Posts Tagged ‘Alternative Rock’

Chat Pile’s heralded debut album God’s Country depicted a particularly American flavour of dread, and their 2024 LP Cool World showed a cruel planet defined by global systemic violence. Now, Chat Pile return with Who Loves the Sun, an album that peels back the skin on how a collective indifference for a decaying world defines this new century.

Spanning imagery of coastlines devouring cities as a result of inaction on climate change, the dread of working dead-end jobs, and the species’ collective submission to data-driven inauthenticity, Who Loves the Sun depicts the common experience of existing in a doom loop which feeds the malaise that permeates all aspects of our lives.

The album”s latest single ‘Same Rules’ is lyrically and sonically as aggressive and confrontational as ever, but Chat Pile approach songwriting with hooks in mind, drawing on melodic tones. Bassist Stin says it’s the “…first real Chat Pile song mostly recorded on 4-track cassette. Ray B. had given us the challenge to write a trip hop song and this is what we came up with. Unfortunately he’s rejected ‘Same Rules’ from the challenge as he claims it’s not trip hop at all and that we have to try again. Perhaps we’ll get it right next time.”

Reaching into the collective consciousness to commiserate and carouse, Chat Pile dissect how the apathy-bloated state of 21st-century existence is an active, slow-motion apocalypse, threads of which are woven through the album. Vocalist Ray B. adds: “Everyone needs to read as much as possible. There is so little emphasis put on knowledge right now—  it is your most important tool. Engagement with the world might lead to death, but shutting off and staring at your phone all day is suicide.”

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Since Chat Pile’s formation just over six years ago, the Oklahoma City-based quartet has grown from a scrappy passion project of four local film and music enthusiasts into one of the defining heavy acts to emerge from the 2020s underground.

Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums)’s crushing, crass, and cathartic take on noise rock resonates in a cracked reality. Their music captures a raw, undeniably human essence that’s increasingly fleeting in an age marked by ceaseless torrents of algorithmic slop, technological overreach, and the cold, crestfallen state of society. Nothing about their forthcoming third LP, Who Loves the Sun, feels synthetic.  In a world increasingly shaped by disposable content, Chat Pile answers with something defiantly real and organic.

Live dates:

UK/EU
08/11 – Vienna, AT – Arena (supporting HEALTH and Carpenter Brut)
08/12 – Munich, DE – Live/Evil ~
08/14 – Col Du Lein, CH – Palp Festival
08/17 – London, UK – Bush Hall ~ SOLD OUT
08/19 – Dublin, IRE – Button Factory ~ SOLD OUT
08/20 – Dublin, IRE – Button Factory ~ SOLD OUT
08/22 – Bristol, UK – Arctangent Festival
08/23 – Hasselt, BE – Pukkelpop Festival

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09/12 – Oklahoma City, OK – Tower Theatre = (SISU Fundraiser Fest)
09/17 – Minneapolis, MN – First Avenue +^
09/19 – Chicago, IL – Riot Fest 
09/20 – Englewood, CO – The Gothic Theatre +&
09/23 – Salt Lake City, UT – The Metro Music Hall + &
09/25 – Seattle, WA – Showbox SoDo + &
09/27 – Portland, OR – Revolution Hall + &
09/29 – Sacramento, CA – Ace of Spades +
09/30 – San Francisco, CA – The Regency Ballroom + &
10/03 – San Diego, CA – Music Box + &
10/04 – Los Angeles, CA – The Belasco + &
10/06 – Mesa, AZ – The Nile Theater + &
10/08 – Austin, TX – Radio/East + &
10/09 – Houston, TX – White Oak Music Hall + &
10/10 – Dallas, TX – Granada Theater + &
11/05 – Detroit, MI – The Majestic Theatre + %
11/06 – Millvale, PA – Mr. Smalls Theatre + % 
11/08 – Norwalk, CT – District Music Hall + %
11/10 – Brooklyn, NY – Brooklyn Steel + %
11/11 – Philadelphia, PA – Union Transfer + %
11/12 – Washington, DC – Black Cat + %
11/14 – Charlotte, NC – Underground + %
11/15 – Atlanta, GA – The Masquerade + %
11/16 – Nashville, TN – Brooklyn Bowl + %
11/18 – Columbus, OH – Newport Music Hall + %
11/20 – Indianapolis, IN – Deluxe at Old National Centre + %
11/21 – St. Louis, MO – Delmar Hall + %
11/22 – Lawrence, KS – The Granada + %

~ with Ragana
+ with Soul Glo
^ with Prize Horse
& with Virga
% with Shallowater
= with Portrayal of Guilt, Nightosphere, Traindodge, Primal Brain

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Photo credit: Ryan Lawson

Los Angeles-based alternative rock quartet Cascades have released their debut single and video, ‘in moments’, offering the first glimpse into their upcoming EP liminality, due September 25 via Many Hats Endeavors. Blending post-hardcore intensity, shoegaze atmosphere, and alternative rock melody, Cascades arrive with a sound that is both expansive and deeply personal.

Check it here:

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Featuring Jeremy Hernandez (guitar, vocals), Bobby Kay (bass), Jenna Terranova (drums), and Shane Burns (lead guitar), Cascades craft songs that move seamlessly between vulnerability and aggression, atmosphere and impact.

Fans of Thrice, Deftones, and Circa Survive will find plenty to connect with in the band’s approach.

“It’s heavy until it isn’t. It’s quiet until it isn’t. And that’s kind of the whole point,” says bassist Bobby Kay.

While the members bring decades of collective experience to the project, Cascades is less a continuation of past endeavors than the start of something new. Hernandez is known for his work with Fearless Records bands Big Wig and Near Miss, while Kay previously recorded as a Universal Republic artist, shared stages with artists including The Roots and Bleachers, and currently tours with Interscope artist Lady Radiator. With punk-inspired Terranova anchoring the songs’ momentum and Burns weaving layers of expressive leads throughout, Cascades has forged a chemistry that feels collaborative and intentional.

“It’s been exciting to reconnect with Jeremy and then to meet Jenna and Shane to create this,” says Kay. “It just feels like it’s the right timing, but it doesn’t feel like a coincidence.”

Recorded with veteran producer Steve Kravac (MXPX, Less Than Jake) and mixed and mastered by John Naclerio at Nada Studios (My Chemical Romance, Brand New), liminality captures the band’s dynamic intensity and emotional depth in a sound that is raw, immediate, and cinematic.

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Photo: Errol Colandro

19th June 2026

Christopher Nosnibor

If you couldn’t guess by the name, one look at these guys and you know that there’s some industrial action in the mix. This Italian trio describe themselves as ‘dark alt. rock’ and as blending ‘alternative rock, darkwave and industrial influences with a strong focus on songcraft and melody’. And as the tiles of previous releases, which include ‘Decadent Desire’ and ‘Lust of the Flesh’, they have something of a penchant for the seamy and the lascivious.

A year on from their debut single, ‘Chemical Bride’, they serve up single number six.

Front man Sonny Lanegan explains that “‘Money for the Honey’ is about the things we chase when we know they probably won’t give us what we’re looking for. There’s desire in it, there’s attraction, but there’s also that feeling of searching for something more. The song plays with those contradictions and leaves room for people to find their own meaning in it… The phrase ‘Love me for the money, taste me for the honey’ became a kind of centerpiece for the song. It’s playful on the surface, but it also hints at the different reasons people connect with each other and the expectations we bring into relationships.”

There’s a strange interconnection in western culture with sex and money, and the notion that an abundance of the former has an allure and appeal that begets an abundance of the latter seemingly isn’t entirely without foundation. It’s a fucked-up world, but that’s capitalism for ya. Then there’s the sex and death equation… And Noir Addiction bask and revel in all of this, and never more so with the sleaze-grind industrial-tinged glam-groove of ‘Money For The Honey’. In some respects, it calls to mind latter day PIG, in its combining of pulsating synths, thumping beats and an unashamedly big chorus – all of which is a strong positive – and delivered with the swagger of Depeche Mode at their most overtly stadium.

The dark is very much the undercurrent rather than the main focus, instead pushing up the hookline ‘All I wanna do is make you think that I could kill it’. Well, they’re certainly killing it here.

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Photo by Valerio Fanelli

With themes of validation, self-preservation, romance, glamour and decay running throughout the release, ASTARI NITE encourages the listener to wear the brightest lipstick, laugh the loudest, be brave and find courage to stand up for yourself. Find positivity in negativity. Open the door and say good morning to strangers. Medications In Bloom inspires and motivates acceptance. Everyone deserves to be loved.

Commenting on the EP’s title, vocalist, Mychael Ghost reveals: “My mother has not been doing well for quite some time. My life for the past four and a half years consists of doctor visits, chatting with nurses, buying her flowers that make me sneeze, my mind wandering about childhood memories while holding her hand. Nevertheless, whenever her prescription is re-filled, I’m quickly notified. One day I received that reassuring alert and thought to myself, YAY, “Medications In Bloom” again.”

Medications In Bloom is available on limited edition compact disc and on all major digital outlets worldwide.

Watch ‘Dry Shampoo X’ here: 

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ASTARI NITE is an alternative rock band, formed in Miami of 2013 by vocalist Mychael Ghost, and Drummer Illia Tulloch, who both began their friendship in the summer of 2007.  
Ghost and Tulloch were joined by Guitarist Howard Melnick, who became the bands official guitarist / producer after replacing a prior member in the final stages of their debut release album, Stereo Walz. An additional and final member was also added to the line-up. Danny Ae took on the role as keyboardist / bassist and joined Melnick as producer. This line-up has been finalized ever since!

Shortly after the album’s release on (Danse Macabre Records) in 2014, led by Bruno Kramm of Das Ich, the band was asked to be direct support for Peter Murphy (Bauhaus) in a one-off Miami show. To ASTARI NITE’s surprise, the following year (2015) they were also asked to perform in Leipzig, Germany at Wave-Gotik Treffen.

Several releases came to life since then, including: Midnight Conversations, produced by Tom Shear of Assemblage 23, strangely enough, the EP found its way to Cleopatra Records. Two full length albums titled Here Lies and Resolution of Happiness also found a vacancy at Negative Gain Records.

ASTARI NITE is known for blending elements of alternative, post-punk and new wave, resulting in a distinctive dark / glam alt sound. Their style is reminiscent of classic alternative bands like Clan of Xymox and Placebo.

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Following last year’s critically-acclaimed album SONIC, Venice-based band Glazyhaze returns with brand new single ‘Do You?’. Building upon their ethereal mix of shoegaze, alternative rock, and dream pop, the track features sweet yet punchy vocals that float above layers of spaced-out guitars and driving bass lines. Distributed worldwide by Hoodooh and Believe Music, the single is now streaming on all platforms. 

With a sound that ranges from dark and atmospheric to soft and intimate, Glazyhaze have solidified themselves as a band to watch. Since the release of their debut LP in 2023, they’ve been named among Europe’s Top 15 Emerging Artists in the Music Moves Europe Awards and have toured Europe and the UK extensively, sharing stages with acts like Trentemøller, The Raveonettes, Soft Cult, and Slow Crush. 2025’s sophomore LP and follow-up single ‘Romeo’ took the band to new heights, earning praise from the likes of Rolling Stone, Stereogum, Clash, BBC, KEXP, and more.  Glazyhaze will embark on a headlining European / UK tour next month — see below for upcoming dates.

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After being nominated for the Music Moves Europe Award and announced for ESNS 2026, Glazyhaze will embark on a tour across the EU/UK in November and December.

Glazyhaze on Tour (tickets)
5 May: Aarau, Switzerland – KIFF
7 May:  Berlin, Germany – Privatclub
8 May:  Köln, Germany – GARAGEN
9 May:  Hamburg, Germany – Turmzimmer
10 May: Rotterdam, Netherlands – V11
12 May: Ramsgate, UK – Ramsgate Music Hall
13 May: Brighton, UK – The Great Escape Festival at Prince Albert
14 May: Brighton, UK – The Great Escape Festival at Unbarred Brewery
15 May: London, UK – The Sebright Arms

ABOUT GLAZYHAZE

Glazyhaze is a band from Venice, Italy, influenced by shoegaze, dream pop, and alternative sounds, ranging from dark atmospheres to dreamy and ethereal soundscapes. The band consists of Irene (vocals, guitars), Lorenzo (lead guitar), Francesco (drums, programming), and Vsevolod (bass, vocals). Since the release of their debut album Just Fade Away (2023), Glazyhaze have been active across Europe and the UK, performing in major cities and supporting artists such as Trentemøller, Hater, Film School, and many more. Their second album, SONIC — released in March 2025 — was written and recorded between North-East Italy and London, produced and mixed by Paolo Canaglia (New Candys, Nuovo Testamento) and mastered by Maurizio Baggio (Boy Harsher, The Soft Moon). The record explores the complexities of love through a journey of self-discovery and emotional contrasts, embracing shoegaze, bedroom pop, post-punk, and art-rock influences. In 2025, Glazyhaze toured SONIC extensively with over 40 shows across Europe, supporting Soft Cult on their European tour and joining selected dates with The Raveonettes, Slow Crush, Lucy Kruger, and Clap Your Hands Say Yeah. Their music has been featured on BBC Radio 6 (Steve Lamacq), KEXP, Rai Radio 2, and FM4, gaining widespread acclaim for its blend of dreamy melancholy and raw sonic power.

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Nottingham band KEE. are back with new single ‘The Party’. After the release of their debut single ‘Sound’ in late 2025 which garnered acclaim from the likes of The Noise Magazine, this new single released on the 3rd of April has already been scheduled for airplay by BBC Introducing East Midlands. The band recently played at Rough Trade Nottingham and The Water Rats, King’s Cross and have upcoming gigs booked at The Dublin Castle, Camden and festivals in Spring and Summer.

Watch the video, by Tommy Keeling, here:

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KEE. Promo

Alternative-industrial rockers NOIR ADDICTION present their new single ‘Serve Me Some Crime’, a sarcastic manifesto about embracing chaos and contradiction, where rule-breaking, humour and non-conformity become tools of personal freedom. The accompanying video, with its black-and-red aesthetic, was created by ‪Jack Lucas Laugeni.  Favouring instinct and madness over routine, control and the suffocating seriousness of everyday life, this is the first postpunk-darkwave taste of the Pretty Things Don’t Last album, forthcoming via Berlin’s Soulpunx label.

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Noir Addiction is led by Sonny Lanegan, a seasoned musician and producer whose creative vision was shaped by cutting his teeth in Los Angeles’s high-octane music scene, where he honed his experimental style as singer-songwriter for White Pulp and co-founder of The Dead Good. The Spill Magazine finds this “somewhere between industrial grit and sardonic self-awareness. Drawing clear lineage from acts like Nine Inch Nails and Depeche Mode, Noir Addiction doesn’t just imitate its influences—it refracts them through a modern lens of irony and controlled chaos”.

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Christopher Nosnibor

It might have been a result of the inclement conditions, but setting foot in Huddersfield for the first time in my life, I’m struck by how incredibly quiet the streets are for a Friday night, and it’s far from packed in the upstairs room at The Parish when The Shakes take to the stage at 8:15. Now, I am a strong advocate of checking out support acts, and have discovered some outstanding bands by getting down early doors. This isn’t one of them. Musically, they’re competent players, but the material is very middling rock, the kind that’s easy to take or leave, but the singer thinks he’s some kind Bono meets Michael Hutchence rock star. It’s not a good look, and even if it were, it would require some serious charisma and immense talent to pull it off, and this fella has neither. The No Great Shakes, you might say. The room is considerably busier half an hour later. It’s almost as if people knew.

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The Shakes

Having joined Skeletal Family in 2021, replacing Hannah Small after a brief tenure, and making her the band’s fourth vocalist, Anneka Latta has not only settled in nicely, but brings her own presence and a wonderful dynamic to the unit. Having recorded Light From Dark, released in 2023, their first album since 2009’s Songs of Love, Hope & Despair, her place feels not just solidified, but integral.

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Skeletal Family

Tonight’s set draws substantially on Light From Dark, as well as featuring a new and unreleased song, which they’re planning to record in the coming months, indicating that as much as they’re a ‘heritage’ band, they’re still very much creatively active as well as keeping busy on the live circuit. And not only are they sounding fantastic, but there’s a real energy about their performance tonight. Anneka is all the energy, relentlessly bouncing, bounding, swinging and swaying about the stage, but the rest of the band are well animated, too: Ian “Karl Heinz” Taylor is particularly ambulant when switching synths for sax and adding some nice groove to the solid rhythm section, with stand-in drummer doing a superb job of delivering those quintessential rolling tribal rhythms paired tightly with Trotwood’s solid, urgent basslines. It’s all topped with Stan Greenwood’s spindly guitar lines – very much a defining feature not only of the Skeletal Family sound, but representative of that early northern goth sound. It’s clear they’re having a great time, and their collective enthusiasm is infectious.

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Skeletal Family

And as much as the set showcases their current creativity, it does, essentially, contain a respectful share of their definitive early 80s back-catalogue, busting out the rambunctious sax-blasting ‘Move’ up front and an extended ‘She Cries Alone’ landing in the first third of the set. Non-album single ‘Just A Minute’ gets an airing, too, representing their poppier mid-80s sound (as was the direction of the scene around Leeds at the time, as output from this period by The March Violets evidences, and one can’t help but feel that major labels picking up the top-selling ‘alternative’ acts may have been a factor). The sole cut from debut Burning Oil is ‘Someone New’, meaning the spiker, punkier songs like ‘So Sure’ don’t make the set, but might not have been such a good fit with the rest of the songs or Anneka’s more conventionally ‘rock’ vocal style. That, and the fact they keep it tight with a punchy set of around fifteen songs, packed into a little over an hour, with no encore.

They leave us with ‘Promised Land’, which is without doubt one of the best singles of that ‘first wave’ of goth era, with its nagging guitar and driving bass. They perform it with gusto, and it sounds as fresh and exciting now as ever, topping off a set that’s both entertaining and exhilarating.

Alternative prog quartet HOLOSOIL are welcoming the new year with their newest single ‘Spirals’. The band presents a stunning music video, showcasing a hypnotic dance performance choreographed by Sofia Stadler. Featuring the circle of creation as the main theme of their newest work, the Berlin/Helsinki based quartet show themselves in bold, yet almost hidden waves, playing with tempo and elements of alternative and indie.

The single follows on prior released tracks ‘Cracks’, and ‘Look Up’. Additionally, the band has also announced their upcoming debut EP, to be released digitally April 2026 (InsideOutMusic).

Watch the video for ‘Spirals’ here:

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The band shares about the track:

“HOLOSOIL’s 3rd single is a mystical anthem of heterogeneous essence, swirling through genres and textures, in the image of the world itself.

The lyrics are about an existential spiraling of humanity back to where we come from. Falling from illusions of linearity – into the cosmic spiral of ancient and future merging in a never-ending circle of creation. How our striving for progress ironically is taking us back to the ancient wisdom of nature.”

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The Hangnails have certainly evolved. Recent releases have been a very far cry from the raw garage blasts of their early works, starting out almost fifteen years as a full-throttle garage duo.

There was something of a fallow spell after the release of DOG in 2017, after which Martyn Fillingham and Steven Reid made an understated return, the dropping of the ‘…and the’ signifying their shift towards different territories.

‘Come On Outside’ may be their most different yet. Stripped back, mellow, atmospheric, and synthy, it boasts epic, cinematic qualities – and they still make sound that you’d think impossible for a two-piece.

The visuals for the video are pretty striking, too.

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