Posts Tagged ‘electro-rock’

French electro-rock outfit THIS IS SHIT (or TH/S /S SH/T as they are also known) have released their hypnotic new single ‘Blue Nine’ and its definitely not shit!

‘Blue Nine’ is more than a song, it’s a signal picked up from our own future, something that survived and caught its breath again. The track steps away from expected formats: it builds in stages, letting electro and rock search for a common frequency before fully locking into sync in the song’s final stretch.

The phantasmagoric video, directed by INFRAROUGE, ventures into a territory no camera could have reached. Red neons, liquid chrome, architectures that exist nowhere: INFRAROUGE builds a world of its own, coherent down to its smallest details, where photorealism keeps slipping into hallucination. These aren’t effects layered onto real footage, it’s an entire geography, born elsewhere, that never had a filmed version.

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THIS IS SHIT are set to return for 2026 with their second album ΛV coming on 30th October and like the slanted signs of ΛV (pronounced “lambda V”) that invert and mirror each other, this new record interlocks two aesthetics that were never meant to coexist: rock and electronic music. A formula unique to THIS IS SHIT.

Behind this graphic project with its sharply crafted artistic direction stands composer Loïc Louraco. Driven by the need not to choose between two radically different ways of creating : rock, which he has practiced his entire life, and electronic music, which he explores in parallel, he formed a hybrid creation in 2017: a trio in which he is both producer and principal instrumentalist. And thus sparked the collision between the two worlds.

A signature sound first discovered by audiences through the EPs / (“Slash”) and // (“Double Slash”) in 2018, followed by the album /// (“Triple Slash”), which concluded a first creative cycle in 2020.

After a challenging start to the decade, the artist entered a new writing phase that stretched over several months. Born from improvisations or long nights of production on Ableton, the tracks were pushed to their limits. The sound is more controlled, the album more impactful. For this new project, THIS IS SHIT chose to take production even further by collaborating with Swedish producer Hans Olsson (Division of Laura Lee).

An initial studio session in Paris allowed the three musicians to record, in a traditional rock band setting, guitars, bass, and drums. The tracks were then sent to Gothenburg, where they were reworked by the producer and director as a temporary electronic duo. The collaboration felt natural, and the results fruitful, bringing a unique coherence to this new release. Like a film soundtrack, ΛV carries the listener from scene to scene, from emotions to sensations, from celebrations to contemplation, in a continuous, unbroken flow between tracks.

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This is shit by Christophe Crénel (2)

Photo credit: Christophe Crénel

Alternative Pop / Electro-Rock firebrand THE NOISE WHO RUNS returns with ‘The Summer Talking’, a catchy sonic respite that disguises devastating social critique beneath shimmering indie-pop hooks. Sneaker Pimps legend Ian Pickering spins a tale of romance and nostalgia before spiralling into an indictment of climate denial, political inaction and humanity’s addiction to comforting lies. The striking video contrasts postcard-perfect holiday escapes with the growing environmental crisis, this song asks an uncomfortable question – are we sleepwalking through catastrophe while convincing ourselves everything will somehow work out?

This track is lifted from PIckering’s new (and now acclaimed) Re: GenX album, a fearless uncompromising record that puts an entire generation (and society itself) on trial. Addressing war, consumerism, inequality, media outrage and the collapse of collective responsibility, he sounds a warning siren for a world in freefall. Blending dark electronic textures with anthemic alternative rock, The Noise Who Runs is one of alternative music’’ most fearless voices, offering a brutally honest examination of the choices that have brought us to the brink.

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Built around the repeated refrain, “It’s just the summer talking”, the song explores the promises we make when sunshine, nostalgia and hope temporarily blur our view of reality.  Balancing melancholic indie-pop with widescreen alternative rock, it follows dreams of escape, new beginnings and forever as they gradually reveal themselves to be fragile seasonal illusions. Beneath the relationship story lies a wider reflection on the comforting stories we tell ourselves—about love, our lives and the future itself.

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Noise Who