Posts Tagged ‘music video’

British alternative artist SICKY gets into the spirit of the season with ‘Mort’, the first track on his forthcoming full-length Redland album – his fourth to date. Once again, he delivers an earful that is full of mischief, attitude and a darker sense of humour with a song inspired by the book MORT from Terry Pratchett’s Discworld.

In that novel, an awkward farm boy named Mort becomes the apprentice to Death — a tall, cat-loving skeleton personage, who decides to take a sabbatical to experience human pleasures — and must learn to navigate the immense cosmic responsibility of harvesting souls while attempting to outsmart his master and alter fate itself.

SICKY is the solo project of Mick Butler, whose brand of melodic Britpop-infused indie rock spells good news for fans of Beck, Supergrass and early Blur. Originally from the Black Country region of England, he is now based in Shropshire.  After a run of playing in bands — from the brass soaked pop of Papa Mantra to the dirty stomp of SUMO — he now derives pleasure from banging out tunes and crafting new material as a true independent creator.

“This song was inspired by the wonderful Terry Pratchett’s Discworld novel of the same name. In the video, Death (played by the ever-dark Lily) is featured doing everyday mundane stuff. In the novel, he hired Mort to take his place so that he could experience human life for himself,” says Mick Butler.

“This video and song were recorded in my hometown, Bridgnorth. The making of the video turned a few heads — a miniature Death carrying a scythe in a supermarket tends to do that. This was my first attempt at recording my newly bought piano. A certain amount of pointing a mic and hoping for the best went on, but hopefully it has worked out okay.”

‘Mort’ is also the second single from the Redland album, following‘Bubblegum Party’, each showcasing SICKY’s playful, infectious pop-rock sensibilities and off-kilter style.

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Redland is an album about friends lost along the way and it’s a good bit darker than past albums. While the new record presents some other shady moments, ‘Swim’ and‘Bubblegum Party’ are not among them, presenting SICKY’s buoyant cheekiness, the latter track telling of a gloriously messy breakup party, served with a crooked grin as sweetness meets spite, chaos and a wicked sense of fun.

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16th October 2026

Christopher Nosnibor

I’m likely one of the last people to champion anything retrograde, cliché, whatever. I don’t hate nostalgia, but I absolutely detest the nostalgia industry that’s grown over the years which specifically exploits the latest cohort of an ever-ageing population. Gen X used to scoff at Boomers listening to golden oldies radio shows and watching nostalgic cack like The Golden Oldies Picture Show. Now we’re all splashing out hods of cash on thirtieth anniversary expanded reissues and spending long weekends at festivals like Shiiine On and packing out arenas to see acts from the 80s going through the motions as they crank out all the hits. I like hearting my favourite songs as much as anyone, but to live in the past is tantamount to being dead. As such, I’ve not much truck with acts who continue to exist solely to play the nostalgia circuit. But bands who continue to face forward, and to create, even when they’re beyond any career peak? I have more timer for them. A fair bit more.

LA hard rock / punk act Blacklist Union are marking twenty years as they release ‘Heavy Is The Crown’, the third single from their forthcoming album, The Good, The Bad And The Notorious, due for release in spring 2027.

I shall momentarily defer to the press release for more context, before coming to the single: “‘Jackson’, the first collaboration between Blacklist Union frontman Tony West and Femme Fatale’s Lorraine Lewis, saw the pair reimagine the Johnny Cash and June Carter classic, blending outlaw country, punk attitude and rock ’n’ roll swagger. It was followed by ‘Madame Butterfly’, an open love letter from West to Lewis, and it seems the song did the trick. After completing Blacklist Union’s recent UK & European tour with Faster Pussycat and Femme Fatale, during which Lorraine joined the band on stage at the end of every Blacklist Union set to belt out ‘Jackson’, Tony and Lorraine headed to Paris, where Tony proposed at the top of the Eiffel Tower. She said yes.”

Who saw that coming, eh? But ‘Heavy is the Crown’ sees them resume business as usual: unreconstituted hard rock riffery collides with punk and there’s a dash of post-punk style and some big-bollocked swaggering attitude behind it all. As much as it’s old-school, it’s got a dash of contemporary industrial going on, which gives it that vital edge. It’s that edge that pushes ‘Heavy is the Crown’ into a place where it matters, and is worthy of the ear of new listeners.

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Blacklist Union - 2 - George Reed photography

Photo: George Reed photography

Colorado outfit A SHORELINE DREAM present their landmark album  Waiting, arriving 20 years after their debut album Avoiding the Consequences. Formed in 2005, RYAN POLICKY and ERIK JEFFRIES have forged an expansive, guitar-driven sound that blends shoegaze, post-punk, psychedelia and experimental textures. A prolific duo with collaborations spanning Ulrich Schnauss, Ride’s Mark Gardener, and members of Engineers and Chapterhouse, the Barnum-based project is one of Colorado’s longest-running independent music acts. Waiting reflects on the ups and downs, and the personal sacrifices, uncertainty, and persistence that come with a life devoted to music, asking what ultimately remains.

The album was previewed by the singles ‘Legacy’ and ’20’, whose short film blurs the line between dreams and reality — a journey through longing, emotional highs and lows, and the passage of time. The project represents a shift from waiting for life to happen toward actively shaping what comes next, transforming frustration and reflection into music that is emotionally direct and unflinching. With Waiting, A Shoreline Dream honor the legacy they have built while looking firmly ahead — a testament to the enduring power of independent artistry, creative partnership, and the determination to keep moving forward.

As a taster, you can see the video for ‘20’ here:

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Industrial rock/metal band, OUR FRANKENSTEIN has just unveiled their new single and video for ‘Jealous God’ in anticipation of their forthcoming EP, Comedy.

Addressing envy and devotion: OUR FRANKENSTEINn tackle spiritual imprisonment. ‘Jealous God’ harkens back to the old gnostic belief that our reality is secretly under the control of a malevolent demiurge named, Yaldaboath. The song and music video contrast the false god’s wrath with real world catastrophe in a style that could only be viewed as satire.

The ‘Jealous God’ video invites the question that if our fate is in the hands of the powers that be…what happens if we (the people) obtain the crown? The video was shot by Pablo Salamone and directed / edited by Ryan Laney.

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OUR FRANKENSTEIN is a Gothic Metal band that was formed in Orange County, CA in 2013. Drawing influences from both cinema and the gothic music scene, the band has quickly evolved to what it is today. With one foot rooted in myth and the other in reality, OUR FRANKENSTEIN creates music that tells a story.

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Lola Pony is a Mexican, lesbian, neurospicy, trashartivist performer and DIY musician. She produces with anything she can get her hands on – keyboards found in the bins, eclectic samples of life, her friends’ instruments, and her voice – as showcased in her hedonistic debut album Pink Trash Chicken.

Now, she’s released her theatre inspired finale, via a music video for uber contagious lead-single ‘Last Superstar Alive’.

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Her performances are bonkers, powerful, and needed, believing that happiness and love are the cornerstones of revolution – and everyone is invited! Trained in the performance arts since the age of 5, Lola Pony studied vocal jazz at Berklee Latino College of Music and toured Mexico with her former band, Foxy Blues.

Recently selected for a three-month Artist Residency at Cartel Studios, London, Lola Pony’s new music showcases the fruits of her summer. In her ‘Bad Girl Pt. I (b.a)’ music video, she assures us that she just wants to have fun, and that came across strong via her wacky, tongue-in-cheek music video.

She has come to be known for being unapologetically real, from her controversial single LOLALOLALOLA, criticising institutionalised paedophilia, femicides and human trafficking in Mexico, to her advocacy for human rights with ACT UP (where she volunteers), with her being interviewed by National TV in Mexico and The Telegraph.

However, it’s the new single, Last Superstar Alive, that steals the show and at just a little over 1-minute long, launched her debut album with a boom.  Theatrical and groovaliciously infectious, it’s a reminder that Lola Pony is just as musical as she is activist, as she is art.

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‘Broken Heart’ / ‘Fire’ is a brand new double AA single by the darkwave and goth scene leaders Clan of Xymox. Out today (23rd September), it is the first new music by the group since the release of their ‘Exodus’ album in mid-2024.

Clan of Xymox co-founder and frontman Ronny Moorings describes ‘Broken Heart’ as “a journey through heartbreak, desire and emotional combustion.” Driven by haunting synths, a hypnotic pulse and melancholic vocals, his aim with the song was “to capture the tension between losing someone and still being consumed by them.”

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Formed in the Netherlands in 1982, Clan of Xymox were originally signed to 4AD and established a cult following in the UK and mainland Europe with a highly atmospheric post-punk sound. The group enjoyed US chart success after signing to Polygram in the late-‘80s and shifting into a more commercial synth-pop direction that incorporated alternative dance elements, but it was the resurgence of the gothic and electro-industrial rock scenes a decade later that gave Moorings and his bandmates a fresh impetus from which they have prospered ever since.

The group have maintained a consistent international presence with regular releases and tours, with their 2026 schedule including main stage performances at the renowned WGT-Leipzig and M’era Luna festivals. Their live itinerary to the end of 2026 is as follows:

2nd October  ROME Traffic Club (IT)
3rd October  NAPLES Lizard Club (IT)
7th November  BOCHUM Gleis 9 (DE)
10th November  MUNICH Strom (DE)
11th November  VIENNA Chelsea (AT)
12th November  BUDAPEST A38 (HU)
13th November  ZAGREB Culture Factory (HR)
21st November  VALENCIA Sala Jerusalem (ES)
27th November  ZABRZE Klub Ck Wiatrak (PL)
5th December  STRASBOURG La Laiterie (FR)

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British alternative artist SICKY unveils his new single‘Bubblegum Party’, a playful, infectious slice of indie rock that pairs catchy pop sensibilities with his trademark off-kilter style.  Beneath the bubblegum facade lies a gloriously messy breakup party, served with a crooked grin as sweetness meets spite, chaos and a wicked sense of fun.

‘Bubblegum Party’ offers the first taste of his forthcoming full-length Redland album – his fourth to date. Full of mischief, attitude and a darker sense of humour, here SICKY delivers one of his most fun and irreverent songs to date. ‘Redland’ is an album about friends lost along the way. It’s a good bit darker than its predecessor Troubled Delight.

“Ultimately, ‘Bubblegum Party’ is a tale of sweet revenge. A public humiliation of someone who absolutely had it coming to them. It’s a work of fiction but has a large toe touching reality. We’ve all met the cocky arrogant lowlife type who tries to control someone they’re supposed to be close to. Well, in this song, he gets his comeuppance at our heroine’s birthday party,” says Mick Butler.

“The bubblegum reference is effectively a middle finger gesture by the metaphorical blowing of an exploding gum bubble in someone’s direction. It’s poppy, it’s silly and it’s just a bit of fun amongst some much darker moments on the Redland album”.

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SICKY is the solo project of Mick Butler, whose brand of melodic Britpop-infused indie rock spells good news for fans of Beck, Supergrass and early Blur. Originally from the Black Country region of England, he is now based in Shropshire. 

While Mick Butler has had his run of playing in bands, ranging from the brass soaked pop of Papa Mantra to the dirty stomp of SUMO, he now derives pleasure from banging out tunes and crafting new material. Literally everything you hear in his music is him squeezing noises out of anything that’ll sing.

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Belgium’s most unpredictable noise-rock troublemakers 30,000 Monkies have premiered their new single .Unsound Hero’.

Taken from the band’s forthcoming album Super Rebound, due September 18 via Fvn Kvlt Records, ‘Unsound Hero’ trades instant impact for a six-minute descent into tension, melancholy and crushing sludge.

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The band explains: “‘Unsound Hero’ is about almost wandering off to the dark side when hostile forces keep pushing all the wrong buttons. Unlike a lot of other tracks on the album, this one starts with a slow-burning intro. We had fun layering some deep melodic vocals with uncanny, autotuned choirs, trying to increase the tension with every added layer.”
But restraint was never going to last forever.

“Eventually, of course, we wanted to put the hammer down—BAM! After this, the hero drifts completely off the map, left with nothing but two clean guitars, screaming into an empty space. But then all of a sudden—BAM!—another hammer, arriving unexpectedly, used by our hero to flatten everything in his path once and for all: a reluctant but absolute obliteration for anyone who left him no choice.”

For more than a decade, 30,000 Monkies have occupied a unique place within the European underground. Emerging from the Belgian noise-rock scene, the band built their reputation through a string of increasingly adventurous releases that balanced cathartic chaos with an unmistakable sense of fun. From the dizzying riff storms of Somewhere Over The Painbow to the wild experimentation of I Ate Myself To Grow Twice As Big and HONESTY INTEGRITY FRIENDSHIP PASSION, the band have consistently followed their own path.
With Super Rebound, they may have finally arrived at the destination they have been chasing all along.

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Stockholm post-punk trio Then Comes Silence presents ‘Remaker Redeemer’, the second single from their forthcoming Requiem Ballroom album, due in November via Metropolis Records. The music video, filmed by Damon Zurawski of Future Legends Films, captures the song perfectly, descending into the space between death and rebirth, where the final journey into darkness becomes a passage toward transformation, renewal and the possibility of another world.

Then Comes Silence has also just launched their European tour, which runs throughout September and October, bringing them to venues and like-minded music lovers in Belgium, the Netherlands, Germany, France, Italy and Czech Republic, before returning home to Sweden for the final show on this leg.

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A tightly focused trio since 2022, Then Comes Silence was formed in 2012 by vocalist-bassist Alex Svenson in 2012. Drummer Jonas Fransson and guitarist Hugo Zombie, round out the band in its most direct, powerful and uncompromising form. One of the leading names on today’s goth, post-punk and darkwave scene, they are driven by a fascination with horror, the occult and the raw intensity of underground music, having forged a distinctive sound and a devoted international following.

The Requiem Ballroom album itself is divided into two parts: ‘Ballroom’ was mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy) and the ‘Requiem’ half was mixed byTom van Heesch (Rammstein, Apocalyptica, Backyard Babies). Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica) assumed mastering duties.
”Remaker Redeemer introduces the second part of the album ‘Requiem Ballroom’. It’s about new life, and being reborn with the old sins washed away. A kind of cleansing, a fresh start, and the feeling of beginning again. The choice of instruments and sound on this track is a way to explore something different this time,” says Alex Svenson.

“Death is generally regarded, across many cultures, as the final blackout where nothing follows. Yet in another sense, death can also serve as a metaphor for change and transformation. To take the next step, change is inevitable.”

Then Comes Silence earlier released ‘Judgement Day’, a driving anthem that embraces failure, reckless choices and the thrill of living without regrets, embracing a final celebration before the inevitable reckoning. The vivid behind-the-scenes documentary by Marzipan Moonlight offers a glimpse into the video’s creation and the thriving spirit of Stockholm’s goth community.

LIVE DATES
SEP. 11 -  Glain, Belgium @ Deux Ours
SEP. 12 – Rotterdam-Albrandswaard, Netherlands @ Baroeg Open Air 2026
SEP. 13 -  Rennes, France @ Brewklyn
SEP. 14 -  Paris, France @ Le Chinois
SEP. 15 -  Rezé, France @ Cold Crash
SEP. 16 -  Lyon, France @ Rock N’Eat
SEP. 17 -  Marseille, France @ Le Molotov
SEP. 18 -  Torino, Italy @ Ziggy Club
SEP. 19 -  Castelfranco Veneto, Italy @ Sale Improve
SEP. 20 -  Hlavní Město Praha, Czechia @ Subzero
OCT. 24 -  Stockholm, Sweden @ Kollektivet Livet

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Two decades have passed in the land of Gnod, yet the psychic travelogue only becomes more enthralling as it goes on. The page is turned, a new chapter begins… Chronicles of Gnowt (Vol. 2) will arrive via Rocket Recordings on 9th October.

Today, the band share the King Tubby-inspired ‘Old Gold’, taken from their transcendentally heavy middle instalment in the Chronicles of Gnowt trilogy.

Paddy comments, “The words for ‘Old Gold’ have been floating around the Gnod universe since 2008 waiting for the right rhythm. 18 years later the right rhythm appeared. This track was further enhanced by our (sometimes) sound engineer Raikes jumping on guitar, wah and space echo and Spud Murphy approaching the mix like King Tubby.”

Chris adds, “The rhythm came from jamming in the rehearsal room on a one note riff / rhythm that I was playing on the bass. It was one of those riffs that stuck & became a track.”

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