’s coolest journey to the desert to record their debut album, it was an obvious choice for a debut single and although this jacket is literally now falling of his shoulders it makes a cameo in this film.’

Watch the video for ’Skull & Pistons’ here:

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Sky Valley Mistress are 4 young upstarts from Blackburn, Lancashire, who have been honing their chops over the years up & down the country, and showcasing their blistering live set at Download, Camden Rocks and Sound City along with supports with The Subways, Cadillac Three, Earthlings and Band Of Skulls amongst others.

In fact, SVM could easily hold their own against the likes of Jim Jones, Rival Sons, Royal Blood, BRMC or any other rockers greasy or otherwise.

Still only in their mid 20s, you can only assume, on listening to this debut, that these young turks made that journey to those legendary crossroads and did the dirty deed with the dark one himself, such is the level of musicianship and vocal prowess on show here.

So how did they hook up with Dave Catching?  That’s a story in itself. It was Halloween & the band all went to an Eagles of Death Metal gig in fancy dress as members of EODM and their friends.  After the show the band blagged their way backstage.  The boys in EODM loved their costumes and SVM gave Dave Catching some of their tracks and asked for him to check them out.

Dave later came back to them and said he really liked what he heard and that if they were thinking of doing an album they should record at his place in California, the legendary studio at Rancho de la Luna.

And so it eventually came to pass.

The result of that meeting of minds and souls is the full spectrum stoner rock ‘n’ roll assault of ‘Faithless Rituals’.

‘Faithless Rituals’ will hit the world on 20th March 2020.

Upcoming shows:

Wed 29th Jan – The Jacaranda, Liverpool as part of Independent Venue Week

Wed 18th March – The Fulford Arms, York

Sky Valley Mistress

Human Impact, a “band that collects members from three of New York noise’s most important groups — the hardcore-influenced, ultraviolent Unsane, industrial anger mongers Cop Shoot Cop, and erstwhile Lower East Side pummelers Swans” (Rolling Stone), have released a video for “E605”.

The Samuel Mitchell-directed clip visually echoes the gritty, industrial-tinged noise rock on the band’s forthcoming, self-titled debut album (March 13, Ipecac Recordings). It is the second song to preview the 10-track release, with the band previously sharing the song “November”.

Watch ‘E605’ here:

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