Posts Tagged ‘video stream’

Get lost in Blood Incantation’s interstellar new video ‘Luminescent Bridge’ – available today ahead of their performances at Roadburn Festival. ‘Luminescent Bridge’ pivots to the introspection of infinity. Created entirely in the studio, the nine-minute track plays out like a dying star—ominous, forlorn, yet hopeful of rebirth.

Blood Incantation tells, “Originally conceived as an acoustic interlude in the tradition of ‘Meticulous Soul Devourment’ and ‘(Mirror of the Soul)’, ‘Luminescent Bridge’ quickly became something entirely different upon entering Rocky Mountain Recorders in March 2023. Compelled by a tangible air of creativity, we forwent acoustic instruments entirely and ended up implementing several spur-of-the-moment ideas – such as drums, grand piano and even trombone – to create a vast, dynamic tapestry of textures both alien and familiar, yet remaining quintessentially Blood Incantation in feeling and atmosphere. Drenched in analog and digital synthesizers, multiple tape echoes and soaring electric guitar, this intended outro to a subsequently abandoned 7” EP became a towering landscape of otherworldly sonics, earning its place as the title track for our latest maxi-single release.”

“With this expansive energy in mind, we knew the eventual music video would similarly have to be something completely new for us, further evolving our imagery and aesthetic into new realms as we make our way towards our imminent third album. Thanks to the masterful VFX and cinematography of our friends Miles Skarin and Alex Pace who also worked on the music videos ‘Inner Paths (to Outer Space)’ and ‘Obliquity of the Ecliptic’, and the ‘Timewave Zero’ live Blu-Ray, respectively  – we are able to present to you the official video for ‘Luminescent Bridge’."

Of the video, director and visual effects artist Miles Skarin says, “When the Stargate Research Society asked us to help visualise a recent extrasolar communication they had received, we knew this would be a project of epic proportion. The data packet they sent to us from Colorado contained footage of Blood Incantation’s interstellar expedition to a distant star system. What we saw after decompressing the video stream blew us away, not only had they captured a beautiful cinematic exploration of the exoplanet’s sand dunes, but we can see their journey across the expanse of space was successful. Alex Pace’s cinematography from this location was stunning and provided us with everything we needed. Due to the solar radiation exposure, the data from the interstellar voyage was difficult to decipher, so we have used our artistic abilities in VFX and 3D animation to reconstruct the visual of crossing the Luminescent Bridge, first depicted by the artist Steve R Dodd."

Watch the epic video for ‘Luminescent Bridge’ here:

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Australian purveyors of caustic and slow-burning sludge, Sundowner, have dropped a music video for a new song titled ‘Substance Abuse’, which is taken from the band’s second full-length album Lysergic Ritual due out on April 20th.  

The album sees the band continuing its heavy dirge of grim, feedback laden, nihilistic sludge first offered on their 2021 debut album Guns, Knives And Tyre Irons.
Lysergic Ritual is the best representation we’ve put together of what Sundowner is; just dirty, noisy, heavy sludge,” says the band.

“Having previously done everything on our own: recording/mixing/mastering etc, this time we decided to bring in Jason Fuller from Goatsound Studios to mix the album and Dav Byrne from Iridium Audio to master it, both based in Melbourne, Australia.”

Intoxicated, bluesy and corrosive riffs permeate the album from beginning to end, all mixed with an aggressive and intense mid-tempo swing and violent hardcore punk passages; for the burnt out and downtrodden.

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Drawing on inspiration from the likes of Eyehategod, Iron Monkey, Buzzov-en, Weedeater and a slew of other miscreants, Sundowner play sludge intended for those set on personal annihilation to drop out of life and embrace the sacred ritual of the riff. It’s an uneasy listening for troubled times.

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‘Inspired By Me’ is the second single to be taken from ‘In This Light’, the forthcoming fifth album by Swedish dark-pop act Principe Valiente. Marking a bold evolution in the group’s decade-plus journey, ten meticulously crafted new songs lay bare the signature ethereal soundscapes and dreamy ambient allure that initially propelled them onto the alternative scene with the release of their self-titled 2011 debut album.

’In This Light’ is a symphony of mellotrons, samplers and analog synths harmonising with the celestial resonance of Rickenbacker 12-string and Gretsch guitars played by Jimmy Ottosson, further enriched by melodic piano and distinctively distorted driving bass all enveloped in the enigmatic voice of singer Fernando Honorato.

‘Inspired By Me’ follows the new album’s introductory single, ‘Something New’, which signalled a shift in direction for the current duo line-up with its dream-pop approach.

Watch the video here:

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Amidst Wardruna’s songwriting hibernation, the group resurface to offer a taste of their next album with the single release and music video for the song ‘Hertan’ on 5th April.

About the new single Einar comments: “’Hertan’ is the proto-Scandinavian word for ‘heart’ and that is exactly what we explore in this in this song and film. The duality of the heart with the rhythm, flow and pulse we can see, hear, and feel in nature and in all forms of life – and the more abstract idea of the heart, The rudder on the ship of emotions, our decisions, and our true desires.”

Once again, Wardruna teamed up with Finnish director and photographer Tuukka Koski for the video production of Hertan. Koski has previously directed Wardruna´s videos for ‘Raido’, ‘Voluspá’, and ‘Grá’. This time, the production mainly took place during some freezing nights in northern Finland at the island of Hailouto.

“It is always a true pleasure to create art with Tuukka and his colleagues at Breakfast Helsinki! His experience and eye for detail as well as the ability to always conjure up next-level material, is very inspiring to be part of. Three days, three locations, no sleep but a lot of heart. This is how it went down. Hope you will enjoy the result!” – Einar Selvi

You can see the result here:

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Photo credit: Tuukka Koski

LIP CRITIC are back with ‘In The Wawa (Convinced I Am God’, the latest cut from their forthcoming LP ‘Hex Dealer’ (out 17 May).

‘In The Wawa (Convinced I Am God),’ the latest single from NYC’s Lip Critic, combines banshee-possessed samples and furious percussion to create a sonic environment something like a f**ked-up rave that a bunch of hardcore kids and punks showed up to. This thrilling piece of electronic punk is an inquisition into the state of spiritual marketplace and the isolating results of consumption. The accompanying official video follows a band as they raid their label’s offices to reclaim their music.

Lip Critic’s debut album Hex Dealer will come out 17 May via Partisan. Behind previous singles ‘It’s The Magic,’ ‘The Heart,’ and ‘Milky Max,’ the band was one of the breakout artists of SXSW (“they made for an anarchic, categorization-defying experience that got better and weirder the longer it went on.” – Rolling Stone). The music has earned additional praise from Consequence (“hits like a cannonball to the chest”), Paste (“the B-52s on ketamine”), Matt Wilkinson gave them a 5/5 and Loud & Quiet said “the band has gone from conquering their neighbourhood venues to becoming one of NYC’s most talked about acts.” The album announcement in Feb came with features from NME (cover story) and DIY who said “Lip Critic are taking what it means to be a musician in 2024 and pushing all boundaries.”

Watch ‘In The Wawa (Convinced I Am God)’ here:

LIP CRITIC – UK TOUR DATES:

14 May – The Deaf Institute (The Lodge) – Manchester, UK

15 May – The Windmill – London, UK

29 Aug – 01 Sep – End of the Road – UK

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On the eve of their album release, CNTS, the Los Angeles-band featuring members of Dead Cross, Retox and Qui, have shared a video for the title track from their new album, Thoughts & Prayers (out tomorrow, 29th March). 

"’Thoughts & Prayers’ was inspired by a bad day I was having during recuperation after my accident and subsequent surgeries.  I was angry and in a lot of pain, struggling to get through the day while not exacerbating my injuries.  In the US, "thoughts and prayers," is a common banal response to tragedies.  Whenever someone shoots up a school or an airplane crashes into a shopping mall or an entire city overdoses on fentanyl, pundits and politicians flock to the cameras and social media with, "our thoughts and prayers are with the victims and their families… It’s stupid and insulting." – Matt Cronk

Watch the video here:

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CNTS band

Photo credit: Anthony Mehlhaff

‘Propaganda Now’ is the closing track from the upcoming album Confused OK by York band Soma Crew.

‘Propaganda Now’ was lyrically informed by an awareness of the increased discrepancy between fact and its interpretation through social media. Participation in the dispersion of information is unavoidable in contemporary society, and it is virtually impossible to be sure of the veracity of sources. Visual cues are taken from historical posters where images are used to persuade the viewer of a particular point of view. In these circumstances we are presented with a dichotomy, and our innate circumspection is smothered.

Check it here…

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Not so much light relief as weird relief…

Industrial rock band, FLEISCHKRIEG has just unleashed their new single, ‘I Believe In Gnomes’.

‘I Believe In Gnomes’ is a song about our beliefs, who shapes them, and why. Many things that were too absurd to believe in (such as UFOs) have now been proven to be true. The crackpots have been vindicated. Now the gnomes ask us to consider what else have we been lied to about, and why. They ask us to examine our beliefs.  Are they really ours to begin with or did we inherit them from a society bent on hiding the truth from us?

The single was Produced/Mixed/Mastered by Logan Mader who has produced and mixed acts such as Fear Factory, Divine Heresy, and Five Finger Death Punch.
’I Believe In Gnomes’ is available on all major digital outlets including Spotify and Bandcamp.

Check the video here:

FLEISCHKRIEG is the result of a chance encounter between an Uber driver and a drunk passenger partying in Seattle. The driver, Richard Cranor, and the passenger, Thomas Crawford, found themselves kindred spirits through a mutual love of Rammstein and industrial metal. When the opening act dropped out of Thomas’s solo ‘Ceraphym’ show, he invited Richard to perform in their place. Richard agreed with the caveat that Thomas play guitars. FLEISCHKRIEG was formed.

The group, currently based in L.A., cite Rammstein, DK-Zero, Die Krupps, and Lord of the Lost as musical influences. Their moody electronic sound melds industrial metal with darkwave undertones, creating the genre of ‘Brutalwave’: a blend of new wave, metal guitars, and crushing industrial dance beats and vocals. Now with the addition of Nick Mason on drums and Kaylie Cortez on synth/keyboards, FLEISCHKRIEG’s live shows are a force to be reckoned with.

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Anglo-Finnish progressive metallers Wheel are pleased to announce the release of their much-anticipated third studio album Charismatic Leaders on the 3rd May 2024 (InsideOutMusic). The album was meticulously crafted to meet Wheel’s ever-heightening benchmarks and recording with engineers/co-producers Daniel Bergstrand and Fredrik Thordendal (Meshuggah) stretched from August to December 2023. The end result, mixed by Forrester Savell, has consolidated all the gains of what came before: singer/guitarist James Lascelles, lead guitarist Jussi Turunen and drummer Santeri Saksala’s third album represents their heaviest and most conscious music to date.

To mark the announcement, the band have launched the first single taken from the album, and you can watch the video for ‘Empire’ here:

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Vocalist & guitarist James Lascelles comments of the track: “This is probably the most metal song I have ever written – it is intense as all hell when it kicks in and it keeps finding new ways to punch you in the face all the way to the end! Santeri did an incredible job with the drum track on this one and playing it live is really going to take some work in the rehearsal room..

Lyrically, it is about media empires and the effect they have on wider society – all of us are influenced to some degree, even if we would rather not admit it. Issues that require nuance are presented as binaries and opposing views are made into caricatures – a target for us to rage at that far too often, doesn’t even exist. This is not a new phenomenon by any means but it is one that seems to have been catalysed by the modern landscape of media, the internet and populist politics. As you might be able to tell from the mood of the song, this pisses me off immensely and it was cathartic to vent about it.”

The band will be celebrating the release of their new album with their first ever shows in Australia (supporting label-mates Caligula’s Horse) as well as their first ever North American headline shows. Later in the year the band will return to Europe for further headline dates, which have just been announced and can be found below:

31st October – Olympia, Tampere, Finland

1st November – Sawohouse UG, Kuopio, Finland

2nd November – On The Rocks, Helsinki, Finland

7th November – Lutakko, Jyväskylä, Finland

8th November – Finlandia-Klubi, Lahti, Finland

9th November – 45 Special, Oulu, Finland

15th November – Logo, Hamburg, Germany

16th November – Melkweg Up, Amsterdam, Netherlands

17th November – 013, Tilburg, Netherlands

19th November – Rebellion, Manchester, UK

20th November – Cathouse, Glasgow, UK

21st November – Rescue Rooms, Nottingham, UK

22nd November – 1865, Southampton, UK

23rd November – Underworld, London, UK

24th November – Thekla, Bristol, UK

26th November – Kavka, Antwerp, Belgium

27th November – Luxor, Cologne, Germany

28th November – Colos Saal, Aschaffenburg, Germany

30th November – Backstage, Paris, France

2nd December – Komplex, Zurich, Switzerland

3rd December – Legend, Milan, Italy

4th December – Backstage Halle, Munich, Germany

5th December – Analog Music Hall, Budapest, Hungary

6th December – Chelsea, Vienna, Austria

8th December – Hyrdrozagadka, Warsaw, Poland

10th December – Lido, Berlin, Germany

11th December – Pumpehuset, Copenhagen, Denmark

12th December – John Dee, Oslo, Norway

13th December – Nalen Klubb, Stockholm, Sweden

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Photo by Anastasya Korol

‘Ride Or Die’ is the first single release in nearly two years by Swedish post-punk/goth icons Then Comes Silence. It is also an opening statement of intent from their stunning new album, Trickery, which is out on 5th April, with vocalist Alex Svenson stating: “Friendship is love. It is important and worth fighting for. It’s ride or die."

Indeed, much of Trickery celebrates friendship, unity and the feeling of belonging to a tribe, with TCS explaining that “being a part of the post-punk and goth scene is a great privilege. After being on the road for so many years, we have experienced caring and welcoming audiences, both old and young, some with a similar background and some just for the love of the music and the culture that comes with the lifestyle. Uniting and harmonising with other people, we feel an incredible community together and it is a feeling that is both priceless and a blessing."

Trickery is also the audio definition of triumph over adversity. Backtracking to 2022, on the eve of their first-ever US tour and eager to promote their just released ‘Hunger’ album and its 2020 predecessor ’Machine’, TCS were suddenly and unexpectedly reduced to a three-piece. Would their famed darkwave wall-of-sound still work in a trio format? Fortunately, the answer was resoundingly positive, so much so that they resolved to continue with this slimmed-down line-up on a permanent basis, a period that has already included further US and European tours, followed by their return to the studio to make Trickery.

The inadvertent metamorphosis of the band has also led to a different way of creating new music. In order to capture the heart and essence of the trio’s live prowess, Trickery was recorded in just three days in Kapsylen Studio in Stockholm. With Jonas Fransson (a band member since 2015) laying down an energetic punk backbeat and sleaze punk fan Hugo Zombie (a 2018 recruit) providing inventive and rhythmic guitar lines, the main focus remains on singer and bassist Svenson, the sole surviving founder member from the band’s 2012 debut album. His velvety croon and solid bass lines are enhanced on ‘Trickery’ by retro synth sounds reminiscent of his recent solo futurist wave project, Neonpocalypse. "The electronic elements are essential to ‘Trickery’," he adds, "but are also a salute to punk music, the cradle of Then Comes Silence and the cradle of post-punk.”

Founded by Svenson in 2012 and touring frequently to promote three albums released in quick succession, TCS soon found a large audience in Germany. Signing to Nuclear Blast in 2016 for the release of Blood, their fanbase widened as they shared stages with artists such as A Place To Bury Strangers, Chameleons and Fields Of The Nephilim and performed at festivals all over mainland Europe. Firmly in the vanguard of the new generation of post-punk, darkwave and goth artists releasing high quality new material, they work hard to promote it and are recognised as a leading live act in their genre. They have also built a significant UK following and 2024 has already seen them play a sold out London show at the 229 venue.

TCS recently signed to Metropolis Records for the worldwide release of Trickery.

Check ‘Ride Or Die’ here:

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