Posts Tagged ‘Official music video’

Most artists begin with a single. Eilir Pierce waited until his 40th album.

Released on July 10th, 2026, ‘Do-List’ is the first official standalone single from the Welsh artist  and filmmaker after more than 30 years of music-making, 39 self-released albums and over 500 songs.

Having spent much of his career operating outside conventional music-industry structures, Pierce recently moved from Wales to Glasgow to begin his most ambitious project yet.

His forthcoming 40th album, Half-Time, is a synth-pop musical about moving to a new city and attempting to become a pop star in middle age. Featuring guest appearances from Aidan Moffat of Arab Strap and Mercury Prize-nominated Welsh artist Gwenno, the project will also become a live stage show and film, with Pierce performing a full run at the Edinburgh Festival Fringe in August.

‘Do-List’ captures the overloaded mind behind those plans.

The song races through tasks, ambitions and unfinished ideas as Pierce tries to impose order on everything he believes he needs to achieve. Each completed tick provides a smaller reward. Meanwhile, the jobs continue to multiply.

“I make lists because I’m overwhelmed,” says Pierce. “Then the list becomes another thing overwhelming me. I tick something off, feel satisfied for about three seconds and immediately notice the other 27 things I haven’t done.”

He adds: “I also refuse to call it a ‘to-do list’. The ‘to’ is completely unnecessary. That kind of inefficiency is exactly how lists get out of control.”

Built around tense piano and an increasingly agitated vocal, Do-List developed with Glasgow producer Gavin Thomson into a darker arrangement of drum machines, synth textures and strings.

Its clipped, spoken verses carry the blunt repetition of The Fall and the  deadpan detachment of Dry Cleaning. The chorus opens into something more exposed, with echoes of early Daniel Johnston and the eerie consolation of the Lady in the Radiator from David Lynch’s Eraserhead.

At the centre of the song is Pierce’s hope for an afterlife free from unfinished admin: “Heaven is a place with no list.” For a moment, the song escapes the pressure of constant productivity. Then another task arrives.

‘Do-List’ is Pierce’s attempt to write a direct pop song after three decades of working largely on his own terms. It is also the first item in an increasingly unreasonable plan involving an album, musical, film, Fringe run and bid for middle-aged pop stardom.

Perhaps Pierce was born in the wrong era.

Or perhaps releasing a debut single after 39 albums is exactly the point.

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Fun, funky and fabulously 80s-influenced, Argonaut have just released their latest video single, ‘Hats Off’, filmed and produced by Dave Meyer.

The single is taken from their new album, Interrupted, that despite the upbeat single in contrast plunges into the past year’s abyss, documenting breakdown, burnout, dementia and depression, alongside nostalgia, hope and healing.

The extended mix single of ‘Hats Off’ is out today.

Here’s Lorna to tell you all about it: “’Hats Off’ is the sound of the summer past and present, memories bought back by looking at old photos from when I was younger. I found a hat in a charity shop which reminded me of one I wore in a picture from when I was 15. Around this time I also took a photography course so I incorporated the camera and darkroom imagery into the lyrics. The synth sounds and bass are influenced by 80s bands such as Japan, Duran Duran, INXS, Human League – which worked well with the words.”

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Making the music video

Norwegian cult act ULVER return again to the track ‘Hollywood Babylon’ from their previous album Liminal Animals (2024) for the best of all reasons: a stunning music video that has been long in the making. Following a fascinating remix by Gazelle Twin aka Elizabeth Bernholz that offered a brooding reinterpretation, the Norwegians now add this beautiful clip to the growing corpus around the original track.

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ULVER comment: “Working with our wonderfully mad old friend Christian Mona from the Bogus Blimp days never disappoints”, mastermind Kristoffer Rygg writes on behalf of Ulver. “He started to create this video before we released our last album (sorry about that) and he has finally delivered a splendidly grotesque little gem from within his Automated Bathroom. ‘Hollywood Babylon’ has never looked better! It is a distorted mirror of our times. Please feel free to stare into it a little too long.”

The Norwegian visual artist collective AKFF! adds: “2025 marked 20 years since Ulver made the animated music video ‘It Is Not Sound’ in cooperation with us”, Christian Mona states. “It has been a hypnotic journey through the Sea of Sorrows all the way to the Pinnacle of Truth. Thinking back on what a great experience it was to visualise and expand on Ulver’s universe, we started wondering why AKFF! hadn’t made more videos with Ulver. As it turns out, Ulver had been thinking along the same lines! And so the making of ‘Hollywood Babylon’ began.”

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Los Angeles-based alternative rock quartet Cascades have released their debut single and video, ‘in moments’, offering the first glimpse into their upcoming EP liminality, due September 25 via Many Hats Endeavors. Blending post-hardcore intensity, shoegaze atmosphere, and alternative rock melody, Cascades arrive with a sound that is both expansive and deeply personal.

Check it here:

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Featuring Jeremy Hernandez (guitar, vocals), Bobby Kay (bass), Jenna Terranova (drums), and Shane Burns (lead guitar), Cascades craft songs that move seamlessly between vulnerability and aggression, atmosphere and impact.

Fans of Thrice, Deftones, and Circa Survive will find plenty to connect with in the band’s approach.

“It’s heavy until it isn’t. It’s quiet until it isn’t. And that’s kind of the whole point,” says bassist Bobby Kay.

While the members bring decades of collective experience to the project, Cascades is less a continuation of past endeavors than the start of something new. Hernandez is known for his work with Fearless Records bands Big Wig and Near Miss, while Kay previously recorded as a Universal Republic artist, shared stages with artists including The Roots and Bleachers, and currently tours with Interscope artist Lady Radiator. With punk-inspired Terranova anchoring the songs’ momentum and Burns weaving layers of expressive leads throughout, Cascades has forged a chemistry that feels collaborative and intentional.

“It’s been exciting to reconnect with Jeremy and then to meet Jenna and Shane to create this,” says Kay. “It just feels like it’s the right timing, but it doesn’t feel like a coincidence.”

Recorded with veteran producer Steve Kravac (MXPX, Less Than Jake) and mixed and mastered by John Naclerio at Nada Studios (My Chemical Romance, Brand New), liminality captures the band’s dynamic intensity and emotional depth in a sound that is raw, immediate, and cinematic.

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Photo: Errol Colandro

LEPER COLONY drop the first brutal advance track ‘These Blades’ taken from the deadly international trio’s new full-length Back to Primal Sludge. The third album of these death metal fanatics has been slated for release on October 9, 2026.

LEPER COLONY comment on ‘These Blades’: “This ferocious track whips uptempo filth your way and opens up a new breathing hole in your neck”, shred-master Rogga Johansson claims. “Meaty, fully fleshed-out riffs, mercilessly pounding drums, and a brutal vocal delivery deluxe are included. For us, ‘These Blades’ creates a perfect equilibrium between the American and Swedish approaches to death metal.”

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LEPER COLONY hold firm and relentlessly soldier on in their unholy quest to create the perfect equilibrium between the Floridian and Stockholm styles of old school death metal on their third full-length Back to Primal Sludge.

This defines Back to Primal Sludge in many ways as a direct continuation of their sophomore album Those of the Morbid (2025). Yet, there are twists and tweaks in the details. While the previous release offered a handful of references to deadly German influences, these have been further reduced just as the second album had dropped the classic thrash elements from the self-titled LEPER COLONY debut (2023).

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Crumbling Ghost recently announced their return after a number of years away with the release of new album Four on 7th August via New Heavy Sounds. The group’s core idea is deceptively simple: traditional folk material rearranged and refracted through the haze and heft of heavy, fuzzy stoner rock with a chunk of psyche and a smattering of doom.

Today the band have shared the video for new single, the slowcore/grunge inspired ‘Last of All Sleep’ which you can check out now:

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Within the broad church of ‘rock’ or ‘alternative’ and its many offshoots – it remains a minor thrill to stumble across a group who seem to exist at a slight tangent to everything else.

Crumbling Ghost is one such anomaly and an irresistible one at that: a group who feel less like a discovery than a secret belatedly shared. Their new album Four set for release on 7th August (New Heavy Sounds) was announced last month.

Crumbling Ghost are not newcomers. They’ve been operating for some time, releasing records sporadically, Four is in fact their fourth release.  Along the way they’ve accumulated a fervent coterie of followers, not to mention the occasional nod of approval from tastemakers such as Stuart Maconie, Stewart Lee and Tom Ravenscroft. And though they’ve appeared at Roadburn, shared stages with Hawkwind and even Damo Suzuki, they remain (possibly by design) curiously under‑the‑radar. That might change with the quite wonderful ‘Four’.

The group’s core idea is deceptively simple: traditional folk material rearranged and refracted through the haze and heft of heavy, fuzzy stoner rock with a  chunk of psyche and a smattering of doom. But crucially, this is done without the costumery and theatrical tics that often accompany such collisions.  No mock‑pagan pageantry, no graveyard cosplay, no cartoon Satanism.

What Crumbling Ghost latch onto is not folk as a museum piece, but as a lived experience, the dramas rooted in the culture, stories, and daily lives of ordinary people, the folklore, the tales of love and death, murder and adultery, freedom and oppression.

On Four those narratives are dragged into the present via churning distortion, hypnotic repetition and a sense of looming atmosphere. Fairport Convention with fuzz. Trees with heft. A pastoral Sonic Youth.

The result is a set of murder ballads, supernatural reckonings and cautionary tales, all wrapped in slabs of heavy, thumping fuzz and atmospheric sonics. Harnett’s voice sits at the centre: unmistakably folk‑rooted, but shorn of prettification, melodic yet capable of real bite. There’s no “hey nonny nonny” here.

Musically, it’s a combination that really does work, and it’s delivered in some style too. And to fully appreciate the world of Crumbling Ghost, listening closely pays dividends, and those stories come to life.

New single ‘Last of All Sleep’ is not a Crumbling Ghost reinterpretation of a dark and distant folk murder ballad, nor a cover of a little known 90’s SubPop grunge downtuned, downtempo album-track-that-should-have-been-a-single, but it feels like a song you’ve wanted to hear and yet known for years, in other words, an instant classic.

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Pic: Ryan McClelland & Hannah Cheesebrough

Northern Netherlands metallic hardcore outfit Boneripper unveils music video for “Deeds Define,” the final preview from their upcoming second record, Radiant in Ruin, set for release this Friday, 26 June, on vinyl and CD as well as across digital platforms.

Says Boneripper: “‘Deeds Define’ is about choosing action over empty words. In a world full of noise, outrage, and endless debate, it reminds us that character is built by what we do — not what we claim to believe. Instead of arguing about what a good person should be, this song calls for leading by example and living your values every day. Because in the end, truth is not spoken — it is lived.”

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Boneripper’s Radiant in Ruin stares straight into the current world, a world full of corruption, violence, environmental collapse, and social fracture. It calls out power structures, hypocrisy, and collective denial, but keeps circling back to the idea that survival isn’t granted, it’s chosen. It’s bleak, but not passive: more a warning shouted through clenched teeth than a lament, standing against oppression and refusing to break under pressure.

Boneripper will play Hostile Territory, a benefit festival in Dordrecht, on 26 June. A record release show in Leeuwarden is scheduled for 3 July, followed by an appearance supporting Agnostic Front in Rotterdam on 5 July. In addition, a slew of shows are lined up for this year.

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Boneripper Band Photo by Daan Schaaf

Up-and-coming Nordic doom adventurers MAUNAH unveil their first music video ‘Heimaland’ (‘Homeland’) as the first advance single taken from their forthcoming debut full-length Hjarta ("Heart"). The Danes’ first album has been scheduled for release on September 18, 2026.

MAUNAH comments: “To us, ‘Heimaland’ feels like a signature track for Maunah that captures our urge to let beauty and doom coexist”, vocalist Søren Sol Koldsen-Zederkof muses. “The song carries the feeling of belonging to a place, but it also reflects the more difficult search for a home within oneself. We have lived with ‘Heimaland’ for a long time, shaping and fine-tuning the song until it finally became as it is now. We are deeply excited to finally release it into the world and hope that you will like it as much as we do!”

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How on earth can any debut album sound as complete and sophisticated as Hjarta from Danish doom newcomers MAUNAH? How can a band that seemingly just appeared out of the blue deliver such a modern doom metal masterpiece?

Valid questions. The answer lies in the fact that although it is technically correct to label MAUNAH as a new band, the truth is that the members are veterans of the Danish rock, folk, and metal scenes.

MAUNAH’s popular frontman, Søren Sol Koldsen-Zederkof, has toured extensively with the beloved Nordic folk band KRAUKA, and he has also released several critically acclaimed albums under the artist’s name LOS. His fellow musicians come with experience as well. Guitarist Mads MP Laursen has, for example, played guitar with IRONGUARD and ENCYRCLE.

As it turns out, the chemistry was just right. All the stars aligned – and remarkable talent, fresh musical ideas as well as mature songwriting flowed together naturally in MAUNAH. The positive interaction of the band members became the catalyst for an alchemical transformation that turned music into sonic gold.

Although the roots of Hjarta reach deep into the melodic Scandinavian doom tradition, there is so much more happening on this album. A dash of Nordic folk here, a pinch of modern metal there, which is boosted by renowned producer Tue Madsen (THE HAUNTED, MOONSPELL, HEAVEN SHALL BURN et al.) being responsible for recording the groove parts with the Danes’ rhythm section.

With each new spin, Hjarta keeps giving as MAUNAH have crammed their album with excellent ideas and layers of details. Yet the Danes have not fallen into the trap of drowning out their own ideas by wanting too much in too short of a time. Their songs are allowed to breathe, develop cinematic moments, and unfold, before sinking captivating hooks into the ears. 
That MAUNAH are a perfect example of the notion that the sum can become greater than its parts was already audible on the band’s digital EP Heimaland, which came out on June 20, 2025. Enriched versions of the songs found their way onto the debut album.

Another element that sets MAUNAH apart from their peers in doom is the absence of a lexical language. The vocals are built on tone, feeling, and rhythm – in an echo of human speech. This creates a space for a more direct connection between vocals and music that reaches beyond the limits of rational language.

In the Danes’ own poetic words: “Maunah is the sound of despair and open skies. Maunah is leaves crunching underfoot, the cold of the forest floor seeping through the soles. And Maunah is the warmth of the sun on the face and oxygen filling the lungs. In the music, the cold of winter meets the summer warmth in the chest, where Maunah pumps blood through the body and music into the air.”

With Hjarta, MAUNAH offer a remarkable debut that goes well beyond the average and exceeds expectations. How far can these Danes get? Only time will tell!

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Belarus metal pioneers DYMNA LOTVA reveal the outstanding music video ‘The Boat of Despair’, which was filmed deep underground in a historic mine. The track features guest vocals by former MY DYING BRIDE frontman Aaron Stainthorpe (HIGH PARASITE), which means a dream come true for the band.

‘The Boat of Despair’ is the second advance single taken from the forthcoming new full-length Vyraj. The fourth album of the post-black metal band has been slated for release on August 7, 2026.

DYMNA LOTVA comment: “Sometimes dreams do come true”, vocalist Nokt muses. “For decades, I have dreamed of creating a song that is based on my favourite book, Laddzia Rospačy by Uladzimir Karatkevich. For so many years, I have dreamed of seeing Aaron Stainthorpe live on stage. Later I have dreamed of sharing a stage with Aaron, and then even of singing a song with him. And for some years, I have dreamed of singing inside a cave, in an old mine, on a boat flowing on an underground river. Here we are now, all those dreams have miraculously come true. I wish the same might happen to all of you, who listen to our song and watch our music video ‘The Boat of Despair’!”

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DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album Vyraj. The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a ‘one-trick pony’ in every conceivable artistic aspect.

Although Vyraj is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. Vyraj is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal.

DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on Vyraj, they put their lyrical focus elsewhere. The album’s main concept could be described as ‘Belarusian ethno-astronomy.’ In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians’ personal experience of forced emigration. This idea is captured in the album title Vyraj, which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest.

An important aspect of this concept is the idea of finding a way back home, just as the birds return in spring. A group of DYMNA LOTVA’s friends had travelled to the dying Belarusian village from which the ancestors of vocalist Nokt hail. There, they spent the entire night photographing the sky during the Perseid meteor shower from a small family cemetery. These images were used for the cover art and booklet of Vyraj.

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‘Inside’ is the latest music video by Ships In The Night, the ethereal darkwave project of Alethea Leventhal. Renowned for her distinctive electronic production technique and delicate yet mesmerising voice, Ships in the Night creates dark pop songs that feel both intimate and cinematic.

Included on the 2025 album Protection Spells, a bold and powerful collection informed by trauma, magic, darkness and hope, ‘Inside’ balances opposing forces of stillness and tension, vulnerability and resolve. The video for it is a glimpse into a world of transformation, with creatures hatching, plants unfurling and everything growing and finding its way.

“This song is about looking for feelings of safety and comfort in a world that is out of our control,” explains Leventhal. "It’s about finding places where you can just exist and be yourself. It’s about nurturing community, lifting up queer spaces and reaching for utopia.”

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