Posts Tagged ‘Marc Heal’

Metropolis Records – 5th May 2017

Christopher Nosnibor

Having recently completed their ‘Swine and Punishment’ double-header tour with Mortiis, PIG, previously having lain dormant for the best part of a decade, are returning with a vengeance. Billed as ‘a supplemental sermon’ to The Gospel, Swine and Punishment, with its audacious combination of literary allusions with shameful puns, is a remix album which slots into neatly into the already extensive PIG oeuvre.

Comments on social media and YouTube suggest that The Gospel has elicited something of a mixed reception, on account of it not being as good as some of the albums released during what they perceive as the peak of PIG’s carer. Many seem disgruntled by the more overtly glam / pop direction of the album. But these people have clearly missed the fact that Watts’ output under the PIG guise had a strong pop sensibility from the very outset: A Poke in the Eye and Praise the Lard are both pop albums first and foremost, with Watts revelling in the incongruity of combining dark lyrics with often quite buoyant tunage. They’ve also clearly missed the fact that Watts’ tongue is usually positioned somewhere in his cheek, and never more so on the knowingly song-orientated and accessible Gospel. In short, to criticise it for being the album it was intended to be is erroneous.

While remix albums are – as I’ve said and written more times than is remotely interesting, but hey, I’ll say it again – often difficult, thorny and sometimes thoroughly pointless, debasing exercises, Swine & Punishment does a good job of capturing the spirit of The Gospel while at the same time extending its scope.

One of my frequent gripes about remix albums is the track repetition, and on this score, Swine and Punishment is guilty, in that it’s largely built around three tracks from The Gospel, namely ‘Viva Evil’, ‘The Diamond Sinners’, and ‘Fly Upon the Pin’; however, it benefits from the inclusion of reworked renditions of ‘Drugzilla’ and ‘Found in Filth’, as well as the previously vinyl-only ‘Violence’. Moreover, the individual mixes ae diverse and divergent enough to make for an album that’s varied and doesn’t sound like the same three tracks dished up, reheated, with a range of subtly different sauces. The sample-filled, lopping grind of the MC Lord of the Flies remix of ‘Found in Filth’ (courtesy of Cubanate’s Marc Heal) is exemplary, particularly when places alongside the stuttering, abstract electro reinterpretation of the KANGA remix of ‘The Diamond Sinners.’

The St Gregory mix of ‘Fly on the Pin’ is perhaps one of the strongest examples of how a song can be given new life by means of serious mangling, and while there’s nothing as extreme as JG Thirlwell’s treatments of ‘Wish’ to be found here, Swine and Punishment invites favourable comparisons to NIN’s Fixed by virtue of the quality and range of the reinterpretations it contains.

Pig - Swine and Punishment Cover

 

Pig - Swine and Punishment Cover

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‘Brutalism’ is a brand new compilation album by the British band Cubanate. It covers the years 1992 to 1996 and features 14 songs from their first three albums, including remastered versions of singles such as ‘Oxyacetylene’, ‘Body Burn’ and ‘Joy’.At their peak, Cubanate’s techno-rock crossover was controversial and influential, with their importance still resonating today. They were one of the few UK bands tagged as ‘Industrial’ to cross over to a mainstream audience and were regular fixtures in publications as diverse as Kerrang! and Melody Maker (receiving several Single of the Week accolades in both), as well as on MTV’s Headbanger’s Ball. They also toured with stalwarts such as Front 242, Gary Numan, The Sisters of Mercy and Front Line Assembly. The band later signed to the seminal Wax Trax! Imprint in the USA and their songs have appeared in film, TV and game soundtracks. But, with the demise of their European label Dynamica in 2000, Cubanate’s early work has long been out of print. It’s time for a reassessment.

Brutalism showcases a band that was certainly ahead of its time. These days, when fusion is all the rage, it is hard to understand the fury of rock purists at Cubanate’s pilfering of genres. However, not only were they influential, but they also brought back a genuinely confrontational live approach after the bland, big-hair stylings of the ’80’s.

Britalism is released by Armalyte Industries on 5th May, and Cubanate will play their first shows of the new millennium on the following dates:

28.04.17  GLASGOW  Saint Luke’s

30.04.17  LONDON  O2 Academy Islington

Ahead of the album and th live shows, they’ve unveiled a new promo video for ‘Oxyacetylene’, which you can watch here:

 

The Hum is the first ever solo album by Marc Heal and his first full-length release since the year 2000. He has been a presence in electronic music since the late 1980s when his band Westwon toured with Gary Numan and recorded with Colin Thurston.

His next band, Cubanate, then achieved success in the industrial scene in the 1990s with four acclaimed albums. Hits such as ‘Oxyacetylene’ and ‘Bodyburn’ crossed over to metal and mainstream audiences, with the former achieving Single of the Week in both Kerrang! and Melody Maker. The band later signed to the Chicago based label Wax Trax!

in its final years, while also gaining worldwide exposure when Sony used four of their songs as the lead tracks on the best-selling Gran Turismo console game. ‘Body Burn’ was also featured in The Sopranos and the Mortal Kombat movie. They toured with The Sisters of Mercy, Gary Numan, Front 242, Front Line Assembly, Fear Factory, Sheep On Drugs, PIG and more. Marc also worked with Jean-Luc Demeyer of Front 242, the duo making two albums as C-TEC.

Marc appeared to remain creatively silent for many years after the demise of Cubanate, but was in fact running Fortress Studios in London and working in television and advertising, writing documentaries for the BBC and Sky.

Pefacing the release of The Hum on 11 November 2016 through Armalyte Industries, Marc presents ‘Adult Fiction’. Watch the video here: