Posts Tagged ‘Stream’

Swiss noise-rock collective Coilguns have returned with their powerful new single ‘Peace Trader’, out now via Humus Records, accompanied by an official video.

The accompanying video, directed by Louis Jucker and shot and edited by Valentin Lurthy, reinforces the track’s raw and unfiltered energy, with DIY lyric subtitles further amplifying its message.

Check it here:

AA

Recorded by Scott Evans (Thrice, La Dispute, Neurosis), with additional production from Ben Chisholm (Chelsea Wolfe, The Armed), and mixed by Tom Dalgety (Ghost, Pixies, Royal Blood), the track hits with a new level of urgency and emotional intensity.

Built to be both punchy and deeply reflective, ‘Peace Trader’ confronts the growing dissonance between ideals and reality. As the band put it: “What is the meaning of laws, when our nations negotiate all?”

Rooted in their own reflections on Switzerland’s shifting identity, from a perceived safe haven for human rights and diplomacy to a more conflicted and ambiguous role on the global stage, the track channels frustration, disillusionment, and a stubborn sense of hope.

The band elaborates: "We grew up being told that our country was a safe nest for human rights conventions, a historical hub for humanitarian organizations, a neutral haven for diplomacy, a sheltering home for those in need, and a centuries-long advocate for peace. Yet, the older we get, the more frequently we see this image turn into a Dorian Gray portrait. We recently witnessed our federal representatives minimize dual-use goods exportations or support partial views on major international law violations. We discovered that our asylum system had silently turned into a racist and humiliating discouragement plan, and we still haven’t been able to make our international enterprises accountable for their colonialist crimes. 
Looking back at our school history manuals, we wonder where this whole fairy tale has gone, or if it ever existed, but we’d like to allow ourselves, and invite you, to keep believing in the idea that a peace-making Switzerland might one day become an actual thing.”

Musically, ‘Peace Trader’ expands Coilguns’ already wide sonic palette. For the first time, a bass player was involved from the earliest stages of writing, reshaping the interplay between instruments and adding a broader, more fluid dynamic to the composition. From warehouse-recorded drum textures to tightly coiled bursts of noise, the track balances abrasion with atmosphere.

“We wanted ‘Peace Trader’ to be punchy and sad, something that could carry urgent empathy and hope,” the band explain, highlighting the deliberate tension that defines the song.

AA

444116

AA

Upcoming Tour Dates:

30.04 – Winterthur (CH) – Kraftfeld
01.05 – Thun (CH) – Mokka
02.05 – Martigny (CH) – Les Caves du Manoir

07.05 – Guadalajara (MX) – FORO 907
08.05 – Querétaro (MX) – Back Room
09.05 – Mexico City (MX) – Foro Hilvana

15.05 – Baden (CH) – Royal
16.05 – Brussels (BE) – Obsidian Dust
22.05 – The Hague (NL) – Sniester Festival

28.05 – Lucerne (CH) – Konzerthaus Schüür
29.05 – Bienne (CH) – La Coupole
30.05 – Basel (CH) – Kaserne

02.07 – TBA
04.07 – Belfort (FR) – Eurockéennes

Prior to the release of FLESH FIELD’s stunning new album’s physical edition, the US-industrial act drops the bonus track ‘Hegemony’ featuring ASSEMBLAGE 23 frontman Tom Shear.
’Hegemony’ is available as part of the album premium download and on the bonus CD of the lavish ltd. 2CD artbook deluxe edition, which will hit stores on May 22, 2026.

FLESH FIELD comment: “I wanted to have some cool remixes but also exclusive tracks for the deluxe edition of On Enmity”, mastermind Ian Ross explains. “As I had already received the fun remixes by Mildreda, Omen Code, Lost Signal, Schneider, and 16 Volt, I contacted my old friend Tom Shear from Assemblage 23 about adding his voice to a track that had not made it onto the album as I was kind of lost for fitting words. Tom did not ‘only’ come up with excellent lyrics but he also contributed his awesome voice to our track – which makes it a really special bonus for the collectors’ edition.”

The album On Enmity was digitally released on February 20, 2026. Hear ‘Hegemony’ here:

AA

d8145a23-21c1-a322-553f-4796939ea8e7

Wheelchair Sports Camp is certainly not your average act. This genre bending, punk-powered hip-hop project is fronted by Kalyn Rose Heffernan – a wheelchair-using, profanely queer and tiny rapper, with a very distinctly high-pitched sense of humor. Backed by her gimp Greggy on drums, the band combines fantastic beats with an absolutely face-shredding live show. After playing shows everywhere they could, the band expanded into performance art, museum takeovers, politics, prison tours, permanent installations, theatre, film, and now the release of their newest album, oh imperfecta on Alternative Tentacles Records.

They bring together contributions from Jello Biafra (twice), Radio Pete (who happened to come up with the name Dead Kennedys when Biafra was a teen in Boulder, CO, and this is their first time ever collaborating musically), Kimya Dawson (Moldy Peaches), Olivia Jean, Junia-T, Amy Goodman, and some honorary WSC members: Qknox, Michelle Rocqet, Wes Watkins, RAREBYRD$, and many more; to create 11 absolute bangers.

The album surges forward right from the opening track of “Make It Make Sense”, Heffernan takes your attention vocally and holds it there, while bouncing back and forth with Biafra. Only to embrace the raw punk rock honesty of “EAT MEAT!”. This unflinching honesty is carried throughout the album. Heffernan holds nothing back. No matter if WSC is dancing through classic hip-hop flows with “DENIM” or moshing through Olivia Jean’s rock riffs with Jello Biafra on “DEAD,” the vocals and the beats seamlessly bring the different influences together. All while giving us a glimpse into Heffernan’s chaotic life with recorded calls from Kalyn’s wild ass Mama K. as interludes throughout the album.

“In an attempt to unlearn my perfectionism and finish the damn album, I picked up the drums for the first time since middle school and wrote “EAT MEAT!” with Greggy on guitar. It was the most fun we’ve had and it instantly felt good enough for the first time maybe ever? We were on to something… if every dude can play mediocre guitar, why can’t I play shitty drums?“ says Heffernan, “It freed me from having to be the best rapper and out-bar every rapper in the bar. Come to find out I’ve been overcompensating my whole life because I am genetically imperfecta. Osteogenesis imperfecta is the name of my brittle bones disease and I’m realizing more and more how my body has been the center of attention since birth. Described in dehumanizing, demoralizing, and very unbecoming ways, it’s no wonder I’ve always felt like I had to be the best. This album is a collection of songs from the past decade and finished because we simplified: oh imperfecta.”

Check “Make it Make Sense” here….

AA

unnamed-2

Photo: Erik Ziemba

BIG|BRAVE, the singular trio of guitarist/vocalist Robin Wattie, guitarist Mat Ball, and bassist Liam Andrews, have shared the title track single for upcoming album in grief or in hope, out June 12th.

The single comes ahead of their spring European tour and follows the announcement of their extensive summer North American tour with The Body this summer.

‘in grief or in hope’ stands as one of the album’s most direct pieces, presenting Robin’s emboldened, steady voice with pitch-shifted modulations. The thrum of guitars by Wattie, Ball, and Andrews create a makeshift bass drum pulse beneath sheets of distortion and feedback.

AA

The work of BIG|BRAVE is ever-expanding. The breadth of their sound has encompassed a breathtaking array of dynamics and sonics. Their sound, guided by their indomitable exploratory spirit, exploits contrasts between extremity and subtlety. The trio’s singular, masterful sculpting of sonics into songcraft tucks layers of vulnerability into formidable storms. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty.

Together the trio deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

AA

BIG|BRAVE tour dates

May 24 – Utrecht, NL – EKKO [tickets]
May 25 – Amsterdam, NL – OCCII [tickets]
May 27 – Saint-Imier, CH – Toxoplasmose Festival [tickets]
May 28 – Basel, CH – Kuppel [tickets]
May 20 – Torino, IT – Jazz is Dead
May 30 – Piacenza, IT – Desert Fox Festival [tickets]
May 31 – Ljubljana, SI – Channel Zero [tickets]
Jun. 2 – Poznan, PL – Pawilon [tickets]
Jun. 3 – Berlin, DE – Berghain [tickets]

Jul. 8 – Cambridge, MA – Middle East Upstairs [tickets] *
Jul. 9 – Portland, ME – Space [tickets] *
Jul. 10 – Montreal, QC – Bar Le Ritz [tickets] *
Jul. 11 – Toronto, ON – St Stephen in the Fields [tickets] *
Jul. 12 – Cleveland, OH – Grog Shop [tickets] *
Jul. 14 – Chicago, IL – Empty Bottle [tickets] *
Jul. 15 – Minneapolis, MN – 7th Street Entry [tickets] *
Jul. 16 – Omaha, NE – Reverb Lounge [tickets] *
Jul. 17 – Denver, CO – Hi-Dive [tickets] *
Jul. 18 – Salt Lake City, UT – Urban Lounge [tickets] *
Jul. 20 – Seattle, WA – Black Lodge [tickets] *
Jul. 21 – Vancouver, BC – The Cobalt [tickets] *
Jul. 22 – Portland, OR – Mississippi Studios [tickets] *
Jul. 24 – Sacramento, CA – Café Colonial [tickets] *
Jul. 25 – San Francisco, CA – Bottom of the Hill [tickets] *
Jul. 26 – Los Angeles, CA – Zebulon [tickets] *
Jul. 27 – San Diego, CA – Soda Bar [tickets] *
Jul. 28 – Phoenix, AZ – Rebel Lounge [tickets] *
Jul. 30 – Denton, TX – Rubber Gloves [tickets] *
Jul. 31 – Austin, TX – 13th Floor [tickets] *
Aug. 1 – Houston, TX – White Oak Music Hall [tickets] *
Aug. 2 – New Orleans, LA – Gasa Gasa [tickets] *
Aug. 3 – Birmingham, AL – Saturn [tickets] *
Aug. 4 – Atlanta, GA – Masquerade – Purgatory [tickets] *
Aug. 5 – Durham, NC – Pinhook [tickets] *
Aug. 6 – Baltimore, MD – Metro Gallery [tickets] *
Aug. 7 – Philadelphia, PA – PhilaMOCA [tickets] *
Aug. 8 – Brooklyn, NY – Music Hall of Williamsburg [tickets] *

* w/ The Body

unnamed-990000079e04513c

Photo credit: Stacy Lee

International touring musician and multi-instrumentalist Nadav Tabak returns to the UK with his immersive solo project and the release of his new single, ‘Electric Roots’, a powerful instrumental journey blending driving electronic trance with raw, organic instrumentation.

Following years of international touring, Tabak has carved out a distinct sonic identity: a live performance that merges hypnotic beats, tribal textures, and virtuosic guitar work into a dance-floor ritual experience.

Electric Roots represents the core of his sound both literally and metaphorically. The track explores the fusion between the electric world of trance and the rooted, earthy essence of acoustic instruments. Pulsing basslines and driving techno rhythms intertwine with organic timbres, live looping, and expressive instrumentation, creating something that feels both ancient and futuristic.

Unlike traditional DJ sets, Tabak performs entirely live, building layers in real time through looping, percussion, and melodic improvisation. The result is an instrumental experience that is rhythm-driven, immersive, and uniquely his own.

The upcoming UK tour will showcase this evolving sound in intimate venues and festival settings, offering audiences a high-energy, genre-blending performance that moves seamlessly between dancefloor intensity and organic atmosphere.

With Electric Roots, Nadav Tabak continues to push the boundaries between electronic music and live instrumental performance grounding trance in something human, physical, and deeply rooted.

AA

April 18 London Epsom  Horton Arts Centre, Epsom, Surrey

April 19 Brecon The Foundry , Brecon, Powys

April 22 Lichfield The Hub at St Marys, Lichfield, Staffordshire

April 23 Skipton The Skipton Town Hall, Skipton, Yorkshire

April 24 Newcastle upon Tyne Alphabetti Theatre , Newcastle upon Tyre

April 28 London Brixton Hootananny, London, SW2 1DF

April 30 Cheltenham The Kemble Brewery Inn , Cheltenham, Gloucestershire

May 1 Penzance The Acorn , Penzance, Cornwall

May 2 Calstock Calstock Village Hall , Calstock, Cornwall

May 3 Loopfest  Loopfest, Shrewsbury, SY1 1JA

May 6 Brighton (Fringe Festival) The Brunswick, Brighton and Hove

May 7 Leamington Spa Temperance, Leamington Spa

AA

Nadav Tabak _ Electric roots Cover photo

Previewing the debut Hello Sunbeam EP, this is the first official transmission from the band, blending the sun-drenched textures of 60s garage rock with the restless energy of raw fuzzed-out modern indie spirit. Between the wash of tape echo and reverb, the track finds a sweet spot where lo-fi garage psych meets 90s shoegaze, all anchored by layered harmonies and an evocatively intimate vocal delivery.

The sonic brainchild of multi-instrumentalist Brant Hajek, Wooden Overcoat began in the isolation of 2020, when he returned to music after a hiatus, recording songs he’d written in his late teens. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek built the foundation of the EP through spontaneous experimentation—often veering away from planned sessions to follow sudden bursts of inspiration.

“When I wrote ‘Home’, it kind of poured out of me, and I think I’m still interpreting it. But to me, it’s about acknowledging something beautiful, even if it can’t last. Two people who feel naturally paired, like elements of nature, slowly decomposing and self-destructing,” says Brant Hajek.

“It’s about the inevitable demise of anything, and ultimately that we need to appreciate what is here right now and live in that magical existence. It’s about having the capacity to admire even when things are burning out.”

A study in productive contradictions; while the lyrics and aesthetics might suggest a certain darkness, they are often rooted in inside jokes and a sense of warmth. Hajek’s creative process is a deeply personal, layered journey involving mumbled placeholder lyrics and a patient wait for the specific spark that turns an “emotionally restless” melody into a finished piece.

AA

While Hajek performed every instrument on the studio recordings to preserve the project’s intimate DIY spirit, he has since found his tribe, assembling a full live band to translate these compositions to the stage. With Hajek leading the way on guitar and lead vocals, Wooden Overcoat is rounded out by Dillon Glusker on bass, Mac on guitar, and Brian Levin on drums and backing vocals. Through community, the band creates a fantastic dreamlike environment for like-minded people.

The name Wooden Overcoat—an old Americana euphemism for a coffin—hints at the project’s core philosophy: a playful balance of moody, mystical imagery with light-hearted humor. Hajek’s creative process is personal, the rough versions eventually coalescing into vivid, emotionally resonant themes.

AA

WO

French metallic hardcore force Beyond the Styx reveals the third and final single, ‘Deadlock V,’ from their upcoming album DIVID, due out May 08 via Innerstrength Records. This politically charged track arrives alongside a music video.

Speaking on ‘Deadlock V’, BTSTYX vocalist Emile states: “How could the Western world have remained impassive for so long in the face of the genocide unfolding in the Gaza Strip? How can the legacy of a martyred people allow its own leaders to become the shameless executioners of their own neighbors?

“These are the main questions that tormented my mind during the relentless months of deadly bombings that raged between October 2023 and February 2024 against the people of Gaza. During this period, the Israeli army reportedly dropped more than 25,000 tons of explosives (the equivalent of two nuclear bombs), according to a UN committee of experts.

“Echoing all this suffering was a heavy, mechanical, numbing riff which resonated with me like the echo of the bombings my own gaze fled from each day in the media. Too much blood and too many tears have been shed for my pen to remain unmoved by such suffering and senselessness. How can the innocence of our children ever be protected from this kind of abuse in the future?

“The feeling of fear wreaks havoc on life beyond compare. Understanding the mechanisms at work is essential in a world where emotion reigns supreme, filtered through the media, without losing sight of the fact that the only thing we should fear is fear itself. The fear of dying, or, ultimately, the fear of living?

“This song thus concludes the thematic triptych: amnesia / war / revenge, culminating in the revelation of DIVID.”

AA

c17d3b5f-7656-e387-1d6d-ebeed026fa78

Following last year’s critically-acclaimed album SONIC, Venice-based band Glazyhaze returns with brand new single ‘Do You?’. Building upon their ethereal mix of shoegaze, alternative rock, and dream pop, the track features sweet yet punchy vocals that float above layers of spaced-out guitars and driving bass lines. Distributed worldwide by Hoodooh and Believe Music, the single is now streaming on all platforms. 

With a sound that ranges from dark and atmospheric to soft and intimate, Glazyhaze have solidified themselves as a band to watch. Since the release of their debut LP in 2023, they’ve been named among Europe’s Top 15 Emerging Artists in the Music Moves Europe Awards and have toured Europe and the UK extensively, sharing stages with acts like Trentemøller, The Raveonettes, Soft Cult, and Slow Crush. 2025’s sophomore LP and follow-up single ‘Romeo’ took the band to new heights, earning praise from the likes of Rolling Stone, Stereogum, Clash, BBC, KEXP, and more.  Glazyhaze will embark on a headlining European / UK tour next month — see below for upcoming dates.

AA

After being nominated for the Music Moves Europe Award and announced for ESNS 2026, Glazyhaze will embark on a tour across the EU/UK in November and December.

Glazyhaze on Tour (tickets)
5 May: Aarau, Switzerland – KIFF
7 May:  Berlin, Germany – Privatclub
8 May:  Köln, Germany – GARAGEN
9 May:  Hamburg, Germany – Turmzimmer
10 May: Rotterdam, Netherlands – V11
12 May: Ramsgate, UK – Ramsgate Music Hall
13 May: Brighton, UK – The Great Escape Festival at Prince Albert
14 May: Brighton, UK – The Great Escape Festival at Unbarred Brewery
15 May: London, UK – The Sebright Arms

ABOUT GLAZYHAZE

Glazyhaze is a band from Venice, Italy, influenced by shoegaze, dream pop, and alternative sounds, ranging from dark atmospheres to dreamy and ethereal soundscapes. The band consists of Irene (vocals, guitars), Lorenzo (lead guitar), Francesco (drums, programming), and Vsevolod (bass, vocals). Since the release of their debut album Just Fade Away (2023), Glazyhaze have been active across Europe and the UK, performing in major cities and supporting artists such as Trentemøller, Hater, Film School, and many more. Their second album, SONIC — released in March 2025 — was written and recorded between North-East Italy and London, produced and mixed by Paolo Canaglia (New Candys, Nuovo Testamento) and mastered by Maurizio Baggio (Boy Harsher, The Soft Moon). The record explores the complexities of love through a journey of self-discovery and emotional contrasts, embracing shoegaze, bedroom pop, post-punk, and art-rock influences. In 2025, Glazyhaze toured SONIC extensively with over 40 shows across Europe, supporting Soft Cult on their European tour and joining selected dates with The Raveonettes, Slow Crush, Lucy Kruger, and Clap Your Hands Say Yeah. Their music has been featured on BBC Radio 6 (Steve Lamacq), KEXP, Rai Radio 2, and FM4, gaining widespread acclaim for its blend of dreamy melancholy and raw sonic power.

AA

5tqs_Image16042026at1527copy

SLEEPING PULSE unveil the beautiful lyric video ‘The Butterfly Collector’ as the next advance single taken from their forthcoming new album: Dreams & Limitations. This melancholic yet dynamic and strangely also upbeat track is shaped by a fluttering flute melody.

SLEEPING PULSE comment: “The title, ‘The Butterfly Collector’, is a metaphor for desperately holding onto memories”, frontman Mick Moss explains. “Our main character sees various moments in his past as being perfect and he works hard to create a place in his mind where they are archived and stored. Yet for all his efforts, the sadness that comes with knowing that he can never truly relive those moments again becomes overwhelming.”

AA

When you allow Northern English melancholia from valleys of green and gray to get married to the eternal longing of Portuguese Fado from where the raging Atlantic meets the heat of summer at the end of the world, SLEEPING PULSE is what you get.

Portugal has a reputation for people casually talking about death when going about everyday life like other folks talk about the weather. England is regarded as a stoic place, which makes it hardly surprising that SLEEPING PULSE explore the profound struggle of staying sane whilst navigating the heartbreaking truth that all existence is not just brief – but also one fraught with personal loss and an inability to hold on to the people that you love.

So far so good, but what sets the duo of vocalist Mick Moss, who is best known for his work with ANTIMATTER, and Portuguese guitarist Luís Fazendeiro apart, is their artistic achievement to make this existential pain audible with every note on their sophomore album Dreams & Limitations. Using a form of doomy progressive or even post-rock as their sonic foundation, SLEEPING PULSE compose music that is in the best way deeply emotional while remaining exciting. The duo’s songs do not wallow in sorrow; they rather embrace the inevitable and live through it for as long as it lasts.

AA

bc11e7c8-87fe-68b9-29ed-272a12b5951b

The Brazilian duo DEAFKIDS returns with a new track, ‘REFLEXO’, taken from their upcoming album CICATRIZES DO FUTURO (SCARS OF THE FUTURE), a nine-track album that forges a path beyond the conventions and boundaries of static musical genres. CICATRIZES DO FUTURO is the band’s first non-collaborative full length since 2019’s Metaprogramação, and will be available on LP, CD and Digital formats via Neurot Recordings on 29th May 2026.

‘REFLEXO’ (‘REFLEX’) takes on the band’s most electronic facet, with an afro-industrial minimalist beat complemented by an altered 2-3 clave, submerged in polyrhythms by Sarine’s blended drum/percussion/SPD-X kit and massive eerie synthesisers by Leal.

“The lyrics speak of the “architects of illusion”, the manipulative intention behind the voices that offer a path that leads not to autonomy, but to disorientation.” The band says, continuing, “The goal is never to liberate, but to make people dependent on their false guidance, alienated and fuelling an eternal cycle of need, dependence, and false leadership, with perverse mastery and narratives designed to convince entire populations. Fabricated threats, persuasive propaganda, addictive technological devices and “civilising” missions that are essential to justify the unjustifiable: exploitation, wars and terrible crimes against innocent peoples for domination and power. It’s a cursed script that repeats itself, cycle after cycle, century after century. The language changes, the enemy is redesigned, technologies advance and become more dangerous. We became a reflection of the shadows and evil forces that drive our reality.”

Watch the video here:

AA

Across the new album, CICATRIZES DO FUTURO (SCARS OF THE FUTURE) electronic fury and feverish organic percussion collide with a relentless Latin American punk spirit.

“Conceptually, the album is a visceral diagnosis of a world intoxicated by its own fictions of power, tracing the anatomy of a systemic grand deception and exploring its mechanics of psychological, social, and material domination, the indelible marks imprinted on bodies and minds and its catastrophic consequences. It is a journey from the poisoned and addicted collective psyche to the desperate search for an antidote, while the future seems to be already cursed by the very forces that pretend to build it. Yet, for all its thematic weight, CICATRIZES DO FUTURO is hypnotically danceable – physical and ritualistic music that demands body movement as a form of mental cleansing. The album doesn’t just reflect a fractured and violent world — it breathes desire to live and resist through new sonic paths.”

They continue, “Our music comes from the perception of the environmental, political, and moral toxicity that permeates our realities under such conditions. In the context of the album, the scars are those of a brutally stolen past reflected in a wicked future. A permanent mark of violence is also a memory that will never be silenced!”

AA

DEAFKIDS_2026_H_01_CROPPED_CREDIT_IVIMAIGABUGRIMEN-99079e079e04513c

Photo credit: Ivi Maiga Bugrimenko