Posts Tagged ‘Cover’

Some press releases are special and uplifting and make our day when they land in the Aural Aggro inbox. This is one of those. Because news doesn’t get much better than this.

Hull Doom merchants, The Parasitic Twins today announce a lo-fi heavy cover of the 90s classic ‘Spaceman’ by Babylon Zoo, out on Friday, April 5, 2019 with all proceeds going to The Campaign Against Living Miserably (CALM). The single is taken from a split EP with York-based hardcore punks, The Carnival Rejects (released via Bandcamp on May 31st in association with Man Demolish Records). Artwork for the piece was made by Jess Zchorn.

Of the decision to record the cover, drummer Dom Smith comments: "Man, we love Babylon Zoo. This is a classic track that was way ahead of its time, and we just wanted to mess with it, and we’ll probably stress a lot of people out, but use it as a way to bring attention to an incredible cause in CALM."

Of CALM’s importance on a national scale, Dom adds: "Male mental health is becoming more spotlighted every day, and myself and Max [guitars and vocals] want to offer any support we can to spread the word."

For those interested in donating to CALM can do so here:

CALM

The Parasitic Twins will also head out to Europe and across the UK for a run of shows this April with grindcore mates, Boycott The Baptist and Clunge Destroyer:

APRIL TOUR DATES

19th – The Morgue, Leeuwarden – Holland

20th – Muggefug EV, Cottbus – Germany

23 – Bird’s Nest, London – UK

24 – The Parish, Huddersfield- UK

25 – Paradiddles, Worcester- UK

26 – The Bobbin, Lancaster- UK

27 – The Old England, Bristol- UK

28 – Secret Show, Carlisle- UK

For more information visit:

https://www.facebook.com/ParasiticTwinsBand/

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House Of Mythology – 7th December 2018

Christopher Nosnibor

Having unveiled the Sic Transit Gloria Mundi EP via their Bandcamp page last November – and subsequently on all of the usual digital platforms, Ulver are finally giving the EP a physical release. The initial release was somewhat hurried as the band were about to embark on a lengthy tour to support the album The Assassination of Julius Caesar – so now, in addition to the three studio tracks (two originals which had lain dormant, incomplete for a time, and a cover of Frankie Goes to Hollywood’s ‘The Power of Love’) – they’re giving fans four live tracks recoded on the aforementioned tour as an added bonus.

The studio material – offcuts from The Assassination of Julius Caesar – continue the band’s pop-orientated evolution, and as with the material from album which spawned them, there’s a very mid-80s synth-rock style in evidence. Now, some aspects of 80s revivalism make sense: the dark times in which we find ourselves seems to demand bleak post-punk inspired sounds. But is there anything that can truly justify the revisitation and recreation of radio-friendly pop-rock, the overproduced sound of mullets, hair gel and rolled jacket sleeves? Ulver have fully made the transition into purveyors of sleek, slick and ultimately overtly commercial. I’ve no objection to pop per se, but let’s not pretend that sonically or lyrically, Ulver 2018 are any more challenging than Bastille. Then again, there are shades of darkness in a lot of 80s chart music that are often overlooked, and Ulver still brood, with hints of Depeche Mode and Disintegration-era Cure in the many-layered mix. And the cover – a song that feels somewhat underrated in the FGTH discography – is done justice with an extremely faithful rendition.

The live tracks are, as one would expect, pristine in both performance and production. It’s perhaps easier to marvel at the fidelity and the quality than it is the dynamics and the passion, and there’s nothing that connects the silent scream of pain of Francis Bacon’s ‘Study After Velasquez’ used on the cover art, but music where synths are dominant tends to sound a lot cleaner and more polished live anyway.

The Assassination of Julius Caesar opener, ‘Nemoralia’, is presented here in extended form, its dreamy disco on sedatives groove stretching past the six-minute mark, and ‘Rolling Stone’ is allowed to breathe in all its epic glory. ‘Southern Gothic’ (which does bring some atmosphere and emotion to the partly) ‘Transverberation’, both recorded at Labirinto Della Masone, Fontanellato showcase the band’s stadium-filling, reverb-soaked sound to optimal effect. And the fact of the matter is, I can’t fault it. I’m just not really feeling it, either.

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Ulver – Sic Transit Gloria Mundi

With the release of their collaboration ‘That’s The Way (I Like It)’, out today via Metropolis Records, industrial-rock act PIG and author/singer/actress Sasha Grey have premiered the video for it via Pornhub before making it more widely available.

"I think it’s about time that people stop being ashamed and furtive in their relationship with PIG,” says band mastermind Raymond Watts about the song – a cover of the perennial classic by KC & the Sunshine Band – and video. "Being on Pornhub puts us in the mainstream and will stop the stigma that has been attached to the secret and underground world of listening to PIG. People can stop listening to us in darkened basements in constant fear of being exposed….our fans have lived in the fear of discovery for too long!"

Directed by Gabriel Edvy, the sexually-charged black and white video is a dark disco romp, shot intimately and playfully with disco balls, light BDSM and sweat. "The idea behind the video was how to bring a darker, more sinister overtone and texture to what seems to be an initially ‘upbeat’ song," says Watts. "The foreboding nature of the video is despite of rather than because of the bright shiny disco elements in the song. Although we use some imagery that suggests a good time is being had….all is maybe not as it seems, possibly a reflection on the current situation we see when looking around at what is happening today in the world. Who is it telling us that everything is better than we could possibly imagine and we are drowning in delusions and force fed lies? But whose lies? Which side of the mirror is looking through a broken lens?”

Watch the video here:

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PIG and SG

Uniform are old friends Ben Greenberg (ex-The Men, Hubble, and the producer/engineer responsible for much of the Sacred Bones catalog) and Michael Berdan (ex Drunkdriver, York Factory Complaint) and formed in New York City in 2013.

To coincide with the 28th October release of their Ghosthouse EP (which has scored Aural Aggravation’s vote), they’ve unveiled their cover of Black Sabbath’s ‘Symptom of the Universe’.

Get your lugs round it here…