Posts Tagged ‘New Album’

British alternative artist SICKY gets into the spirit of the season with ‘Mort’, the first track on his forthcoming full-length Redland album – his fourth to date. Once again, he delivers an earful that is full of mischief, attitude and a darker sense of humour with a song inspired by the book MORT from Terry Pratchett’s Discworld.

In that novel, an awkward farm boy named Mort becomes the apprentice to Death — a tall, cat-loving skeleton personage, who decides to take a sabbatical to experience human pleasures — and must learn to navigate the immense cosmic responsibility of harvesting souls while attempting to outsmart his master and alter fate itself.

SICKY is the solo project of Mick Butler, whose brand of melodic Britpop-infused indie rock spells good news for fans of Beck, Supergrass and early Blur. Originally from the Black Country region of England, he is now based in Shropshire.  After a run of playing in bands — from the brass soaked pop of Papa Mantra to the dirty stomp of SUMO — he now derives pleasure from banging out tunes and crafting new material as a true independent creator.

“This song was inspired by the wonderful Terry Pratchett’s Discworld novel of the same name. In the video, Death (played by the ever-dark Lily) is featured doing everyday mundane stuff. In the novel, he hired Mort to take his place so that he could experience human life for himself,” says Mick Butler.

“This video and song were recorded in my hometown, Bridgnorth. The making of the video turned a few heads — a miniature Death carrying a scythe in a supermarket tends to do that. This was my first attempt at recording my newly bought piano. A certain amount of pointing a mic and hoping for the best went on, but hopefully it has worked out okay.”

‘Mort’ is also the second single from the Redland album, following‘Bubblegum Party’, each showcasing SICKY’s playful, infectious pop-rock sensibilities and off-kilter style.

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Redland is an album about friends lost along the way and it’s a good bit darker than past albums. While the new record presents some other shady moments, ‘Swim’ and‘Bubblegum Party’ are not among them, presenting SICKY’s buoyant cheekiness, the latter track telling of a gloriously messy breakup party, served with a crooked grin as sweetness meets spite, chaos and a wicked sense of fun.

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Colorado outfit A SHORELINE DREAM present their landmark album  Waiting, arriving 20 years after their debut album Avoiding the Consequences. Formed in 2005, RYAN POLICKY and ERIK JEFFRIES have forged an expansive, guitar-driven sound that blends shoegaze, post-punk, psychedelia and experimental textures. A prolific duo with collaborations spanning Ulrich Schnauss, Ride’s Mark Gardener, and members of Engineers and Chapterhouse, the Barnum-based project is one of Colorado’s longest-running independent music acts. Waiting reflects on the ups and downs, and the personal sacrifices, uncertainty, and persistence that come with a life devoted to music, asking what ultimately remains.

The album was previewed by the singles ‘Legacy’ and ’20’, whose short film blurs the line between dreams and reality — a journey through longing, emotional highs and lows, and the passage of time. The project represents a shift from waiting for life to happen toward actively shaping what comes next, transforming frustration and reflection into music that is emotionally direct and unflinching. With Waiting, A Shoreline Dream honor the legacy they have built while looking firmly ahead — a testament to the enduring power of independent artistry, creative partnership, and the determination to keep moving forward.

As a taster, you can see the video for ‘20’ here:

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Norwegian stoner-punk rockers Bokassa return with a bang on ferocious new single ‘Cop Out,’ a no-nonsense barnburner set to please fans of the band’s heavier side.

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The track sees the power trio firing on all cylinders, leaning into their metallic hardcore roots with a dash of thrash metal. ‘Cop Out’ is an unapologetic blast inspired by everything from protest songs with lyrics so broad they could apply to anyone, to bands that probably should have called it quits years ago but are still squeezing money out of their fans.

“It’s about quitting while you’re ahead, before you become something you despise. Before you start doing expensive VIP meet & greets, before you write lyrics that are just empty buzzwords, before you start doing TikTok dance videos to sell more tickets. I don’t wanna spend my time coming up with new ways to get views on social media when I know there are still different pizzas out there I haven’t tried yet,” says vocalist Jørn Kaarstad.

Perhaps that’s one of the reasons why, in 2026, Bokassa are releasing music through their own label, Kings of Stonerpunk Records, under which they’ve released several titles over the years, including their universally acclaimed 2017 debut, Divide & Conquer.

Alongside the new single, Bokassa also announce their fifth album, Anomalies, a fitting title for a band that has never quite fit in anywhere.

The band’s relentless collision of punk, metal and rock subgenres into their own self-styled stonerpunk has seen them tour with acts as diverse as Clutch, Lagwagon, Therapy?, Zebrahead and Mastodon. That same refusal to stick to a single genre has always made Bokassa difficult to pigeonhole. In a world where bands are often rewarded for sounding like other bands people already love, Bokassa mostly sound like themselves.

“I don’t wanna be a ‘we got McDonald’s at home’ version of an older, better band. I see bands becoming universally acclaimed for that, and it’s probably smart to do so for commercial success, but then again, we’ve never been a band known for smart decisions. So we’ll stick to what we think is exciting,” says Kaarstad.

Anomalies will arrive in March 2027, accompanied by an extensive tour across Europe, the UK and the band’s native Norway.

Catch Bokassa live across Norway, the UK and Europe on the following dates:

March 12 – Kulturhuset i Bergen – Bergen, NO
March 13 – Blårock – Tromsø, NO
March 20 – Rockefeller – Oslo, NO
April 2 – Kafé Krank – Kristiansand, NO
April 3 – Folken – Stavanger, NO
April 9 – Byscenen – Trondheim, NO
April 16 – The Cobblestones – Bridgwater, UK
April 17 – The Black Heart – London, UK
April 18 – The Old Salutation – Nottingham, UK
April 19 – The Lodge – Manchester, UK
April 20 – The Joiners – Southampton, UK
May 6 – Monument 013 – Gothenburg, SE
May 7 – Stengade – Copenhagen, DK
May 8 – Betty – Hamburg, DE
May 9 – FRANNZ CLUB – Berlin, DE
May 11 – Nachtleben – Frankfurt, DE
May 12 – Luxor Live – Arnhem, NL
May 13 – DB’s – Utrecht, NL
May 15 – Antwerp Metal Fest – Antwerp, BE

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Photo by Thomas Moe Ellefsrud

New Jersey industrial project ELEKTRIKILL, led by musician and producer Steve Vil, has officially released Macabre Masquerade – their second full length album of 2026 through Evol Music Group. The 13-track Halloween album is constructed as a continuous celebration of everything lurking in the dark.

ELEKTRIKILL invites listeners into a celebration where the witching hour never ends, transforming Halloween horror into a relentless collision of industrial rhythms, dark electronics, monsters, and macabre humor.

Macabre Masquerade combines brand-new material with reworked ELEKTRIKILL songs, terrifying interludes, and remixes from Kill Vector, Kontrol Phreak, and SPKTR. Rather than simply assembling a collection of horror-themed tracks, ELEKTRIKILL sequences the album like one long infernal party—complete with vampires, demons, werewolves, parasites, restless ghosts, and enough industrial machinery to wake the dead.

Macabre Masquerade moves between pounding EBM, darkwave atmosphere, industrial-rock aggression, electronic dance rhythms, and cinematic horror. The result is sinister without becoming joyless, balancing menace with enough twisted humor and dancefloor energy to keep the party moving long after the cemetery gates have closed.

Check the video for ‘Parasite (Darkest Fear Mix by Kontrol Phreak)’ from the album here:

 

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BIG|BRAVE, the singular trio of guitarist/vocalist Robin Wattie, guitarist Mat Ball, and bassist Liam Andrews, have shared the title track single for upcoming album in grief or in hope, out June 12th.

The single comes ahead of their spring European tour and follows the announcement of their extensive summer North American tour with The Body this summer.

‘in grief or in hope’ stands as one of the album’s most direct pieces, presenting Robin’s emboldened, steady voice with pitch-shifted modulations. The thrum of guitars by Wattie, Ball, and Andrews create a makeshift bass drum pulse beneath sheets of distortion and feedback.

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The work of BIG|BRAVE is ever-expanding. The breadth of their sound has encompassed a breathtaking array of dynamics and sonics. Their sound, guided by their indomitable exploratory spirit, exploits contrasts between extremity and subtlety. The trio’s singular, masterful sculpting of sonics into songcraft tucks layers of vulnerability into formidable storms. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty.

Together the trio deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

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BIG|BRAVE tour dates

May 24 – Utrecht, NL – EKKO [tickets]
May 25 – Amsterdam, NL – OCCII [tickets]
May 27 – Saint-Imier, CH – Toxoplasmose Festival [tickets]
May 28 – Basel, CH – Kuppel [tickets]
May 20 – Torino, IT – Jazz is Dead
May 30 – Piacenza, IT – Desert Fox Festival [tickets]
May 31 – Ljubljana, SI – Channel Zero [tickets]
Jun. 2 – Poznan, PL – Pawilon [tickets]
Jun. 3 – Berlin, DE – Berghain [tickets]

Jul. 8 – Cambridge, MA – Middle East Upstairs [tickets] *
Jul. 9 – Portland, ME – Space [tickets] *
Jul. 10 – Montreal, QC – Bar Le Ritz [tickets] *
Jul. 11 – Toronto, ON – St Stephen in the Fields [tickets] *
Jul. 12 – Cleveland, OH – Grog Shop [tickets] *
Jul. 14 – Chicago, IL – Empty Bottle [tickets] *
Jul. 15 – Minneapolis, MN – 7th Street Entry [tickets] *
Jul. 16 – Omaha, NE – Reverb Lounge [tickets] *
Jul. 17 – Denver, CO – Hi-Dive [tickets] *
Jul. 18 – Salt Lake City, UT – Urban Lounge [tickets] *
Jul. 20 – Seattle, WA – Black Lodge [tickets] *
Jul. 21 – Vancouver, BC – The Cobalt [tickets] *
Jul. 22 – Portland, OR – Mississippi Studios [tickets] *
Jul. 24 – Sacramento, CA – Café Colonial [tickets] *
Jul. 25 – San Francisco, CA – Bottom of the Hill [tickets] *
Jul. 26 – Los Angeles, CA – Zebulon [tickets] *
Jul. 27 – San Diego, CA – Soda Bar [tickets] *
Jul. 28 – Phoenix, AZ – Rebel Lounge [tickets] *
Jul. 30 – Denton, TX – Rubber Gloves [tickets] *
Jul. 31 – Austin, TX – 13th Floor [tickets] *
Aug. 1 – Houston, TX – White Oak Music Hall [tickets] *
Aug. 2 – New Orleans, LA – Gasa Gasa [tickets] *
Aug. 3 – Birmingham, AL – Saturn [tickets] *
Aug. 4 – Atlanta, GA – Masquerade – Purgatory [tickets] *
Aug. 5 – Durham, NC – Pinhook [tickets] *
Aug. 6 – Baltimore, MD – Metro Gallery [tickets] *
Aug. 7 – Philadelphia, PA – PhilaMOCA [tickets] *
Aug. 8 – Brooklyn, NY – Music Hall of Williamsburg [tickets] *

* w/ The Body

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Photo credit: Stacy Lee

Oakland, California – based post-punk band, False Figure has just unveiled their new full-length album, Incarnate.

The themes across Incarnate remain familiar to the band’s legacy. Ranging from lamenting toxic interpersonal dynamics in ‘Favorite Game’, finding sobering respite within the chaos of an unsalvageable world in ‘Original Sin’, to a more immediate and explosive call to action in ‘Say Nothing’. There’s an undeniable flow to the songs on the record that don’t leave you lingering in the same feeling for too long.

Incarnate is an example of what modern post-punk could sound like while not being pinned to one particular repetitious theme. The tracks serve as a cathartic release for listeners, drawing from lived experiences that are universally shared. It is the intention of the band to speak to the inner world of its audience and connect in a meaningful way.

Check single cut ‘Flowers in Bloom’ here:

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Conceived in 2016 in the depths of San Francisco, False Figure exploded onto the bay area’s burgeoning modern deathrock scene as a loud and driving three-piece. Distinguishing themselves with tribalistic tom beats and screeching guitars ala Killing Joke, this became the hallmark to early releases as swirling feedback gave way to drippingly saccharine melody. Toying with a dichotomy of tension building verses only to be releases by lush melodic choruses. Andres Ruiz’s haunting vocals blend together a rich chemistry of melancholic, desperate crooning alongside guitars.  2022’s release, Castigations recorded in April 2-21 by Grammy winning engineer, Greg Wilkinson and mastered by Grammy winning engineer, Chris Dugan, saw the band take a step towards traditional gothic rock and further from traditional punk sounds while retaining their own alchemy.

In 2026 the band seeks to release the newest iteration departing headfirst into luscious early dream pop ecstasy while maintaining a deep beautiful melancholy radiating throughout the new album, Incarnate. With influences from the French cold wave scene, Spain’s La Movida and British shoegaze, this newest release includes an entirely new line-up with Keven DeFranco on second guitar and Kenan Hamilton on bass explore a deeper concept of what modern post-punk could sound like.

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“I Am The Song Stuck On Repeat… I Am The Fear” warns frontman Adam Houghton, his baritone oozing with its trademark ominousness.

But rest assured listeners, there’s nothing to worry about. Piled high with oscillating synth strokes, meteoric basslines, and stacked guitar tones, ‘I Am The Fear’ is a single from the Manchester band that more than bears repeating.

The track arrives with an artistic official video directed and edited by Black Rock Creative and produced by Tom White & Mat Peters. Captured amidst the crumbling surroundings of a Victorian theatre, it features a captivating performance from actor Oliver Marson, alongside on stage footage of IST IST.

Confident and catchy, ‘I Am The Fear’ arrives as the band’s first new recorded material since 2024’s Light A Bigger Fire. Produced by Joseph Cross and mastered by Robin Schmitt, it marks yet another bold step forward for a band who demand your attention more with everything they put their name to.

With the promise of a new album looming, standby for further news on that front very soon…

Watch ‘I Am The Fear’ here:

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Over the years, IST IST have forged a formidable reputation on word of mouth excitement, amassing a dedicated cult following in the process. Operating with a fierce northern DIY work ethic, the band have an ever-growing back catalogue of successful studio and live releases. Self-releasing their entire repertoire through their own Kind Violence Records label, the band’s output has been championed by BBC Radio 1 and BBC 6Music, Radio X, XS Manchester, KINK FM in the Netherlands, The Times and more.

Their acclaimed fourth record ‘Light A Bigger Fire’ reached 25th in the UK Official Album Charts in 2024, with John Robb praising the record as “glorious yet introspective 21st-century pop music” in a five star review on Louder Than War.

Taking the record out on the road last year, over 8,000 people across thirteen countries turned out in force at iconic venues such as the Paradiso in Amsterdam and New Century Hall in Manchester to support the band in what stands as one of their most successful European tours to date.

Riding this wave into 2025, IST IST returned to Europe for further dates including their SOLD OUT debut Italian shows, and subsequently released two live albums ‘ON FIRE’ and ‘Live In Italy’. The band are book-ending this year with a run of major shows back in the UK – in Leeds, Glasgow, London, and Birmingham across late November and December – as they celebrate their 10th year in business.

And in the last few weeks, IST IST announced their biggest hometown show to date. In 2026, the band will play the salubrious Albert Hall show; a show that presents both an unmissable opportunity to revel in the career high points of their decade long career, while getting a glimpse of their eagerly awaited new album.

Catch IST IST at the following UK shows:

IST IST – 2025/26 TOUR DATES

Friday 28th November – Leeds – Warehouse

Saturday 29th November – Glasgow – Oran Mor

Friday 5th December – London – 229

Saturday 6th December – Birmingham – O2 Academy2

Friday 1st May 2026 – Manchester – Albert Hall

w/ Support from DESPERATE JOURNALIST + THE YOUTH PLAY

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Ist Ist I Am The Fear

The forthcoming full-length from Los Angeles–based band Agriculture, The Spiritual Sound, traces a narrative arc through extremes.  The album is largely a fusing of the visions of its two principal songwriters: Dan Meyer and Leah Levinson.  Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression.

Dan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Dan takes the lead on their next release, a quieter moment amongst the chaos. About the track, he says;

“This is a love song to a future child. It is so moving to me that even though this child does not exist in the form of a child yet, all of the matter that will one day make up their being is already in the world. And of course this is true of all things that have ever existed. So even though I’m talking about a kid that I want to have one day, I’m really talking about the principle that everything is totally connected.”

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Agriculture’s formation mirrors their duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation that was laid on 2022’s The Circle Chant expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.

Agriculture’s writing process is built on dismantling and revision of self. Dan and Leah bring songs to the band and then allow them to be pulled apart and rebuilt communally: reshaped through conflict, repetition, and deep trust. Richard adds guitar melodies and solos, and Kern constructs rhythms which are sometimes familiar but often unconventional. Finally, with Richard producing, the final form of each song is realised through intense collaborative work in the studio. Although a time consuming and ego-frustrating process, this allows the band to find the spirit of the songs not through inspiration, but through persistence.

Yet, even in its most ambitious moments, The Spiritual Sound remains rooted in the ordinary and in the day-to-day relationships between the people who made it. Gas station snacks. Inside jokes. Sleeping on floors. Playing shows in rooms that smell like mildew. The spirit here isn’t abstract, it’s live. This is spiritual music that starts with imperfect gear and a long-in-the-tooth tour van.

Agriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes: “the only way out is in.”

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Photo credit: Milan Aguire

AGRICULTURE LIVE DATES 2025:

Sep 17  Kortrijk, BE — Wilde Westen
Sep 18  Haarlem, NL — Patronaat

Oct 8  Brooklyn, NY — Union Pool (Record Release Show)

Oct 27  San Antonio, TX — Paper Tiger $
Oct 28  Austin, TX — Mohawk $
Oct 30  Atlanta, GA — Masquerade $
Oct 31  Saxapahaw, NC — Haw River Ballroom $
Nov 01  Silver Spring, MD — The Fillmore $
Nov 02  Philadelphia, PA — Union Transfer $

Nov 04  Louisville, KY — Zanzabar
Nov 06  Oklahoma City, OK — 89th Street
Nov 08  Albuquerque, NM — Launchpad
Nov 09  Phoenix, AZ — Valley Bar
Nov 11  Denver, CO — Hi-Dive
Nov 13  Salt Lake City, UT — The State Room
Nov 14  Boise, ID — Neurolux
Nov 16  Seattle, WA — Madame Lou’s
Nov 18  Vancouver, BC — Fox Cabaret
Nov 19  Portland, OR — Mississippi Studios
Nov 21  Sacramento, CA — Cafe Colonial
Nov 22  San Francisco, CA — The Chapel
Dec 04  San Diego, CA — Soda Bar
Dec 05  Los Angeles, CA — Lodge Room

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Wounds is the band’s long-awaited fifth album – their first in six years. As heavy as it is haunting, the record masterfully blends doom, post-punk, and driving krautrock in a dynamic, hypnotic maelstrom – pushing London’s most exciting cult band into intoxicating new territory.

“Wounds is a series of songs about the different ways people live with and process ‘the wounds’ of their lives,” explains vocalist Maya. “A strange celebration of that formative pain we have all experienced in some way. The loss and joy of survival – the celebration of finding others like us, the gift of knowing life comes after fire.”

First single ‘Hangman’s Daughter’ leads the charge and is available to stream and download from today. Opening with a hypnotic techno bassline, the song quickly gives way to post-punk guitars, huge choruses, and vocalist Maya’s magnetic storytelling.

“Hangman’s Daughter is an unrequited love song,” says Maya. “A woman was loved but could not love in return so she is drowned by the man who loves her. She is not lost though – she haunts the killer and he can’t escape her. The title hints at the past, but actually this is a very current issue for women today – how to literally survive when they can’t love a man who has decided he only wants her.”

Watch the video now:

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Wounds was recorded by Mike Bew, on location at Foel Studio. The band could be found working deep into the witching hours, experimenting with new sounds and filling the valleys with cantankerous wails of sound, bursting from amps borrowed from My Bloody Valentine.

"The Welsh countryside has a mystical quality to it," says guitarist Adam. "We recorded in a deep, dark valley; misty days and shooting stars at night. You could wander through nearby woods and stone circles during breaks. Foel Studios is woven into this setting with a transcendence of its own – its storied history includes sessions by Electric Wizard, Hawkwind and The Fall."

Synths on the album are arranged by Berlin-based Bow Church, an influential figure in the dark electronic scene and a long time collaborator of the band. His work weaves icy and atmospheric textures into the songs, layering complexity that demands repeat listens. The horns on 12 Crosses were recorded by a high profile jazz musician who appears anonymously due to label ties.

While meticulously crafted, Wounds captures the visceral energy of Cold In Berlin’s renowned live shows. The album’s arrangements and raucous sound remain true to the unrelenting intensity and atmosphere of their stage performances – every track retains the sweat, urgency, and immediacy of a band performing in the moment.

Wounds is the band’s first studio album since 2019’s Rituals Of Surrender, which Narc Magazine praised for its “crushing doom-laden riffs that assaulted the speakers with a steady pulse of noise”. It follows the 2024 EP The Body is The Wound, described by Metal Epidemic as featuring “hooky melodic songs” with a “swelling heavy intensity”.

Featuring free-jazz brass sections, off-beat structures, techno rhythms, and soaring synths, Wounds is the band’s most ambitious release yet.

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Photo: Rupert Hitchcox

American Dark Metal veterans NOVEMBERS DOOM have released a new video single for the song ‘Major Arcana’, the title track of their forthcoming new album.
The twelfth full-length from these purveyors of dark and brooding metal is scheduled to be released on September 19, 2025.

NOVEMBERS DOOM comment: “The title track ‘Major Arcana’ represents significant growth for us, exploring new ideas and taking ourselves out of our comfort zone – both musically and thematically”, vocalist Paul Kuhr states on behalf of the band. “Yet we are still staying true to who we are and the artistic legacy that we have created for so many years now. Each of us pushed hard to challenge ourselves as performers as well as songwriters, and we could hardly be any prouder of what we have accomplished with ‘Major Arcana’, both in terms of the song itself as well as the new album as a whole.”

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In further news, NOVEMBERS DOOM will also reissue a 20th Anniversary Edition of their cult album The Pale Haunt Departure (2005) on October 3, 2025. This collectors’ edition full-length will be released on vinyl for the first time and as a lavish artbook including 7 exclusive bonus track, rare images, and liner notes. Mailorder customers, who order both albums, will receive The Pale Haunt Departure early and together with Major Arcana on September 19.

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