Posts Tagged ‘Argonaut’

31st October 2020

Christopher Nosnbor

While Lorna and Nathan have been keeping themselves occupied with their uber-lo-fi DIY side project Videostore during lockdown, their main vehicle, Argonaut have been on something of a backburner. As has been the case for so many bands, working remotely simply hasn’t been entirely feasible, or conducive to creativity and recording, although the band have been striving to pull together with virtual rehearsals and so on.

Consequently, after some nine months of effort (and eight years ager their formation) the London-based spiky indie-punk have delivered the first single written collectively (just before lockdown) by the whole band.

Less uptempo and energetic than previous releases, ‘13’ is a wistful, reflective song that’s more haunting post-punk than punk, and as much as it’s inspired by Nathan and Lorna’s son’s turning 13 and is a celebration of youth and that voyage of discovery, a song of encouragement and positivity, there’s a sad tinge coloured with a pang of loss and an awareness of the ageing process: the video illustrates the contrasting emotions, as elation and wonder are marked against the ticking clock.

It’s touching, and a great tune: understated, but effective and resonant on many levels, making it more than worth the wait.

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Christopher Nosnibor

Videostore – the lo-fi indie duo consisting of Argonaut members Nathan and Lorna – are on a major roll at the moment, and their latest effort – pitched as a ‘love song for the apocalypse… channelling Stooges, Suede and Spacemen 3 guitars against a relentless drum machine and Atari samples’ – is their strongest to date.

It kicks in hard and that vintage mechanised drum track pumps away like a piston all the way through to the finish: no fills, nothing fancy, nothing but uptempo motoric 4/4 with that classic Roland-type snare sound.

The guitars are big and fizzy and when the extra distortion kicks in, it hits that treble explosion sweet spot that takes the top off your head, and you just don’t get that buzzsaw bliss with slick studio production.

The dual vocals contrast Lorna’s sassy drawl with Nathan’s blank monotone croak and the end result comes on like a riot grrrl rendition of a Pixies song covered by Metal Urbain.

Yet for all the retro, ‘My Back’ is very much a song for now: these are dark, paranoid times and it feels like we’re on the edge of the abyss, and this guitar-driven blitzkrieg is the perfect soundtrack.

James Wells

There’s a reason we’ve been backing London punky indie / alt rock / neo riot grrrl act Argonaut on these pages for a while now. Partly, it’s because we dig their DIY aesthetic, but mostly it’s because we did their scuzzy, grungy, guitar-drive pop tunes. Because there really is no substitute for a solid tune.

This might not be their own solid tune, but the second single in this year’s DIY trilogy is an exuberant and enthusiastic rendition of Cindy Lauper’s 80s classic. It’s kinda chaotic and magnificently lo-fi, but it’s a sincere homage and very much conveys the importance of placing the emphasis on FUN. They’re clearly enjoying themselves, and it’s a joy that’s contagious.

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Argonaut - Girls

20th May 2019

Christopher Nosnibor

5 guitars follows very quickly the eponymous debut by n, which is Nathan Lyons (concept, guitars) and Neil Physick (software, field recording, processing, arrangements, production, artwork). Its predecessor was the result of musical free association inspired by ‘random’ words: 5 Guitars is less determined by creative process and emerges from more of a conceptual space, in that, according to the accompanying text, it ‘explores the idea of the instruments having their own spirits, benign or malignant, and of a guitar maturing over time then slowly completing its natural life, remembering the past in distant tones’.

This is a work which is very much geared towards the evocative, the listener finding their own place within abstract works and finding the meaning. Only, the listener doesn’t so much find the meaning as project it from their own experience. Does the universal lie in the personal? Most definitely, although 5 guitars isn’t an album that has any grounding in the personal, as much as a space between.

The spirits of the different guitars float into the air, the concept not so much lost in translation as dissolving into vague sonic nebulousness.

Warm, distant drones define the first piece, ‘Red Kay’, which hovers and hums in a mid-range swell which ebbs and flows in a calm, natural way. It bleeds into ‘Effector’, which almost disappears at times, dissolving into the most vaporous, background of ambient.

The narrative and concept isn’t overtly discernible from the music itself: the tracks don’t demark a clear linear progression from mellow tones to decay.

Picked notes are discernible on ‘Tiesco’, but they’re carried in trembling washes that approximate chords but are much vaguer, less defined…. And definition dissipates to nothing amidst the undulating drones which surge beneath the tempered ripples of notes that drift gently over the indistinct, hazy backdrop.

5 guitars is vague, undefined, indirect and unfocused from a listening perspective. And that’s all fine. The concept may not be clear, but has no bearing on the listening experience, and certainly has no impact on the reception side of the project, which is a pleasurable wash of soft tones that more than fulfils its purpose in terms of background.

https://nsound.bandcamp.com/album/5-guitars

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n - 5 guitars

If the Internet has changed anything for the better in the music industry, it’s surely the immediacy of the medium. Bands can not only connect directly with their fans, but can get material out without having to wait for the label and all of the associated parts of the machine to plan and pull together.

With their new video, which accompanies the song ‘Girl Talk’ from their recently-released ‘The New Argonaut EP’, Argonaut demonstrate just how fast it’s possible to move when you’ve got total creative control, having shot the footage on Hampstead Heath only yesterday and getting the video live on YouTube in under 24 hours. It’s a win for the DIY ethic and creativity. It’s also a fin vid and an ace tune…. And you can check it here:

7th September 2018

Christopher Nosnibor

Argonaut are back with a new line-up and a new EP. You’d never guess from the title about there being a new EP. Having booked the studio for eight hours, the whole session was wrapped in six, with ‘minimal overdubs or embellishments’ as they put it. This honest, unlaboured approach gives the songs a directness and urgency which is integral to the appeal here.

All clocking in at between two and a half and three minutes, the four tracks on Argonaut’s latest offering are punchy, spiky, and with uncluttered arrangements and lo-fi production values, are perfect examples of punk/new wave crossover, delivered with the zeal of riot grrrl and grunge. And it’s great fun.

The band indulge their pop tendencies with a gloriously joyful rendition of Strawberry Switchblade’s ‘Since Yesterday’ (they do quite a line in covers, as it happens). It’s faithful to the original, but where the original was a shade twee, their take is free, vaguely ramshackle, and has a superbly messy guitar sound fizzing away.

With guitarist Nathan sharing the vocal duties on ‘March!’ – which is built around a simple, cyclical chord sequence played jangly and off-kilter – they come on like Brix-era Fall, and it’s the exuberance that crackles from ‘Girl Talk’ that pretty much serves to define the spirit of the EP.

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