Posts Tagged ‘Manchester’

GIZEHFEST 2019 will have two very special editions, taking place in Eeklo, Belgium and Manchester, UK.

The inaugural Gizehfest launched in February 2018 as a special event in celebration of the labels diverse roster, bringing together a selection of artists involved with the label over the years. We are delighted to be able to push forward with this idea and take it to a new country and a wider audience. Gizeh is now well known for not being attracted to any one genre of music and we are proud to be able to bring together an assorted collection of the current roster for what promises to be a stunning evening of boundary-pushing sonic pleasure featuring one-off collaborations and exclusive performances.

ABOUT THE ARTISTS IN MANCHESTER

A-SUN AMISSA
A-Sun Amissa is a music collective founded and led by Richard Knox (The Eternal Return Arkestra, The Rustle of the Stars, Shield Patterns, Glissando) that has featured an array of members and collaborators since it’s formation in 2011. Their sound touches on elements of post-rock, doom, dark-jazz and drone. Recorded output has been released on Richard’s own Gizeh label as well as Belgium’s Consouling Sounds. A new album Ceremony in the Stillness was released in September – the projects most focused and structured output yet.
Dense and heavy atmospheres provide the backdrop to the sound. Layers of mournful, melancholic and ethereal melodies weave amongst the thundering beats and intense, heaving guitars.
The band has toured Europe several times and performed with the likes of Amenra, Nadja, Helen Money, Jozef Van Wissem, Jucifer and Telepathy.
Members and collaborators in the project include; Richard Knox (The Eternal Return Arkestra, Shield Patterns, The Rustle of the Stars, Glissando), Angela Chan (Tomorrow We Sail, Lanterns On The Lake, The Rustle of the Stars), Owen Pegg (Hundred Year Old Man), Claire Brentnall (Shield Patterns), David McLean (Gnod, Tombed Vision Records), Aidan Baker (Nadja), Colin H. van Eeckhout (Amenra), Gareth Davis (Merzbow, Oiseaux-Tempete), Frédéric D. Oberland (Oiseaux-Tempete, The Rustle of the Stars, FareWell Poetry, FOUDRE!), Aaron Martin, Christine Ott and Jo Quail. www.slowsecret.com


HUNDRED YEAR OLD MAN
A ferocious and immersive listening experience, delivering an epic, monolithic voyage through masses of atmosphere. Full of texture, depth, aggression and emotion, HYOM deliver a sound that is unique, crushing and mind-altering. Having gradually crept into the collective consciousness of the European post-metal scene, this Leeds-based collective is on an ascent that has gained an almost unstoppable momentum. Debut album Breaching was released in April and relentless touring in 2018 ensued including festival appearances at Bloodstock and Damnation.
https://hundredyearoldman.bandcamp.com

A.R.C. SOUNDTRACKS
A.R.C. Soundtracks is an audio/visual duo based in Manchester, UK. Marrying bleak drones, doomy beats and FX-heavy spoken-word to ritualistic visuals, they are an unsettling encounter. They have released via LCR and Sacred Tapes and a new album recorded at Islington Mill (home to GNOD etc) in Salford is out now via Gizeh Records‘ Dark Peak series (also home to Christine Ott, Aidan Baker & Claire Brentnall and A-Sun Amissa). Their current live show was premiered at London’s Cafe Oto in 2016 and works as a soundtrack to prepared visuals.
www.arcsoundtracks.bandcamp.com

AGING
Aging are a gloom heavy jazz band whose music unfurls as slowly as cigarette smoke. Directly inspired by Film Noir, Hardboiled Detective Fiction and the weepiest of Torch Songs, their sole purpose for making music is to make you cry into your drink and look stylish whilst doing it.
https://tombedvisionsrecords.bandcamp.com/album/suitable-for-night

Tickets are on sale, available here.

Gizehfest-2019-Web-Manchester

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Gizeh Records – GZH67 – 1st April 2016

Christopher Nosnibor

Last Harbour aren’t exactly renowned for their prolific output. They may have released six albums, but it’s taken the best part of 17 years, and the gap between the last two albums was a full four years. So, for Paler Cities to follow less than a year after their last long player, the immense Caul, feels like a real step-up in terms of momentum. The 7” single is accompanied by a brace of digital-only tracks, and the quality of the material is both consistent and superlative.

They’ve struck a rich seam of gloomy post-punk folk music, and ‘Paler Cities’ indicates a further evolution, showcasing a new-found stripped back approach to the compositions. A tense, chorus-heavy guitar provides a suitably stark backdrop to K Craig’s intonations of mournful longing delivered in his signature cavernous baritone.

Flipside ‘The Curved Road’ is a brooding, introspective effort which goes deep inside while evoking dark late-night imagery and conjuring psychological drama. The stealthy, almost subterranean, wandering bassline really makes it.

The digital tracks are of an equal calibre: ‘A Better Man’ is beautifully lugubrious and understated, dripping with minor-key violin, and with its chiming guitars and sad-sounding string arrangements, the darkly dreamy ‘Witness’, with its sweeping vistas, displays post-rock tendencies (or, more specifically, it echoes I Like Trains at their most melancholy).

There’s an overarching theatricality to the four tracks on offer here, and while they’re downtempo and downbeat, the aching beauty that lies in their shadowy depths is utterly compelling.

 

Last Harbour - Paler

https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/244857832&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true

Last Harbour Online