Posts Tagged ‘Eyehategod’

Human Worth are proud to present the punishing new album Work Yourself to the Bone from south-coast sludgers Black Groove, available to pre-order now with a portion of all profits donated to charity.

Savage, gnarly, brutal and chaotic… These words feel lightweight when it comes to describing the bludgeoning that one experiences when listening to Black Groove, or attending one of their visceral live shows. Crawling out of the darkest crevice of East Sussex coastal town Eastbourne, this gruesome sludge metal quartet have made a real name for themselves across the South of England. Known as one of the heaviest bands in the UK today, Black Groove have been packing small venues, drawing in more and more fans of disgustingly loud, heavy music through word of mouth.

Now Black Groove are ready to channel that vicious intensity and colossal heaviness into their forthcoming second album Work Yourself To The Bone, to be released on the hellish Friday the 13th of November on Vinyl, CD and Streaming via independent Brighton based label Human Worth (home to IAN, Remote Viewing, Pleb and more). A portion of Human Worth’s profits from the sales of Work Yourself To The Bone will be donated to registered UK charity Survivors’ Network, supporting survivors of sexual violence and abuse across Sussex.

Work Yourself To The Bone follows Black Groove’s impressive and raw 2024 debut album Low End Scum. The band recorded Work Yourself To The Bone live with producer and engineer Matt Pugh at Brighton Electric, who has previously recorded like-minded peers Believe In Nothing and Pascagoula. Pugh had already been a regular attendee of Black Groove in concert, and so was able to find that balance between capturing the wild energy of their live shows, whilst pushing their sound forwards and tightening the screws. “The results of working with Matt have been massive for us,” confirms bassist and vocalist Gareth Hellings; “To have a record that really represents the live sound and vibe of the band is what we wanted to achieve." Black Groove have made a conscious shift in their songwriting and lyrical topics too. "We were a lot more doomy, writing songs about shroom demons and swamp giants and whatnot," admits Hellings cheekily, "Then we made a conscious decision to write songs that were more real and relatable to us, and society as a whole.”

Black Groove will embark on a UK tour from November 13th to coincide with the release of the album. The sludge metal quartet have performed with the likes of EyeHateGod, Bongzilla, Goatwhore, Conan, Mastiff, Kulk, Sea Bastard, Believe In Nothing, Wode, Moloch and plenty more. Black Groove have also performed at key festivals and all-dayers, including Desertfest, Cosmic Vibration and Masters Of The Riff. The band hope the release of Work Yourself To The Bone will allow them to play more extensive tours, get over to Europe and make their mark at even more metal festivals.

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Philadelphia-based industrial sludge metal band WORST ONES has unleashed the new single ‘Vex’. The track is a crushing, no-holds-barred exploration of Americaʼs decaying ideals. Drawing from the bitter truth of the American Dream’s collapse, the track delves deep into the rise of fascism and the heartbreaking act of protest by soldier Aaron Bushnell, who self-immolated in protest of the war in Palestine.

Musically, ‘Vex’ fuses the raw aggression of ’90s hardcore with the sludgy weight of doom and the mechanical grind of industrial metal, drawing influences from the likes of Biohazard, Eyehategod, and Godflesh. A standout element of the track is the signature “sickness” – rhythmic noise loops that twist and churn alongside the brutal guitars and drums, creating a suffocating atmosphere of unease. It’s a track thatʼs as punishing as it is poignant, reflecting the chaotic, fractured state of the world today.

WORST ONES has explained the meaning of the song as follows:

“’Vex’ is an expression of disillusionment and resistance under the weight of a system built on lies. The lyrics question what freedom is when we live in a country that supports widespread oppression and death. There’s a sense of despair in the verses and searching for answers in the chorus but in the end the song turns into a statement of defiance and resilience.

The opening line “Wasted life is on us, covered all up in flames” addresses the heinous amount of people killed in war and how “the powers that be” utilize new types of bombs that don’t even leave behind a body, literally covering it up.

The lyric “Do you really believe the reaper will bring peace” challenges the concept that violence and killing would bring peace. It questions the false idea that through war or death there can be an end to suffering.

The final lines “They want to destroy us, but we can’t be beat" reaffirm that despite everything, resistance is still possible and even inevitable to triumph. It’s a defiant statement in the face of a system designed to crush individuals, but where the refusal to give up remains unbroken. I wanted to end the song with a statement of positivity and strength.

The story of Aaron Bushnell, who self-immolated in protest of the war in Palestine, deeply resonated with me. He was someone who joined the US Army, maybe out of ignorance or patriotism, only to feel betrayed by what he was asked to do. His act of protest was a refusal to be complicit in a system that had deceived him, and that sense of betrayal and defiance is something Vex reflects. It’s a statement of refusal in the face of violence, war, and manipulation.

As a Syrian American, these themes aren’t just abstract ideas to me. I’ve experienced how propaganda shapes people’s perceptions, how violence is justified in the name of power, and how the most vulnerable are always the first to suffer. I wrote the lyrics with a universal approach to the words because it’s not just now, it’s about the cycles of control, war, and resistance that keep repeating. This song is my way of expressing frustration, grief, and the refusal to be silenced.”

‘Vex’ is accompanied by a lyric video – watch it here:

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Worst Ones band photo

Australian purveyors of caustic and slow-burning sludge, Sundowner, have dropped a music video for a new song titled ‘Substance Abuse’, which is taken from the band’s second full-length album Lysergic Ritual due out on April 20th.  

The album sees the band continuing its heavy dirge of grim, feedback laden, nihilistic sludge first offered on their 2021 debut album Guns, Knives And Tyre Irons.
Lysergic Ritual is the best representation we’ve put together of what Sundowner is; just dirty, noisy, heavy sludge,” says the band.

“Having previously done everything on our own: recording/mixing/mastering etc, this time we decided to bring in Jason Fuller from Goatsound Studios to mix the album and Dav Byrne from Iridium Audio to master it, both based in Melbourne, Australia.”

Intoxicated, bluesy and corrosive riffs permeate the album from beginning to end, all mixed with an aggressive and intense mid-tempo swing and violent hardcore punk passages; for the burnt out and downtrodden.

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Drawing on inspiration from the likes of Eyehategod, Iron Monkey, Buzzov-en, Weedeater and a slew of other miscreants, Sundowner play sludge intended for those set on personal annihilation to drop out of life and embrace the sacred ritual of the riff. It’s an uneasy listening for troubled times.

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