Posts Tagged ‘Tour Dates’

NYC-based art-rockers Ecce Shnak are back with ‘Vincent’, the first single from their full-length album Dandy Variances, out later this year via Records, Man Records. Operatic trills collide with frantic rock energy in a high-decibel takedown of a formulaic antagonist through the power of one’s own voice. Directed and edited by DJay Brawner, the video was produced by DJay Brawner, Brooks Jones, Beth Narducci, and David Roush.

Formed in the mid-noughties and forged in NYC’s experimental scene, Ecce Shnak (pronounced Eh-kay sh-knock) is made up of David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums).

“This is a mid-tempo, jumpy, flash-in-the-pan hardcore song with classical art song vocals. I originally wrote it for a film that was never made but was imagined by a classmate of mine at Temple University in Philadelphia in 2015. The character Vincent is an archetype of a smug, inconsiderate jerk most of us occasionally come across, try as we might to avoid them. Vincent is not an absolute scoundrel, but he is wack enough to rightly deserve the average person’s indignant eye-roll,” says David Roush.

“Ultimately, the narrator resolves to overthrow Vincent’s jerkface’itude in the final refrain: “I’ll destroy your equipment with my voice!” If you have a medium-tier opponent in your life whom you would like to rid yourself of somehow, you can sing this line to yourself. Hopefully your Vincent will buzz off and go kick rocks!”

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Ecce Shnak has a reputation for astounding performances, their music a volatile yet meticulously crafted ecosystem, where technical precision meets a sense of inspired mayhem. May brings their East Coast Tour with platinum-selling legends EMF, followed by UK dates in June. Last year, the bands did a West Coast tour, along with Spacehog. Then Ecce Shnak featured on EMF’s stellar track ‘LGBTQ+ Lover’ with both Davey and Bella contributing vocals. The video footage was filmed during the 2025 tour.

“The music video is an homage to an important music video in the average millennial’s musical subconscious, that of ‘Down’ by 311. The tempo, feel and musical production of the two songs is similar enough that, when I was imagining what the music video could be, the idea of doing a cinematographic tribute to that 1990’s relic seemed compelling. We asked the director and editor DJay Brawner to create as close to a shot-for-shot tribute as he could, and we feel that he and his crew succeeded handily. However, we deviated playfully a little from the original,” says David Roush.

“There is a reference to another important music video of the last 20 years in the pale, silver-haired, demon-like being who is the ‘Vincent’ in this music video – a re-imagining of the S&M-tinged monk-like Hell-being in the music video for Meshuggah’s ‘Bleed’. However, unlike the poor chap in the ‘Bleed’ video, the good guys (members of Ecce Shnak) liberate themselves from Vincent’s spiritual dominion with compassionate magic and send him hurtling into the blue sky, their raised jazz-hands trembling together as the video comes to a close.”

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TOUR DATES

MAY 07  Philadelphia, PA, USA – Nikki Lopez
MAY 08  Buffalo, NY, USA  – Town Ballroom
MAY 09  Toronto, ON, Canada – Dance Cave
MAY 10  Montreal, QC, Canada – Bar Le Ritz
MAY 11  Boston, MA, USA  – City Winery
MAY 13  New York, NY, USA  – Sony Hall
MAY 14  Millersville, PA, USA  – Phantom Power
MAY 15  Baltimore, MD, USA  – Metro Gallery
MAY 16  Hamden, CT, USA  – Space Ballroom
JUN 02  Manchester, UK – Gorilla
JUN 03  Worthing, UK – The Factory Live
JUN 04  Portsmouth, UK – Kola
JUN 05  Southend, UK – Chinnerys
JUN 06  London, UK – The Garage
JUN 07  Leeds, UK – Brudenell Social Club

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Swiss noise-rock collective Coilguns have returned with their powerful new single ‘Peace Trader’, out now via Humus Records, accompanied by an official video.

The accompanying video, directed by Louis Jucker and shot and edited by Valentin Lurthy, reinforces the track’s raw and unfiltered energy, with DIY lyric subtitles further amplifying its message.

Check it here:

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Recorded by Scott Evans (Thrice, La Dispute, Neurosis), with additional production from Ben Chisholm (Chelsea Wolfe, The Armed), and mixed by Tom Dalgety (Ghost, Pixies, Royal Blood), the track hits with a new level of urgency and emotional intensity.

Built to be both punchy and deeply reflective, ‘Peace Trader’ confronts the growing dissonance between ideals and reality. As the band put it: “What is the meaning of laws, when our nations negotiate all?”

Rooted in their own reflections on Switzerland’s shifting identity, from a perceived safe haven for human rights and diplomacy to a more conflicted and ambiguous role on the global stage, the track channels frustration, disillusionment, and a stubborn sense of hope.

The band elaborates: "We grew up being told that our country was a safe nest for human rights conventions, a historical hub for humanitarian organizations, a neutral haven for diplomacy, a sheltering home for those in need, and a centuries-long advocate for peace. Yet, the older we get, the more frequently we see this image turn into a Dorian Gray portrait. We recently witnessed our federal representatives minimize dual-use goods exportations or support partial views on major international law violations. We discovered that our asylum system had silently turned into a racist and humiliating discouragement plan, and we still haven’t been able to make our international enterprises accountable for their colonialist crimes. 
Looking back at our school history manuals, we wonder where this whole fairy tale has gone, or if it ever existed, but we’d like to allow ourselves, and invite you, to keep believing in the idea that a peace-making Switzerland might one day become an actual thing.”

Musically, ‘Peace Trader’ expands Coilguns’ already wide sonic palette. For the first time, a bass player was involved from the earliest stages of writing, reshaping the interplay between instruments and adding a broader, more fluid dynamic to the composition. From warehouse-recorded drum textures to tightly coiled bursts of noise, the track balances abrasion with atmosphere.

“We wanted ‘Peace Trader’ to be punchy and sad, something that could carry urgent empathy and hope,” the band explain, highlighting the deliberate tension that defines the song.

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Upcoming Tour Dates:

30.04 – Winterthur (CH) – Kraftfeld
01.05 – Thun (CH) – Mokka
02.05 – Martigny (CH) – Les Caves du Manoir

07.05 – Guadalajara (MX) – FORO 907
08.05 – Querétaro (MX) – Back Room
09.05 – Mexico City (MX) – Foro Hilvana

15.05 – Baden (CH) – Royal
16.05 – Brussels (BE) – Obsidian Dust
22.05 – The Hague (NL) – Sniester Festival

28.05 – Lucerne (CH) – Konzerthaus Schüür
29.05 – Bienne (CH) – La Coupole
30.05 – Basel (CH) – Kaserne

02.07 – TBA
04.07 – Belfort (FR) – Eurockéennes

MORTIIS premieres the story-telling and visually impressive music video ‘Violent Silence’, which continues the narrative arc of the previous clip ‘Ghosts of Europa’, as the next advance single taken from the iconic Norwegian artist’s upcoming new full-length Ghosts of Europa.

MORTIIS comments: “Lyrically, ‘Violent Silence’ came into being as an apology to my wife”, the Norwegian admits ruefully. “I had done something stupid again, and she was really upset. I was trying to apologise in a text message – a really long one. The lyrics for ‘Violent Silence’   took a lot of inspiration from those words and that moment. As time goes by and having lived with this song for quite a while now, it gets harder for me to listen to those words. The gut-wrenching sensation of guilt never goes away fully. Musically, it was a very inspiring song to work on – especially with all those crazy fuzz and echo guitars that built up this song towards the end.”

Check the video here:

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The Witches of Dystopia Tour MMXXVI


16 APR 2026 Winnipeg, MB (CA) Sidestage
17 APR 2026 Minneapolis, MN (US) Skyway, Studio B
18 APR 2026 Madison, WI (US) Annex
19 APR 2026 Chicago, IL (US) Reggies
20 APR 2026 Detroit, MI (US) Sanctuary
21 APR 2026 Indianapolis, IN (US) Black Circle
22 APR 2026 Covington, KY (US) Madison Live
23 APR 2026 Pittsburgh, PA (US) Preserving Underground
24 APR 2026 Toronto, ON (CA) Lee’s Palace
25 APR 2026 Montreal, QC (CA) Cafe Campus
26 APR 2026 Quebec City, QC (CA) La Source
27 APR 2026 Boston, MA (US) Brighton Music Hall
28 APR 2026 Brooklyn, NY (US) Meadows
29 APR 2026 Bensalem, PA (US) Broken Goblet
30 APR 2026 Baltimore, MD (US) Metro
01 MAY 2026 Raleigh, NC (US) Chapel Of Bones
02 MAY 2026 Atlanta, GA (US) 529 EAV
03 MAY 2026 Orlando, FL (US) Conduit
05 MAY 2026 Houston, TX (US) Warehouse Live
06 MAY 2026 Austin, TX (US) Come and Take It Live
07 MAY 2026 Dallas, TX (US) Club Dada
08 MAY 2026 Albuquerque, NM (US) Launchpad
09 MAY 2026 Denver, CO (US) HQ
10 MAY 2026 Salt Lake City, UT (US) Urban Lounge
11 MAY 2026 Las Vegas, NV (US) Swan Dive
12 MAY 2026 San Diego, CA (US) Brick By Brick
13 MAY 2026 Los Angeles, CA (US) The Echo
14 MAY 2026 San Jose, CA (US) The Ritz
15 MAY 2026 Eugene, OR (US) John Henry’s
16 MAY 2026 Seattle, WA (US) El Corazon

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Following last year’s critically-acclaimed album SONIC, Venice-based band Glazyhaze returns with brand new single ‘Do You?’. Building upon their ethereal mix of shoegaze, alternative rock, and dream pop, the track features sweet yet punchy vocals that float above layers of spaced-out guitars and driving bass lines. Distributed worldwide by Hoodooh and Believe Music, the single is now streaming on all platforms. 

With a sound that ranges from dark and atmospheric to soft and intimate, Glazyhaze have solidified themselves as a band to watch. Since the release of their debut LP in 2023, they’ve been named among Europe’s Top 15 Emerging Artists in the Music Moves Europe Awards and have toured Europe and the UK extensively, sharing stages with acts like Trentemøller, The Raveonettes, Soft Cult, and Slow Crush. 2025’s sophomore LP and follow-up single ‘Romeo’ took the band to new heights, earning praise from the likes of Rolling Stone, Stereogum, Clash, BBC, KEXP, and more.  Glazyhaze will embark on a headlining European / UK tour next month — see below for upcoming dates.

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After being nominated for the Music Moves Europe Award and announced for ESNS 2026, Glazyhaze will embark on a tour across the EU/UK in November and December.

Glazyhaze on Tour (tickets)
5 May: Aarau, Switzerland – KIFF
7 May:  Berlin, Germany – Privatclub
8 May:  Köln, Germany – GARAGEN
9 May:  Hamburg, Germany – Turmzimmer
10 May: Rotterdam, Netherlands – V11
12 May: Ramsgate, UK – Ramsgate Music Hall
13 May: Brighton, UK – The Great Escape Festival at Prince Albert
14 May: Brighton, UK – The Great Escape Festival at Unbarred Brewery
15 May: London, UK – The Sebright Arms

ABOUT GLAZYHAZE

Glazyhaze is a band from Venice, Italy, influenced by shoegaze, dream pop, and alternative sounds, ranging from dark atmospheres to dreamy and ethereal soundscapes. The band consists of Irene (vocals, guitars), Lorenzo (lead guitar), Francesco (drums, programming), and Vsevolod (bass, vocals). Since the release of their debut album Just Fade Away (2023), Glazyhaze have been active across Europe and the UK, performing in major cities and supporting artists such as Trentemøller, Hater, Film School, and many more. Their second album, SONIC — released in March 2025 — was written and recorded between North-East Italy and London, produced and mixed by Paolo Canaglia (New Candys, Nuovo Testamento) and mastered by Maurizio Baggio (Boy Harsher, The Soft Moon). The record explores the complexities of love through a journey of self-discovery and emotional contrasts, embracing shoegaze, bedroom pop, post-punk, and art-rock influences. In 2025, Glazyhaze toured SONIC extensively with over 40 shows across Europe, supporting Soft Cult on their European tour and joining selected dates with The Raveonettes, Slow Crush, Lucy Kruger, and Clap Your Hands Say Yeah. Their music has been featured on BBC Radio 6 (Steve Lamacq), KEXP, Rai Radio 2, and FM4, gaining widespread acclaim for its blend of dreamy melancholy and raw sonic power.

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The acclaimed trio BIG|BRAVE have announced their 10th full-length, in grief or in hope, out June 12th, 2026. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty.

Along with the album’s announcement, the trio have shared first single & video ‘the ineptitude for mutual discernment,’ a powerful encapsulation of the ensembles’ singular approach to textural distortion and emotional complexity which contrasts tides of bristling guitars against guitarist/vocalist Robin Wattie’s resolute voice. The video was created by guitarist Mat Ball with color correction by filmmaker Stacy Lee.

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in grief or in hope marks a shift for BIG|BRAVE towards denser, guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. Each piece is its own biome of distortions starkly contrasted with delicate, even tender, moments. The trio’s instinctual progressions are made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Within texturally maximalist loops and affected vocals, the pieces utilizes the aesthetics of drone, electronic, and heavy music within a foundation of pop song form.

Wattie writes: “I wanted to explore catchy, melodic phrasing weaved throughout the intensity of the instrumentation and droney chord changes. All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person.”

The tenth album for the ensemble, in grief or in hope pays homage to their past while looking into their future. Standout “the ineptitude for mutual discernment” expands on lyrical themes first explored on 2015’s Au De La where “verdure” echoes melodies from the title track of 2014’s Feral Verdure. These references to their past serve as potent reflection points on BIG|BRAVE’s evolution as artists. A sonic whirlpool of string instruments surrounds Wattie’s commanding vocals as she shifts from spectral undulations on pieces like ‘what may be the kindest way to leave’ to the direct, spare declarations of the title track. The ambiguity of mountainous chords on ‘an uttering of antipathy’ are coupled with autotuned phrases emphasizing isolation inside the fray.

Together the trio deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

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Photo credit: Stacy Lee

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ON TOUR IN MAY AND JUNE

24 May – Utrecht, NL – EKKO
25 May – Amsterdam, NL – OCCII
27 May – Saint-Imier, CH – Toxoplasmose Festival
28 May – Basel, CH – Kuppel
29 May – Torino, IT – Jazz is Dead
30 May – Piacenza, IT – Desert Fox Festival
31 May – Ljubljana, SI – Channel Zero
2 Jun. – Poznan, PL – Pawilon
3 Jun. – Berlin, DE – Berghain

SUNN O))) share the new track ‘Butch’s Guns,’ another standout from the band’s forthcoming eponymous album. The new song is available today on all streaming services.

Also today, SUNN O))) is announcing new summer headlining shows in the EU and UK beginning Tuesday, June 23rd in Zurich, CH at Rote Fabrik and currently running through Monday, July 6th + Tuesday, July 7th in Berlin, DE for a two-night stand at Silent Green Betonhalle. The tour will include stops in Belgium (Antwerp), the Netherlands (Amsterdam), Germany (Köln), and the UK (Bristol, Brighton, Liverpool, Leeds, Birmingham, and London). Additional live dates to be announced soon.

Tickets for the majority of these June and July shows go on sale Friday, February 20th at 10 am CET. Please find a current list of dates below.

SUNN O))) recently added shows to the band’s upcoming 2026 North American headline tour in support of the album. The tour will now include stops in San Francisco, Los Angeles, Dallas, New York, Denver, Boise, Seattle, and Portland (OR). Tickets for the North American shows below are on sale now.

North America, March/April 2026

Mon. Mar. 30 – San Francisco, CA – Regency Ballroom
Tue. Mar. 31 – Los Angeles, CA – The United Theater on Broadway 
Wed. Apr. 01 – Phoenix, AZ – The Van Buren
Fri. Apr. 03 – Dallas, TX – Trees Lounge
Sat. Apr. 04 – Austin, TX – Emo’s
Sun. Apr. 05 – Houston, TX – White Oak Music Hall
Mon. Apr. 06 -  New Orleans, LA – Civic Theatre
Tue. Apr. 07  – Atlanta, GA – The Goat Farm
Thu. Apr. 09 -  Columbus, OH – The Bluestone
Fri. Apr. 10 – Washington, DC – The Lincoln Theatre
Sat.  Apr. 11 – Philadelphia, PA – Union Transfer
Sun. Apr. 12 – New York, NY – The Town Hall
Mon. Apr. 13 – Montreal, QC – Le National
Tue. Apr. 14 – Toronto, ON – 131 McCormack
Thu. Apr. 16 – Chicago, IL – Salt Shed
Sat. Apr. 18 -  Iowa City, IA – Englert Theatre
Sun. Apr. 19 – Omaha, NE – The Waiting Room
Mon. Apr. 20 – Denver, CO – Ogden Theatre
Wed. Apr. 22 – Boise, ID – Shrine Social Club
Fri. Apr. 24 – Seattle, WA – Showbox (So Do)
Sat. Apr. 25 – Portland, OR – Roseland

UK/EU, June/July 2026 – Just Announced

Tue. Jun. 23 – Zurich, CH – Rote Fabrik
Wed. Jun. 24 – Antwerp, BE – Trix
Thu. Jun. 25 – Amsterdam, NL – Paradiso
Fri. Jun. 26 – Koln, DE – Essigfabrik 
Sun. Jun. 28 – Bristol, UK – Prospect Building 
Mon. Jun.  29 – Brighton, UK – Corn Exchange 
Tue. Jun. 30 – Liverpool, UK – The Dome
Wed. Jul. 01 – Leeds, UK -  Project House
Thu. Jul. 02 – Birmingham, UK – 02 Institute
Fri. Jul. 03 – London, UK – Troxy
Mon. Jul. 06 – Berlin, DE – Silent Green Betonhalle
Tue. Jul. 07 – Berlin, DE – Silent Green Betonhalle

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Photo credit: Charles Peterson

The Devil’s Door sees And also the trees (AATT) present a quiet storm of an album. At times filmic, poetic and intense, with an undercurrent of dark psychedelia, it follows The Bone Carver (2023) and Mother-of-pearl-Moon (2024) in completing a trilogy of releases by the current line-up of one of the original UK post-punk acts.

The new record features signature AATT tropes that include poetic lyrics, orchestral guitar and soundtrack influenced songs inspired by newsreel, oil paintings and folklore. However, it also adds some surprising instrumentation – including guest violinist Catherine Graindorge – that skews the album towards a soundworld where John Barry meets Béla Bartók.

Ahead of the album, they’ve unveiled a video for the song ‘The Silver Key’. Watch it here:

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AATT formed in 1979 in rural Worcestershire, an environment that has provided a constant inspiration to a group whose music has often explored the dark underbelly as well as the beauty of the British countryside. AATT are renowned for their captivating live performances, a unique style of mandolin-like electric guitar, evocative lyrics and dark jazz rhythms – not to mention a creative independence fiercely preserved for over four decades.

The group have a long standing relationship with the Cure and have both played and worked together since the early ’80s. As part of AATT’s 2026 touring schedule, they will be special guests of the Cure for three shows at the Festival de Nîmes in southern France in late July. These will be preceded by early spring dates in Belgium, France and Greece:

7th March  NAMUR (BE) La Nef De L’Eglise Notre Dame D’Harscamp
18th March  TOURCOING (FR) Le Grand Mix
19th March  ANGERS (FR) Joker’s Pub
20th March  LORIENT (FR) Hydrophone
21st March  CHERBOURG (FR) Espace Culturel Buisson
22nd March  PARIS (FR) La Gaité Lyrique
4th April  ATHENS (GR) Death Disco Indoor Festival 2026
24th July  NÎMES (FR) Festival de Nîmes
25th July  NÎMES (FR) Festival de Nîmes
26th July  NÎMES (FR) Festival de Nîmes

Founded by singer Simon Jones and his guitarist brother Justin, AATT have maintained a continuous presence on the post-punk and alternative rock scenes worldwide. The group have released sixteen studio albums to date.

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On Friday, April 3rd, 2026, sunn O))) will release their eponymously titled first full-length album for Sub Pop.

sunn O))) was co-produced & mixed by the band and Brad Wood (Hum, Tar, Sunny Day Real Estate, Liz Phair), and was recorded at Bear Creek Studios in Woodinville, Washington, January 2025. You can now listen to the album’s closing track, ‘Glory Black.’

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Framing the album visually are two paintings by the late American artist Mark Rothko – one on the front cover and one on the back cover, with the art reversed for UK & European pressings. And, within the CD and LP package are expansive liner notes by author Robert Macfarlane, whose 2025 novel Is a River Alive? is one of many sources of inspiration for the album. And, illustrations by French artist Elodie Lesourd are also featured on the inner LP sleeves and accompanying album merch.

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sunn O)) will tour in support of the album. Tickets for the below shows will go on sale to the general public on Friday, January 16th at 10am (local).

Wed. Apr. 01 – Phoenix, AZ – The Van Buren
Sat. Apr. 04 – Austin, TX – Emo’s
Sun. Apr. 05 – Houston, TX – White Oak Music Hall
Mon. Apr. 06 – New Orleans, LA – Civic Theatre
Tue. Apr. 07 – Atlanta, GA – The Goat Farm
Thu. Apr. 09 – Columbus, OH – The Bluestone
Sat. Apr. 11 – Philadelphia, PA – Union Transfer
Mon. Apr. 13 – Montreal, QC – Le National
Tue. Apr. 14 – Toronto, ON – 131 McCormack
Thu. Apr. 16 – Chicago, IL – Salt Shed
Sat. Apr. 18 – Iowa City, IA – Englert Theatre
Sun. Apr. 19 – Omaha, NE – The Waiting Room

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As their highly anticipated fifth album DAGGER rears into view, IST IST have shared its final pre-emptive single ‘Obligations’.

With its pulsating bassline, driving beats, and synth throbs, ‘Obligations’ is the enlivening new track from Manchester’s finest. Embodying the metamorphosis of IST IST as they gear-up for the next stage in their evolution, this latest cut is fittingly all about transformation and sacrifices that can come with it.

As vocalist Adam Houghton says:

“With ‘Obligations’, I wanted to capture the feeling of being bound to someone who represents both your salvation and your undoing. It’s about how love can feel like duty — something you can’t walk away from even when it hurts. I wanted to explore memory as something that both comforts and strangles, showing how the past can shape who we become. By the end, the narrator isn’t whole anymore, but they’ve accepted that pain and change are part of survival. It’s about transformation through loss — the quiet resilience of being altered by love.”

The new single arrives with a thought provoking official video featuring artist and longtime friend of the band Oliver Marson. Tuning into the track’s integral lyric “What is left is a different version of me”, we find Marson portraying an alternate version of the IST IST frontman.

Watch the video here:

Following a short stretch of European and UK shows this Autumn, IST IST will be hitting the road again in April this year, with upcoming shows in Norwich, Exeter, Oxford, Newcastle, Sheffield, Nottingham, Bristol, Brighton, PLUS recently added dates in Glasgow, Edinburgh, and London. These shows will pave the way towards their biggest hometown show to date, at Manchester’s Albert Hall in May. All dates are listed below, with all tickets on sale now.

In addition, IST IST are delighted to confirm a short series of intimate in-store/out-store shows as they launch their new album DAGGER. Catch them at these dates and venues:

IST IST – 2026 UK & IRELAND TOUR DATES

UK IN-STORE ALBUM LAUNCH SHOWS

Leeds – Headroom House – 07.02.26

Bury – The Met – 08.02.26

Edinburgh – The Caves – 09.02.26

Nottingham – Rough Trade – 10.02.26

London – Rough Trade East – 11.02.26

EUROPEAN SHOWS

Antwerp – Kafka Oudaan – 11.03.26

Cologne – Luxor – 12.03.26

Amsterdam – Paradiso – 14.03.26

Frankfurt – Das Bett – 15.03.26

Zurich – Werk 21 – 16.03.26

Milan – Santeria Toscana 31 – 17.03.26

Budapest – Durer Kert – 19.03.26

Bratislava – Pink Whale – 20.03.26

Krakow – Klub Zascianek – 22.03.26

Warsaw – Hydrozadka – 23.03.26

Berlin – Hole 44 – 24.03.26

Esbjerg – Tobakken – 26.03.26

Oslo – Parkteatret – 27.03.26

Stockholm – Kollektivet – 29.03.26

Hamburg – Logo – 31.03.26

UK HEADLINE SHOWS

Norwich – Waterfront – 09.04.26

London – The Garage – 10.04.26

Exeter – Phoenix – 11.04.26

Oxford – O2 Academy 2 – 12.04.26

Newcastle – The Grove – 16.04.26

Glasgow – Oran Mor – 17.04.26

Sheffield – Network – 18.04.26

Nottingham – Rescue Rooms – 23.04.26

Bristol – Thekla – 24.04.26

Brighton – Quarters – 25.04.26

Dublin – The grand Social – 28.04.26

Belfast – Ulster Sports Club – 29.04.26

Manchester – Albert Hall – 01.05.26

(w/ Support from DESPERATE JOURNALIST + THE YOUTH PLAY)

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Photo by Thomas White

Psychedelic institution Gong have announced their new album Bright Spirit today, set for release on 13th March on the Kscope label. The news comes alongside a new single and video for the track ‘The Wonderment’. Speaking on the announcement, frontman Kavus Torabi shared –

“Structured around modulating glissando guitar and a pulsating analogue synth sequence, The Wonderment finds Gong in deeply meditative form. A mystical and explorative journey both inwards and outwards. Timeless and expansive, The Wonderment is another piece of the kaleidoscopic puzzle that makes up Bright Spirit. A healing charge of cosmic rays beamed out from deepest space. All is sound, all is love. Gong is one and one is you.”

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GONG TOUR DATES

Mar 19 – Brighton, UK – Gong & Henge
Mar 20 – Canterbury, UK – Gong & Henge
Mar 21 – Swansea, UK – Gong & Henge
Mar 25 – Birmingham, UK
Mar 26 – Lincoln, UK – Gong & Henge
Mar 27 – Manchester, UK – Gong & Henge
Mar 28 – Liverpool, UK – Gong & Henge

Apr 09 – Pordenone, Italy
Apr 10 – Livorno, Italy
Apr 11 – Borgomanero, Italy
Apr 14 – Jena, Germany
Apr 15 – Karlsruhe, Germany
Apr 16 – Rüsselsheim am Main, Germany
Apr 17 – Antwerp, Belgium
Apr 18 – Oslo, Norway
Apr 19 – Zoetermeer, Netherlands

Jul 07 – Balma, France – Gong & Blood Incantation
Jul 08 – Aix-en-Provence, France – Gong & Blood Incantation

Jul 25 – Teramo, Italy – MoonJune Festival
Jul 26 – Treviso, Italy – Prog Event: Treviso

Aug 09 – Builth Wells, UK – Kozfest 2026
Aug 23 – Hernhill, UK – A New Day Festival 2026

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GONG credit - Sam Huddleston

Photo: Sam Huddleston