Posts Tagged ‘video stream’

Ahead of the release of their second album, Inviolate, Dystopian Future Movies release ‘Black-Cloaked’ as a follow-up to ‘Countenance’, which came out in January.

Check it here:

After 3 albums Antwerp’s noisiest outfit The Hickey Underworld evaporated. They never announced a break up, they just ceased to be… but the genie’s back out of the bottle. Well sorta… Frontman and main songwriter Younes Faltakh is the sole survivor and teamed up with ex Das Pop member Niek Meul. The pair set up camp in Niek’s studio in Oslo and recorded 10 eccentric, mysterious and groovy tracks. Guitars do a lapdance wrapping their tormented strings around a worked up rhythm section while Younes’ hoarse growl sounds as familiar as it does threatening.

Birthed in post-punk, heavily infused by Eastern psychedelica, and described by their record label [PIAS] as alternative world music, most refer to Arabnormal as ‘a manically zonked-out flying carpet ride’.

Read the above and listen to Arabnormal’s new single ‘Digital Veil’ and you’ll know that doesn’t make any sense at all… ‘Digital Veil’ is a sweet, sophisticated and too cute to cuddle soft rock gem. To honour the late Hickey Underworld tradition of psycho-facemelting video’s, Arabnormal’s visual companion for their latest single is quite something. Does your mouth get wet thinking of a make-up sandwich? Well, here’s the recipe!

Pure Reason Revolution recently announced the release of Eupnea, their first new studio album in nearly 10 years, for the 3rd of April 2020. They’ve just revealed the first piece of new music taken from the record, in the form of the epic 10-minute ‘Silent Genesis’, a track which Jon Courtney co-wrote alongside original PRR member Greg Jong.

The band comments: “With some tracks it’s blood sweat & tears to get them nailed, but “Silent Genesis” came together really quickly. While Greg & I worked on the music, Chloe was blasting out vocals in London. We had a lot of fun making this track; mangling synths, riffing & unexpectedly outroing with funk!”

Listen to the track here:

The experimental chamber collective Collectress, who create unique surrealist-tinged chamber pop and have been described as a cross between "the Elysian Quartet and possessed Brontë sisters teasing an unsuspecting dinner party" (Foxy Digitalis) release a video today for new single "In The Streets, In the Fields".

Using dance as a means to explore the nature of the music, and with nods to both psychedelia (particularly 13th Floor Elevators), and the 1937 recording of Virginia Woolf’s “Words”, Collectress play at taking you somewhere imaginary whilst staying grounded in reality- ‘in the streets’ yet also ‘in the fields.’  The band remark "we liked the sense of the transience of language as evoked by the crackly Woolf recordings, of time passing and of spaces shifting, of being in one place yet another at the same time, in “Different Geographies”. In this technological world of ours, Woolf’s “Words” speaks to us from the past, visionary in suggesting we are mere vessels for language to occur, adapt and move around in. “In the Streets, In the Fields” melodically ‘sets off’ and in some way is doing this too, its simple structure unfolding, shifting and developing over the course of the song."
Collectress continue "the film for "Streets" was always going to include dance as a means to explore and express the nature of the music. We talked about parts of the body, colours and ‘elements’ to include. We each gave our interpretation and filmed ourselves dancing at our own respective ‘different geography’. What you see in the film is a layering of those interpretations to the rhythm and layers of the individual parts of the music, to create an indefinable space that we hope has something recognisable and grounded but that also allows for an element of getting lost."

Watch ‘In the Streets, In the Fields’ here:

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Collectress Spring Shows:

Friday April 10 – Brighton Album Launch at The Rosehill, Brighton

Sat May 9 – Daylight Session (plus special guests), Union Chapel, London

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Collectress

Human Impact, a “band that collects members from three of New York noise’s most important groups — the hardcore-influenced, ultraviolent Unsane, industrial anger mongers Cop Shoot Cop, and erstwhile Lower East Side pummelers Swans” (Rolling Stone), have released a video for “E605”.

The Samuel Mitchell-directed clip visually echoes the gritty, industrial-tinged noise rock on the band’s forthcoming, self-titled debut album (March 13, Ipecac Recordings). It is the second song to preview the 10-track release, with the band previously sharing the song “November”.

Watch ‘E605’ here:

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Christopher Nosnibor

Videostore – the lo-fi indie duo consisting of Argonaut members Nathan and Lorna – are on a major roll at the moment, and their latest effort – pitched as a ‘love song for the apocalypse… channelling Stooges, Suede and Spacemen 3 guitars against a relentless drum machine and Atari samples’ – is their strongest to date.

It kicks in hard and that vintage mechanised drum track pumps away like a piston all the way through to the finish: no fills, nothing fancy, nothing but uptempo motoric 4/4 with that classic Roland-type snare sound.

The guitars are big and fizzy and when the extra distortion kicks in, it hits that treble explosion sweet spot that takes the top off your head, and you just don’t get that buzzsaw bliss with slick studio production.

The dual vocals contrast Lorna’s sassy drawl with Nathan’s blank monotone croak and the end result comes on like a riot grrrl rendition of a Pixies song covered by Metal Urbain.

Yet for all the retro, ‘My Back’ is very much a song for now: these are dark, paranoid times and it feels like we’re on the edge of the abyss, and this guitar-driven blitzkrieg is the perfect soundtrack.

Jonathan Hultén, the darkly enigmatic Swedish Grammy-winning songwriter has released the first single & video for track “The Mountain” taken from his debut solo album Chants From Another Place, due for release on Kscope on 13th March.

The musical inspiration for singer/songwriter Jonathan Hultén’s debut album Chants From Another Place is drawn from acapella folk and church choir compositions. Throughout the album, tales are weaved and musical influences collide as HULTÉN draws comparisons to artists including Nick Drake, Sufjan Stevens, Wovenhand and Fleet Foxes, as well as traditional folk artists such as John Martyn right through to his contemporaries in Anna Ternheim, José Gonzales, Anna von Hausswolff Chelsea Wolfe & Hexvessel.

“The Mountain”, the album’s debut single (released 10th January), is a potent yet minimalistic ode to loss and hope. Telling a tale of soul in distress, goes forth on a journey and faces death, transformation and rebirth is accompanied by a stunningly emotive animated video, created by Hultén himself, taking visual influence from the likes of Tolkien, Tove Jansson and art nouveau illustrator Aubrey Beardsley.  

Watch ‘The Mountain’ here:

HULTÉN will join CHELSEA WOLFE on tour, opening for her ‘Birth Of Violence’ acoustic tour in the UK & Europe in March 2020. “The live show is focused on reproducing the mystical state of mind in which the songs themselves were created,” he says. “Incense and lights that follow the music are the keys and draws you into the tranquil yet sometimes dramatic world that Chants From Another Place inhabits. Like watching a sunset; peaceful, sometimes kind of intense while also slightly psychedelic.”

MAR 11, Archa Theatre – Prague, Czech Republic

MAR 12, Großer Sendesaal Des Rbb- Berlin, Germany

MAR 13, UT Connewitz – Leipzig, Germany

MAR 14, Christuskirche Bochum – Bochum, Germany – sold out

MAR 16, TivoliVredenburg – Utrecht, Netherlands

MAR 17, La Gaîté Lyrique – Paris, France

MAR 19, The Stoller Hall – Manchester, United Kingdom

MAR 20, Saint Luke’s – Glasgow, United Kingdom

MAR 21, Coventry Cathedral – Coventry, United Kingdom

MAR 22, Alexandra Palace Theatre – London, United Kingdom

MAR 23, Bourla – Antwerpen, Belgium

MAR 25, Trinity Chapel – Lyon, France

MAR 26, Octagon Theater – Pully, Switzerland

MAR 28, Kammerspiele – Munich, Germany

MAR 29, Gruenspan – Hamburg, Germany

MAR 30, DR Koncerthuset Studie 2 – København, Denmark

MAR 31, Kulturkirken Jakob Oslo, Norway

APR 1, Nalen – Stockholm, Sweden

Remaining tickets available here: https://JonathanHulten.lnk.to/Chants

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