Posts Tagged ‘Emma Ruth Rundle’

Following the release of her latest album ’The Cartographer’ last year and European tours with Wardruna, Emma Ruth Rundle and Amenra, internationally acclaimed composer and virtuoso cellist – not to mention Aural Aggravation favourite Jo Quail has announced her first ever headline UK tour for May this year.

Jo comments: “I am so excited to announce that in May I’ll be playing some headline concerts for you! We’ve got some absolutely beautiful venues in here. I’ll be playing a much longer set then most of you will have seen, I’ll bring both cellos, and the thing that excites me the most is the thought of playing some brand new music to you, seeing what you think, letting the pieces take their shape and form in your company. Tickets are now live, it would mean the world to me to have you with me on my first ever headline tour.

I feel a bit emotional truth be told. I’m here because you’ve been with me from the early days, or perhaps we’ve met only recently, but you’ve all stayed, you’ve shared your stories, you’ve been part of all things, and I know this, and I thank you with my whole heart. All blessings to you all my friends.”

Jo Quail – UK Tour dates:

08TH MAY – Southampton, Suburbia

09TH MAY – Bristol, The Gryphon – SOLD OUT

10TH MAY – Nottingham, The Bodega

11TH May – Colchester, Art Centre

12TH MAY – Leeds, Seven Arts

13TH MAY – Manchester, White Hotel

14TH MAY – Glasgow, The Hug and Pint

Jo is also set to perform at London’s Desert Fest on 7th May.

Tickets are on sale now -  https://www.joquail.co.uk/concerts/

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Emma Ruth Rundle’s lauded new album Engine of Hell is stark, intimate, and unflinching. For anyone that’s endured trauma and grief, there’s a beautiful solace in hearing Rundle articulate and humanise that particular type of pain not only with her words, but with her particular mysterious language of melody and timbre. The album captures a moment where a masterful songwriter strips away all flourishes and embellishments in order to make every note and word hit with maximum impact, leaving little to hide behind.

Just off the heels of its release, Rundle has unveiled another stunning and self-directed video for Engine of Hell’s ‘The Company’. The visual was made on the Isle of Skye.

Rundle reveals, “I dreamed this visual poem about innocence of the spirit, sadness and the dark deceiver I spend my life trying to run from. Or is it a friendly entity? What does it mean? Upon waking – I acquired the equipment and made a plan to film it. I enlisted the help of my dear friend, Blake Armstrong, who helped shoot and plays part in the video as well. It was edited by Brandon Kahn. Written, directed and shot by me.”

Watch the video here:

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Photo Credit: Cintamani Calise

Emma Ruth Rundle’s latest single “Blooms of Oblivion” intimately reflects on an experience that was too big for her as a child — “Down at the methadone clinic we waited / hoping to take home your cure / The curdling cowards, the crackle of china / you say that it’s making you pure” she sings. For anyone that’s endured trauma and grief, there’s a beautiful solace in hearing Rundle articulate and humanise that particular type of pain not only with her words, but with her unique mysterious language of melody and timbre. Her forthcoming album, Engine of Hell captures a moment where a masterful songwriter strips away all flourishes and embellishments in order to make every note and word hit with maximum impact, leaving little to hide behind.

Today’s soft spoken guitar ballad “Blooms of Oblivion” comes alongside a vivid and compelling new video which she co-directed with John Bradburn. She explains, “In the video I use an oversized coat to represent an oversized and burdening experience for the little girl. The feeling of being free falling in chaos. Having no control over your circumstances. The song and video describe the feelings I had as a little girl and how that’s shaped who I have become – negotiating with my past and waking to the woman I strive to become through self-love, self parenting and forgiveness and the transformation that it can bring.”

Watch the video here:

https://youtu.be/Pn12FvaaRMI

panoptique electrical - decades (2001-2021)

Emma Ruth Rundle’s forthcoming Engine of Hell is stark, intimate, and unflinching. For anyone that’s endured trauma and grief, there’s a beautiful solace in hearing Rundle articulate and humanise that particular type of pain not only with her words, but with her particular mysterious language of melody and timbre. The album captures a moment where a masterful songwriter strips away all flourishes and embellishments in order to make every note and word hit with maximum impact, leaving little to hide behind.

A gentle melancholy piano line introduces album opener and lead single “Return,” and when Rundle finally sings, every syllable guided with the utmost intention, she unleashes the ominously cryptic opening lines “A rich belief that no one sees you / Your ribbon cut from all the fates and / Some hound of Hell looking for handouts / The breath between things no one says.” The ambiguity may obscure the muse, but it doesn’t diminish its heaviness.

“Return” is available today via Sargent House and comes accompanied with a striking and introspective video directed by Rundle herself. The visual was heavily inspired by Jean Cocteau’s ‘Orpheus’ and Wim Wenders’ ‘Wings of Desire’, and gives nods to other films and images. Of “Return”, Rundle unfolds, “An examination of the existential. A fractured poem. Trying to quantify what something is definitely about or pontificating on its concrete meaning defeats the purpose of art making. I’m not a writer. I make music and images to express things that my words cannot convey or emote. I’ve been studying ballet and the practice of expression through movement, which I incorporated into the video. I choreographed a dance to the song – some of which you see. Pieces show through. Since completing ‘Engine of Hell’, I’ve stepped away from music more and more and into things like dance, painting and working on ideas for videos or little films. ‘Return’ is the result of the efforts.”

Watch the video here:

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Album artwork. Photo by George Clarke

Chelsea Wolfe has shared new video for her latest single, “Anhedonia” which features vocals and guitar by labelmate Emma Ruth Rundle. Wolfe joined efforts with stop motion editor and video producer Cressa Beer for a moving creation that reflects grief and loneliness, yet brings hope that with time and support, healing is possible.

Cressa explains, “The core idea of the video came from an artist and mutual friend that Chelsea and I both love – Jess Schnabel (Blood Milk Jewels) – who created a ‘grief moth’ inspired by real moths that drink the tears of sleeping birds. It’s an idea I’ve wanted to animate for a while. So, that became the backbone of the project: the lifecycle of a moth literally born from overwhelming sadness. From there, the video grew into a reflection of what I was experiencing during quarantine, as I found myself confronting my own grief and deeply rooted trauma.  I suffer from PTSD that envelops me like a black void. I wanted to visually articulate how that feels, as well as feelings like disassociation and loneliness; the way that trauma can physically alter your body and mentally reshape the world around you.  But still, the moth can fight its way out, can fly, can follow the light; just like the comfort in the final verse of the song, I wanted to still show that healing is possible.”

Watch the video here:

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Chelsea Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that sombre beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key elements. Today she has released her gripping and reflective new single “Anhedonia”, which features guest vocals and guitar from labelmate Emma Ruth Rundle and was mixed by Ben Chisholm.

Of the single, Wolfe reveals, “I wrote Anhedonia after I experienced it during summer of 2019, then tucked the song away and moved forward with my acoustic album and subsequent North American tour. When COVID-19 hit and stay-at-home orders began in 2020, my European tour was canceled and I had to fly home. Restless, I started listening through my archives of unfinished songs and little unused ideas. When I heard Anhedonia again, it hit me how strangely relevant the lyrics felt to current times. I’d been wanting to work on a song with Emma for a long time, so I recorded it and sent it her way. She graciously added her gorgeous vocals and lead guitar, and then Ben mixed it, adding his signature sound landscape as a fortress around the song. As I listened back to the final version, I was finally able to set free those emotions which I couldn’t feel back in 2019. I had worries around releasing the song, not wanting to romanticize the condition of anhedonia (the inability to feel pleasure), but I also understood that it could possibly be cathartic for others who are struggling, as it was for me, to sing and dance my way out of a depression.”

Rundle adds, “I was moved to tears when she sent me Anhedonia, which made getting through the tracking very emotional and slow on my end. I love the way the guitars I tracked morphed in Ben’s mix. The whole song swirls in a poignant eddy of sorrowful sound and still takes a hard swing at my heart hearing it now.”

Listen to “Anhedonia” here:

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One of alternative music’s most prolific songwriters, Emma Ruth Rundle has surfaced with a never-before-heard song, “Staying Power.”  The track was recorded as part of 2018’s On Dark Horses studio session but didn’t appear on the paramount recording.  Now, the steadfast single has surfaced on streaming services (and will appear on Bandcamp with all sales proceeds will going directly to the artist this Friday, July 3)—  stream/purchase/download here: https://smarturl.it/ERR-SP

Listen to ‘Staying Power’ here:

Emma Ruth Rundle comments: “There is very little mystery as to what this song is about. The lyrics are not metaphorical. It’s about being a touring musician and trying to survive, to conjure the self discipline to go on without sacrificing sensitivity. How we can become hardened as a result of constantly selling our feelings, how I didn’t want that to happen to me but could feel the callousness building. It’s also about the financial feast or famine and whether a little immediate monetary gain is worth the expenditure of youth. It’s about wondering how long I might be allowed to do this and the fear that it could end at any moment—  with Covid, the song has some renewed relevance in that regard. It talks about what it means to endure and what the rewards and consequences of such persistence might be.”

As it’s been for many artists, 2020 was cut short for Emma Ruth Rundle; she’d just finished a North American tour with Cult of Luna when the Covid-19 pandemic hit in the states, and was confirmed as a curator of the monumental Roadburn Festival that has since been rescheduled to 2021.  With the newfound time at home, Rundle decided to release previously unheard “Staying Power” as its lyrics rang true once again.  The tracks from this 2018 On Dark Horses recording session feature Emma Ruth Rundle’s most cinematic approach to her sincere and candid songwriting — they are as disquieting as they are ethereal. 

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Closing out a long year spent on the road, singer/songwriter Emma Ruth Rundle has revealed her final music video to accompany her 2018 album On Dark Horses. Directed by Mitch Wells (Thou) and starring the song’s muse and inspiration, Blake Armstrong, the video for ‘You Don’t Have to Cry’ is poignant and affecting and further solidifies Rundle’s place as one of music’s most dextrous minds.

Watch the video here: