Posts Tagged ‘video stream’

The press email landed with the leader: ‘UK based, anti-facist black metallers Underdark have announced details on their debut album  Our Bodies Burned Bright on Re-Entry which is set for release on 30th July via Surviving Sounds (UK), Through Love Records (EU) and Tridroid Records (US/CAN).’

In a  time where the outgoing US president identified antifa as ‘the enemy’, we here at Aural Aggro are proud to back and provide coverage to any act with an expressly anti-fascist agenda – although it does also help if they produce good noise, and Underdark most definitely do.

After forming in 2015, Nottingham based black metallers Underdark are finally ready to present their debut album to the world. Following their recent ‘Plainsong​/With Bruised & Bloodied Feet’ single release in 2020, ‘Our Bodies Burned Bright on Re-Entry’ is the sound of a new chapter of Underdark, set for release on 30th July via Surviving Sounds (UK), Through Love Records (EU) and Tridroid Records (US/CAN).

While still utilising a dreamlike and heavy mixture of black-metal, post-metal and shoegaze, Underdark’s debut album also packs a renewed punch alongside a ferocity and intensity matched only by the innovative and engaging song structures.

Recorded & mixed with Misha Herring at Holy Mountain Studio (40 Watt Sun, Inhuman Nature, Idles, Spiritualised, Puppy) & mastered by Adam Gonsalves at Telegraph Mastering (Emma Ruth Rundle, Southern Lord Records, Power Trip, Mizmor), the album captures five tracks of intense & emotional progressive compositions, not limited by genre to create a tidal wave of sound; that shift in emotions, drowning you between sections of crushing blast beats and ear splitting vocals to blissful, atmospheric soundscapes that engulf you within them.

On first single ‘Coyotes’ vocalist Abi comments,

“THE ALBUM IS READY. You thought we were dead. At times, we thought we might be too, but we’re here, we’re (mostly) alive, and this is  COYOTES. It’s one of the first songs I wrote in Underdark and it’s about the ongoing humanitarian crisis at the Mexico/US border. Hope you’re as stoked on it as we are.”

Listen to ‘Coyotes’ here:

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Year of No Light have shared the harrowing new video for ‘Réalgar’, written and directed by Corentin Schieb, Mathias Averty & Célia Le Goaziou. The track, described by the band as, ‘a mineral dive in the interzone, a journey between several realities and a confrontation with our inner demons’, is taken from their new album “Consolamentum” set for release via Pelagic Records on 2nd July. Watch the video now:

Pelagic Records are releasing not only their new album “Consolamentum” but also a wooden box set, to celebrate the band’s 20th anniversary, containing their entire discography of 5 studio albums, several split EPs, and the collaboration with Belgian composer Dirk Serries from the ‘Live At Roadburn’ recordings, on 12 vinyl records.

YEAR OF NO LIGHT’s lengthy, sprawling compositions of towering walls of guitars and sombre synths irradiate a sense of dire solemnity and spiritual gravity, and couldn’t be a more fitting soundtrack for such grim medieval scenarios. But there is also the element of absolution, regeneration, elevation, transcendence in the face of death. Consolamentum is dense, rich and lush and yet somehow feels starved and deprived.

It comes as no surprise that ever since the beginning of their career, the band have had an obsession for the fall of man and salvation through darkness. The term “consolamentum” describes the sacrament, the initiation ritual of the Catharic Church, which thrived in Southern Europe in the 12th – 14th century – a ritual that brought eternal austereness and immersion in the Holy Spirit.

“There’s a thread running through all of our albums”, says the band, collectively “an exploration of the sensitive world that obeys a certain telos, first fantasized ("Nord") and reverberated ("Ausserwelt"), then declaimed as a warning ("Tocsin"). The deeper we dig, the more the motifs we have to unveil appear to us. Yes, it’s a bit gnostic. This album is invoked after the Tocsin, it’s the epiphany of the Fall”.

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Pennies By The Pound present classic/psych-rock-imbued ‘Indigo Screams’ ahead of new LP, mastered by Ride’s Mark Gardener. 

With comparisons to Bob Mould, And You Will Know Us by the Trail of Dead, Marillion, and Jethro Tull being tossed around – and not wrongly – there’s a hint of early 90s Dinosaur Dr in the mix, too. Check ‘Indigo Screams’ here:

Hailing from Helsinki, Pennies by the Pound was formed in 2016 by Johannes Susitaival as a solo project, but it quickly became a three-piece involving musicians from his past bands.

While still part of a punk rock band, Johannes began exploring some quite different musical avenues, which led to the self-produced ‘Bloodshed and the Blinding Sunlight’ EP in 2018. Having found their ideal producer after several years of searching, they began recording demos in 2019 for what would become this album. Due to the pandemic, they were finally able to record these tracks in autumn of 2020.

Pennies By The Pound’s sound blends ’80s prog rock and ’90s-early ’00s alternative rock – essentially heavily guitar-driven with a touch of keyboards… Big choruses, quite a few guitar and keyboard solos and grandiose arrangements.

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Nadja reveal another track "Starres" from their forthcoming album Luminous Rot, which shall be released on CD and DL formats via Southern Lord on 21st May, with the LP version arriving on 13th August. Luminous Rot pre-orders are live from today, and info can be found on the Southern Lord store, Southern Lord Europe store and via Bandcamp.

About the track and video Nadja comments, "Starres is about both inner- and outerspace, a conflation of the internal neural-network of the human brain with the external cosmos, and how the act of observation might alter those, both from the viewpoint of the observer and the one observed. The video attempts to replicate something of that feeling of cognitive dissonance in the observer, taking a mundane image of houses and warping them, both through reflective filming and digital effects."

Watch the video here:

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(image by by Janina Gallert)

Nordic pop diva Karin Park of Årabrot adds her ethereal, mournful voice and keys to the primordial sound of legendary electronic pioneer Lustmord for this sublime and poignant collaboration. Alter is a ritual of our times and ‘Hiraeth’ is the new single.

Watch the video here:

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On the pair’s frst collaborative work, the nine tracks that make up ALTER are every bit as heart-wrenching as they are terrifying, mining new sonic territory, it is a fascinating study of light and shade that delves deep into vast uncharted darkness. Their ability to create atmosphere on the album opener "Hiraeth" is second to none, perfectly assembling a harrowing backdrop for Park’s lilting sound of longing. From there, Park’s vocals add all of the emotional depth and power found in names like Kate Bush, Maynard J Keenan and Elizabeth Frasier, perfectly playing against Lustmord’s waves of dark drama and creating a wholly unique record that recalls Dead Can Dance, Massive Attack and Portishead at their greatest.

Considering Park’s credentials, it might be surprising that a collaboration with Lustmord would fit so seamlessly. Utilizing a sound comprised of elements of industrial, synth pop and more, the celebrated Swedish solo artist and member of Norwegian rock band Årabrot utilizes experimentation in her work, blazing trails and bringing to mind the work of her peers The Knife, Scott Walker, Robyn, Depeche Mode and Burial with her darkly-rich compositions. Multiple winner of Norway’s Spellemann award, Park co-wrote the Norwegian entry for the 2013 Eurovision, fnishing fourth overall. But it is the sensibility of the sacred music of her youth that Park adds to ALTER, contributing a powerful vocal that guides the listener through the cavernous, mystical depth of their collaborative work.

”Lustmord is the Gustave Doré of music", Karin Park offers pensively. "Painting magical pictures with a sound that is so vast, it gives space for your own imagination.” Brian Williams grew up in North Wales, beginning his musical career as Lustmord in 1980 and becoming a pivotal fgure and pioneer in the early industrial music scene in the UK.

A former member of SPK during arguably their most crucial era, Williams went on to work with Throbbing Gristle members Chris & Cosey and appeared on early albums by Current 93 and Nurse With Wound amongst others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld and Paul Schrader’s First Reformed, as well as on several video game, television scores and solo albums. Williams has also contributed to and collaborated with artists as varied as the Melvins, Clock DVA, Jarboe, John Balance of Coil, Clock DVA, Paul Haslinger (Tangerine Dream), Wes Borland (Limp Bizkit), Puscifer and more, including Grammy Award-winners Tool from their much acclaimed efforts 10,000 Days and Fear Inoculum.

Alter is set for release on 25th June (Pelagic Records).

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AMENRA announce their Relapse Records full-length debut De Doorn coming June 25th. Watch the official video for ‘De Evenmens’, directed by Dehn Sora, here:

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Amenra vocalist Colin H. van Eeckhout comments:

“We are only here for a split second in history. This song is about finding the answer within the question, man’s search for his place here on earth. A journey of sorrow with mere moments of beauty and happiness and this all in relation to his or her fellowman. To accept what is. Our brother Dehn Sora sculpted the digital world where Everman dwells, protected by its thorns, wounded by the others. Sacrificing blood of gold.”

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PHOTO CREDIT: STEFAAN TEMMERMAN

Fly Pan Am’s viscerally sculpted and starkly evocative music for the acclaimed multi-media contemporary dance opus FRONTERA was originally created and performed live in collaboration with choreographer Dana Gingras and the Animals Of Distinction dance company, with scenography by United Visual Artists. The sound design and musical score juxtaposes foreboding electronics with minimalist motorik avant-rock—now captured in a superb studio recording by producer Radwan Ghazi Moumneh and being released as Frontera on Deluxe 180gram vinyl, CD and Digital on 21 May 2021.

“Grid / Wall” opened the dance production and is also the album’s opening track.

Watch the video here:AA

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Nadja share special video footage recorded at The Black Lodge in Berlin, which originally premiered exclusively for Roadburn Redux last Friday – now available to view here. About this new material, Nadja comments, "Early in 2021, the Black Lodge and Salon Oblique invited us to participate in their series of filmed performances by Berlin artists. For this session, we chose to perform a new composition, ‘Seemannsgarn’, an extended, meditative piece we wrote about a liminal and tranquil green space/urban waterway in our quiet corner of Berlin, now in flux and with an uncertain future, threatened by gentrification and development.”

This standalone piece does not appear on their forthcoming album Luminous Rot, which shall be released on CD and DL formats via Southern Lord on 21st May, with the LP version arriving on 13th August. Pre-order information incoming soon.

On the new album, Nadja have refined their signature sound which combines the atmospheric textures of shoegaze and ambient/electronic music with the heaviness, density, and volume of metal, noise, and industrial. The duo retain their overblown/ambient sound, and explore shorter and more tightly structured songs reflecting their interests not only in metal, but post-punk, cold-wave, shoegaze, and industrial.

Thematically, the album explores ideas of ‘first contact’ and the difficulties of recognising alien intelligence. This was in part inspired by reading such writers as Stanislaw Lem and Cixin Lui — in particular, theories on astro-physics, multi-dimensionality, and spatial geometry in "The Three Body Problem" — as well as Margaret Wertheim’s "A Field Guide To Hyperbolic Space," about mathematician Daina Taimina’s work with crochet to illustrate hyperbolic space and geometry.

The album was recorded between their home studio, Broken Spine Studios, or Nadja’s live rehearsal studio, both in the district of Lichtenberg, Berlin.

Luminous Rot marks the first album mixed by someone else, who in this case was David Pajo. The band comment, “as big fans of Slint, we thought he might fore-front the more angular, post-punk elements of our music – the mix is quite different from our previous albums. But, as usual, we had James Plotkin (Khanate, OLD, etc) master the album as we trust his ears and aesthetic, as he’s mastered numerous records of ours.”

Watch the video here:

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image by by Janina Gallert

White Moth Black Butterfly the project from TesseracT’s Daniel Tompkins have shared the first single from their new album The Cost of Dreaming. You can watch the video for ’The Dreamer’ now:

The project sees Tompkins collaborating with New-Delhi based Skyharbor songwriter and producer Keshav Dhar; US based producer and string arranger Randy Slaugh who has previously worked with the likes of Devin Townsend, Architects & Periphery, drummer Mac Christensen and the line up is completed by ethereal vocals of UK singer & lyricist Jordan Turner.

‘The Cost of Dreaming’ is out on 28th May (Kscope).

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Clicks are now releasing a video clip for the track ‘Dropdead’, which once again stresses the sharp ironic humour of the Polish electro project. ‘Dropdead’ is the third single taken from the forthcoming new full-length "G.O.T.H.", which has been scheduled for release on April 16.

Watch the video here:

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