Archive for the ‘Recommended Streams and Videos’ Category

Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion) and Kevin Doria (Growing, Total Life) have joined forces on the new LP are SING SINCK, SING, out via Constellation on 10th May. As a first offering, the duo have shared the track ‘We Will’, which layers oscillating waves of melancholy drone with plaintive, reverb-cloaked vocals, before eventually coalescing into a determined and hopeful refrain. You can hear it here:

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As the title suggests, this is also an interstitial album of sorts, an identity-bridge that leads away from Menuck as ‘solo’ artist and towards SING, SINCK SING which will be the new band name for future work by the duo.

Efrim Manuel Menuck & Kevin Doria Live Dates:
09 May – Montréal, QC @ Ritz PDB
10 May – Toronto, ON @ The Burdock
11 May – Hamilton, ON @ Christ Church Cathedral
16 May – Brooklyn, NY @ Murmrr
25 May – Biarritz, FR @ Festival Usopop
27 May – Limoges, FR @ Le Phare
31 May – Zottegem, BE @ Dunk Festival
01 June – Amsterdam, NL @ Best Kept Secret Festival
02 June – Barcelona, ES @ Primavera Festival
03 June – Poznan, PL @ LAS
04 June – Berlin, DE @ Arkaoda
06 June – Brussels, BE @ Botanique Rotonde
07 June – Diksmuiden, BE @ 4AD
09 June – Paris, FR @ Villette Sonique

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After releasing "Mining For Gold" and "I’m So Lonesome I Could Cry" alongside the announcement of their forthcoming LP Trinity Thirty, Deadbeat & Camara are thrilled to share "Working On A Building" ahead of the album’s release next month. The Berlin-based Canadian duo reshape the original Cowboy Junkies arrangement into a tense, slow burn. A languid yet insistent bass line anchors hushed, spectral vocals from Monteith, Camara, and guest singer Caoimhe McAlister, while accents of plucked acoustic strings and snippets of mechanical sound harken back to its origins as a traditional work song. Listen to it now in advance of Trinity Thirty‘s release on 26 April.

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Deadbeat & Camara

Earth announce new album, Full Upon Her Burning Lips, to be released by Sargent House on 24th May 2019. Ahead of this, they’ve unveiled album track ‘Cats in the Briar’, which showcases the evolved sound of the band – now stripped back to core duo of Dylan Carlson and Adrienne Davies, and so resembling, albeit with different instrumentation, their first iteration.

In addition to scaling back on their ranks, Earth altered their previous trajectory by entering into Full Upon Her Burning Lips without a conceptual arc to guide the process, relying instead on their collective subconscious to hone in on the overarching muse as the songs developed. “In the past I’ve usually had a strong framework for an album,” Carlson says. “This one developed over the course of writing and recording. It just felt like ‘Earth’—like just the two players doing their best work at playing, serving the music.” The absence of a pre-existing narrative guiding the compositions meant that the songs were more open and intuitive, often resulting in more terse musical vignettes like the richly harmonic “Exaltation of Larks” or the dreamily itinerant “Maidens Catafalque”.  Yet subconscious impulses gradually created their own subtext for the album. “I wanted this to be a ‘sexy’ record, a record acknowledging the ‘witchy’ and ‘sensual’ aspects in the music… sort of a ‘witch’s garden’ kind of theme, with references to mind altering plants and animals that people have always held superstitious beliefs towards. A conjuror or root doctor’s herbarium of songs, as it were.”

Listen to ‘Cats in the Briar’ here:

Dylan Carlson is also undertaking a succession of solo dates around Europe, including the UK, which are as follows:

MAR 21 Newcastle, UK @ The Cluny

MAR 22 Bristol, UK @ Rough Trade

MAR 23 Manchester, UK @ Soup Kitchen

MAR 24 Birmingham, UK @ The Flapper

MAR 26 London, UK @ St John of Bethnal Green

MAR 27 Brussels, BE @ Botanique

MAR 28 Lille, FR @ La Malterie

MAR 29 Duisburg, DE @ Explorado Museum

MAR 30 Berlin, DE @ Cassiopeia

MAR 31 Prague, CZ @ Futurum

APR 01 Vienna, AT @ Grillx

APR 03 Munich, DE @ Feierwerk

APR 04 Lausanne, CH @ Le Bourg

APR 05 Zurich, CH @ Bogen F

APR 06 Paris, FR @ Sonic Protest Festival

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Swiss progressive sludge outfit Herod who released new album Sombre Dessein last week through Pelagic Records have shared a new video for the crushing track ‘Silent Truth’. 

Herod have arisen from the ever- prosperous Swiss music scene. Throughout their young 4 years of presence, they have already shared the stage with such acts as Gojira, Crowbar, The Ocean, Carcass, Obituary, Napalm Death and Voivod – Attesting their repute as the bus boy’s of King Herod, serving up whole sides of rare riffs, disposition, beauty and authority.

The band comment,

“’Silent Truth’ is the last video clip from Sombre Dessein to be released and it is the first “lyric video” for the band. We decided to make a lyric video for ‘Silent Truth’ because it summarizes the concept of Sombre Dessein. Our Judaeo-Christian and thermo-industrial civilisation will eventually come to end and be replaced by another civilisation – It has always been on the cards. 
Our civilization has values no more.

Civilisations have always been founded/established by the power and assistance of war. We live in a critical moment in history where only a few humans ready to die for their beliefs can put a powerful nation on their knees. Who would die today for a smartphone or a couch?! We are exhausted and immersed in our own inertia; we have nihilism but no fervour anymore.”

Watch it here:

Herod will also be touring Europe in March + April with The Ocean:

13/03 – DE, Stuttgart – Im Wizemann

14/03 – CH, Geneva – PTR/ L’Usine

15/03 – FR, Lyon – CCO

16/03 – FR, Toulouse – Rex

17/03 – FR, Marseilles – Les Pennes Mirabeau

18/03 – FR, Colmar – Le Grillen

19/03 – FR, Bethune – Le Poche

20/03 – UK, Birmingham – Mama Roux

21/03 – IR, Limerick – Dolan’s Warehouse

22/03 – IR, Dublin – Voodoo Lounge

23/03 – UK, Glasgow – Audio

24/03 – UK, Leeds – Brudenell Social Club

25/03 – BE, Antwerp – Trix

26/03 – NL, Den Haag – Paard

27/03 – DE, Cologne – Club Volta

28/03 – DE, Leipzig – Werk 2

29/03 – PL, Poznan – U Bazyla

30/03 – DE, Bremen – Tower

31/03 – DE, Hamburg – Logo

02/04 – SE, Stockholm – Fryhuset, Klubben

03/04 – SE, Gothenburg – Tradgarn

06/04 – NO, Stavangar – Folken

07/04 – NO, Hamar – Gregers

08/04 – DK, Copenhagen – Vega

…and we’ll be down the front in Leeds!

Modern Technology’s eponymous debut EP got us foaming with excitement the other week, and they’ve now unveiled a video for the song ‘Project Fear’, which pairs the full-throttle guitar abrasion and politically-charged anger with stark, grainy black and white images that seer the retinas. It’s fucking mint, and you can watch it here:

After sharing the track ‘Dysfunctional Helper’ in late January, Joni Void – the avant-garde electronic project of Montréal-based composer Jean Cousin – is unveiling a second song entitled ‘Abusers’ from his forthcoming album Mise En Abyme. ‘Abusers’ highlights Cousin’s ability to craft gorgeously layered sonic collages, dextrously incorporating minimal percussive elements and melodic tones sampled from Ai Aso’s ‘Most Children Do’ with vocal contributions from fellow Montréal artist Sarah Pagé. Minute snippets of sound fit together in tight sequence, eventually giving way to stretched vocal arcs that remind us of the organic, deeply human instincts that root Cousin’s digital explorations.

Listen to ‘Abusers’ here:

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Joni Void

Ahead of the release of their latest album offering, Revenant (Burning Witches Records, 20th February 2019), Manchester / Leeds duo worriedaboutsatan offer up ‘Making Your Masks’  as a flavour of what’s to come. And it’s seriously tasty….

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There’s also a short tour to promote the release.

The dates are:
5th: Servant Jazz Quarters, London (w/ Lowering) [sold out!]
6th: Cafe Kino, Bristol (w/ LTO) [tickets]
7th: The Castle, Manchester (w/ She The Throne) [tickets]
8th: Wharf Chambers, Leeds (w/ Dean McPhee + Steve Hadfield) [tickets]

worriedaboutsatan – Shift