Archive for the ‘Singles and EPs’ Category

Recently unveiled Norwegian Heavy Metal juggernaut-in-the-making AVRAK was founded in November 2023 by guitarists Anders Hegna (Nød, El Kayenne, Svidd Grevling) and Ted Skjellum; notable for being half of legendary duo, Darkthrone. The pair had known each other for many years, and with a mutual passion for old, classic rock and metal they finally embarked upon this new journey together under the banner of AVRAK.

It quickly became evident that both were on the same page, with AVRAK’s first compositions taking shape within just 5 days. Ted had declared from the beginning that he would not carry out main vocal duties in the band, and so it was Anders – with his own vocal grit a comfortable match anyway – who assumed the role. Several weeks later, Terje Kråbøl (Gjendød, Sarke, Faustcoven) was brought in on the drums and, from there-on, with his percussive presence backing up some thunderous riffing, the creative work accelerated, culminating in the self-titled, hook-laden and doom-laced rock debut, ‘AVRAK’.

Ahead of the album, they’ve delivered the single ‘Unborn’: watch the lyric video here:

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Suitably and epically defined as a monumental “Heavy Metal voyage from the peak of the mountains to the depths of the seas”, and delivering themes relating to empowerment in the face of increasingly corrupt times, ‘AVRAK’ is a combination of a vast multitude of influences, as the eclectic, deceptively nuanced nine track offering features a classic heavy metal and doom rock backbone, with further experimentation including synth passages, and even some traces of black metal riffing in its DNA.

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Australian brutal death metal outfit Slaughtercult have unleashed the official video for their new single ‘Perverse Bestial Lactation,’ featuring guest vocals from Marvin Ruiz of brutal death metal legends Devourment.

The latest slab of sonic depravity is taken from the trio’s forthcoming sophomore album, Devoured By Perversion, due out September 24 via Vicious Instinct Records.

Watch the video HERE.

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Following the release of “Menstrual Marinade,” featuring Elfi Davis of Kraanium, the new track offers another disgusting taste of Slaughtercult at their most punishing: cavernous riffs, grotesque slams, relentless blast beats and absolutely zero mercy.

And this time, they brought a member of Devourment along for the carnage.

Since erupting from Sydney’s underground in 2022, Slaughtercult have rapidly become one of Australia’s fiercest extreme metal exports. Built on cavernous riffs, relentless blast beats, grotesque slams, and an uncompromisingly violent approach, the trio have earned a reputation through sheer sonic brutality, both on record and on stage.

Their independently released debut, Meat Head, introduced the band to the international underground, surpassing 75,000 Spotify streams while gaining further momentum through YouTube and Slam Worldwide. Along the way, Slaughtercult have shared stages with Nile, Undeath, Gutalax, Rivers of Nihil, and Cytotoxin, establishing themselves as a must-see live act.
Now, Devoured By Perversion raises the stakes even further. More focused, more punishing, and more vicious than its predecessor, the album fuses brutal death metal, grind, and hardcore into an unrelenting barrage of crushing riffs, pulverizing grooves, and grotesque aggression that feels unmistakably Australian.

The album arrives as Slaughtercult prepare for their biggest touring year yet. Following Australian dates supporting Psycroptic and Rivers of Nihil, the band will embark on their first international tour, taking their brand of sonic devastation through Japan, Taiwan, and Europe, including dates with Gutalax and Brutal Sphincter, plus appearances at Necrosonic Festival and Gutafest.

With Devoured By Perversion, an expanding international following, and an increasingly relentless touring schedule, Slaughtercult are proving that Australia’s brutal death metal scene is thriving, and they’re leading its blood-soaked charge.

San Francisco-based goth/industrial/post-punk/darkwave unit Bestial Mouths is proud to release the video for ‘HISS,’ taken from the band’s upcoming album DEAD LINES (Lineas Muertes), set to be released on September 4th via Negative Gain Productions.

The mastermind Lynette Cerezo has stated about the track:

“When hatred becomes dispersed through a culture until it’s difficult to distinguish personal anguish from the machinery producing it, identity becomes performative, divided into subsets and factions. “Progress is fragile,” and it can also be poisonous. This poison is cyclical: with the seeds we plant, we reap another generation of toxicity.”

DEADLINES (Lineas Muertes) is the first full length album from Bestial Mouths since 2023 saw the release of R.O.T.T. (inmyskin) through Negative Gain Productions. Featuring eight emotionally heavy and politically driven high-energy anthems, DEAD LINES represents a communal march away from the servitude of those who seek to exploit and abuse our fears.

Written together by Lynette Cerezo with Brant Showers (∆AIMON/ SØLVE) and featuring the elegant mixing skills of Zola Jesus collaborator Alex DeGroot, this is the band at its most polished and accessible; while still presenting a raw and untethered rejection of nihilism and the weaponized apathy calculated by systems designed to erase us.

For everyone who understands the desperate frustration that leads to burning everything down around you, this one’s for you. DEAD LINES secures Bestial Mouths’ reputation for powerful and empowering releases with its heavy and cathartic rhythms, tense and emotional vocals, and earnest message of resistance – “We don’t have to live like this.”

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It’s pretty self-evident that Ministry has never been a big fan of ‘Hair Mussolini’, especially now as he bombards the American people on a near daily basis with self-aggrandising AI slop. Al Jourgensen and co. therefore felt it necessary to give ‘Trumplethinskin’ a dose of his own medicine with a new single out today entitled ‘We Hate’. A video for it directed by Joshua Bradford can be seen here:

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‘We Hate’ is the second track to be lifted from a final Ministry album, Hate To Go (Take Out Or Delivery), out 30th October on Cleopatra Records. It follows ‘Burned Out’ video, which was issued in July. The album puts an end cap on an incredible 45-year career that has shaped a whole genre of music.

Ever since 1981, Ministry and Jourgensen have been recognised as pioneers of industrial music across 17 studio albums, 8 live releases, 8 side projects, multiple touring campaigns across 5 continents, an autobiography, 2 documentaries, the administration of last rites no less than 3 times, and, of course, by the band’s countless devoted acolytes and fans.

However, before bidding adieu, creator and music madman Jourgensen has a few things to say on this album about the state of the world, those in charge and how we should all collectively move forward.

It also features one notable final collaboration with legacy member Paul Barker on its very last track, ‘We’re Still Here’, alongside the handiwork of Jourgensen’s current bandmates: guitarists Monte Pittman and Cesar Soto, bassist Paul D’Amour, synth player John Bechdel and drummer Pepe Clarke Magaña.

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Dark-electro band, SINA MATIX has announced the release of their new single ‘Killing The Curse’.

‘Killing The Curse’ is about those life-changing moments when an event occurs and uproots a person and puts them into a state of the unknown. Bad luck, divorce, backstabbing, instability along with a fear of commitment – this goes on for years, until a person finally gets the strength to push the “reboot” button on their life. The reboot is ‘Killing The Curse’.
SINA MATIX expresses this person’s feelings through certain sounds, landscapes and dramatics. For this single, SINA MATIX sought to convey the song’s message through a sonically-angrier tone but with an upbeat EBM sound to reflect the message of resilience and of moving forward.

SINA MATIX addresses dark themes with a cinematic sound infused with samples for context.  As a result, a new sub-genre is born; one that can only be described as “dark dramatic electro”.

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Chicago-based alternative music legend Chris Connelly is back with the sensational single ‘House of 70’s’, the invigorating first offering from his new album Doo Wop In The Dark: A Portrait of Lou Reed, out in October via Shipwrecked Industries with distribution by Virtual Label.

Produced by Connelly and his Sons of the Silent Age bandmate Alan Berliant, the adrenaline-fuelled video was produced by Someoddpilot Studios and directed by Chris Eichenseer, originator of the Chicago-based creative force Some Odd Pilot, and features artists Kira Leadholm (Madame Reaper) and Jay Drenkula.

Doo Wop In The Dark echoes Connelly’s critically acclaimed 2022 album Eulogy to Christa: A Tribute to the Music & Mystique of Nico, a colossal 20-track collection exploring one of the most unique, tragic and misunderstood female artists in the history of modern music.

This new record presents a unique mix, including Lou Reed’s own compositions, spanning his career from the Velvet Underground onwards, and songs penned by Connelly, detailing the creative and often turbulent path of Reed’s life from his teenage years through to his death in 2013.

Chris Connelly explains, “’House of 70s’ is Lou Reed’s New York of the early- to mid-70s distilled into a rock song. The 1960s hippy dream burned out, Altamont in the rear-view mirror — while the queens, the uppers, the downers, and the streets are brought to life by Lou’s pen and guitar, a remorseless sarcasm cutting down the competition with a switchblade, Taxi Driver in drag, chain-smoking and blasting the radio at 3 am."

While Connelly and Berliant produced most of the album, four tracks (‘Babyface’, ‘Bye Bye Johnny Viola’, ‘Doin’ The Things That We Want To’, ‘One Too Many Mysteries’’) were produced by Chris Bruce (Meshell Ndegeocello, Seal, Aaron Neville, Bob Dylan, The Waterboys, Sheryl Crow).

Mixed by Berliant and Bruce in Chicago and New York from 2023 to 2026, and mastered by James Scott at Populist Recording & Mastering, this album is dedicated to Chris’ dear friend Zak Boerger (1973 -2025) and also the wildfire, tempestuous spirit of Lewis Allan Reed.

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Connelly’s latest release was for Fini Tribe in 2025 for their colossal 3-disc anthology The Sheer Action of Fini Tribe: 1982-1987. That same year, Connelly also released The Lives and Loves of the Serial Homesick, Vol. 1, a personal album rooted firmly in his hometown of Edinburgh, his second recent album dedicated to his beloved Scotland. Prior to that he also released The Birthday Poems, which features Monica Queen (Belle and Sebastian, Thrum).

As of August 18th, ‘House of 70s’ is available everywhere digitally, including Apple Music, Spotify, Amazon and Bandcamp. On October 16th, Doo Wap In The Dark will be released digitally and as a limited edition two-CD set, with a selection of tracks also being made available on vinyl.

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LEPER COLONY reveal the haunting horror lyric video ‘Seelenjäger’ (‘Soulhunter’) as the second advance track taken from the deadly international trio’s new full-length Back to Primal Sludge. The third album of these death metal fanatics has been scheduled for release on October 9, 2026.

Leper Colony comment on ‘Seelenjäger’: “The filth lives in the lower tempos”, shred-master Rogga Johansson writes. “The epic, dirty, and massively catchy ‘Seelenjäger’ takes you on your final journey, with crushing grooves envenomed by a vocal performance that leaves its mark.”

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Leper Colony hold firm and relentlessly soldier on in their unholy quest to create the perfect equilibrium between the Floridian and Stockholm styles of old school death metal on their third full-length Back to Primal Sludge.

This defines Back to Primal Sludge in many ways as a direct continuation of their sophomore album Those of the Morbid (2025). Yet, there are twists and tweaks in the details. While the previous release offered a handful of references to deadly German influences, these have been further reduced just as the second album had dropped the classic thrash elements from the self-titled Leper Colony debut (2023).

Leper Colony  came into being as a physical expression of the long-year friendship between German vocalist Marc Grewe and Swedish guitarist Rogga Johansson. Both decided in 2020 that their mutual love for old school death metal should come together in the shape of an album.

Marc Grewe firmly established his name as the former frontman of MORGOTH, and later with INSIDIOUS DISEASE as well as ASINHELL. Guitarist and bass player Rogga Johansson has left a massive trace in Swedish death metal as a member of many successful acts including PAGANIZER, RIBSPREADER, and REVOLTING.

The core duo at first enlisted the aid of CONSUMPTION drummer Jon Skäre and lead-guitarist Kjetil Lyngahug (PAGANIZER) to record Leper Colony. Later, they were permanently joined by British drummer Jon Rudin, who is known best from MONSTROUS and DEAD SUN, among several other death metal bands.

With Back to Primal Sludge, Leper Colony deliver another work of old school death metal love that every fanatic of this brutal genre and follower of this band has been hoping for!

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CRUCIVORE unveil the crushing music video ‘Depths of Despair’. This brand new track is the first advance single taken from their forthcoming debut full-length Desecration. The Portuguese’s first album has been scheduled for release on November 13, 2026.

Crucivore comment: “The track ‘Depths of Despair’ carries a distinctive sense of eerie darkness”, vocalist Ricardo Proença explains on behalf of the band. “This unsettling atmosphere is created by a melodic foundation that is contrasted with powerful grooves and precisely placed slams, which add crushing weight to the track. Lyrically, this song explores the feeling of being trapped within your own despair, with no apparent way out. Heavy, dark, and captivating, ‘Depths of Despair’ combines a cinematic feeling with brutality to a powerful and immersive experience.”

Check the video and prepare to be devastated here:

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For decades & centuries, musicians have used their art to plant a flag in the ground & stand against the tide – from Lead Belly to Pussy Riot … from the broadside ballads of eighteenth century England to Beethoven’s call for equality ‘Ode To Joy’. There will always be a need for people making visceral musical statements questioning the status quo.

Enter Nrvs’ latest offering ‘The Tanks Are Coming Out’. While we’re all busy putting out fires in our everyday lives, governments & leaders around the world are accumulating tanks, bombs & drones. “You think they are just gonna leave them parked up on a backlot somewhere forever?”

The rise of authoritarianism, censorship, community collapse & impending apocalypse are upon us. Nrvs expand on the idea saying “So yeah ‘The Tanks Are Coming Out’ is about Ukraine, Gaza & the rest of the shit-shows. But zoom right in and it’s also about the war that can break out when two people’s hearts get broken”.

Written while Nrvs spent time in jail for peaceful protest, ‘The Tanks Are Coming Out’ is sonically inspired by the music of Brian Eno, John Cale & in particular Faust’s ‘Rainy Day Sunshine Girl’, while production duties fall to band member Matt Allchin whose production credits include Florence + The Machine, Joy Crooks & Mark Ronson. As for the artwork, photomontage artists & Professor of Political Art Peter Kennard, empathising with Nrvs’s mission, has offered them use of his iconic artwork, giving added context to the band’s agenda. There’s a long-form video too, directed by Emmy Chitty & featuring Josef Altin (Pypar in Game of Thrones). Shot in the “bleeding heart of suburbia”, the video perfectly captures their concept of the “everyday horror of the end ”.

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When asked what makes them different, Nrvs says “Many artists like to project an image of rebellion / bad boys / bad girls / fight the power / I’m some kind of cool like pirate or whatever the fuck. Nrvs actually ARE all those things and live that life. I mean several current UK laws were written specifically to try to block Nrvs from doing things (they failed!)”

So where has Nrvs been these last few years? “Nrvs were building pink boats and breaking into places and supergluing ourselves to things. Nrvs were saying No to the bastards and meaning it. Nrvs were in jail, sisters and brothers. Where the hell were you?”

Reflecting on their previous work including the apocalyptic sci-fi tinged psych-rock EP I Like You, Nrvs are shaping “a nightmare-normal vision of the near future, that you can dance to”. Ideologically they are confrontational, unapologetic, existentially on the edge & uncompromising in their beliefs – all of which is reflected in their creative output, whether it’s music, visuals or their involvement in Extinction Rebellion & similar protests against the status quo.

Many artists have been shrouded in mystery: the music & the visuals should strike you first, whether you’re ready for them or not. Looking to the future Nrvs aim to spell out the writing that’s already on the wall – the story continues…

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XASTHUR reveal the next advance single, ‘Nothing in the Dark’, taken from their forthcoming new album Open to Misinterpretation. This self-recorded exploration of Dark American Folk is scheduled for release on October 2, 2026.

Xasthur comment: “The song ‘Nothing In The Dark’ deals with the emptiness that people meet whenever they go looking for answers in darkness and suffering”, mastermind Scott Conner explains. “In the lyrics, I am asking what is really waiting in the darkness and whether misery can ever truly become the company that people imagine it to be.”

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