Archive for the ‘Recommended Streams and Videos’ Category

The Bobby Lees are thrilled to share their brand new full-length, Bellevue, available via Ipecac Recordings. The band have also shared the video for title track, which you can view below.

The Bobby Lees recently wrapped up a European tour that included the Woodstock, N.Y-based band’s first stint in the UK. The four-piece band have several shows coming over the next few months including a 9th October performance at Aftershock 2022.

The Bobby Lees tour dates:

October 9 Sacramento, CA Aftershock 2022

October 25 Brooklyn, NY Baby’s All Right

October 28 Woodstock, NY Colony

November 5 Tulsa, OK Cain’s Ballroom

The 13-song album, which was recorded live in-studio, was produced by Vance Powell (Jack White, Chris Stapleton, The Raconteurs).

Iggy Pop, Debbie Harry, Henry Rollins…these are just a few of the punk icons who have shown support for Woodstock, NY based band The Bobby Lees. Sam Quartin [vocals, guitar], Macky Bowman [drums], Nick Casa [guitar], and Kendall Wind [bass] — make music that is punk in spirit and soul; unfettered and resolutely honest. To say their sound is wild and untethered is an understatement. It’s the kind of aural exorcism any listener can tap into, something that struck a chord with Henry Rollins who brought them to Ipecac Recordings where Mike Patton and Greg Werckman signed them.

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Photo Credit: John Swab

The immense success of Psychonaut’s Pelagic debut album Unfold The God Man, which has been repressed 3 times throughout the pandemic and sold close to 3000 vinyl copies to date, has proven that Psychonaut are a force to be reckoned with.

The three gentlemen from Mechelen, Belgium now return with a ferocious and muchly anticipated concept album that proclaims the formation of a new world through the acceptance of a new human identity. “We’ve always been interested in religion, spirituality and philosophy,” explains vocalist/guitarist Stefan de Graef about the music of Psychonaut. “We’ve meditated together, had long discussions about the nature of life, and we share a common vision.”

Now, with the release of their sophomore album Violate Consensus Reality on 28th October (Pelagic Records), the Belgian three-piece take you on a visceral trip into our collective human consciousness. A journey marked by explosive riffs, soaring vocals and intricate yet catchy compositions.

An impressive album which cements PSYCHONAUT’s standing as aspirants to the throne of the contemporary European progressive / post metal community. On new single ‘All Your Gods Have Gone’ the band add,

"This track is one of the shortest and heaviest tracks we’ve ever written. We don’t usually allow ourselves to put too much anger into our songs because we try to focus on the positive, but this album made us realize that it can actually be a very healthy thing to give into your anger from time to time. There’s no use in ignoring it because that only makes it grow. The lyrics to this track were very cleansing and healing to write in that way.”

Watch the animated video now created by Eric Lempens:

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Violate Consensus Reality engages the senses in a way that is quite rare for concept albums, it is raw and brutal, unlike the lofty concept albums of yore with their endlessly repeating motifs and needlessly complex song structures. It stands in a long tradition of activism in music, but it also deconstructs this tradition by taking its loud and admonishing tone and providing it with a thoughtful base rooted in philosophy and spirituality.

With music deeply rooted in communal meditation sessions, psychedelic metal outfit Psychonaut are a unique entity in the Belgian metal scene and beyond. The mantric title track of their upcoming second album, which they have now shared, sees the trio once more aligned in body and mind as they appeal to the listener with a 9-minute atmospheric slow burner. Their stature is once more affirmed by Amenra’s Colin H. van Eeckhout, who ushers the track to an unforgettable climax.

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What does worldwide quarantine do to our favourite porcine libertine? Raymond Watts holed up in his sty and created The Merciless Light, the new album by PIG. Ably aided and abetted by long time accomplices En Esch and Steve White, Watts also welcomes a new swine to the trough as Jim Davies(Pitchshifter/The Prodigy) adds another new level of impeccable (in)credibility and talent.

The Merciless Light seethes, swings, seduces and snarls. Extraordinary electronics and a glut of glitz, glam, guitars and grooves create a masterful mélange of mirth from our very own venerable Vicar of Vice.

Today, PIG shine the spotlight on the seven deadly’s with Ed Finkler’s stunning new video for the album song ‘Speak Of Sin’. For when too much isn’t enough, this visual treat will burn your eyeballs and beat your ears as the latest of the bounteous delights to be lifted from The Merciless Light.

Watch the video here:    

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PIG photography by E Gabriel Edvy

Electro-industrial band KRATE is back and once again teams up with a number of incredible talents on their fourth endeavor, It’s The Hope That Kills You.

The general theme of this release is hopelessness. No matter how hard you try, in the end nothing else matters as all matter is destined to die. Your prayers will be lost while you watch the horizon sink. There is no one to blame but us. We reach for the needle and ask ourselves one last time, "Where do we go from here?" Absolutely nowhere.

Songs like the hard-hitting title track featuring Anatoly Grinberg (Dead Voices On Air) & drummer Dan Milligan (The Joy Thieves). Other tracks feature members of Bow Ever Down, Slighter, Liquid Black Goo and Numbered Men.

Five tracks of electro – industrial spanning the full  spectrum of what this subgenre encompasses; from nightmarish beat-driven to heavy orchestral/industrial. The Hope That Kills You is available now on all digital platforms including Bandcamp. Listen to it in full here:

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KRATE was born in late 2017 when Chris Shortt (VERIN) and Roland Zwaga (Acidrodent, Construct) began discussing a collaboration.

The initial concept was to compose a dark ambient project between the two. After the first stems were exchanged, however, they both quickly agreed that a rhythmic element would be required to augment the sounds thus far created, leading to the abandonment of the original ambient goal.

Dark electro/industrial beats were submerged in deep cavernous, rumbling structures that were later complemented by an ever growing roster of collaborators.

As the songs originate from the input of such a varied group of artists, the music virtually spreads itself across the entire spectrum of electronic music, all the while managing to craft a cohesive and singularly focused sound.

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Italian post-punk band Leatherette have just released ‘Fiesta’, the title track from their debut album out on 14th October via Bronson Recordings.

One of the darkest, smokiest tunes of the record, ‘Fiesta’ is a minimalist, abstract love tune about absence and distance. The band explain: "We wrote the theme thinking of jazz standards, while the title and the atmosphere were inspired by Hemingway’s homonymous book. And there’s brushes and 7th chords and a sax solo in the end".

Listen to ‘Fiesta’ here:

The latest single from the album, Fiesta follows previously released tracks ‘So Long’, an extravagant and catchy slice of modern post-punk, full of rugged noise and crushing melodies and ‘Sunbathing’, an irresistible punk-shoegaze anthem.

Leatherette are, by their own description, “five shy guys who sometimes get off the stage and punch people,” a quintet whose car-crash of jagged noise, twisted love and dark, anguished melody has delivered a remarkable – and eminently combustible – debut album. 

The group are based in Bologna, but all hail from different towns in Italy. These five young men – singer/guitarist Michele, bassist Marco, drummer Francesco, guitarist Andrea and saxophonist Jacopo – are united by a profound need to make music, to express themselves naturally and honestly.

The group bonded over wildly differing influences – everything from midwestern emo gods American Football, to Berlin-era Bowie, to James Chance & The Contortions, to rap and electronic music – to create a dense, passionate, articulate sound of their own.

You can file them near fiery post-punk kindreds like Shame and Squid, or unhinged 90s noisers like Unwound or Hoover, or squalling No Wavers like James Chance, but the truth is there are few bands like Leatherette that walk this Earth.

Their first full-length, Fiesta follows an EP, Mixed Waste, recorded during lockdown. The songs on Fiesta precede the Covid era, though the group spent the pandemic rewriting and overhauling their maiden batch of songs at leisure. 

The result is an astonishing and remarkable debut: poetic, caterwauling, broken and beautiful. The album title is “a reference to the bullfights in Pamplona,” the group say. It’s no empty metaphor. “Bullfight is a strange ritual,” they elaborate. “And we’re against bullfights, but they’re fascinating in an iconographic way. And also metaphorically, violence flows on both sides, but in a feastful way. It’s similar to a concert, really – you’re expressing violent things, in a physical way. And people react to that, which is wonderful, which is fantastic.”

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Seattle’s Calm Collapse Release ‘Sounds God’ the next single off the forthcoming album Mirrored Nature –out November 25

Featuring a roster of indie rock nobility – Doug Lorig (Roadside Monument), Rob Smith (Traindodge, Museum of Light), Jon Pease (Medicine Bows), the album was recorded With Matt Bayles (Botch, Mastodon, Minus The Bear).

Watch the video here:

After meeting at a show in Seattle, Lorig and Smith began to build the framework for what would ultimately become the band’s debut record, Mirrored Nature. "From the early days we documented and cataloged almost every riff, song idea, arrangement, tweak, etc., iterating through so many changes to create a finalized version of these songs," says Pease, who solidified the band’s lineup shortly after its inception. "Everything that is heard on this record is extremely intentional. Not to say that we didn’t experiment or have happy accidents in the recording process. But we combed through and dissected all of our parts to craft something with intention." The sonic result is driving, angsty, and propulsive, but still open and spacious. The grind of Melvins, the melodic discernment of Chavez, and the ethereal tendencies of Grails and Black Mountain.

With so much experience and groundwork laid with previous projects, a guiding force for Calm Collapse was continuing to chart familiar waters, but in a new and fresh direction. "For me, the last couple of bands that I’ve been in have generally been more heavy than other previous projects I’ve done. But with this project, I didn’t want it to be one-dimensional," says Lorig. "It’s generally the kind of music that I’ve been writing for years. Songwriting has always been a tedious process for me. I generally write in bunches but with long lapses in between, so some of these songs or parts have been kicking around for several years — I just needed the right couple of guys to be able to finally flesh these ideas out." Smith adds, "[Doug’s] ideas are by and large more rhythmically and harmonically complex than my other bands, so sometimes he needs to just play them for a while before I can find a way in. It can be weeks of messing with an idea before it takes the shape of a song." The result of this project is a propulsive and heavy listening experience, punctuated by memorable melodies and cinematic and ambient arrangements. "Even though a lot of our album is on the heavier side, we did not want to trap ourselves in," says Lorig. "The album goes in several directions — we did not want to follow the common things that heavy bands seem to do. We all had a common goal to write songs that had movement and took us places."

In order to bring Mirrored Nature to life, the band brought in acclaimed producer Matt Bayles (Mastodon, Foxing, Isis) to help execute the vision. "We knew for our music to come across convincingly that the record had to be produced at a higher level. This is why we went with Matt Bayles. I have worked with Matt on a previous couple other projects over the years, so I knew what we were going to be getting. I can say that it definitely was not the easiest thing I’ve ever done — quite the contrast, it was probably the hardest record that I’ve done, but the end product is everything that I had hoped it would be. It sounds huge and expansive," says Lorig. "Matt definitely challenged us to a high standard during the production phase, but it paid off in a huge way," says Pease. "I think because we were so invested and prepared to craft this record, Matt stepped up to meet us there. He really put in a lot of care and detail in the recording, mixing, and production phases that makes this record sound as great as it does."

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The latest single by Swedish post-punk/darkwave act A Projection sees the Stockholm-based quartet maintain their recent move towards a more electronic sound with a new single entitled ‘Anywhere’ that has a distinct mid-80s electro-pop vibe. Out on 30th September, a video for the song has been made available a day ahead of its release.

The group’s upcoming fourth album, In A Different Light, has already had the songs ‘Darwin’s Eden’, ‘No Control’, ‘Careless’ and now ‘Anywhere’ lifted from it as singles. Encompassing both ‘80s post-punk and electronic elements, it will be their second full-length record released on Metropolis Records and follows 2019’s ‘Section’. Further details will follow shortly.

Initially inspired by the dark post-punk/proto-goth of The Cure, Sisters Of Mercy and Joy Division along with the electronica of Depeche Mode, the band are also known for their compelling and dynamic live shows.

The video for ‘Anywhere’ has been made by Ukrainian filmmaker and artist Shorkina Valeri, who also shot the recent promo clip for ‘Careless’.

Watch the video for ‘Anywhere’ here:

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Dead Cross unveil a third and final single, and video, from the band’s eagerly-awaited album, II (28th Oct, Ipecac Recordings) with today’s release of ‘Christian Missile Crisis’.

Justin Pearson explains the themes behind the song: ‘Christian Missile Crisis’ takes an obvious jab at organized religion, NRA-holes who clearly compensate for their lack of masculinity by fixating on gun ownership and gun ‘rights,’ and the fact that a large enough amount of Americans have the inability to negotiate peace and prefer oppressing others.”

Watch the video here:

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Accompanying the release of “Christian Missile Crisis,” is the launch of an online auction, in partnership with Fender, to benefit the American Foundation for Suicide Prevention (San Diego chapter) and The Satanic Temple’s Religious Reproductive Rights Campaign. The fundraiser, features two custom Fender Player Lead III guitars, one black, and one beige. Both guitars have been modified by The Black Moon Design with clear vehicle wrap grade vinyl decals featuring art from the band’s album. The band said, collectively: “In light of the recent loss of our ex-bandmate, comrade, brother, and all around amazing person Gabe Serbian, Ipecac Recordings and Three One G will donate all proceeds from the beige guitar to help suicide prevention awareness. All proceeds from the black guitar will go to help fight laws that do not promote the health and safety of individuals in relation to bodily autonomy.”

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Photo Credit: Becky DiGiglio

Swedish crust/death-metal unit Industrial Puke featuring members of Burst and Rentokiller have recently shared a music video for a new track off their debut EP  Where Life Crisis Starts, released on September 16th via Suicide Records. 
The video for "Industrial Puke" was filmed by Mathias Coulouri and features Dödsvarg as guest vocalist, check it out here:

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Linus Jägerskog from Burst and Jens Ekelin from Rentokiller started Industrial Puke out of their common love for Disrupt and Dismember, along with a pressing need to make music for imminent affect release.

After a long period of writing, finding band members and recording, the debut single ‘Mental Taxation’ was released in June of 2022. The single spawned a partnership with Suicide Records for the release of their debut EP Where Life Crisis Starts in September and a full-length album titled Born into the Twisting Rope is already set for release in late spring of 2023.

The EP is a direct bombardment of crust, death metal and hardcore minced down to four relentless songs about failing yourself and the men that fail the world.

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The Stockholm based quartet The Hanged Man was formed back in 2013 as the solo project of Rebecka Rolfart (Those Dancing Days, Vulkano, Second Oracle etc). She’s since been joined by Dennis Egberth (Saigon etc) on drums, Elias Jungqvist (side effects, Viagra Boys etc) on keys and Mattias Gustavsson (Dungen, AOP) on bass, with Rolfart handling vocals and guitar.

Now they’re back with their third full-length album Tear It All due out on November 4 via PNKSLM Recordings, after two full-lengths and a couple of EPs with Dubious Records and Kning Disk. The new album Tear It All was recorded in Studio Rymden in Stockholm and co-produced with Daniel Bengtsson (First Aid Kit, Viagra Boys, Sudakistan etc), and the band describes it as revolving around “transformation, about tearing everything down in order to be resurrected. It is about hoping to be freed, to change, while also being about sorrow”.

On Tear It All, The Hanged Man are joined by Oskar Carls (Viagra Boys, Saigon etc) on saxophone and flute, and the album was mixed by Daniel Ögren.

Tear It All is due out on November 4 via PNKSLM Recordings on vinyl, cd and digitally.

Listen to ‘Boundless and Infinite’ as a taster now:

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Live
Nov 4 – Stockholm, Sweden – Hus 7 (w/ Holy Now, Holm, Trader)
Nov 23 – Leipzig, Germany – Noch Besser Leben
Nov 25 – Viechtach, Germany – Altes Spital
Nov 26 – Schorndorf, Germany – Manufaktur
Nov 27 – Offenbach, Germany – Hafen 2
Nov 28 – Bamberg, Germany – Live Club
Nov 29 – Hamburg, Germany – Astra Stube
Nov 30 – Copenhagen, Denmark – Råhuset