Posts Tagged ‘Constellation Records’

As we eagerly await the 31st May release of their debut LP Honey, Lungbutter have shared another advance track from the album. “Intrinsic” is a foreboding, slow burn, finding a doomy three-note pattern of guitar crud and slow, caustic vocal lines to build thick tension, before careening towards explosive release punctuated by vocalist Ky Brooks’ most impassioned and full-throated shouts. It’s a tightly-wound, thrilling complement to previously-released Honey track “Flat White”.

Montréal trio Lungbutter serves up an exhilarating and relentless barrage of astringent noise-punk, at times refracted variously through sludge rock and slowcore. Kaity Zozula’s tri-amped guitar squall occupies a huge tonal space from low-end bass to paint-peeling treble, redolent of blown-out Melvins/Flipper fuzz and indebted to the frenetic dissonance of Keiji Haino or Merzbow. Song structures coalesce around guitar riffs of shifting tempos and the backbone of Joni Sadler’s muscular, deliberate drums, while Ky Brooks’ wry phenomenological sing-speak vocals – at once mantric and declarative – deconstruct one brilliant lyrical theme after another, dancing along the knife-edge of dispassionate acerbic examination and wide-eyed cathartic revelation.

Listen to ‘Intrinsic’ here:

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Lungbutter - Intrinsic

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10th May 2019 – Constellation

Christopher Nosnibor

SING SINCK, SING was always going to be a bit of a trip, being the fruits of a collaboration between Efrim Manuel Menuck – founding member of Godspeed You! Black Emperor and Thee Silver Mt. Zion – and Kevin Doria from Growing and Total Life.

‘Do the Police Embrace?’ sets the tone: an immense, repetitive, oscillating drone where melody melts into vaporous abstraction and the vocals, not atonal, but keyless and quavering. There’s a heavily sedated, psychedelic feel which is all-pervasive: the album’s five tracks are sprawling patchouli-scented sonic meditations.

‘A Humming Void an Emptied Place’ is the sound of multitonal dronal collapse, and stands comparisons to some of the extended drone-centric workouts that feature on Swans’ Soundracks for the Blind and the releases from their last iteration, only without the build, the crescendo, dare I say the pay-off? The objective is clearly very different: this is an album designed for hypnotic immersion rather than catharsis.

In music criticism, ‘woozy’ is one of those descriptors that has mixed connotations, perhaps more often than not hinting at a vague mixed pleasure a certain level of dizziness can give rise to, the light flip of the stomach after a rollercoaster or a touch of alcohol-induced giddiness. But are SING SINCK, SING (is that an album title or a band name, or both?) feels more like the woozy of carsickness after a long journey on winding, bumpy roads on a hot day. It’s the awkward, slurring slapback reverb on the vocals on ‘We Will’; it’s the droning organ tones that criss-cross in slightly out-of-time waves; it’s the formless expanses which undulate, heave, and sigh.

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Constellation Records – 15th June 2018

Christopher Nosnibor

Bush Lady, originally released in 1985, is described as ‘a unique and magical record by any definition’, and as ‘an invaluable example of contemporary First Nations music that blends traditional folkways with modern composition’. Obomsawin is a member of the Abenaki Nation and one of Canada’s foremost activist documentary filmmakers: with over 50 films to her credit, she’s not primarily known for her musical output, with Bush Lady being released as a private pressing, half of which languished in her home for years and years.

It’s not easy to place. It’s not folk; it’s not spoken word. But then, these aren’t conventional songs either, although there are some charmingly pleasant flickers of woodwind and strings. But it’s primarily about Obomsawin’s vocals. Her voice conveys so much; against monotonous, thudding rhythms and trilling notes, eerie discord and wandering abstraction, she swings between blank monotone and quirky vocal contortions that jar the spine.

The real thing about Bush Lady is just how fresh and contemporary it feels, and sounds, never mind the fact it’s 33 years old. It’s not that nothing’s changed in this time, but an indicator or the creative prowess and sheer otherness of Alanis Obomsawin’s art.

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The seventh record by Godspeed You! Black Emperor, Luciferian Towers, will be released 22nd September 2017 on Constellation. As a taster, they’ve unveiled the album’s opening track, ‘Undoing a Luciferian Towers’, on line.

We’ll spare any extensive preamble or detail about the album here, and shall instead get to the important business: listen to ‘Undoing a Luciferian Towers’ here:

Godspeed