Posts Tagged ‘Dymna Lotva’

Belarus metal pioneers DYMNA LOTVA reveal the outstanding music video ‘The Boat of Despair’, which was filmed deep underground in a historic mine. The track features guest vocals by former MY DYING BRIDE frontman Aaron Stainthorpe (HIGH PARASITE), which means a dream come true for the band.

‘The Boat of Despair’ is the second advance single taken from the forthcoming new full-length Vyraj. The fourth album of the post-black metal band has been slated for release on August 7, 2026.

DYMNA LOTVA comment: “Sometimes dreams do come true”, vocalist Nokt muses. “For decades, I have dreamed of creating a song that is based on my favourite book, Laddzia Rospačy by Uladzimir Karatkevich. For so many years, I have dreamed of seeing Aaron Stainthorpe live on stage. Later I have dreamed of sharing a stage with Aaron, and then even of singing a song with him. And for some years, I have dreamed of singing inside a cave, in an old mine, on a boat flowing on an underground river. Here we are now, all those dreams have miraculously come true. I wish the same might happen to all of you, who listen to our song and watch our music video ‘The Boat of Despair’!”

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DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album Vyraj. The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a ‘one-trick pony’ in every conceivable artistic aspect.

Although Vyraj is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. Vyraj is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal.

DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on Vyraj, they put their lyrical focus elsewhere. The album’s main concept could be described as ‘Belarusian ethno-astronomy.’ In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians’ personal experience of forced emigration. This idea is captured in the album title Vyraj, which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest.

An important aspect of this concept is the idea of finding a way back home, just as the birds return in spring. A group of DYMNA LOTVA’s friends had travelled to the dying Belarusian village from which the ancestors of vocalist Nokt hail. There, they spent the entire night photographing the sky during the Perseid meteor shower from a small family cemetery. These images were used for the cover art and booklet of Vyraj.

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Having previously featured DYMNA LOTVA, we feel it appropriate to share in these increasingly dark and oppressive times…

Belarus expatriates DYMNA LOTVA have learned through opposition channels that some of their music videos have meanwhile been legally categorised as ‘extremist materials’ by a court in their home country.

For those interested in the political situation in Belarus, the Council of the European Union provides an official view: www.consilium.europa.eu/en/policies/belarus

DYMNA LOTVA released the following statement: “On December 8, 2025, several of our music and concert videos were officially deemed ‘extremist materials’ by a court in Belarus”, vocalist Katsiaryna “Nokt Aeon” Mankevich wrote. “This means that fans from our home country, who liked, reposted or commented on these videos in the past are now facing a real risk to disappear into a prison. The rule of law does not apply in Belarus. Just one like under a video that has only now been designated as ‘extremist material’ might mean time in jail. We are obviously worried about those that we had to leave behind at home when we escaped persecution by the regime. But personally we feel honoured to be listed alongside the best of Belarusian artists, writers, and musicians. To our knowledge, our songs ‘Zhyvi’ and ‘Death Kisses Your Eyes’ are the first music videos of the metal genre to be officially deemed extremist materials in Belarus. We also like the fact that the regime appears to be disturbed by our live shows. Long live Belarus! Fuck Lukashenka! Fuck Putin! Fuck dictators!”

Martin Koller comments: “It has always been the policy of Prophecy Productions to grant full support to every band on our roster and to offer a safe environment for their art”, the label founder and owner states. “We condemn any censorship of art and music in general and against Dymna Lotva in particular. We will do everything in our power to make their songs heard everywhere. Prophecy Productions stands firmly in support of freedom of expression and freedom of art. We reject censorship and political oppression, and we will continue to support Dymna Lotva without any reservation!”

At Aural Aggravation, we also reject censorship and political oppression, and would like to think our position on political matters is fairly clear on account of previous posts (and wonder if this is why the bombardment of hits to our home page from the US is entirely coincidental). As such, want to show our solidarity with DYMNA LOTVA.

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Restless Belarus expatriates DYMNA LOTVA release ‘Come and See’ (Ідзі І Глядзі), another lavish music video for the opening track from their current album, The Land under the Black Wings: Blood (Зямля Пад Чорнымі Крыламі: Кроў). This harrowing piece adds an accordion to black metal that is also prominently featured in the clip:

Video by Jancyk Kurcavy

DYMNA LOTVA comment: “We have never treated music videos as just another promotional tool”, enigmatic singer Katsiaryna ‘Nokt Aeon’ Mankevich declares. “We see every clip as a chance to explore the story and emotions behind a track even further through visual means. This video was originally planned for 2023, but due to many reasons, we are only able to reveal it now. Despite the long wait, its topics have become even more relevant as Plague, War, Famine, and Death have not gone away. These Four Horsemen have only moved closer towards all of us. Then again, just maybe these are actually Four Horsewomen.”

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