Posts Tagged ‘video stream’

‘Wolf Moon’ is a song about alternative realities, created by choice and chance. In the video we explore these different realities, while at the same time serenading the 90’s music videos we grew up with and still very much adore. The video is directed by Nina Spiering and shot by Robijn Voshol.’ – Ryanne van Dorst (singer, guitarist, songwriter, lyricist)

Watch the video for ‘Wolf Moon’ now:

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Founded in 2015 in Rotterdam, the Netherlands, with a name derived from the Dutch word for "wandering," dark rockers Dool embarked on an ongoing spiritual and musical journey that took them far within a short amount of time on the strength of just one album. However, hearing the sophomore "Summerland," you can’t help but think its successful predecessor (ranked #13 among the "Best 100 Albums Of The New Millennium" by German magazine Rock Hard) was just a warm-up.

"Our debut ‘Here Now, There Then’ was a big experiment because we could not foresee at all how the band would sound," reveals singer, guitarist and overall powerhouse Ryanne van Dorst. "I took the skeletons of songs I had written to the other members, and we just started to jam, seeing what would happen. That was what we recorded, but we only found our own style while playing gigs during the last few years. The material kept growing on stage, so on the "Love Like Blood" EP, you could already hear that we had become more confident."

"Summerland" encapsulates the meaning behind the quintet’s monicker. Expansive and more varied on all fronts, it represents the constant evolution that goes along with the soul’s quest for ascension, resulting in a bedazzling mix of classic and post rock, Midde Eastern flourishes, psychedelia and metal. Each track displays its own identity within a loose thematic frame as summarized in the climactic title track: the struggle to find a place in this world, reaching some ultimate state mind, ecstatic pleasure and reincarnation, also inspired by Richard Matheson’s novel "What Dreams May Come" as a modern take on the Biblical cycles of hell.

"The term ‘summerland’ comes from paganism and refers to heaven, nirvana or whatever else you’d like to call it," the lyricist explains. "Since I usually write from experience and about what keeps me awake at night, I was asking myself what makes me happy on this existential plane and how the ideal afterlife would look like. This became a recurring motif throughout the lyrics in the shapes of sex, magic, psychedelics and many other means to invoke this ‘summerland’ in the here and now.”

The group recorded "Summerland" at DAFT Studios in Malmédy, Belgium, and Studio Cobra in Stockholm, Sweden, with Martin Ehrencrona (Tribulation, In Solitude). Mix and mastering were handled by Cult Of Luna’s drummer Magnus Lindberg in Redmount Studio Stockholm. As guests, Dool invited Per Wiberg (Opeth, Spiritual Beggars, Candlemass) on Hammond organ, backing vocalist Farida Lemouchi (The Devil’s Blood) and Okoi Jones (Bölzer), who contributed spoken words to ‘The Well’s Run Dry’.

“I’ve been blessed to work with both Ben Chisholm and Kristin Cofer for many years now as creative collaborators. Ben sometimes does something called “grave-hunting,” searching for graves for people online who are looking for their relatives in far-away cemeteries. Kristin and I went along with him one day last Spring to a hidden graveyard in a small mountain town and I brought my guitar along. We searched, and filmed, and played some music for those who’ve passed on. The feel of the video was inspired by some footage I stumbled upon of Joni Mitchell from a 1966 French-Canadian TV show, after I had already written “Highway,” but the feel was just so sweet and natural and free, and I wanted to bring that to life for my own song as well, since Joni has been such a big inspiration for me since childhood.” – CW

Chelsea Wolfe’s acoustic tour of Europe is fast approaching, and the debut of a new video for "Highway" (filmed by Ben Chisholm & Kristin Cofer) is a poignant reminder of journeying and life on the road, one of the themes around her latest work, Birth Of Violence, out now on Sargent House. Set in unique spaces, the forthcoming dates are complemented with support from Tribulation guitarist and sublime solo artist, Jonathan Hultén – dates and details below.  Watch the video here:

Chelsea Wolfe has spent her career making music that’s as fascinating as it is undefinable. Built on seven studio albums and numerous tours of consistently powerful performances around the globe, Wolfe’s work has transformed itself repeatedly throughout her 10-year career. Her earlier records exposed the intimacy of folk music with a doomed, bleak aesthetic (The Grime and the Glow, Apokalypsis, Unknown Rooms). She later immersed herself in a sonic intensity approaching the electronic industrial (Pain Is Beauty, Abyss) and even sludge metal (Hiss Spun). Her latest release, Birth of Violence, steers her sound back toward pure folk, adding another enigmatic layer to her oeuvre. Although Chelsea Wolfe’s approaches are experimental, she deliberately ties together her discoveries in rich textures and haunting melodies, digging into the viciousness and pain of the world to find its beauty.

Birth Of Violence acoustic tour:

11-03 CZ Prague @ Archa Theatre

12-03 DE Berlin @ RBB Sendesaal

13-03 DE Leipzig @ Paul Gerhardt Kirche – SOLD OUT 

14-03 DE Bochum @ Christus Kirche – SOLD OUT

16-03 NL Utrecht @ TivoliVredenburg – SOLD OUT

17-03 FR Paris @ La Gaité Lyrique – SOLD OUT

19-03 UK Manchester @ Stoller Hall – SOLD OUT

20-03 UK Glasgow @ Saint Luke’s

21-03 UK Coventry @ Coventry Cathedral

22-03 UK London @ Alexandra Palace Theatre

23-03 BE Antwerp @ Bourla

25-03 FR Lyon @ Chapelle De La Trinité – SOLD OUT

26-03 CH Pully @ Theatre de L’Octogone

28-03 DE Munich @ Kammerspiele

29-03 DE Hamburg @ Gruenspan

30-03 DK Copenhagen @ Koncerthuset – Studio 2

31-03 NO Oslo @ Kulturkirken Jakob

01-04 SE Stockholm @ Nalen

BIG|BRAVE share a video for "This Deafening Verity" a stand-out track from their most recent album A Gaze Among Them, out now on Southern Lord.

"The video is made from re-appropriated footage from a hot dog eating competition in the USA. With the video we didn’t want to only investigate the competitive hot dog eating community but rather at all spectacles of this character. Ones where gratuitous displays of abundance are celebrated and worshiped,"  the band remark.

BIG|BRAVE are returning to Europe in April and May opening the tour with their second appearance at Roadburn Festival, followed by dates in the UK and beyond – dates, details and tour poster below. Joining them for three dates will be violinist and sound artist Jessica Moss, who has toured with, and appeared on BIG|BRAVE’s previous album.

Since their inception in 2012, BIG|BRAVE have explored terrains of experimental rock with a clear focus on the key principles; space, volume, and raw emotion. The essence of BIG | BRAVE’s magic has always been the way they balance these dynamics, and particularly how much sheer power comes from the beautifully quiet moments.

Watch the video here:

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BIG | BRAVE LIVE DATES:

19/04 Tilburg Netherlands – Roadburn *

20/04 Paris France – La Boule Noire *

21/04 London UK – Electrowerkz *

22/04 Brighton UK – The Hope & Ruin

23/04 Norfolk UK – Norwich Arts Centre

24/04 Glasgow UK – Nice N Sleazy

25/04 Manchester UK – The Peer Hat

26/04 Newcastle UK – The Cluny

28/04 Nantes France – La Scène Michelet

29/04 Bilbao Spain – Shake

30/04 Madrid Spain – Wurlitzer Ballroom

01/05 Lisboa Portugal – ZDB

02/05 Porto Portugal – Maus Hábitos

03/05 Oviedo Spain – La Lata de Zinc

06/05 Barcelona Spain – Sala VOL

07/05 Talence France – Antirouille

08/05 Lyon France – Le Farmer

09/05 Zürich Switzerland – Rote Fabrik

10/05 Piacenza Italy – ChezArt

12/05 Vienna Austria – Grillx

13/05 Budapest Hungary – Három Holló

14/05 Prague Czech Republic – Klubovna

15/05 Wroclaw Poland – Into The Abyss

16/05 Gdansk Poland – Dizzy Grizzly

17/05 Berlin Germany – ZUKUNFT am Ostkreuz

19/05 Moscow Russia – Bumazhnaya Fabrika

20/05 St. Petersburg Russia – Serdce

21/05 Tallinn Estonia – Sveta Baar

23/05 Zottegem Belgium – Dunk! Festival

24/05 Waregem Belgium – W-Fest

* with Jessica Moss

BlackLab, ‘the dark witch doom duo from Osaka, Japan’ are poised to return with their new long playing record Abyss.

Recorded under a full moon over three intense days, the album has the ‘off the leash’ abandon of ‘Fun House’ era ‘Stooges’ and is marked by a fat dose of doom meets slowed down hardcore punk; filled with loud, ultra distorted guitar, and yet, a surprising amount of melody as well.

In fact, Yuko has said that the band’s name is a combination of Black Sabbath and Stereolab, well here on Abyss is where that strange mix begins to make musical sense.

The band haven’t lost their love of lo-fi or ‘Riot Grrrl’ attitude.

The guitars are loud and heavily gnarled to the point of chaos.

Vocals go from shoegaze melodic to hardcore screams (in fact rarely has a vocalist in this genre screamed so musically as Yuko does) and underneath all this, Chia batters the skins, all rolling and tumbling thunder amidst the riffs.

Yes there is a smattering of ‘Sabbathy Wizarding’ of course, but submerged within dark, deep fuzz and punk rock crank and grind.

In truth the vibe is closer to both the arty heaviness of early Boris, and the sweet savagery of My Bloody Valentine, than any kind of ‘doom’ tropes. And in many ways, Blacklab are continuing the long tradition of Japanese experimental noise that bands like Melt Banana and Bordeoms exemplify. Ultimately though, it’s a sound that is undoubtedly BlackLab’s own.

So over 8 tracks, clocking in at around 42 mins, you get the current Blacklab world view.

‘Abyss’ is an album that is as raw and alive as it gets.

It’s refreshingly free of artifice, and it doesn’t arse around. What more can you want.

Say hello to the Osaka underground and watch the video for new single ‘Insanity’ now.

21st February 2020

Christopher Nosnibor

It’s more or less a fact – and not a happy one – that much of the strongest and most meaningful art comes from dark personal places. And so it is that Mollayanna’s new single, ‘Human Error’ is taken from an album of material, which will shortly be released under the title Archaeology, written last year by front-woman Bernadette, and which charts her experience of surviving abuse and undergoing therapy.

Speaking candidly, she says, ‘One thing I realised in therapy was that I’d spent so long trying to micromanage things, clinging to relationships and behaviours and hadn’t really stopped to assess if any of it was still making me happy. Once I let go and those people and situations fell away, I felt nothing, too. Emptiness. But also relief? And that’s what ‘Human Error’ is about. The frustration at putting all your effort into something only to realise it’s not what you wanted.’

And so ‘Human Error’ is a tidy slice of indie-ish alt-rock with sweetly melodic vocals that’s easy on the ear but harder on the heart. The lilting minor chords of the clean rhythm guitar has hints of Dinosaur Jr, while the remaining musical layers sit somewhere between Paramore and Fleetwood Mac (Bernadette manages moments that really do hint at Stevie Nicks, and also has a decidedly folksy twist to her vocal style) but then again, and the emotional range is closer to The Twilight Sad as Bernadette pours every ounce of soul into a narrative of giving all for limited returns while being trapped in a cycle.

Oh, and there’s a whopping great guitar solo that plays out through to the fade. It’s as indulgent a solo as you’ll get, but doesn’t feel indulgent, somehow, and fades are chronically underused these days. It all adds up to a great single, and a strong pitch for the upcoming album, too.

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Human Error Artwork

Live dates:

28/2 – Rotherham – Magna

4/4 – Whitchurch – Percy’s

11/4 – Leeds – Verve

"This video was pieced together over several months.  Most of the footage was shot by the intrepid Pierre Malacarnet at Beck Studios in Wellingborough, the site of the original Bauhaus recording of ‘Bela Lugosi’s Dead’. I filmed the game and lovely Emily Jane White in a 19th Century bathtub in San Francisco.  Pierre then shot some other cut away scenes in Berlin and edited the whole thing together quite brilliantly.  The mood of the film resonates perfectly with that of the music," says David J.

Released in support of the massive double album Missive to an Angel from the Halls of Infamy and Allure, there’s a lot to get enthused by. Watch the video here:

Ahead of the release of their second album, Inviolate, Dystopian Future Movies release ‘Black-Cloaked’ as a follow-up to ‘Countenance’, which came out in January.

Check it here: