Posts Tagged ‘The Body’

Neurot Recordings – 25th March 2016

Christopher Nosnibor

Full of Hell seem to be an act who thrive on collaboration, with their previous release, Full of Hell and Merzbow proving to be a magnificent if suitably challenging meeting of strains of noise which nothing if not effective.

Small wonder that the press release states that Neurot Recordings is very pleased to announce a full-length collaborative debut between apocalyptic doom duo, The Body, and grindcore/harsh noise sculptors, Full Of Hell.

I’ll admit that the title is something of an obstacle for me, reminding me as it does of Hole – specifically, ‘Doll Parts’ but the squalling barrage of percussion-led noise that explodes in the first minute of the title track obliterates all reminders of anything other than the need to continue breathing. From the fury emerge grand, mangled powerchords that sweep against a sombre march.

The cover version of the Leonard Cohen track ‘The Butcher’ is a real standout track, despite being barely recognisable in this dank, droning mutant form. But yes, beneath the gut-churning 10bpm sludge and barely audible, Cohen’s barren lyrics are howled and snarled.

The drums are back to the fore on ‘Gerhorwilt’, a thunderous, speaker-smashing tumult combine with tortured, and torturous, vocalisations that barely sound human, while ‘Himmer and Holle’ is a wall of noise that’s the very definition of infernal. Incredibly, the punishment ratchets up another notch or three on the desolate grind of ‘Bottled Um’, and there’s a sense of relief on arriving at the end of the album’s final track, the blackest of black ‘The Little Death’.

That this album is beyond noisy – a pretty relentless assault from beginning to end – is only half the story. The individual tracks display a polarity of pace, with crawling dirges buttressing hundred-mile-an-hour thrashout frenzies. As such, the extremities of the dynamics of tempo are accentuated, hurling the listener back and forth while continually battering the senses with violent sound.

Is it a coincidence it’s being released on Good Friday? Probably not. It does, after all, feel like the sonic equivalent of crucifixion. Hellish, heavy and even more hellish, the day you hear this album is the day you will ache in ways you never imagined possible.

Body   Full of Hell

 

 

The Body & Full of Hell at Neurot Recordings

Advertisements

This week will see the release of One Day You Will Ache Like I Ache, the fittingly-titled, collaborative debut between apocalyptic doom duo, The Body, and grindcore/harsh noise sculptors, Full of Hell. Set for release on March 25th via Neurot Recordings, the offering came together during last year’s massive North American trek which united both bands. Amidst the chaos of tour life, the two groups found time to record together at Machines With Magnets in Providence, Rhode Island. The session eventually culminated into the harrowing sounds found on One Day You Will Ache Like I Ache, which is ultimately an audio reflection of their surroundings and their inability to cope therein.

As a precursor to its release, they’ve unleashed the video accompaniment to second movement, “Fleshworks.” It’s suitably challenging, and you can watch it here: