Posts Tagged ‘Metropolis Records’

‘Inside’ is the latest music video by Ships In The Night, the ethereal darkwave project of Alethea Leventhal. Renowned for her distinctive electronic production technique and delicate yet mesmerising voice, Ships in the Night creates dark pop songs that feel both intimate and cinematic.

Included on the 2025 album Protection Spells, a bold and powerful collection informed by trauma, magic, darkness and hope, ‘Inside’ balances opposing forces of stillness and tension, vulnerability and resolve. The video for it is a glimpse into a world of transformation, with creatures hatching, plants unfurling and everything growing and finding its way.

“This song is about looking for feelings of safety and comfort in a world that is out of our control,” explains Leventhal. "It’s about finding places where you can just exist and be yourself. It’s about nurturing community, lifting up queer spaces and reaching for utopia.”

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The pioneering electronic dance act Lords of Acid have released their third single of 2026. Blending infectious electronic beats, Latin-inspired hooks and the tongue-in-cheek attitude that has made the group a cult favourite all over the globe, ‘El Mundo Está Loco’ (The World Is Crazy) is a dance floor anthem for a world that seems to be getting crazier by the day.

Driven by an irresistible chorus and a playful exchange between Lords of Acid and the New York City-based duo Tony & The Kiki, the song captures the chaos, absurdity and excitement of modern life while inviting listeners to do the only sensible thing left….dance. Because, when the world goes crazy, turn up the music.

Tony & The Kiki blend gritty NYC glamour, disco decadence, punk, soul and high-voltage anthems into an unapologetically queer rock-and-roll spectacle. Channelling the spirit of Blondie, Queen and Scissor Sisters through a modern, theatrical, arena-ready lens, they have built a significant cult following and been praised by icons that include Lady Gaga, Celine Dion, Cyndi Lauper, Grace Slick and even Fred Durst.

It quickly became clear that Tony & The Kiki belonged in the Lords of Acid universe, so the idea of having them guest on ‘El Mundo Está Loco’ felt like the perfect collaboration – loud, chaotic, sexy, theatrical and completely unhinged in all the right ways. The duo also performed as one of the guest acts on the recently completed ‘Cheeky Freaky Tour’ of the USA with Lords of Acid.

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Hunter As a Horse (HAAH) is the South African musician and vocalist Mia van Wyk. Based in the Western Cape, she has spent the last few years self-releasing a diverse series of singles and EPs that combine electronically-focused songs with intense, thoughtful lyrics that are given a darkly cinematic production.

HAAH signed to Metropolis Records in early 2026 and have released a fourth single on the label entitled ‘Obey’. “It comes from a place of integration rather than surrender and is a conversation between past and present selves, the fragments that once felt chaotic now finding form within something chosen and intentional,” says van Wyk of the downtempo, moody yet rhythmic electronic song. “What might sound like submission on the surface is, for me, an exploration of trust, control and the quiet strength in allowing oneself to be seen and shaped without fear. The song moves through tension and release, discipline and desire, capturing that paradox where restraint becomes freedom. It’s less about giving something away, and more about stepping fully into a self that no longer needs to resist its own nature.”

‘Obey’ follows ‘Lighthouse’,  a haunting song that wove mythology and psychology together in an electronic soundbed; ‘Here’s To All The Ones’, a shimmering indie-electronic pop track tinged with melancholy; and ‘Paradise Lost’ , a pulsating yet amospheric dark pop song. All four songs will be included on a new HAAH album, ‘Paradise Lost’, which is scheduled for release on 24th July.

Hear ‘Obey’ here:

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HUNTER AS A HORSE | Mia van Wyk (photo by Terry Palamara)

The Los Angeles-based riot grrrl/punk band Sour Tongue fuse hardcore punk, country, grunge and disco, utilising humour and a degree of sonic absurdity to convey a deeper message of angst and desperation.

Formed in 2020 by Satori Marill and John Murphy, they have issued several singles collected together on two EPs, the most recent being Final Girl (July 2025). A story in four songs/parts, it is about the intersection of grief, betrayal and heartbreak, but loving throughout. It’s dark, angry, funny and heartbreaking, like a horror comedy.

A video for song/part 3, ‘Me-Mania’, has been issued to coincide with the announcement of a Sour Tongue live date at the Belasco Theater in Los Angeles on 20th June. It sees them open a Summer School show that also features Honey Revenge, South Arcade, Winona Fighter and more.

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Final Girl also includes the bright and breezy single ‘I Thought You Liked Me!’, which was written about an experience felt by most girls. “It’s about being manipulated and lied to, getting fed up and reversing the roles,” states vocalist Marill. “I think anyone who has ever had their heart broken and done something stupid in return can relate to it.”

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Damage Control is an electro-industrial music project centred around its current core members Bill Barsby, Richard Thacker and Alex Wise, who are all based in Australia, plus Markus App from Germany. Both Barsby and Thacker are originally from Birmingham, England.
The group have experimented with custom Kemper guitar amps and layered synth textures for ‘Oblivion’, their second recent collaboration with the Danish musician Leæther Strip aka Claus Larsen. Aiming to capture introspection and depth, the atmospheric and immersive song reflects their commitment to sonic diversity and emotional resonance. It is produced by Chris Peterson (Front Line Assembly, Noise Unit, Unit:187) and engineered by Greg Reely (Skinny Puppy, Front Line Assembly, Fear Factory), both respected names in the Canadian industrial music scene.

‘Oblivion’ is the follow-up to ‘Rage’ which also featured vocals by Leæther Strip and was issued in January. Barsby commented at the time that “we like working with guest singers and have always loved Leaether Strip since the early ’90s industrial and darkwave club scenes. We were curious to hear what the combination of our song, Claus’ vocal and Chris’ production would sound like.”

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Industrial glam kingpin Raymond Watts and his chief songwriting partner in swine Jim Davies (ex-Prodigy and Pitchshifter) recently announced that PIG has given birth to a healthy new album, Hurt People Hurt. Weighing in at 10 tracks, this latest addition to the PIG bloodline will be released into the wild on 22nd May 2026.

‘Sex & Suicide’ came out on Friday (10th April) as a new single ahead of the album. “This is a song of pain, pleasure, obsession and possession, written for the departed, the broken-hearted and the newly started,” states Watts. “It’s a walk on the high-wire blade of want for something so bad you beg for release.”

The second track to be lifted from the upcoming album, it follows the recently issued ‘Tosca’s Kiss’, a song inspired by Watts’ well-known love of opera. Watch the lyric video here:

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The new album follows the dirt directly to the dustcart where misfits and reprobates can both lose and find themselves in a full fat emporium of ecstasy, naked words and momentous music. Plucked and sucked on the fruits of pain and bliss, this prime slice of PIG provides a light space for dark spirits. Enter bruised, leave changed.

PIG will be performing in the US on the opening day of the Dark Force Fest in Parsippany, New Jersey on 1st May, plus just announced September shows in Chicago, Los Angeles and Austin as part of the Cold Waves XIV festival. In Japan, a date in Tokyo on 26th June sold out immediately, with another to be added soon.

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PIG | Raymond Watts 2026 photo by E Gabriel Edvy: Blackswitch Labs

Electronic artist SINE (aka Rona Rougeheart) has today released ‘Cruel’ as a new single on Metropolis Records. It follows the recent ‘Blood + Wine’ as her second self-produced track of 2026, with Rougeheart stating that the song “about people who purposefully choose to be cruel to others. The words are both sarcastic and serious and I like the contrast of the lyrical content against the upbeat nature of the music, which otherwise makes it a fun dance track.”

Mastered by Mark Pistel (Meat Beat Manifesto, Consolidated), ‘Cruel’ remains true to Rougeheart’s ‘electronic boom’ style while remaining modern and club-ready. It is the final single to be issued from La Mordre, a brand new SINE album out on 22nd May that also includes the previously issued ‘Trauma Bondage’

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Industrial glam kingpin Raymond Watts and his chief songwriting partner in swine Jim Davies (ex-Prodigy and Pitchshifter) are proud to announce that PIG has given birth to a healthy new album, ‘Hurt People Hurt’. Weighing in at 10 tracks, this latest addition to the PIG bloodline will be released into the wild on 22nd May 2026.

‘Tosca’s Kiss’ is out today as the album’s first single. Inspired by Watts’ well-known love of opera, it’s a song for the strong of stomach but not the faint of heart.

The album follows the dirt directly to the dustcart where misfits and reprobates can both lose and find themselves in this full fat emporium of ecstasy, naked words and momentous music. Plucked and sucked on the fruits of pain and bliss, this prime slice of PIG provides a light space for dark spirits. Enter bruised, leave changed.

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Raymond Watts has an impressive resumé. Aside from fourteen albums as PIG, he has worked with stalwarts of the global industrial scene such as Einstürzende Neubauten, Foetus and Psychic TV, in Japan with the bands Schwein and Schaft, and was a founder member of electronic rock band KMFDM with a key writing and vocal role on their best known songs of the ‘80s/’90s.

Watts has also written music for film, TV, advertising and fashion shows in Europe, Japan and America. His work in fashion includes ‘Punk: Chaos to Couture’ (Metropolitan Museum Of Art, New York) and ‘Plato’s Atlantis’ for the late fashion icon Alexander McQueen, which was reprised as ‘Savage Beauty’ (MMOA and the Victoria & Albert Museum in London).

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Electronic artist SINE (aka Rona Rougeheart) has released a new single entitled ‘Blood + Wine’ on Metropolis Records. Modern and club-ready, and featuring a vocal that is playful, frenetic and seductive, it is an upbeat dance track with bold electronic basslines accented by sub-bass drops. “Creating this song was about capturing the tension of chasing something that always feels just out of reach; the feeling of an endless pursuit,” states Rougeheart.

Her first totally self-produced song, ‘Blood + Wine’ also marks a key moment in the evolution of the SINE sound. “There was little time to focus on making my new album in 2025, as I was often away on US tours with Clan of Xymox, PIG and Nitzer Ebb,” she explains. “However, being around them taught me a lot. Once home, I started applying the knowledge I had absorbed, which led to this new track. It became a first real test of self-producing, and I was genuinely happy with the result. I’m really proud of the progress I’ve made.”

Mastered by Mark Pistel (Meat Beat Manifesto, Consolidated), ‘Blood + Wine’ remains true to SINE’s self-described ‘electronic boom’ style.

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Originally from New York but based in Austin, Texas, Rona Rougeheart blends dance beats, sub-bass, rhythmic synths and industrial elements. Her live show as SINE blends high-fashion aesthetics with synths, drumming and vocals, led by a strong female-fronted presence and cinematic visuals that entertain and empower.

She has collaborated with Adrian Sherwood, Meat Beat Manifesto, Clan of Xymox, Chris Connelly (Pigface, Revolting Cocks), Mark Pistel (Consolidated), Andee Blacksugar (KMFDM, Blondie), Xiu Xiu and the late Mark Stewart (The Pop Group).

A multi-instrumentalist, Rougeheart has been endorsed by Gretsch Drums, Gibraltar hardware and Roland.

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SINE | Rona Rougeheart photo by Bobby Talamine

The dark electronic/aggrotech act Dawn Of Ashes (DOA) have released a new single entitled ‘Viral Decay’ today. The second track to be issued from forthcoming new album Anatomy Of Suffering, it captures the ugliness, exhaustion and isolation of inner decay while fully embracing the classic DOA sound – harsh synths, aggressive rhythms and oppressive atmospheres – and paying homage to their genre’s old-school brutality.

“‘Viral Decay’ is a confrontation with inner darkness; not a glorification of death, but a sonic descent into mental corrosion,” explains DOA founder and frontman Kristof Bathory. “It explores the slow mental collapse caused by overwhelming despair and suicidal ideation. Through visceral imagery and repetition, it portrays a mind infected by hopelessness, emotional numbness and self-destruction, exposing the brutal reality of living inside a breaking mind.”

‘Viral Decay’ follows the recent ‘Penumbra (feat. Suicide Commando)’, a powerful collaboration with the veteran Belgian artist Johan Van Roy. Both songs are available on ‘Anatomy Of Suffering’, a new album by DOA out on 20th March. A darker, heavier, and more focused chapter in the group’s evolution, it brings together raw atmosphere with precision production and features some notable collaborations.

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