Posts Tagged ‘Chat Pile’

In a world increasingly shaped by disposable content, Chat Pile answers with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record.

Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project of four local film and music enthusiasts into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums)’s crushing, crass, and cathartic take on noise rock resonates in this cracked reality. It captures a raw, undeniably human essence that’s increasingly fleeting in an age marked by ceaseless torrents of algorithmic slop, technological overreach, and the cold, crestfallen state of society. Nothing about Who Loves The Sun feels synthetic.

“This record focuses on my grievances with the modern world,” says Raygun. “AI, genocide, climate change, the power elite, $$$$ hoarding pigs – all that shit fucks up your life and mine.  The band is definitely stretching out their abilities on the album and I too felt inspired to go further- as a huge fan of Boston, I like to think Brad Delp is somewhere up there, smiling down, as I take the layering to new heights, but who can say? We have fun with it." Stin adds "This album contains a healthy dose of the usual Chat Pile airing of grievances against the state of the world, but deeper at it’s heart I feel Who Loves the Sun is grappling with the challenges of trying to keep one’s humanity in a time of extreme anti-humanity.”

As a first taste of the album, Chat Pile shares the menacing track ‘Deep Blue’. Stin comments, “This is the first track we wrote for the album and the one that helped set the tone for the whole thing. I personally love this because it sounds like Chat Pile doing a Billy Squire song. It’s our ‘Lonely is the Night’, which is actually a fake Led Zeppelin song so who knows what the hell we’re actually doing here?" And Raygun adds, "Technology is rapidly ruining our lives, all promise seemingly squandered on the worst things, like killing people, wasting resources, destroying art- shrinking our brains and pulling us further apart than ever before.”

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Photo credit: Ryan Lawson

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Live dates:

AUS/NZ
06/11  – Sydney – Manning Bar
06/12 – Melbourne – Max Watts
06/13 – Hobart – Dark Mofo
06/14 – Brisbane – The Triffid
06/16 – Adelaide – Lion Arts Factory
06/18 – Auckland – Tuning Fork
06/19 – Wellington – San Fran
UK/EU
08/06 – Ancora, PT – Sonic Blast
08/08 – Katowice, PL – OFF Festival
08/09 – Prague, CZ – Fuchs2 ~
08/10 – Budapest, HU – A38 ~
08/11 – Vienna, AT – Arena (supporting HEALTH and Carpenter Brut)
08/12 – Munich, DE – Live/Evil ~
08/14 – Col Du Lein, CH – Palp Festival
08/19 – Dublin, IRE – Button Factory ~
08/20 – Dublin, IRE – Button Factory ~
08/22 – Bristol, UK – Arctangent Festival

NA

09/12 – Oklahoma City, OK – Tower Theatre = (SISU Fundraiser Fest)
09/17 – Minneapolis, MN – First Avenue +^
09/19 – Chicago, IL – Riot Fest 
09/20 – Englewood, CO – The Gothic Theatre +&
09/23 – Salt Lake City, UT – The Metro Music Hall + &
09/25 – Seattle, WA – Showbox SoDo + &
09/27 – Portland, OR – Revolution Hall + &
09/29 – Sacramento, CA – Ace of Spades +
09/30 – San Francisco, CA – The Regency Ballroom + &
10/03 – San Diego, CA – Music Box + &
10/04 – Los Angeles, CA – The Belasco + &
10/06 – Mesa, AZ – The Nile Theater + &
10/08 – Austin, TX – Radio/East + &
10/09 – Houston, TX – White Oak Music Hall + &
10/10 – Dallas, TX – Granada Theater + &
11/05 – Detroit, MI – The Majestic Theatre + %
11/06 – Millvale, PA – Mr. Smalls Theatre + % 
11/08 – Norwalk, CT – District Music Hall + %
11/10 – Brooklyn, NY – Brooklyn Steel + %
11/11 – Philadelphia, PA – Union Transfer + %
11/12 – Washington, DC – Black Cat + %
11/14 – Charlotte, NC – Underground + %
11/15 – Atlanta, GA – The Masquerade + %
11/16 – Nashville, TN – Brooklyn Bowl + %
11/18 – Columbus, OH – Newport Music Hall + %
11/20 – Indianapolis, IN – Deluxe at Old National Centre + %
11/21 – St. Louis, MO – Delmar Hall + %
11/22 – Lawrence, KS – The Granada + %

~ with Ragana
+ with Soul Glo
^ with Prize Horse
& with Virga
% with Shallowater
= with Portrayal of Guilt, Nightosphere, Traindodge, Primal Brain

Tickets are available here.

Loyal Blood Records – 9th December 2022

Christopher Nosnibor

When the shit builds to a tsunami, your laptop’s fucked and all you want to do is curl into a ball and forget absolutely everything, noise is the answer. It’s not a cry for help or even a public moan as such, but sometimes it all gets a bit much. The little thing accumulate to the point where they’re a big thing. You feel weak for letting it escalate like that, but it’s sudden. One minute, everything is ok, and ticking along nicely, the next, you’re suddenly overwhelmed.

Having recently experienced a mammoth rush of excitement on discovering Mammock, I’m buzzing all over again having been introduced to another bunch of noisy fucks, namely Hammock. These guys really aren’t into slouching about, and their debut is tense, wired, and packs some furious energy.

The press release tells me that ‘They sound pissed, frustrated and rebellious, and play their instruments with a nasty intensity and nihilistic ferocity. Imagine a mix of Unsane, Chat Pile and Pissed Jeans and you’ll get a pretty good idea of how these youngsters sound like.’ Obviously, I’m sold before I hear a note, and have to say it’s a fair summary of their seven-song set (although the first and last, ‘Intro’ and ‘outro’ respectively are what their titles imply, bookending five back-to-back blasts of riotous racket, all of which clock in between two and a quarter and a fraction over three minutes. They really do keep it tight and punchy, and pack a lot of abrasive noise into those short sharp adrenaline shots.

The vocals are distorted, shouted, gritty, and are pithed against guitars that crash in from all angles – hefty slabs and thick chunks of distortion collide against scribbly, scratchy runs of broken math-rock noodles, while the bass snarls around and booms darkly and the drums roll like thunder, as exemplified on lead single ‘J.D.F.’

It’s jarring, fast-paced, and buzzes and roars, and it’s not just noise – there are some smart bits and pieces all bouncing about in the mix, often happening all at once. It is, at times, bewildering, but above all, it’s awe-inspiring.

There’s a moment around forty-five seconds into ‘Contrapoint’ where the bass and guitars both kick into a monster riff and it punches you right between the eyes as a ‘fucking yesssss!!’ moment that absolutely seals the EP as a bona fide belter.

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