Archive for the ‘Recommended Streams and Videos’ Category

Chelsea Wolfe has returned with another stunning track from her forthcoming album, Birth Of Violence out September 13th on Sargent House. The song is accompanied by this video which Wolfe tells us is an “expression of freedom and beautiful humans being themselves.”

She continues, “It began as a sort of homage to a scene in the Paul Thomas Anderson film Magnolia, where the characters are singing along to the Aimee Mann song “Wise Up,” but I wanted our version to be explored through the lens of The Tarot. I’ve been reading tarot cards for myself for many years, and researching the symbolic expressions of the cards for this video made me want to dive even deeper. To represent that, I played both The Fool and The High Priestess cards in the video, to embody both the beginning of the journey, and the realization that the sacred knowledge I was seeking was inside me all along. We cast friends to play a few other tarot archetypes, and Karlos’ idea was to bring the symbols and signifiers into the contemporary; deconstructed, and made everyday – “the magical and the unexceptional.” I loved that. At the same time, we really wanted to challenge the binary of the traditional tarot cards, and give them more diversity, which is something important that many cool artists and witches are doing. I’m such a fan of Karlos Rene Ayala as a writer, director, documentarian and friend, and have looked forward to making a video with him for a long time.”

Watch the video here:

Wolfe will be embarking on an extensive, acoustic North American tour this Autumn starting with a special performance at Pasadena Daydream Festival with her full band. All tour dates are listed below.

Chelsea Wolfe Acoustic Tour:

31/08: Pasadena, CA – Pasadena Daydream Festival * (Non Acoustic Set)
18/10: San Diego, CA – Observatory North Park
19/10: Phoenix, AZ – Crescent Ballroom
21/10: Salt Lake City, UT – Metro Music Hall
22/10: Estes Park, CO – Stanley Hotel
24/10: Chicago, IL – Metro
25/10: Detroit, MI – Senate Theater
26/10: Toronto, ONT – Queen Elizabeth Theatre
27/10: Montreal, QC – Le National
29/10: Boston, MA – Royale
31/10: Philadelphia, PA – Union Transfer
01/11: New York, NY – Brooklyn Steel
03/11: Washington, DC – 9:30 Club
04/11: Charlotte, NC – McGlohon Theater
05/11: Atlanta, GA – Terminal West
06/11: Nashville, TN – Mercy Lounge
08/11: Dallas, TX – Texas Theatre
09/11: Austin, TX – Levitation
10/11: Houston, TX – White Oak Music Hall
12/11: Santa Fe, NM – Meow Wolf
13/11: Tucson, AZ – Club Congress
15/11: Los Angeles, CA – The Palace Theatre
16/11: San Francisco, CA – Regency Ballroom
18/11: Portland, OR – Wonder Ballroom
20/11: Seattle, WA – The Showbox
21/11: Vancouver, BC – Vogue Theatre

* All dates with special guest Ioanna Gika except 8/31

Advertisements

Canadian composer Scott Morgan shares a video for the track ‘Equivalent 6’, taken from his 12th long-player as Loscil, Equivalents.

The album takes its title from an influential series of early 20th century photographs by Alfred Stieglitz, abstracting clouds into miasmic, painterly canvases of smoke and shadowplay. It’s a deeply fitting analog for Morgan’s own musical process across the past two decades, fraying forms and tones into widescreen mirages of opaque texture and negative space. The name Equivalents referred to Stieglitz’s notion of the photographs as being equivalent to his “philosophical or emotional states of mind;” the same could be said of these eight weighty, shivering chiaroscuros of sound. Each piece unfolds and evolves enigmatically, adrift in low oxygen atmospheres, shifting dramatically from pockets of density to dissipated streaks of moonlit vapour.

The entirety of the record was created specifically for the album with the exception of ‘Equivalent 7’, which began as a dance score for frequent collaborator Vanessa Goodman. The album version of this track was reworked with Vancouver musician Amir Abbey aka Secret Pyramid.

Watch the video here:

Spotlights have shared a video for the track ‘Mountains Are Forever’ taken from their latest album Love & Decay which is out now via Ipecac Recordings. The video arrives as the band commence their first headline tour across the US, having previously shared the stage Deftones, Melvins, Quicksand, Hum, Glassjaw, Pelican and Pallbearer – dates below.

Spotlights: Love & Decay US Tour

Tickets Ipecac.com/artists/Spotlights

July 12 Lexington, KY The Green Lantern

July 13 Grand Rapids, MI Pyramid Scheme

July 14 Toronto, ON Monarch

July 16 Pittsburgh, PA Black Forge 2

July 17 Philadelphia, PA Kung Fu Necktie

July 18 Brooklyn, NY Sunnyvale

July 19 Harrisonburg, VA The Golden Pony

July 20 Chapel Hill, NC Local 506

July 21 Asheville, NC The Mothlight

July 23 Atlanta, GA The Earl

July 24 Memphis, TN Hi Tone

July 25 Little Rock, AR Vino’s

July 26 Shreveport, LA Bear’s

July 27 Dallas, TX Double Wide

July 28 Austin, TX The Lost Well

July 30 Phoenix, AZ Valley Bar

July 31 San Diego, CA Bar Pink

August 1 Los Angeles, CA The Satellite

August 2 San Francisco, CA Thee Parkside

August 3 Sacramento, CA Blue Lamp

August 4 Reno, NV Jub Jub’s (Side Room)

August 6 Salt Lake City, UT The Loading Dock

August 8 Denver, CO Hi-Dive

August 9 Lincoln, NE 1867 Bar

August 10 Rock Island, IL Rozz Tox

August 11 Chicago, IL Subterranean

Spotlights - Love & Decay

The monolithic collaboration between industrial-noise post-everything bands Uniform and The Body continues with a second entry, Everything That Dies Someday Comes Back. Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse’s clenched-jaw noise, middle-period Ministry’s penchant for metallic post-industrial everything, New Order’s nose for melodic emotionality, and Juicy J-inspired beats, Uniform and The Body’s approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again.

They’ve now shared the album’s lead track ‘Penance’, which Uniform’s Michael Berdan explains, “has to do with an ongoing attempt to hold oneself to a higher standard than you did yesterday. Human beings are bound to mess up as often as not, which can lead to either teachable experiences or nihilistic resign. I grew up surrounded by religious types who could act like monsters six days out of the week as long as they were willing to say ‘sorry’ to some priest and pray a rosary on the seventh. Continuing in malicious behaviour and demanding arbitrary absolution is a garbage way to live. However, if we take account of where we’ve done harm to others and ourselves and endeavour to learn and not repeat these actions, then maybe we can grow into empathetic and loving people.”

Listen to ‘Penance’ here:

AA

Uniform Live Dates:

06/07: Groningen, Netherlands – Vera

07/07: Leper, Belgium – Leper Fest

09/07: Malmo, Sweden – Plan B

10/07: Stockholm, Sweden – Hus 7

11/07: Anyksciai, Lithuania – Devilstone Festival

12/07: Kutná Hora, Czech Republic – Creepy Teepee Festival

13/07: St. Petersburg, Russia – Serdce Club $

14/07: Moscow, Russia – Pluton $

16/07: Bratislava, Slovakia – Protokultura

17/07: Kosice, Slovakia – Collosseum Club

18/07: Ostrava, Czech Republic – Colors Of Ostrava Festival

19/07: Berlin, Germany – Kantine Berghain

20/07: Den Haag, Netherlands – Grauzone Summer Festival

21/07: Bristol, UK – Crofters Rights +

22/07: Hull, UK – The Polar Bear +

23/07: Leeds, UK – Temple Of Boom +

24/07: Cardiff, UK – The Moon +

25/07: London, UK – Electrowerkz +

26/07: Paris, France – Espace B

27/07:Bamberg, Germany – Pizzini

28/07: Rokycany, Czech Republic – Fluff Fest

19/08: San Diego, CA – Casbah *

20/08: Phoenix, AZ – Valley Bar *

22/08: San Antonio, TX – Paper Tiger *

23/08: Austin, TX – Barracuda *

24/08: Denton, TX – Rubber Gloves *

25/08: Houston, TX – White Oak Music Hall *

26/08: New Orleans, LA – Poor Boys

27/08: Birmingham, Alabama – The Firehouse

29/08: Tallahassee, FL – Wilbury

30/08: Tampa, FL – Orpheum *

31/08: Gainesville, FL – High Dive *

01/09: Atlanta, GA – Masquerade *

03/09: Nashville, TN – Exit/In*

04/09: Asheville, NC – The Orange Peel *

07/09: Washington, DC – Black Cat *

08/09: Jersey City, NJ – White Eagle Hall*

10/09: Brooklyn, NY – Elsewhere *

11/09: Boston, MA – Paradise Rock Club *

12/09: Portland, ME – Port City Music Hall *

14/09: Toronto, ON – Lee’s Palace *

15/09: Grand Rapids, MI – Pyramid Scheme*

17/09: Chicago, IL – Lincoln Hall *

18/09: St. Louis, MO – Delmar Hall *

20/09: Denver, CO – Marquis Theater *

21/09: Salt Lake City, UT – Metro Music Hall*

23/09: Seattle, WA – Neumos *

24/09: Portland, OR – Doug Fir Lounge *

26/09: San Francisco, CA – Great American Music Hall *

27/09: San Jose, CA – The Ritz *

28/09: Camarillo, CA – Rock City *

29/09: Los Angeles, CA – Echoplex *

$ w/ Thou

+ w/ Bad Breeding

* w/ Boris

The Body Live Dates:

04/07: Roskilde, Denmark – Roskilde Festival #

05/07: Kassel, Germany – Goldgrube *

06/07: Leipzig, Germany – Conne Island *

08/07: Prague, Czech Republic – Modra Vopice *

09/07: Budapest, Hungary – Durer Kert *

10/07: Munich, Germany – Backstage !

11/07: Paris, France – Gibus #

12/07: London, United Kingdom – The Dome #

13/07: Dour, Belgium – Dour Festival #

15/07: Nijmegen, Netherlands – Valkhof Festival *

16/07: Berlin, Germany – Zukunft Am Ostkreuz *

17/07: Oberhausen, Germany – Drucklufthaus %

18/07: Crispendorf, Germany – Chaos Descends Festival

20/07: Birmingham, United Kingdom – Supersonic Festival

21/07: Sheffield, United Kingdom – Doomlines V
22/07: Glasgow, United Kingdom – Broadcast %

23/07: Manchester, United Kingdom – Soup Kitchen %

24/07: Bristol, United Kingdom – Rough Trade %

26/07: Moscow, Russia – Mutabor

27/07: St Petersburg, Russia – Opera

28/07: Rokycany, Czech Republic – Fluff Festival

29/07: Milan, Italy – Macao %

30/07/: Bologna, Italy – Freakout Club %

31/07: Linz, Austria – Kapu %

01/08: Kosice, Slovakia – Tabacka Kulturfabrik %

02/08: Katowice, Poland – OFF Festival

05/09: Salt Lake City, UT – Urban Lounge

06/09: Denver, CO – Denver Hex at Lost Lake Lounge

07/09: Kansas City, MO – The Riot Room

13/09: Providence, RI – Columbus Theatre ^

14/09: Hudson, NY – Basilica Soundscape ^

15/09: Brooklyn, NY – The Bell House ^

^ w/ Assembly of Light

# Collab set with Full Of Hell

* w/ Full Of Hell

! w/ Full Of Hell and Napalm Death

% w/ Black To Comm

Uniform and The Body

Following the announcement of IAMTHEMORNING’s new studio album The Bell, due for release on Kscope on 2nd August, the Russian duo, comprising of virtuoso classical pianist Gleb Kolyadin and charismatic vocalist Marjana Semkina have premiered the first single to be taken from the new opus ‘Ghost Of A Story’.

You can watch the video for ‘Ghost of a Story’ here:

Following the announcement of IAMTHEMORNING’s new studio album The Bell, due for release on Kscope on 2nd August, the Russian duo, comprising of virtuoso classical pianist Gleb Kolyadin and charismatic vocalist Marjana Semkina have premiered the first single to be taken from the new opus “Ghost Of A Story”.

Marjana explains more on how “Ghost Of A Story” fits into the album’s song cycle “’Ghost of a Story’ starts the second part of the song cycle that is The Bell, and we decided to launch it with a brighter note to have a bigger contrast with all what comes after. It’s a song about awakening, reinterpreting and questioning yourself and the world and looking for deeper meanings. It’s a song about how pain dims with time – about the fact that in the end, every tragedy that we suffer through is just a drop in the ocean of suffering of men – that we survive anyway. "Nothing feels real, these scars won’t heal – Nothing’s worth tears, it was alright from very start"

The live studio clip was filmed by the band’s long-time collaborator Eggor Kree at Lendok studios in St Petersburg.

The duo’s dedication to writing forward-thinking and thought-provoking music sees them create a new album of impressive depth and playability. A modern blend of rock, classical and folk, The Bell makes use of 19th Century song cycles – a style established by Schubert – that cohesively tells 10 individual stories. Vocalist Marjana Semkina explains in more detail “The Bell is divided into two parts but each song is a story in its own right, all of them are fuelled by human cruelty and pain caused by it. Cruelty is the central theme of the album – together with all the different ways we respond to it and cope with it. This album is multi-layered and is, in many ways, a journey inwards, taking us inside of a mind of a person suffering from abuse or neglect or open hostility of the society or a specific person.

“Aesthetically, the album is based on themes taken from Victorian England’s art and culture, but more in a way of turning our attention to the fact that at its core, humankind isn’t making much progress in terms of emotional maturity.”

The Bell was recorded in March 2019 across Russia, the UK and Canada in several studios: Mosfilm in Moscow; Lendoc and Red Wave in St Petersburg; Noatune in London; The Studio at Sunbeams, Penrith; and Union Sound Company in Toronto. With engineering and mastering handled by Vlad Avy. 

The album features the track “Blue Sea” which featured in demo form on the band’s studio film Ocean Sounds.

The album’s beautiful cover artwork was created by the band’s favoured collaborator Constantine Nagishkin. Marjana explains the imagery “on the cover is a safety coffin bell – it’s a 19th century idea born from people’s obsessive fear of being buried alive, having been provoked by a lot of press attention to supposed cases of premature burials across the country.  and the fact that Edgar Allan Poe frightened many readers by vividly describing the premature burial phenomenon in his short stories.

“One of the inventions to escape such a terrifying ordeal was a so called “safety coffin” that existed in many different configurations, including the one that had a bell attached to the gravestone with a thread that was attached to it and went all the way underground into the coffin so that the when the poor soul awoke  and  on realizing  he’s been buried alive, could ring to let the people outside know what has happened.

“Although the idea is a bit morbid I feel there is hope in the artwork too – no matter how low you are or desperate you think your situation is, you can still call for help, but more than that you have to call for help if you need it”.

In recent years, French atmospheric rockers Klone have built their name on making music that’s as deeply introspective as it is sonically powerful. Le Grand Voyage, the band’s first release for UK post-progressive specialists Kscope on 20th September, is an album brimming with that sense of searching and self-discovery, its 10 tracks living up to its name in unabashed no-stone-unturned existential exploration.

“Our music allows the listener to travel and ask, ‘What is the spirit? What is the matter?’ and those kinds of questions,” says guitarist Guillaume Bernard. “The title refers to the wandering of the mind. It all came our singer [Yann Ligner] who came up with something in English like ‘The Great Journey’. We all liked the meaning but weren’t sure how it sounded. Eventually we realised it would be easy enough for people to translate and understand in our native tongue.”

Much of the inspiration on forthcoming singles ‘Breach’, ‘Keystone’, and ‘Hidden Passenger’ came from pondering the great philosophies of life, those eternal unanswered questions like who we are, where we are going and, ultimately, what happens next. It was the uncertainty and confusion surrounding mortality, the notion that something or nothing awaits us, which felt like an unlimited creative playground for the French art-rockers.

You can watch the video here: