Posts Tagged ‘Mr Bungle’

Ipecac Recordings –15th May 2020

Christopher Nosnibor

Because Melvins’ staggeringly prolific output clearly isn’t enough to keep singer and guitarist Buzz Osborne occupied, he’s gone and put out a second solo album, following on from 2014’s This Machine Kills. This time working with the equally prolific frequent collaborator and some-time Melvin Trevor Dunn, Buzzo offers up nine primarily acoustic songs.

The first thing to point out is that it doesn’t sound remotely like Mevins. There are some stoner / psychedelic twists spun in, but the overall vibe is one of brooding folk. Buzzo’s trademark full-lunged vocal I more often than not replaced by a hushed, breathy drawl. It’s pretty cool and works well in context. Solemn strings swoop and soar and cast long, lugubrious shadows over soft-strummed guitar: ‘Housing, Luxury’, Energy’ has the guitar feel of one of Nirvana’s acoustic songs, but tears into a heft chorus that growls and lurches hard.

There are some moments where the simplicity is stunning in itself: sometimes, when stripping things right, right back, there is time and space to bask in tones and the way notes resonate. There is a rare beauty in the way acoustic notes hang in the air, the details of how a harder or softer pick or strum varies the intonation. And we get this often on Gift Of Sacrifice: the sparse instrumentation is magnificent, notably on the rolling ‘Delayed Clarity’, but across the album a whole it’s a feature. ‘Science in Modern America’ finds Osborn growl-crooning over a cyclical chord sequence. It’s kinda sci-fi, it’s kinda dystopian and suddenly kinda now. Elsewhere, and in contrast, ‘Mock She’ is some kind of drunk country, and the depths and layers of Gift Of Sacrifice continue to reveal themselves, meaning that what may superficially appear ordinary is, in fact, pretty warped.

So, yes, this being Buzzo, things do weird out in places – many places, if truth be told – like on the brief interlude that is ‘Junkie Jesus’, and the frantic warped string frenzy that is the outro, ‘Acoustic Junkie’. Then there’s the fact that the portentous strum of ‘Bird Animal’, to all intents and purposes a psychedelic acoustic motoric minus percussion, dissolves into fluttering R2D2 bleeps a minute or so before the end. Like the way ‘Mock She’ descends into frenzied free jazz for 30 seconds in the middle, while fractured distortion obliterates the vocals in the final verses. You envisage Buzzo sitting in the studio with the producer, leaning over and twiddling knobs here there and everywhere, and everyone present shouting ‘just leave everything alone!’ But of course, then it wouldn’t have that unique twist that transforms some solid songs into works of warped genius. And that’s precisely what this is.

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Mike Patton (Faith No More, Mondo Cane) and renowned French composer Jean-Claude Vannier, share the final glimpse into their new album by way of the album track ‘Browning’ ahead of the release of Corpse Flower (Ipecac Recordings, Sept 13th).

A variety of musicians, both in Los Angeles and Paris, took part in the recording of Corpse Flower with the Los Angeles team including Smokey Hormel (Beck, Johnny Cash), Justin Meldal-Johnsen (Beck, Air, Nine Inch Nails) and James Gadson (Beck, Jamie Lidell). The Parisian players are Denys Lable, Bernard Paganotti (Magma), Daniel Ciampolini, Didier Malherbe, Léonard Le Cloarec and the Bécon Palace String Ensemble. The lyrics for “Ballad C.3.3.” are drawn from Oscar Wilde’s ‘The Ballad of Reading Gaol”’ poem, which was initially published using the name C.3.3.

Corpse Flower is available now for pre-orders (http://smarturl.it/CorpseFlower), including special embossed versions featuring Kenro Izu’s stunning cover photo. The album will be available on 180gram coloured vinyl, as well as a CD digipak and digitally.

Listen to ‘Browning’ here:

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Patton and Vannier

Uneasy listening trio Under have unveiled their new video for latest single ‘Malcontent’.

When asked on the theme behind the song, the band stated: “Andy (Preece – drums, vocals) came up with this suitably grinding, droning riff while bored out of his mind waiting outside a changing room. As we arranged the overall tine, adding Mayo’s signature noise and our usual uneasy rhythmic approach, we tried to accentuate that feeling of anxious horror and discomfort as much as we could. To reflect this feeling I wrote the lyrics to invoke that sickly desperation apparent in anybody hungry for power.

Their new album, Stop Being Naïve, is available now from APF Records.

Under are a trio from Stockport, Greater Manchester. Formed in 2016. Though rooted in the blueprints of Sludge and Doom Metal, their sound is harder to pin down with elements of Prog, Noise and Avant Garde creeping in. Under play with jagged, slow, off kilter riffs that tease the listener into a false sense of security with dark and abstract lyricism evoking a trippy and sinister unease. The trio cite the likes of Swans, Mr. Bungle, The Melvins and Radiohead as prime influences.

Watch the video for ‘Malcontent’ here:

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Under Oct 2018