Posts Tagged ‘Cubanate’

Metropolis Records – 8th June 2018

Christopher Nosnibor

After an eternity on mute and with Raymond Watts seemingly in a creative wilderness, the PIG renaissance continues apace with the emergence of Risen less than two years after The Gospel and last year’s remix EP Swine & Punishment, as well as four digital / or tour-only releases off the back (bacon) of The Gospel. Risen finds Raymond Watts on fine form as he unleashes porcine pundemoneum once more.

As the press release proudly proclaims, ‘the Lord Of The Lard calls on Ben Christo, Z.Marr, En Esch, Tim Skold, Marc Heal, Phil Barry, Mark Thwaite, Anita Sylph & Emre Ramazanoglu & gets to work on bringing glam to the damned’. It is a hell of a lineup, and pleasingly, Risen is a hell of an album. It’s actually a lot less overtly glam than The Gospel and finds PIG at their eclectic best.

‘The Chosen Few’ opens and hints at a return to the darker industrial grind of Sinsation and Wrecked. But while it’s a mid-tempo slow-burner, this being PIG, it’s not only got poke, but layers: hints of gospel lace the chorus, and it builds through a sinewy lead guitar break to a towering churn, with orchestral strikes and strings adding to the sense of drama. It’s impossible to declare anything to be truly ‘vintage; or ‘quintessential’ PIG: Watt’s project has always been built on hybridity and eclecticism. But against its predecessor or releases like, say, Pigmartyr, which were more direct, paired and back and rock-orientated, Risen draws together all of the divergent elements – from classical samples to battering technoindustrial antagonism – from the beginning of the band’s career onwards. Strings bolster up-front metallic guitars and thumping disco beats, and the sleaze is amped up to 11. As such, it’s all going on on Risen, and it’s something to see PIG rebuild the momentum and exposure they achieved in the mid-90s having benefited from association with Nine Inch Nails.

It’s the electro aspect of Pig’s sonic arsenal that leads the swaggering groove of ‘Morphine Machine’, which echoes the ham-glam of The Gospel. The opening chords of ‘Loud, Lawless & Lost’ sound very like The Yardbirds’ ‘For Your Love’ before swerving into a lift of Bowie’s ‘Fame’. The nagging, clean guitar and funk is sort of perverse in its presence, but this is a PIG album, and anything goes. There’s always been a tongue-in-cheek element to Watts’ approach to both lyric-writing and composition, his infinite wordplay and musical intertextuality and hybridity representative of a postmodern playfulness, and it’s on display in full force here. Moreover, Watts dominates every bar with his JG Thirlwell-esque throat-based theatrics.

‘Truth is Sin’ plays the slow-burning anthem card to good effect, while allowing Watts space to spin infinite spins on clichés, and elsewhere, the solid chug of ‘The Vice Girls’ and ‘Leather Pig’ comes with instant hooks that are hard to resist.

PIG have always been about the remixes, and quite (but not entirely) unusually, have been given to chucking remixes of previous prime cuts onto new albums: as far back as 1992’s A Stroll in the Pork, Watts &co have been slipping remixes and multiple versions, and five of the fourteen tracks on Risen are remixes, while ‘The Cult of Chaos’ first appeared on the Prey & Obey EP.

None of this makes their discography any more navigable, but and it’s often difficult to describe any ‘new’ album as being entirely ‘new’, but again makes Risen entirely representative of the PIG oeuvre. And this is perhaps the most welcome addition since their return. Praise the lard indeed.

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‘Brutalism’ is a brand new compilation album by the British band Cubanate. It covers the years 1992 to 1996 and features 14 songs from their first three albums, including remastered versions of singles such as ‘Oxyacetylene’, ‘Body Burn’ and ‘Joy’.At their peak, Cubanate’s techno-rock crossover was controversial and influential, with their importance still resonating today. They were one of the few UK bands tagged as ‘Industrial’ to cross over to a mainstream audience and were regular fixtures in publications as diverse as Kerrang! and Melody Maker (receiving several Single of the Week accolades in both), as well as on MTV’s Headbanger’s Ball. They also toured with stalwarts such as Front 242, Gary Numan, The Sisters of Mercy and Front Line Assembly. The band later signed to the seminal Wax Trax! Imprint in the USA and their songs have appeared in film, TV and game soundtracks. But, with the demise of their European label Dynamica in 2000, Cubanate’s early work has long been out of print. It’s time for a reassessment.

Brutalism showcases a band that was certainly ahead of its time. These days, when fusion is all the rage, it is hard to understand the fury of rock purists at Cubanate’s pilfering of genres. However, not only were they influential, but they also brought back a genuinely confrontational live approach after the bland, big-hair stylings of the ’80’s.

Britalism is released by Armalyte Industries on 5th May, and Cubanate will play their first shows of the new millennium on the following dates:

28.04.17  GLASGOW  Saint Luke’s

30.04.17  LONDON  O2 Academy Islington

Ahead of the album and th live shows, they’ve unveiled a new promo video for ‘Oxyacetylene’, which you can watch here:

 

The Hum is the first ever solo album by Marc Heal and his first full-length release since the year 2000. He has been a presence in electronic music since the late 1980s when his band Westwon toured with Gary Numan and recorded with Colin Thurston.

His next band, Cubanate, then achieved success in the industrial scene in the 1990s with four acclaimed albums. Hits such as ‘Oxyacetylene’ and ‘Bodyburn’ crossed over to metal and mainstream audiences, with the former achieving Single of the Week in both Kerrang! and Melody Maker. The band later signed to the Chicago based label Wax Trax!

in its final years, while also gaining worldwide exposure when Sony used four of their songs as the lead tracks on the best-selling Gran Turismo console game. ‘Body Burn’ was also featured in The Sopranos and the Mortal Kombat movie. They toured with The Sisters of Mercy, Gary Numan, Front 242, Front Line Assembly, Fear Factory, Sheep On Drugs, PIG and more. Marc also worked with Jean-Luc Demeyer of Front 242, the duo making two albums as C-TEC.

Marc appeared to remain creatively silent for many years after the demise of Cubanate, but was in fact running Fortress Studios in London and working in television and advertising, writing documentaries for the BBC and Sky.

Pefacing the release of The Hum on 11 November 2016 through Armalyte Industries, Marc presents ‘Adult Fiction’. Watch the video here: