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InsideOutMusic is proud to announce the signing of Italian instrumental, prog-metal fusionists Asymmetric Universe to a new worldwide deal. The band, formed by brothers Federico Vese & Nicolò Vese, are also pleased to launch a brand new track titled ‘Don’t Go Too Early’, and you can watch the video for that here:

The band comment:

We are so excited to join such a big family as InsideOutMusic! Being part of a team with legendary artists and bands that we’ve been listening to since we started studying music, is a dream come true!

Our new single, “Don’t Go Too Early”, is a mixture of fusion-jazz, aggressive progressive metal, wind quartet arrangements and an avant-garde string quartet orchestration, that brings a unique colour to complex yet catchy music. We can’t wait to share with you all the music we are already working on!”

Freddy Palmer, InsideOutMusic, adds: “Asymmetric Universe are a perfect example of the kind of exciting, instrumental guitar music making waves right now, and we couldn’t be more thrilled to add them to the label’s roster, and be a part of their bright future.”

The band are currently confirmed to support Plini & Haken in Milan, Italy on the 5th July, as well as playing Arctangent Festival in the UK on the 16th August alongside Meshuggah, Animals As Leaders & many more.

Formed in 2018, with the goal of pushing the limit of modern prog and fusing disparate genres, they combine metal with jazz & ambient music, alongside chamber orchestration. In 2023, the band released their second EP ‘The Sun Would Disappear As I Imagined All The Stars’, which was mixed by Forrester Savell and mastered by Ermin Hamidovic. They also embarked on their first European tour as support to Australian progressive metallers Ne Obliviscaris, as well as opening for Caligula’s Horse in Italy.

Both brothers are mostly self-taught musicians, who have been heavily involved in composition and orchestration, as well as music production.

Federico has composed music for as wide ranging places as Radio Montecarlo (one of the biggest Italian radio stations), as well as one of the largest Italian amusement park Mirabilandia. He is a metal/rock producer and this background influences his work as a composer in the video game industry. He is also a professional music and guitar teacher with online students from different parts of the world.

Nicolò has composed pieces for various orchestral organisations (two pieces were performed in the latest symphonic season of Orchestra Sinfonica of Sanremo and one performed at Rome Jazz Festival in 2021 with a big band), worked as a composer in many Musicals and he is currently working in the video game soundtrack industry (also as a sound designer), ranging from indie games to bigger productions. He also professionally teaches composition, orchestration and adaptive music techniques for video games.

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Adios MF is a musical collective spearheaded by Nathan Keeble carving fresh dark wave and electronica sound the underground of Sheffield. Their latest single, ‘They,’ was recorded between Brooklyn and Brixton, serves as a sonic manifesto of what’s to come. Their music defies categorisation, blending elements of post-punk, electronica, and avant-garde into a sonic tapestry that’s uniquely their own.

With sleek production by Nathan Saoudi and Richard Wilson yet coursing with enough detail and character to set it apart, with this impish 80s beat, sinewy guitars, metallic dapping keyboards, and sample loops, it forges a uniquely futuristic sound that’s at once both familiar and yet mirrors the churn of the cityscape.

With a sound that hints at the influence of acts like Human League, Depeche Mode, Kraftwerk and Molly Nilsson, the vocals are addictive and almost mechanical, driven with hooky melodic ticks that sink their nails into and won’t let go, and yet the lyrics reside with a disquiet at the creeping gentrification of urban redevelopment “They built a Starbucks on my street” and reference to shadowy figures who might take you away. It hints at a dark underbelly and Sci-fi dystopia where your every action is being watched.

ADIOS MF say “’They’ is a Kitsch byproduct of existence amid the constant churn of urban development and the persistent buzz of drilling. It was written as a tonic to the realisation that resistance is futile; you must simply acquiesce to the world of urbanism and let it carry you along on its unpredictable journey, set to a naughty 80s beat.”

We dig it here at Aural Aggro, and you can get your lugs round it here…

HIGH DESERT QUEEN celebrate the release of their sophomore full-length Palm Reader with a new video single of the title track. The Texas desert rockers are also streaming their hot new album in full now on all relevant outlets.

“We couldn’t be happier with how this album came together,” vocalist Ryan Garney writes. “Going to YellowDog, and deciding to record the whole thing live without a click track while creating new songs after getting off the road allowed this to be an album that’s helping mold what High Desert Queen is becoming. The title track came together in the studio when Phil started playing the drum beat as a joke. We were all laughing until Rusty ripped into the intro guitar riff, and within an hour we had the music completely written. What you hear on Palm Reader is what we created in real time, and it’s not like anything we’ve written before. We knew right away it needed to make it on the album, and it really showcases the spontaneous creativity behind the entire record.”

Watch the workout video for ‘Palm Reader’ here:

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First they were Omnibael, then they were Omnibadger, and now Omnibdgr… but under whatever moniker they operate under, they make interesting noise. And for that reason, we’re proud to present ‘The Last Remaining Punk Band’ by Omnibdgr from the forthcoming split release from Omnibdgr and Ye Woodbeast, which you can check out here:

Opening with an atmosphere that feels like a clammy version of the N64 Goldeneye music, Ye Woodbeast and Omnibdgr’s forthcoming split comes with a sense of dread that draws a common thread between the two sides of the 12". Heal Thyself is a murky, dub-inflected pulse that calls out to the dregs of society, and ‘At the Mercy of the Flea’ continues into further depths of nightmarish gloom with voices speaking out from shadowy corners. Track 3, the driving ‘Tony Lazarus’ is a character exploration that straddles psych-rock and desert blues. The textural complexity that Woodbeast fans love is still very much present, but some of the brighter, pop playfulness found on releases like ‘Music to Sink Ships to’ has drifted towards a darker, but tighter, pulse. This works fantastically in tandem with their lyrics which still continue along the band’s "usual obsessions: death, god and all the cunts we hate".

Side 2 is the domain of Omnibdgr. The duo ramps up the dread even more with 4 tracks of drones and gut-punch industrial noise rock. Feverous Earth opens their offering with 3 minutes of subtly textured drone that conjures images of abandoned container ships and space hulks. ‘Heavy Mist Pounded Our Eyes’ is a mechanical array of looping drum-machines, black metal vocals and samples about dopamine – sounding like huge, rusting wheels rotating and grinding. Finally, a discernible human voice (Jase Kester) emerges on ‘The Last Remaining Punk Band’ for a snotty, riff-led assault. The vocals move back into the machine for the final track, which is a relentless wall of drums and murky noise.

If you hadn’t guessed it yet, this is a dark, brooding release that showcases both bands at their bleakest. Within this, though, is a vast array of sonic approaches, smart songwriting and a clever juxtaposition of industrial and human unease. As the release slowly unfurls, the journey remains full of surprises at every turn. Don’t look behind you.

(Words by Nick Potter)

Out on 28th June 2024 via Dead Music Club as a lathe cut 12”.

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“Party doom” riff merchants GURT recently announced their return with their latest, crushing-ist opus yet, Satan Etc. Now they have shared new single ‘Appetite for Construction’, with the band commenting,

“It’s no secret that Gareth is a fan of a famous little building brick, and this song started life as an ode to his favourite hobby, what it ended up as was a twisted tale of an unknown evil, building its twisted world around an unsuspecting people, a legacy of pain!’”

Listen to ‘Appetite for Construction’ now:

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thumbnail_Gurt bw-3 credit Mithun Shah

Sweden-based industrial/dark ambient artist ULVTHARM has released his second opus “7 Uthras” on May 3rd via Cyclic Law. The album is available as digisleeve CD (limited to 300 copies), black vinyl (limited to 200 copies), and red & black marbled vinyl (100 copies).

An official video has been released for the song ‘Sinners Will Inherit The Earth’. The video displays a female character – interpreted by the actress Emelina Rosenstielke (Feed) – sitting in a colorless room and in the center of a target painted on the floor. The character, who embodies modern civilization, is apparently afraid of the risks she may incur. Ulvtharm’s arrival on the scene and the subsequent initiation of a ritual reveal the true identity of the character, as well as of our civilization – thirsty for blood and personal success. We are all sinners on this Earth.

Watch it here:

“7 Uthras” is the second release from MZ 412 co-founder Jouni Ollila. Ulvtharm is painting his world as a sprawling, post-apocalyptic industrial wasteland, where humanity clings to survival in the shadows of monolithic factories and decaying cities. Skies choked with ash, and a sun that seldom breaks through the omnipresent smog. Within this landscape, the Seven Uthras exist not as beings of benevolence, but as ancient, god-like entities that emanate from the darkest depths of the earth, commanding forces beyond human comprehension. 7Uthras serves as a sonic gateway to otherworldly realms, offering a glimpse into the abyss that challenges and expands the listener’s perception of the known universe.

The artist masterfully blends the essence of dark industrial soundscapes with layers of mystical ambiance, creating an immersive experience that is both deeply unsettling and profoundly enlightening. This new album is not just an exploration of sound but a journey into the soul of its creator, exploring the chaos and darkness within his imagination. ULVTHARM’s deeper vocal experimentations are weaving a narrative that is both personal and universal. The album’s blend of dark, martial, pulsating rhythms and ambient organic soundscapes invites us to confront the death and ruins of our world. As each track unfolds, we will be drawn deeper into a narrative of chaos and transformation, where the end of one world signifies the birth of another. “7 Uthras” is not just an album; it is a ritualistic journey that seeks to unlock the ancient doors of perception and embrace the darkness as a path to enlightenment. All hail the Serpents, all hail the Seven Uthras!

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Dawn Of Ashes is a Los Angeles-based group whose very name brings to mind ‘the beginning of the end’. Formed in 2001, DOA have broken ground across multiple genres, from aggrotech/terror EBM to industrial/extreme metal, producing a unique hybrid of dark electro and metal styles. This fusion of terrifying soundscapes with brutal, relentless rhythms forms the foundation for the lyrical themes of founder and frontman Kristof Bathory, which explore concepts of horror, anti-monotheistic religion, misanthropy and the negative aspects from emotional abuse.

DOA have recently issued a new album entitled Reopening The Scars that was preceded by the single ‘Anhedonia’, a video for which has just been made available. Bathory describes the song as “a glimpse into the dark abyss of the subconscious. We are explorers into the often unspoken, dark and cruel reality of mental anguish, torment and depression,” adding that “there are various circles of Hell when it comes to emotional suffering. Depression is a place that can cripple the mind in so many different ways. Anhedonia is the state of depression where nothing matters anymore, and you become paralysed by your own self punishment.”

Reopening The Scars is DOA’s first album for Metropolis Records since returning to their former label home in late 2023. “It is a continuation from our previous album, Scars Of The Broken,” Bathory has previously stated. “It goes down a darker hole into a place where each lyrical topic touches on the struggles of self-destructive behaviour. Pain and suffering dictated the writing process and created the sounds of emotional hell.”

As for the music that DOA is now creating, Bathory concludes that “after all these years dabbling in dark electronic music as well as industrial and extreme metal, we have found a unique style that complements each genre as one. DOA is neither one or the other in a separate category. The music and lyrical content speaks for itself under a form of darkness that fits for all people who enjoy various types of aggressive music. Reopening The Scars defines that in a perfect form.”

Watch the video here:

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With yet another 24th May release, Philadelphia-based Cathari has released their EP, It Will Hurt the Entire Time You Are Alive, their first studio offering since transitioning into noisecore from doom metal. The EP is available on cassettes and digital.

Vocalist Magdalena Stephens shares: “‘It Will Hurt The Entire Time You Are Alive’ is like a thesis statement for my own sadness and disappointment into adulthood. Every song is about disappointment in its own way, be it with the music scene, the people I used to call friends, or even myself. Growing older has been a bitter and unforgiving experience and I wanted to capture the rage that percolates beneath the surface of my life as I come to find it’s just all disappointment all the way down.”

Hear the EP in full here:

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Darkwave band, DICHRO has just unveiled their latest single & video, ‘Mercy’ from the forthcoming full-length album due out in August via Distortion Productions. The song carries a message that we should have mercy not just in our every day encounters, but free one another from judgement for choosing how to believe, if we believe, and what we believe. If we can start seeing one another with empathic eyes and hearts, perhaps we can rid our global atmosphere of so much fear and uncertainty. ‘Mercy’ is an outreach piece.

Says vocalist, Charmaine Freemonk: “We are reaching out to ask that everyone calm down a bit, take a breath, and be more conscientious of our actions. It is a heartfelt plea that we consider whether we are helping or harming one another, practice empathy, and if we cannot help, to at least not harm."

Check ‘Mercy’ here:

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WORSHIPPER drop a psychedelic lyric video featuring the super heavy track ‘Heroic Dose’ as the next single taken from the Boston psychedelic hard rockers’ forthcoming third album One Way Trip which is scheduled for release on July 19, 2024.

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WORSHIPPER comment on ‘Heroic Dose’: “This is the final song that we wrote for the record, and probably the most personal for me”, guitarist and singer John Brookhouse reveals. “I lost my dad in 2022, and one of the last conversations that we had was about his time in Vietnam. As I was writing the lyrics for this song, I realized that I had all of these remarkable stories, which he had told me about that period of time. Essentially, he flunked out of college, and in the midst of a ‘spirit journey’ he realized that he needed to enroll in the Army to avoid being drafted. I cannot even imagine being faced with such a grave decision. I made a bunch of war sounds with a Moog and a theremin that my dad gave me and handed them over to our producer, Alec Rodriguez. Alec just nailed the sound design, especially when mixed with all the acid fuzz freakout stuff at the end over Jarvis’ excellent drum fills.”

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