New York experimental noise duo Cinema Cinema unleash their latest sonic exploration in the shape of Mjölnir in July, and this time they’ve got none other than polymath percussionist Thor Harris joining them. The album was recorded at historic BC Studio in Brooklyn, NY, with legendary noise producer Martin Bisi (Sonic Youth, John Zorn, Boredoms).
Inviting multi-instrumentalist Harris into the fold inspires new direction for the ensemble. Exploring his creative repertoire, Thor makes use of BC’s synth collection along with an assortment of drums and arcane percussion pieces to leave his fingerprints on the proceedings. The trio submerge themselves in the strange beauty of chaotic sound, captured inside BC’s cavernous recording space.
Tracked just before the pandemic, Bisi spent time cultivating the sessions in the months that followed, helping shape one of the band’s most expressive records to date. This marking the third time that CINEMA CINEMA and Martin have worked together (2014’s A Night at The Fights and 2017’s Man Bites Dog), the familiarity breeds wild results.
The first flavour of those results can be heard on ‘War on You’. Hear it here:
FEN release the dark monumental track ‘Wracked’ as the final single taken from the East Anglians’ forthcoming album Monuments to Absence, which is chalked up for release on July 7, 2023.
FEN comment on ‘Wracked’: “There are days when one is struck by a sense of such overwhelming black despair that it strikes almost as a physical force”, mastermind Frank “The Watcher” Allain writes. “We are literally wracked with sorrow, so overcome with the deepest sadness that it hits like a blow – staggering one backwards, grinding us to a halt. At such moments, one can only wait for the wave to subside, to retreat into the dark, yawning chasm of one’s own mind; and hope that the storm will pass as swiftly as possible. ‘Wracked’ speaks of those days.”
FRAYLE deliver a beautiful take on SOUNDGARDEN’s ‘Head Down’, fueled by the mystery of Gwyn Strang’s haunting vocals and down-tuned frying guitars. The fast-rising doom act from Cleveland, OH has furthermore illustrated this dark song with a stunning video, which you can see here:
The massive double album Superunknown Redux has been scheduled for release on July 14.
Parallel to Superunknown Redux, Magnetic Eye Records will release the by now customary companion album entitled Best of Soundgarden Redux that contains further 15 cover versions of deep cuts and all-time classics from across SOUNDGARDEN’s extensive catalogue recorded by more exciting artists.
FRAYLE comment: "Soundgarden was an integral part of our development as musicians from an early age with brillant songs such as ‘Fell on Black Days’,”’Black Hole Sun’, the list just goes on and on", singer Gwyn Strang writes and multi-instrumentalist Sean Bilovecki continues: "For ‘Head Down’, we deconstructed the song and switched its timing to 4/4. The song as recorded by Soundgarden has overlapping drum parts and complicated timings for example. We stripped it down and gave the track elements of tribal drumming, while we added layers of vocal harmonies and voices coming at the listener from all angles."
Death Pill, the hardcore punk trio from Ukraine, released their debut album on 24th February, a year to the day that Russia invaded their country.
Tracking started during Covid and was completed in late 2021, only three tracks were mixed before the war hit. However the band and their production team were able to somehow continue and finished everything including the artwork in 5 months whilst the Russian invasion rolled on. A testament to their drive and single mindedness.
The band are currently mid-way through their ‘Over My Dead Body’ European tour, which defiantly began in Kyiv, Ukraine on 20th May. Now the band have shared a new video for ‘Would You Marry Me’ with the bassist Natalya commenting, “This is a song about a rejected wedding proposal. Mariana wrote it after she proposed to her boyfriend and he turned her down. I shot this video when I moved to Barcelona and my best friend came to visit me. She became the main character, and I did the whole production. It took me about 72 hours to finalize the idea, shoot and edit it. I put my pain and suffering into this video, it’s a reflection and experience of personal rejections, dedicated to all the broken hearts.”
Continuing their project of releasing a single a month, Argonaut’s apparently unique open-ended album, Songs from the Black Hat makes a bit of a swerve on this outing, in that it’s neither an original song nor a studio recording.
The single for June is a live cover version of the Stooges punk rock classic, performed in all of its ‘raw power’ at the Hope and Anchor on 4th February 2023, and is accompanied by some far-out artwork that’s absolutely barking.
Godflesh share new track "LAND LORD" from their forthcoming album, PURGE. It’s a track which spirals out in pent-up rage from the first second, distorting and mutating 90’s drum and bass through the Godflesh filter.
About the track Justin comments, “’LAND LORD’ references ownership, entitlement and the objectification of human beings, as practised by almost anyone who wields power.”
Listen to ‘Land Lord’ here:
With the highly anticipated new album PURGE, Godflesh brings a whole host of new dirges and laments. Amongst the many layers of dirt, PURGE mangles 90s hip hop grooves and puts them through the Godflesh filter to create something futuristic in style – and utterly unique.
Both minimal and maximal, Godflesh deliver alien grooves that swing whilst also retaining the psychedelic, bad trip edge with layer upon layer of filth and heaviness – that Godflesh have always been known for. This is, and always has been, feel-bad music.
The title alone – PURGE – references directly how songwriter and creator Justin K. Broadrick utilises Godflesh’s music as a temporary relief from his diagnosed autism and PTSD. It’s the next stage in a journey he has been on since he began creating music, feeling alone and like an outsider in any scene or group, from childhood through to adulthood.
The music of Godflesh gives Broadrick the means to express a lifetime of feeling misunderstood and overwhelmed by hyper-sensitivity. The band is the vehicle to provide some sense of catharsis and transcendence; a way of communicating overload, as well as the constant disenchantment at the human condition, and man’s abuse of power and the systems that chain us.
PURGE references the cycle of horror that man always has and always will put us through; those in positions of power revel in the infliction of pain and horror upon individuals – in the name of their religion, their power, their money, their flags…
Norwegian metallic hardcore four-piece group SPLIT//BITE have recently shared a new song off the band’s debut EP, which is set to be released on June 9th via Loyal Blood Records.
SPLIT // BITE is a fresh new four-piece group from Bergen, Norway, yet all members have a vast experience in other projects from the local hardcore and metal scene. The band’s debut EP "404 ends" shows a highly-energized quartet playing a chaotic and pummeling metallic hardcore full of heavy riffs and caustic vocals.
Set for release on June 9th via Loyal Blood Records, this new EP is according to the band "about establishing a precedence in a society defined by cultural norms adapted to your average joe. With this we bring about subjects like existential anxiety, apathy, and also artistic freedom. We preach this through our intensive tempo, and a clear message from start to end."
THE NOISE WHO RUNS presents the single ‘New York To L.A. In 2-And-A-Half Minutes’, underlining the urgency of frenetic and rhythmic energy. Here, the speed of travel is symbolic as the sign of progress that, like so many technologies, save us time at the expense of experience, possibilities and chance. Upon moving from northern England to Lille, France, IAN PICKERING (of SNEAKER PIMPS and FRONT LINE ASSEMBLY) formed this duo together with Brazilian-French guitarist FELIPE GOES. The duo’s newly-released Preteretrospective album has received critical acclaim, including from us here at Aural Aggravation.
Inspired by commentary about the space probe observing the sun, Pickering says of the new single, “That line – ‘New York to L.A. in 2-and-a-half minutes’ – instantly just starts painting pictures of an insane future, good or bad, at a certain cost, which is now too much, gone too far, that maybe what matters is not just everything that we take for granted, but more everything that we’re always complaining and bellyaching about. From that line, it pretty much all fell together.”
Fuzzy stoner/garage punk group Loose Sutures has released their third record, Sado Sex for Dummies, today (26 May) via Electric Valley Records. The Sardinian act’s first studio outing as a trio, the album features a couple of other guests, including the heavy rock royalties Nick Oliveri and Alain Johannes.
States Loose Sutures: “Sado Sex for Dummies is the ultimate guide for all the pervs across the globe! On this sticky tour, you’ll find all you need: how to escape from a party gone wrong and survive a spell to your bone, chronicles from a highway shooter, valentines from Lucifer, and so much more. So whip out the whips and let’s welcome violence!”
Listen here:
Assembled in 2019 by four roughnecks, Loose Sutures plays classic ’70s riffs with a pinch of modern punk attitude, conjuring a blend of stoner and garage energy and displaying an abundance of evil beats, venomous fuzzes, and raunchy lyrics. Loose Sutures’ music has been praised by fans and critics for evoking a dark and seductive atmosphere reminiscent of cult exploitation movies.
Depicting killer profiles and kinky love stories, the Sardinian group presented their self-titled debut LP in March 2020 via Electric Valley Records. They followed it up with the sophomore album, A Gash with Sharp Teeth and Other Tales, the following year via Electric Valley Records; it later saw a Japanese edition in the Spring of 2022. Introducing the newly recruited Giuseppe Hussain (who replaced Gianpaolo Cherchi, guitars/vocals), the album is “a journey delving into lust with filthy guitars, stoned rhythms, and creepy voices escorting you deep inside the sticky core of what you fear yet desire at the same time.”
Loose Sutures again encountered a lineup change in 2022 when Giuseppe Hussain left the band, leaving the band to operate as a trio. It was a setback, but they refused to let it hold them back. Longtime fellow Marco “Grey” Manca joined to take care of the role of Giuseppe on the “High Heeled Barbarians Tour” around Europe the same year. Sado Sex for Dummies, as the name hints, is a complete handbook to satisfy the needs of the pervs, sadists, and killers out there. An invitation to indulge in fuzz-drenched, punk-‘n-roll violence, this third record from Loose Sutures has no shortage of lurid stories. While there is a touch of evolution, the album has not strayed too far from the band’s established hard, fast, and crude sound. To add more spice to some songs, the album features some guest musicians, including the legendary Nick Oliveri and Alain Johannes.
Get ready to be taken on a frenzied ride into the depths of your darkest desires.
Finland’s Hexvessel return on 22nd September (Svart Records) with their sixth album, Polar Veil, a cold, metallic hymn to the Sub Arctic North. Haunted by primal forest spirits, Mat “Kvohst” McNerney summons the ghosts of his past in a jaw-dropping, unheard-of rebirth of style and sound. At once unmistakably Hexvessel, Polar Veil is also steeped in the nocturnal atmosphere of McNerney’s past, churned in the cauldron of Black Metal, Ritual Folk Psychedelia and Doom Rock, and echoing with shivering Gothic undertones.
From their inception in 2009, Hexvessel, created by Mat McNerney as what he described to Decibel Magazine as “a free spiritual journey and a musical odyssey with no boundaries”, have captivated audiences and listeners with their evolution.
Holed up in a home-made studio in his log cabin during the winter of 2022, McNerney drew on all the fundamental elements of his music career as a shamanic shapeshifter, with only the isolation of nature’s solitude as inspiration. Painting an aura with Polar Veil which resonates with solitary reflection and themes of personal spiritual transcendence, Hexvessel’s new album is a bold statement from an artist who continues to reinvent and explore nature mysticism through music.
“Nature represents freedom, darkness and the call of the wild. Black Metal has always been at the borders of my sound and playing, at the heart of everything I do. Tradition, nature, ritual, mythology, mysticism and philosophy, along with clashing and jarring chords have always been synonymous with Hexvessel. It was natural with Polar Veil, finally now as we reach the zenith of the journey, that these influences surface to the human ear, and with the freezing cold guitar sound that the climate here demands.”
A track such as ‘Crepuscular Creatures’, with unhinged, discordant guitar chords, as bassist Ville Hakonen’s hand snakes up and down the frets, is at the more avant-garde end of the album. Long term drummer Jukka Rämänen thundering the toms like never before, as McNerney croons Scott Walker-esque lyrics, somewhere between Edith Södergran and Ted Hughes.
Whereas ‘Listen To The River’ with its ominous M.R James/Folk Horror lyrics of perilous environmental warning, featuring Ben Chisholm main collaborator and multi-instrumentalist with Chelsea Wolfe on lush, haunting keys and strings, could have appeared on Hexvessel’s sophomore album No Holier Temple, albeit with a sound of that era, progressing out of Folk.
Polar Veil features Nameless Void from Negative Plane, performing the guitar solo on the song ‘Ring’ and on ‘Older Than The Gods’, Okoi from Bølzer provides guest vocals. At first an unlikely partnership but one that makes total sense as the album deepens, and threads can be drawn that reveal the place Polar Veil is coming from.
On the process of recording Polar Veil, McNerney explains:
“I built a studio at home in the log hut on our field, surrounded by large trees, called Pine Hill, to escape from everything and everyone. Polar Veil is what a spiritual home sounds like.”
When the components of the medicine are familiar but brewed in a completely novel concoction, the resulting side effects can be deliriously intoxicating. Peer behind this Polar Veil for a breath of fresh tundra air with the video for Hexvessel’s new single ‘Older Than The Gods’. Watch it here:
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