Posts Tagged ‘noisy’

KEN mode share a new track ‘Not Soulmates’ from their incoming album Loved (Season Of Mist/New Damage Records in Canada, August 31st), alongside European tour dates in November through to December – full listings below.

About the track Jesse Matthewson comments “The main ‘chorus’ line,  I suppose you could call it, “You’re going to continue enjoying this mistake with me”, was conceived by Scott’s wife. This song is about the many complexities of love and the humour that surrounds its entirety – whether people choose to process it or not. It’s got riffs you can throw round-house kicks to and is an ode to the Melvins and Zeni Geva.”

Listen here:

EUROPEAN LIVE DATES:

w/Birds In Row & Coilguns

Nov 15 – Joué, FR @ Temps Machine

Nov 16 – Orléans, FR @ Astrolabe

Nov 17 – Bordeaux, FR @ Void

Nov 18 – Toulouse, FR @ Rex

Nov 19 – Montpellier, FR @ Blacksheep

Nov 20 – Clermont, FR @ Raymond

Nov 21 – Lausanne, CH @ Romandie

Nov 22 – Besancon, FR @ L’Antonnoir

Nov 23 – Kalsruhe, DE @ Die Stadtmitte

Nov 24 – Gigors, FR @ CBGC’s

Nov 25 – Milano, IT @ Magnolia

Nov 27 – Nantes, FR @ Le Ferrailleur

Nov 28 – Le Havre, FR @ Fort de Tourneville

Nov 29 – Paris, FR @ Le Petit Bain

Dec 1 – London, UK @ MacBeth

Dec 2 – Brussels, BE @ Magasin4

Prior to that the band shall be playing the following dates:

w/Shallow North Dakota

Sept 28 – Winnipeg, MB @ The Good Will Social Club

Sept 29 – Saskatoon, SK @ The Black Cat Tavern

Sept 30 – Calgary, AB @ Palamino Smokehouse

w/Birds In Row

Oct 13 – Minneapolis, MN @ Turf Club

Oct 14 – Chicago, IL @ Live Wire

Oct 15 – St. Louis, MO @ Fubar

Oct 16 – Memphis, TN @ Hi-Tone

Oct 18 – Atlanta, GA @ Basement

Oct 19 – Columbia, SC @ New Brookland Tavern

Oct 20 – Falls Church, VA @ VFW 9278

Oct 21 – Boston, MA @ Middle East

Oct 22 – Philadelphia, PA @ Kung Fu Necktie

Oct 23 – Portland, ME @ Geno’s

Oct 24 – Brooklyn, NY @ Saint Vitus

Oct 25 – Rochester, NY @ Photo City

Oct 26 – Toronto, ON @ Bovine Sex Club

Oct 27 – Montreal, QC @ Turbo Haus

Oct 28 – Quebec City, QC @ La Source De La Martiniere

Oct 29 – Ottawa, ON @ House of Targ

You can also watch the video for the opening track, ‘Doesn’t Feel Pain Like He Should’:

KMLovedHiRes2lores--1

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Sometimes, I just need a night off. And what better way to unwind than going to see a trio of noisy bands? It may be something of a busman’s holiday for a music critic, but a night-off gig means there’s no obligation to produce a review. Which means I can drink all the beer and not care about making notes, about remembering anything other than the atmosphere, the overall experience of whether the bands and the night were any good. Right? Only, I’ve gone and done it anyway. For posterity. Out of habit. And because it’s shows like this that provide the best entertainment, but rarely get the coverage -or attendance – they deserve.

Granted, it’s baking hot and it’s Wednesday night after the universities have split for summer. But it’s free entry, dammit! And the lineup features bands who’ve travelled from Hull! And bloody good bands at that!

Admittedly, I’m here for Cannibal Animal, a band who’ve consistently impressed, both live and recorded: their latest EP is an absolute banger.

Night Owls arrive with squalling feedback and noodling synths, with driving drumming and some melodic hooks. There’s much to like about their brand of sinewy, synthy, post-punk… and beyond ‘I am for real’ their singer hollers ad infinitum during their second song, and nothing in their edgy, angular set gives reason to doubt, although their style is so wide-ranging I do find myself wondering exactly how to position them. But then, it’s not about pigeonholing, but quality of material and performance. And these guys are good on both fronts.

Night Owls

Night Owls

Cannibal Animal’s latest offering marks a significant shift toward the more psych-influenced end of the post-punk spectrum, evoking the sort of surf-goth of obscuritants like The Volcanoes more than the overt rockabilly of, say The Cramps. ‘Ellipsisism’, the lead single from their snarling ‘A Decline in Morality’, which also reminds me of the mega-obscure ‘Genetic Disruption’ EP by Murder the Disturbed (released on Small Wonder, the same label which would release Bauhaus’ seminal ‘Bela Lugosi’s Dead’ 12” in the same year) EP is a clear standout, although it’s the EP’s closer ‘Ripe’ that’s lodged in my head on the train home.

The brittle, flanged, chorus-soaked guitars of the studio renderings are cranked up to the pain threshold and into a thick mess of distortion and shrieking treble, resulting in a set that slams from beginning to end like a sonic battering ram. It’s no criticism to observe that Luke Ellerington isn’t your conventionally appealing front man, but he’s charismatic and compelling and his presence is huge. It’s tense, loud, and thrilling, and I could go home happy after their set.

Cannibal 1Cannibal 2

Cannibal Animal

But then there’s Lumer, who’ve also made their way from Hull. Theirs is a set of angsty, aggressive post-punk with pummelling tom-driven drumming that’s tense and expansive.

I’ve had a few pints by now, since I’m not planning to review the show, and spend some time marvelling at their keyboardist’s dubious moustache and the fact the singer bears a passing resemblance to a young Kirk Brandon.

Lumer

Lumer

The one thing about gig drinking is that there’s always someone way drunker than you, and while I’m conscious of gaps in my notes, I’m more conscious of the fact there’s a really drunk guy who keeps falling over while moshing loosely. People keep picking him up and throwing him back upright, before he lurches toward the stage. But he’s happy and they’re cool with it, and as outstanding as the music, it’s the community spirit. It’s truly uplifting and a joy to witness.

I’m also conscious that the volume is so intense that the sound is mushy, especially standing as close to the speakers as I am… and it doesn’t matter. The energy that crackles from the band, and which is bounced back by the audience is immense.

If you want clean sound, stay home. If you want to get out of your skin, cut loose and live, go and watch live bands in small venues.

I need to take more nights off.

Featuring members of Joanna Gruesome, Thin Privilege and Black International, Glasgow purveyors of no-wave noise are unleashing their debut album via Good Grief records on a pay-what-you-want basis. Which means you can get it for free, but obviously,  chipping in a few quid is a good way to show appreciation  and to help bands to keep making music. This one’s definitely worth it. Watch the vid below, and check the album out via the link below that.

 

 

Damn Teeth