Posts Tagged ‘Mr Bungle’

Mr. Bungle have released “Loss of Control,” a Van Halen cover that the band debuted during their Halloween 2020 streaming special, “The Night They Came Home” (June 11th, Ipecac Recordings). The single is available now, while a live performance video of the song was unveiled via Guitar World.

"Mr. Bungle tried to play this song in the ’90s and we scrapped it because we sucked at it,” explains Trey Spruance. “I think it worked this time for a lot of reasons. My own is that, thanks to the new Raging Wrath era, I’ve had to re-approach the guitar like I did when I was 13 and 14. It was all about Eddie Van Halen for me back then, so circling back at this moment felt really natural. Those riffs and lead parts at least are super fun! I’m just glad Scott took the palm-mute breaks. Jesus!"

Scott Ian adds, "I generally don’t get nervous about learning someone else’s riffs. When it’s an EVH riff it’s a whole different story! I was terrified! With "Loss of Control" I did my best to just hold on and go for the ride. What a riff!!! As a fan I’d have to say it’s a PERFECT SONG for Mr. Bungle to cover. I hope you enjoy listening as much as I did getting to play it."

“The Night They Came Home,” which was directed by Jack Bennett, finds the Northern California-born band performing songs from their recently released album, The Raging Wrath of the Easter Bunny Demo. The two-hour film is available on CD + Blu-Ray, CD + DVD, VHS, and digitally. The film portion features Bungle’s performance, Neil Hamburger’s opening set, three official music videos (“Raping Your Mind,” “Eracist,” and “Sudden Death”), as well as extended behind-the-scenes footage including several surprise cameos. The VHS release, limited to 1000 collectible copies, is an edited, performance-only portion of the film.

Watch the vid here:

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Ipecac Recordings – 26th March 2021

Christopher Nosnibor

It’s been seven years since the last Tomahawk album, but the noise-rock supergroup are marking their twentieth anniversary in style with the crash-landing of album number five in the form of Tonic Immobility.

For those who needs reminding, the lineup – guitarist Duane Denison [the Jesus Lizard, Unsemble, etc.], vocalist Mike Patton [Faith No More, Mr. Bungle, Fantômas, etc.], drummer John Stanier [Helmet, Battles, etc.], and bassist Trevor “field mouse” Dunn [Mr. Bungle, Fantômas, etc.] really is a who’s who of that US 90s / 00s melting pot of alternative that was truly alternative.

Of course, Mike Patton is the biggest name, because, well, Faith No More reached a level of being truly massive. But even at their peak, Patton was always dabbling in weird shit, with the far-out oddball whacky rock of Mr Bungle, and myriad other projects that were as non-commercial as you could get.

That commitment to music of interest rather than mass appeal has driven Ipecac since its foundation, and Patton is, for many, a true hero as not only a champion of all things weird and wonderful – and often harsh and noisy – but also as one of the most eclectic and wide-ranging artists in contemporary rock, and alongside JG Thirlwell, perhaps one of the few living artists worthy of the term ‘genius’.

And so, being Tomahawk, it’s a weird and varied album that’s visceral and noisy, but also so heavily dynamic as to leave you dazed. Opener ‘SHHH’ is exemplary: it begins quietly, gently, before erupting into a blast of mayhem… and going quiet again. It’s like if Björk had done ‘It’s Oh So Quiet’ while… I dunno, working with Tomahawk. Because while The Jesus Lizard and helmet were integral to defining the underground sound of the 90s, there really is no other act that sounds quite like this, and it’s all about the collaboration and cross-contamination, of course.

There’s an intense, gritty heft to the album as a whole, but there’s variety: ‘Valentine Shine’ is a full-on grunge-riff rager, while ‘Predators and Scavengers’ pursues a more math-rock line of attack. ‘Doomsday Fatigue’ meanwhile, is a slow, slinky, twisted blues drawl that’s more Jesus Lizard until it goes all smooth soulful pop, and the FNM influence is perhaps more apparent. The thing is, you never know what you’re going to get next:

If ‘Business Casual’ feels a shade dated, it still hits the mark both sonically and in terms of lyrical relevance, showing that there’s always something to be had here. ‘I’ve never looked as cool as you’, Patton croons on the low-slung ‘Tattoo Zero’, another song that’s divided dynamically between verse and chorus.

Tonic Immobility has everything going on, and even the brief rap-rock passages work because they’re all part of a huge hybrid cocktail of whatever: ‘Howlie’ goes post/math rock melodic and marks yet another departure before it goes all-out heavy, and ‘Eureka’ is a droney ambient interlude, and ‘Recoil’ actually goes a shade dub reggae for a while and at times it does feel a shade bewildering, and even a bit ‘wtf’, but you can’t criticise Tomahawk for a lack of focus or identity – because that’s their identity right there. ‘Sidewinder’ is a genuinely touching piano-led tune – until the noodling math-rock and distorted vocal howl kick in, and there are also some absolutely brutal riffs on offer here, and make no mistake, Tonic Immobility packs a punch.

It’s a crazy album for crazy times, and a complex, mathy, loud album for a time where the best escape is down a rabbit hole of musical weirdness. Tonic Immobility is that rabbit hole. Dig it deep.

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Mr. Bungle, who recently released their first album in over two decades, The Raging Wrath of the Easter Bunny Demo (Ipecac Recordings), have partnered with acclaimed Director Derek Cianfrance (“The Place Beyond The Pines,” “Blue Valentine”) for the band’s “Sudden Death” video.

"If you lived in Lakewood, Colorado, during the early 1990s, there’s a slim chance you would have seen and heard a 16 -year-old boy driving slowly around town in a white, 1974 Mustang II, with his windows rolled down, disrupting the neighborhood by blaring the music of Mr. Bungle. That 16-year-old kid was me, and that music that I listened to, over and over and over again, set the bar for my life as an artist,” explained Cianfrance. “So, 30 years later, when I got a call from Mike Patton asking me to direct a music video for one of the songs on their new album, The Raging Wrath of the Easter Bunny Demo, I questioned whether my life was really a dream… I informed Mike that I had never directed a music video before, but he wasn’t dissuaded. I listened to the album and asked if I could work with the song “Sudden Death.” It reminded me of the feelings of angst I carried throughout my youth while growing up in the shadow of a looming, forbidding thermonuclear war. I decided I could make a short film (well, not so short – the song is almost 8 min!) about these fears that haunted me. I was also interested in meditating on the theme of desensitization in modern society, where citizens are gradually and systemically numbed to the possibility of cataclysmic consequences. Since the song was written in the mid-‘80s, I determined that the video should feel like it was made during that time and imagined it as some sort of rediscovered relic. Shooting during a global pandemic proved a fitting backdrop to the malaise of the song. It also presented a unique challenge as I was too nervous to work with actors – so I had to come up with another solution. making this video with a small team of trusted collaborators, and working with my life-long heroes, was nothing short of a total dream come true."

Watch the video here:

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Mr. Bungle, who are mere days away from the release of The Raging Wrath of the Easter Bunny Demo (Oct. 30, Ipecac Recordings), have shared a third and final single ahead of the 11-song release, streaming “Sudden Death”.

The song’s arrival comes as the Bay Area-born band, which features core Mr. Bungle members Trevor Dunn, Mike Patton and Trey Spruance with Scott Ian (Anthrax, S.O.D.) and Dave Lombardo (Dead Cross, Slayer, Suicidal Tendencies), prepare for the Halloween virtual live concert experience dubbed “The Night They Came Home!” The online event screens at 7pm GMT on Oct. 31 with the on-demand program available for the following 72 hours. Tickets and exclusive merchandise are available now via www.mrbungle.live.

Hear ‘Sudden Death’ here:

Mr. Bungle, who recently announced the Oct. 30th release of The Raging Wrath of the Easter Bunny Demo (Ipecac Recordings), the band’s first newly recorded music in 21 years, have released a second single and accompanying video from the forthcoming album: ‘Eracist’. The dystopian video was directed by Derrick Scocchera with photography by Nicholas Finn Myggen.

Rolling Stone, who included the album in their most anticipated Autumn 2020 releases, said: “The idea of throwing musical curveballs is encoded in Mr. Bungle’s DNA, so it makes sense that for their first LP in 21 years, the NorCal avant-metal weirdos aren’t going the traditional comeback-album route. Instead, they’re offering up a re-recording of their very first demo — the never-reissued 1986 tape The Raging Wrath of the Easter Bunny Demo — with three-fifths of their original lineup and a couple of high-profile ringers: Anthrax guitarist Scott Ian and ex-Slayer drummer Dave Lombardo.”

The Raging Wrath Of The Easter Bunny Demo pre-orders are available now, with the release available as a standard digipak CD and digitally as well as a collection of limited edition offerings (listed below with many sold out upon pre-order). A video for “Raping Your Mind” arrived in late August. The 11-song album was produced by Mr. Bungle, recorded by Husky Höskulds at Studio 606, and mixed by Jay Ruston. Rhea Perlman narrates “Anarchy Up Your Anus.”

Watch the vid for ‘Eracist’ here:

Mr. Bungle, who a year ago today announced their first live outings in two decades, have announced the release of The Raging Wrath Of The Easter Bunny Demo on Oct. 30th via Ipecac Recordings.

As was the case with the live performances, original Mr. Bungle members Trevor Dunn, Mike Patton, and Trey Spruance are joined by Scott Ian (Anthrax, S.O.D.) and Dave Lombardo (Dead Cross, Slayer, Suicidal Tendencies).

The 11-song release features tracks written by the Eureka, Calif.-born band for their 1986 cassette only demo as well as a reimagined cover of the S.O.D. classic “Hypocrites / Habla Español O Muere” (a.k.a. “Speak English or Die”) and Corrosion of Conformity’s “Loss For Words.” The album was produced by Mr. Bungle, recorded by Husky Höskulds at Studio 606, and mixed by Jay Ruston. Rhea Perlman narrates “Anarchy Up Your Anus.”

Watch the video for “Raping Your Mind” here:

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Photo credit: Eric Larsen

A 21-year wait and the first new music is a two-and-a-half minute cover version? Hell yeah! It was more than worth the wait, too.

Mr. Bungle roar back with their first recorded music since 1999, releasing a blistering cover of The Exploited’s politically-charged anthem, “USA” (available now on all digital platforms via Ipecac Recordings.

The Bay Area band, whose current incarnation features original members Trevor Dunn, Mike Patton and Trey Spruance with Scott Ian (Anthrax, S.O.D) and Dave Lombardo (Dead Cross, ex-Slayer, Suicidal Tendencies), is donating 100% of the proceeds from both the song and a limited edition t-shirt to the MusiCares’ COVID-19 Relief Fund, through the 4th of July. The shirt, which will only be offered through Independence Day, is available exclusively via Mr. Bungle’s webstore (https://kontraband.shop/collections/mr-bungle). MusiCares’ COVID-19 Relief Fund was created by The Recording Academy® to help those within the music community who have been affected by the Coronavirus pandemic.

"Doesn’t matter what part of the political spectrum you are on, everyone at some point has said ‘Fuck the USA’. The closest thing we have to a universal sentiment," says Spruance.

“This is a song that resonates and speaks to the country that Ipecac calls home,” adds Ipecac Recordings Co-owner Greg Werckman, who will also be donating the label’s proceeds from the single. “Over 100,000 US citizens are dead from the pandemic. At the same time protective masks have turned into a political football and no one has a grasp on testing. Racism continues to rear its ugly head. Police brutality spikes, unemployment spikes, depression spikes and ‘our’ ego driven elected officials don’t seem to care. We need to do a better job of looking out for each other. MusiCares looks after all of us in the music community.”

Listen to and download ‘America’ here:

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Ipecac Recordings –15th May 2020

Christopher Nosnibor

Because Melvins’ staggeringly prolific output clearly isn’t enough to keep singer and guitarist Buzz Osborne occupied, he’s gone and put out a second solo album, following on from 2014’s This Machine Kills. This time working with the equally prolific frequent collaborator and some-time Melvin Trevor Dunn, Buzzo offers up nine primarily acoustic songs.

The first thing to point out is that it doesn’t sound remotely like Mevins. There are some stoner / psychedelic twists spun in, but the overall vibe is one of brooding folk. Buzzo’s trademark full-lunged vocal I more often than not replaced by a hushed, breathy drawl. It’s pretty cool and works well in context. Solemn strings swoop and soar and cast long, lugubrious shadows over soft-strummed guitar: ‘Housing, Luxury’, Energy’ has the guitar feel of one of Nirvana’s acoustic songs, but tears into a heft chorus that growls and lurches hard.

There are some moments where the simplicity is stunning in itself: sometimes, when stripping things right, right back, there is time and space to bask in tones and the way notes resonate. There is a rare beauty in the way acoustic notes hang in the air, the details of how a harder or softer pick or strum varies the intonation. And we get this often on Gift Of Sacrifice: the sparse instrumentation is magnificent, notably on the rolling ‘Delayed Clarity’, but across the album a whole it’s a feature. ‘Science in Modern America’ finds Osborn growl-crooning over a cyclical chord sequence. It’s kinda sci-fi, it’s kinda dystopian and suddenly kinda now. Elsewhere, and in contrast, ‘Mock She’ is some kind of drunk country, and the depths and layers of Gift Of Sacrifice continue to reveal themselves, meaning that what may superficially appear ordinary is, in fact, pretty warped.

So, yes, this being Buzzo, things do weird out in places – many places, if truth be told – like on the brief interlude that is ‘Junkie Jesus’, and the frantic warped string frenzy that is the outro, ‘Acoustic Junkie’. Then there’s the fact that the portentous strum of ‘Bird Animal’, to all intents and purposes a psychedelic acoustic motoric minus percussion, dissolves into fluttering R2D2 bleeps a minute or so before the end. Like the way ‘Mock She’ descends into frenzied free jazz for 30 seconds in the middle, while fractured distortion obliterates the vocals in the final verses. You envisage Buzzo sitting in the studio with the producer, leaning over and twiddling knobs here there and everywhere, and everyone present shouting ‘just leave everything alone!’ But of course, then it wouldn’t have that unique twist that transforms some solid songs into works of warped genius. And that’s precisely what this is.

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Mike Patton (Faith No More, Mondo Cane) and renowned French composer Jean-Claude Vannier, share the final glimpse into their new album by way of the album track ‘Browning’ ahead of the release of Corpse Flower (Ipecac Recordings, Sept 13th).

A variety of musicians, both in Los Angeles and Paris, took part in the recording of Corpse Flower with the Los Angeles team including Smokey Hormel (Beck, Johnny Cash), Justin Meldal-Johnsen (Beck, Air, Nine Inch Nails) and James Gadson (Beck, Jamie Lidell). The Parisian players are Denys Lable, Bernard Paganotti (Magma), Daniel Ciampolini, Didier Malherbe, Léonard Le Cloarec and the Bécon Palace String Ensemble. The lyrics for “Ballad C.3.3.” are drawn from Oscar Wilde’s ‘The Ballad of Reading Gaol”’ poem, which was initially published using the name C.3.3.

Corpse Flower is available now for pre-orders (http://smarturl.it/CorpseFlower), including special embossed versions featuring Kenro Izu’s stunning cover photo. The album will be available on 180gram coloured vinyl, as well as a CD digipak and digitally.

Listen to ‘Browning’ here:

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Uneasy listening trio Under have unveiled their new video for latest single ‘Malcontent’.

When asked on the theme behind the song, the band stated: “Andy (Preece – drums, vocals) came up with this suitably grinding, droning riff while bored out of his mind waiting outside a changing room. As we arranged the overall tine, adding Mayo’s signature noise and our usual uneasy rhythmic approach, we tried to accentuate that feeling of anxious horror and discomfort as much as we could. To reflect this feeling I wrote the lyrics to invoke that sickly desperation apparent in anybody hungry for power.

Their new album, Stop Being Naïve, is available now from APF Records.

Under are a trio from Stockport, Greater Manchester. Formed in 2016. Though rooted in the blueprints of Sludge and Doom Metal, their sound is harder to pin down with elements of Prog, Noise and Avant Garde creeping in. Under play with jagged, slow, off kilter riffs that tease the listener into a false sense of security with dark and abstract lyricism evoking a trippy and sinister unease. The trio cite the likes of Swans, Mr. Bungle, The Melvins and Radiohead as prime influences.

Watch the video for ‘Malcontent’ here:

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