Posts Tagged ‘track stream’

Bearfoot Beware have come a long way from their scrappy, DIY beginnings. They’ve shared stages with luminaries like Future of the Left, played on the BBC Introducing stage at Reading and Leeds, and toured all over mainland Europe. Now, after years on the road they’re back with their most coherent sonic manifesto in the shape of second album, Sea Magnolia.

Eschewing for the most part their crossover punk-meets-math of their early recordings and debut LP, Sea Magnolia is a much more heavy-hitting release that doesn’t feel the need to overcomplicate for the sake of egos. “The heavier tunes are where we had the most fun” they say, linking this change in their sound to “a lot of the music that surrounds us down at CHUNK [collective, a space which the band co-founded] and in the Leeds Music Community.”

Lyrically, this aggression is felt as well. “It’s angry but not hateful,” they explain, “anger is a tool you can use to express yourself but hate is a weapon.” The simple fact was that “creating something way more direct and focused this time meant this time the lyrics felt like they needed that too.”

They’ve unveiled ‘Point Scorer’ as a taste for Sea Magnolia, and you can listen to it here:

Sea Magnolia is out on 16th March via Superstar Destroy Records.

Bearfoot Beware

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York-based hardcore punk band and Aural Aggro favourites today announces its death with a new free-to-download eight-track album, The Blackened Carnival Of Societal Ineptitude (which has already clinched the AA album title of the year award), on December 20, 2017.

   Of the record’s development, drummer, Dom Smith comments,  “This is a dedication to all of the bands we’ve played with, and all the people who have supported us through our existence.”

He adds: “Life is bleak, loads of terrifying, dark shit happens with brief moments of pure and absolute wonder, and then you die. Thank you, and goodnight.”

The band encourages hateful goodbye messages via Facebook: www.facebook.com/seepaway

Here’s a track from the forthcoming album, a cover of ODB’s iconic ‘Shimmy Shimmy Ya’… Get it while it’s hot.

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Seep Happy

Industrial metal pioneers Godflesh will release their new album Post Self on November 17th via Justin K. Broadrick’s Avalanche Recordings on CD, digital and LP formats, with a cassette version incoming on Hospital Productions.  Over two years in the making, Post Self explores a different side of Godflesh, taking in their formative influences to conjure something informed by late 70’s/early 80’s post-punk and industrial music. The album deals with themes of anxiety, depression, fear, mortality, and paternal/maternal relationships.

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Godflesh

The second collection of collaborative recordings by Off World, the aptly titled 2, is dropping on Friday October 6th. After an initial introduction to the improbable orbit of this project with the track ‘Decamp’, we’re venturing further into deconstructed electronic realms with ‘Scrubdown’. On this track, label veteran Sandro Perri is joined by fellow Torontonian Lorenz Peter as synths and drum machine squelch and snake their way around some lovely, spacious piano punctuations – highlighting the exploratory, impressionistic, harmonic eloquence of the semi-improvised sound world that is Off World’s signature.

Perri will be the first to insist that Off World is not "his" project: tracing its origins as far back as 2008, with Perri and Peter (Processor, Corpusse) working together on tracks and very occasionally performing live, Off World collaborators include producers Drew Brown (Lower Dens, Blonde Redhead, Beck), Matthew Cooper (Eluvium) and Susumu Mukai (Zongamin), and instrumentalists Craig Dunsmuir (Glissandro 70, Kanada 70) and Eric Chenaux, among others.

Off World is alien electronics played humanly, resulting in genuinely exploratory and peculiarly sui generis electronic music that sounds like it could have issued from any time in the past 40-50 years. Off World resists easy categorisation: not ambient, not strictly "improvised", nor "retro" – just eccentrically absorbing, impishly stimulating and gently uneasy listening in an awkward, nerdy, precocious class of its own.

Listen to ‘Scrubdown’ here:

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Off World

The seventh record by Godspeed You! Black Emperor, Luciferian Towers, will be released 22nd September 2017 on Constellation. As a taster, they’ve unveiled the album’s opening track, ‘Undoing a Luciferian Towers’, on line.

We’ll spare any extensive preamble or detail about the album here, and shall instead get to the important business: listen to ‘Undoing a Luciferian Towers’ here:

Godspeed

From Chester-based instrumental-electronic artist, Dom Sith, comes this dark goth-inspired tune to soundtrack people’s struggles with themselves.

It’s nothing to do with Allen Ginsberg. Of the inspiration for ‘Howl’, which takes sonic leads from the likes of NIN, The Haxan Cloak, and Burial, Dom comments: “I wanted to create something haunting, something that’d soundtrack those long nights alone, but not in a reassuring way, like how loneliness might sound, and how depression might sound, if it was heard…in the dark.”

We like NIN, The Haxan Cloak, and Burial, and we like this: get your lugs round it here:

Dom Sith

New York City duo Uniform turn the spotlight to their second full length album, Wake In Fright, upcoming on 20th January 2017 via Sacred Bones – a harrowing exploration of self-medication, painted in the colours of war.

Following their Ghosthouse 12" released last month, vocalist Michael Berdan (ex Drunkdriver, York Factory Complaint) and guitarist/producer Ben Greenberg (ex-The Men, Hubble) return with a new batch of even more punishing songs that incorporate elements of industrial music, thrash metal, harsh noise, and power electronics.

This record is primarily about psychic transition,” Berdan explained. “The distress that these songs attempt to illustrate comes from a place of stagnation and monotony. This is what happens when old ways of thinking become exhausted and old ways of coping prove ineffective. Something must change or it will break.”

 

Listen to ‘Tabloid’ here:

If the rest of the album’s half as good, it’ll be a belter.