Posts Tagged ‘Riff’

Ahead of the release of their upcoming album I, Awake, progressive, post-rock and general riff-heavy outfit Upcdownc have shared a new video for the track ‘Adrift (Parts 1 & 2)’. At just 1 min 27 sec in length it’s a short and sharp blast of intense heavy music.

Watch the video here:

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Upcoming live shows:

15th Sept – Birthdays, London
16th Sept – Sticky Mikes, Brighton
20th Oct – Hijack, Bolougne Sur Mer
22nd Oct – Music City, Antwerp

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Silver Snakes – Saboteur

Posted: 21 February 2016 in Albums
Tags: , , , ,

12th February 2016

They come straight on with all guns blazing on this one. A repetitive, driving riff, amped up to eleven dominates the album’s first track, ‘Electricity’. It may be corny an cliché to say it grabs the listener by the throat and gives an instant hook, but the bottom line is that it’s entirely. As a music reviewer who received anywhere up to 50 albums and Eps a week for review, I know as well as anyone the importance of making an impact in the first minute or two. We live in a world that’s time-precious and time-pressured, of instant gratification and low patience thresholds. If whatever you’re pitching don’t grab the attention immediately, then fuggeddaboutit. ‘Saboteur’ is a riffcentric album that blasts off with the claws out, sinks ‘em in deep, and digs right in.

Full-on as it is, it’s got range and dynamics, and they don’t resort to formulaic verse/chorus/loud/ quiet structures by way of a default. Although, then they do tale the more conventional path they end up with ‘Raindance’, a full-on grunger reminiscent of Nirvana and lesser known T&G acts like Tar, and it’s belting – arguably, the most obvious single choice from an album that’s dominated by raging, overdriven guitars and angst-laden vocals, ripped with rage.

They stalk stealthily through the breakdowns and bring it all back with tumultuous overdriven attack. ‘Dresden; hit s a slower, more stoner-rock vibe, with some heavy-duty tom-driven-drumming propelling a slow, grinding riff into oblivion over the course of an expansive nine-minute sprawl. It’s one of three longer tracks (as in over seven minutes), through which they explore more prog territories, but without losing any momentum.

There are elements of Soundgarden and Korn are at play here, not to mention Nine Inch Nails (as exemplified by the full-tilt ‘Charmer’, but it would be wrong to tag them as 90s revivalists. Regardless of decade, the driving guitar riff and thunderous drumming is always king, and the song that conveys sincere emotion and delivers a tangible punch to the gut is god. Silver Snakes are both kings and gods, on the strength of this album.

They come straight on with all guns blazing on this one. A repetitive, driving riff, amped up to eleven dominates the album’s first track, ‘Electricity’. It may be corny an cliché to say it grabs the listener by the throat and gives an instant hook, but the bottom line is that it’s entirely. As a music reviewer who received anywhere up to 50 albums and Eps a week for review, I know as well as anyone the importance of making an impact in the first minute or two. We live in a world that’s time-precious and time-pressured, of instant gratification and low patience thresholds. If whatever you’re pitching don’t grab the attention immediately, then fuggeddaboutit. ‘Saboteur’ is a riffcentric album that blasts off with the claws out, sinks ‘em in deep, and digs right in.

Full-on as it is, it’s got range and dynamics, and they don’t resort to formulaic verse/chorus/loud/ quiet structures by way of a default. Although, then they do tale the more conventional path they end up with ‘Raindance’, a full-on grunger reminiscent of Nirvana and lesser known T&G acts like Tar, and it’s belting – arguably, the most obvious single choice from an album that’s dominated by raging, overdriven guitars and angst-laden vocals, ripped with rage.

They stalk stealthily through the breakdowns and bring it all back with tumultuous overdriven attack. ‘Dresden; hit s a slower, more stoner-rock vibe, with some heavy-duty tom-driven-drumming propelling a slow, grinding riff into oblivion over the course of an expansive nine-minute sprawl. It’s one of three longer tracks (as in over seven minutes), through which they explore more prog territories, but without losing any momentum.

There are elements of Soundgarden and Korn art play here, but it would be wrong to tag them as 90s revivalists. Regardless of decade, the driving guitar riff and thunderous drumming is always king, and the song that conveys sincere emotion and delivers a tangible punch to the gut is god. Silver Snakes are both kings and gods, on the strength of this album.

 

Silver Snakes

 

Silver Snakes Online