Christopher Nosnibor
One measure of how much I’ve enjoyed a night is by volume the notes I’ve made. It’s not a hard and fast rule, but fewer notes tend to indicate that I’ve been too immersed in the performances – and likely being social in between – to write much. And so it is that I returned home tonight with a bunch of blurry photos and the grand total of fifty-four words.
Yes, for their one-year anniversary gig, Utterly Fuzzled have laid on a truly top-class lineup – and it’s drawn a deservedly significant crowd. And the gong is back! A feature of the early events, it’s a welcome return for this signature piece of instrumentation, which variously heralds the opening of a set, or otherwise
Sheffield’s Duck are making their Fuzzled debut, and showcase a northern post-punk style that emanates authenticity, due in no small part to their vintage drum machine and synths which define the sound. They had issues with their levels throughout the set, taking a song or two before the drum machine cut through some particularly murky, bassy guitar and the dominant synths, only to sink back beneath the waves two-thirds of the way through. But then the tide was in their favour, they were ace, with a crisp pop edge and some nice harmonies. In places, they reminded me of short-lived and criminally underrated goth-pop act Sunshot (whose guitarist, Toby Bricheno, is the brother of Tim Bricheno, formerly of All About Eve and The Sisters of Mercy).
Duck
It wouldn’t be an Utterly Fuzzled event without one of the various projects of the organisers on the bill, and tonight we get a – comparatively rare – outing from Chaffinch, which in terms of lineup is essentially Knitting Circle plus an additional guitarist. Sonically, they are somewhat different. Precisely what they sound like seems to be a topic for debate, with different people hearing different things, and with no recordings, it’s impossible to verify. To my ear, it’s a cocktail of mathy post-punk with some c.86 indie jangle and a dash of shoegaze, which is perhaps best summarised as ‘chaffinchous’ (there you go, Jamie, the royalties from the coinage are in the post).
Chaffinch
The aforementioned additional guitarist is a towering presence – both physically and sonically, and requires a lot of space for his expressive playing, playing in front of the stage, trading angular chords with Pete Dale, while Jo knocks out chunky, solid basslines by way of balance. Considering they’re debuting some new and recently revised material, they manage to keep it tight, and by the end of the set, all bar drummer Marc are in front of the stage.
Chaffinch
Riff behemoths JUKU never disappoint, and tonight they’re fully pumped-up and giving 110%. They bring maximum riffs, and maximum rock ‘n’ roll, at maximum volume. On paper, comparatively primitive song structures, based around, repetitive chords hammered out hard is cool and all, but hardly a revelation. It’s not so much what they do, then, but how they do it: propelled by powerhouse percussion and blasting bass, the twin guitar assault forges a ferocious wall of sound. It’s not volume simply for its own sake, but with the function of rendering a visceral physicality to their performances. And they all play as if their instruments are plugged directly into the mains, with an electric, kinetic energy that positively crackles. Practically all of my photos of Dan Gott are unusable, his features blurred like a Francis Bacon portrait, and looking on, I feel as if my own face is melting in the face of the sheer sonic force tearing forth.
JUKU
Any references likening the experience to being hit by a freight train, or a freewheeling juggernaut with failed brakes hitting terminal velocity as it screams downhill are entirely appropriate. But for all the noise, the three-way vocals and some deft detail within the guitar work demonstrates an attention to melody and nuance: they very much do have songs. ‘Out of Control’ is a straight-up grunger in the vein of Hole.
Irked were second from top of the bill at the first Utterly Fuzzled on 10th May last year (and with Crumbs and Slime City also featured, it’s possible to now look back and see just what a statement of intent this was). They’ve come quite some way in that time, having released their debut album, The Grievance at the start of the month, and won a high-profile fan in the form of none other than Simon le Bon. If they were phenomenal a year ago, they’re even better now. The formula is classic, vintage punk, with short, sharp songs focused on three-chord riffs played hard and very, very fast, with the lyrics hollered just and hard and just as fast. Irked do pissed off and angry, but they also do fun. Not only are they incredibly entertaining, but it’s clear they’re enjoying themselves, too: Helen may be endlessly pacing, lunging, clambering, in the crowd and in your face, but she’s equally prone to fits of giggles.
Irked
It’s guitarist Simon who delivers the chat and banter, griefing his bandmates in a good-natured way, and oftentimes absolutely hilarious, although ahead of the last couple of songs, he does pause to reflect on the state of the nation and the dire prospects we face in the wake of last week’s council elections, but taking the opportunity to praise the community spirit of nights like this. He’s absolutely right: what Utterly Fuzzled give us is more than great bands. There’s a warmth in the room (and not just because it’s packed and there’s no aircon): people come here and feel able to leave the bad shit at the door and see first-hand that there is good in the world. We need to not lose sight of this.
Irked
They close their blistering set with a quick one-two of ‘The Hardest Man in Billingham’ and debut single ‘Backstreets’, making for a ferocious finale to a fantastic night.
The buzz in the room as people draw breath and process what they’ve just witnessed is unmistakeable. Here’s looking to another year of Fuzzled brilliance.
Aural Aggravation 