Posts Tagged ‘track stream’

Portland, OR noisy metal duo Wizard Rifle who will release their 3rd album on 30th August through Svart Records, are streaming new track ‘Rocket To Hell’.

The band comment, “This sonic stew encompasses all the usual elements of Wizard Rifle: gut-punching, down-tuned sludge punk riffs interwoven with psychedelic overtones and triumphant builds with vocal harmonies and dual yells. Lyrically the song is much like a hangover from a thousand-year orgy of global greed. It deals with the shortcomings of mankind and the individual in the face of the apocalyptic consequences of its self-created extinction. Take the ride; strap in and blast off to this seven-minute rager.”

Stream ‘Rocket to Hell’ here:

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Wizard Rifle emerged from the metal groundswell of Portland Oregon in 2009 bent on annihilating the complacency of genre pigeonholes and throwback tropes. Their elusive sound contorts and leaps from sludgy and psychedelic, to thrash, noise and beyond, accented by vocal harmonies and shouts. On first listen, many scoff at the possibility that such a cacophony could be produced by just two band members, but seeing is believing the force that is Wizard Rifle, and skeptics become Kool-Aid guzzling disciples before the altar. Are you next?

Teaming with Nanotear Booking, Guitarist/Vocalist Max Dameron and Drummer/Vocalist Sam Ford have delivered frenzied live shows extensively across the US and Canada including appearances at SXSW, Psycho Las Vegas, Sabertooth, Hopscotch, Crucial Fest, and Musicfest NW. They have shared bills with the likes of The Melvins, High On Fire, YOB, Lightning Bolt, Nick Turner’s Hawkwind, Danava, and SubRosa, and hit the road with Bongzilla, Buzzov*en, Black Cobra and Church of Misery to name a few. Their two full length releases, 2014’s “Here in the Deadlights” and 2012’s “Speak Loud Say Nothing” have drawn great praise and kept critics and fans on their toes. Their upcoming self-titled LP, due out this summer via Svart, pushes the boundaries even further with the aid of metal mix guru Billy Anderson at the helm of the studio.

Wizard Rifle are preparing to join seminal psych metal band Acid King and rising nightmare grungers Warish for the Busse Woods 20th Anniversary Tour this summer in the U.S.

Acid King Busse Woods 20th Anniversary Tour Dates with Wizard Rifle and Warish

09/20 Portland, OR @ Star Theater – Hesh Fest

09/21 Seattle, WA @ Highline

09/23 Denver, CO @ Marquis Theater 

09/24 Omaha, NE @ Slowdown

09/25 Chicago, IL @ Reggies

09/26 Indianapolis, IN @ Black Circle

09/27 Cleveland, OH @ Grog Shop

09/28 Buffalo, NY @ Mohawk Place

09/29 Boston, MA @ Sonia

09/30 New York, NY @ Knitting Factory 

10/01 Philadelphia, PA @ Johnny Brenda’s

10/02 Richmond, VA @ Richmond Music Hall

10/03 Raleigh, NC @ Kings

10/04 Asheville, NC @ Mothlight

10/05 Atlanta, GA @ The 529

10/06 New Orleans, LA @ One Eye Jack’s

10/07 Dallas, TX @ Gas Monkey

10/09 Albuquerque, NM @ Sister

10/10 Mesa, AZ @ Club Red

10/11 Los Angeles, CA @ Satellite

10/12 San Francisco, CA @ Chapel

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Continuing to stoke the anticipation revolving around their mighty return to the studio and stage, legendary duo Earth have shared another snapshot of their forthcoming LP Full Upon Her Burning Lips. Coupled with a stark black-and-white visualiser, the five-and-a-half minute dirge ‘The Colour Of Poison’ is packed with Earth’s thematically meditative, sonically immense hallmarks and marks a return to heavier territories.

Immerse yourself in ‘The Colour of Poison’ here:

Their ninth studio album, Full Upon Her Burning Lips, is due out May 24th on Sargent House.

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Earth — On Tour w/ Helms Alee:

May 24 Seattle, WA @ Neumos

May 25 Portland, OR @ Doug Fir Lounge

May 28 San Francisco, CA @ Great American

May 29 Los Angeles, CA @ The Echo

May 31 Los Angeles, CA @ The Echo

June 1 Phoenix, AZ @ Rebel Lounge

June 2 Albuquerque, NM @ Sister

June 4 Austin, TX @ Barracuda

June 5 Dallas, TX @ Club Dada

June 7 Houston, TX @ The Secret Group

June 8 Baton Rouge, LA @ Spanish Moon

June 10 Orlando, FL @ Wills Pub

June 11 Atlanta, GA @ The Masquerade

June 12 Carrboro, NC @ Cat’s Cradle

June 14 Richmond, VA @ Gallery 5

June 15 Baltimore, MD @ Otto-bar

June 16 Philadelphia, PA @ Johnny Brenda’s

June 18 Somerville, MA @ ONCE Ballroom

June 19 New York, NY @ Le Poisson Rouge

June 21 Pittsburgh, PA @ Spirit Hall

June 22 Detroit, MI @ El Club

June 23 Chicago, IL @ The Empty Bottle

June 24 Minneapolis, MN @ 7th St. Entry

June 27 Denver, CO @ Marquis Theatre

June 28 Salt Lake City, UT @ Urban Lounge

June 29 Boise, ID @ Neurolux

Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion) and Kevin Doria (Growing, Total Life) have joined forces on the new LP are SING SINCK, SING, out via Constellation on 10th May. As a first offering, the duo have shared the track ‘We Will’, which layers oscillating waves of melancholy drone with plaintive, reverb-cloaked vocals, before eventually coalescing into a determined and hopeful refrain. You can hear it here:

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As the title suggests, this is also an interstitial album of sorts, an identity-bridge that leads away from Menuck as ‘solo’ artist and towards SING, SINCK SING which will be the new band name for future work by the duo.

Efrim Manuel Menuck & Kevin Doria Live Dates:
09 May – Montréal, QC @ Ritz PDB
10 May – Toronto, ON @ The Burdock
11 May – Hamilton, ON @ Christ Church Cathedral
16 May – Brooklyn, NY @ Murmrr
25 May – Biarritz, FR @ Festival Usopop
27 May – Limoges, FR @ Le Phare
31 May – Zottegem, BE @ Dunk Festival
01 June – Amsterdam, NL @ Best Kept Secret Festival
02 June – Barcelona, ES @ Primavera Festival
03 June – Poznan, PL @ LAS
04 June – Berlin, DE @ Arkaoda
06 June – Brussels, BE @ Botanique Rotonde
07 June – Diksmuiden, BE @ 4AD
09 June – Paris, FR @ Villette Sonique

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SSS

After releasing "Mining For Gold" and "I’m So Lonesome I Could Cry" alongside the announcement of their forthcoming LP Trinity Thirty, Deadbeat & Camara are thrilled to share "Working On A Building" ahead of the album’s release next month. The Berlin-based Canadian duo reshape the original Cowboy Junkies arrangement into a tense, slow burn. A languid yet insistent bass line anchors hushed, spectral vocals from Monteith, Camara, and guest singer Caoimhe McAlister, while accents of plucked acoustic strings and snippets of mechanical sound harken back to its origins as a traditional work song. Listen to it now in advance of Trinity Thirty‘s release on 26 April.

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Deadbeat & Camara

After sharing the track ‘Dysfunctional Helper’ in late January, Joni Void – the avant-garde electronic project of Montréal-based composer Jean Cousin – is unveiling a second song entitled ‘Abusers’ from his forthcoming album Mise En Abyme. ‘Abusers’ highlights Cousin’s ability to craft gorgeously layered sonic collages, dextrously incorporating minimal percussive elements and melodic tones sampled from Ai Aso’s ‘Most Children Do’ with vocal contributions from fellow Montréal artist Sarah Pagé. Minute snippets of sound fit together in tight sequence, eventually giving way to stretched vocal arcs that remind us of the organic, deeply human instincts that root Cousin’s digital explorations.

Listen to ‘Abusers’ here:

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Joni Void

Teeth of the Sea… where to begin?

Who can say when, or how, the Wraiths began to make their presence felt. Yet when Teeth Of The Sea entered their base of operations The Facility to begin work in Autumn 2017 on their fifth album – the follow-up to 2015’s Highly Deadly Black Tarantula – it seemed hard to deny that these ghostly interruptions were at play. By November, all three members were in agreement that the disturbances were tangible and impossible to ignore.

It wasn’t just the more familiar spectres of the band’s collective and overactive imagination – the unruly morass of ‘80s horror and sci-fi movies, industrial ballast, 2000AD terror, ‘70s-damaged experimental brinksmanship and atmospheric grandeur that they’d somehow conspire to sculpt into coherent structures. For as much as the band were determined to create a vivid and maximalist work that threw all of the wildest imagination into sharp relief, what resulted summarily went beyond anything they could have expected.

The Wraith is out in February. Meanwhile, you can watch ‘Hirareth’, which we highly recommend:

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Teeth of the Sea

Tim Hecker shares the haunting new song ‘Keyed Out’ from his incoming, ninth full-length Konoyo, which is incoming via kranky on 28th September. Listen to it here:

Regarding ‘Keyed Out’, Hecker says: "The track "Keyed out" was written over several sessions and finished in a small temple on the outskirts of Tokyo, during one of our initial trips to record with Motonori. I wanted to resist the temptation to overload the music with layers and layers of hyper-edited texture, as if that would help the piece become more whole. The song is a lonely deteriorating synth line, refracted and isolated, played alongside a small court music ensemble on what was a crisp birdsong-filled November morning."

Tim Hecker announces more live dates including rare ensemble appearances in the US. Forthcoming performances for Konoyo will feature traditional Japanese Gagaku musicians on the shō, ryuteki and hichiriki in synergy with his own explorations of noise, dissonance, and melody, creating a hybrid of electronic abstraction and otherworldly minimalism, alternately heavy and gentle. Full dates below.

Tim Hecker + The Konoyo Ensemble

2018

October 2 – Tokyo, WWWX (Japan)

October 6 – London, Barbican Centre (UK)
October 4 – Lisbon, Culturgest (Portugal)

October 7 – Krakow, Unsound Festival (Poland)

October 9 – Berlin, Funkhaus (Germany)

JUST ANNOUNCED FOR 2019

February 18 – New York, National Sawdust

February 19 – New York, National Sawdust

February 22 – Los Angeles, Masonic Lodge at Hollywood Forever Cemetery

February 23 – Los Angeles, Masonic Lodge at Hollywood Forever Cemetery [http://tinyurl.com/ycas9n4l]

Konoyo ("the world over here") was largely recorded during several trips to Japan where he collaborated with members of the gagaku ensemble Tokyo Gakuso, in a temple on the outskirts of Tokyo. Inspired by conversations with a recently deceased friend about negative space and a sense of music’s increasingly banal density, Hecker found himself drawn towards restraint and elegance, while making music both collectively and alone.

As with the Icelandic choir he arranged on 2016’s Love Streams, the heights of Hecker’s talent emerge in his manipulation of source material, bending and burnishing it into fantastical new forms. Keening strings are stretched into surreal, pixelated mirages; woodwinds warble and dissipate as fractal whispers of spatial haze; sparse gestures of percussion are chopped, isolated, and eroded, like disembodied signals from the afterlife. Both in texture and intent, Konoyo conjures a somber, ceremonial mood, suffused with ritual and regret. Visions flutter and fade; dreams gleam and decay.

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We’re not going to bother with preamble or pitch. A review wouldn’t do justice. Just listen to this. Because it’s ace. And if you don’t think so, you’re probably on the wrong site.

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Moderate - Love

Finnish noise rockers Throat who are set to release their highly anticipated and Aural Aggro approved second album, Bareback on August 31st via Svart Records have shared a second track. ‘Born Old’ is described by vocalist/guitarist Jukka Mattila as ’a deliberate effort to break some formulas we always fall into when writing music. To most people it might sound like the same drivel we always do and in spite of the fact that they’re probably right, we’re proud of our song. Lyrically, ‘Born Old’ is about feeling bad in every which way possible. Feeling good is overrated anyway. Plus there’s a Coil reference in the lyrics, see if you can spot that!’

Listen to ‘Born Old’ here:

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