Archive for the ‘Recommended Streams and Videos’ Category

Los Angeles-based Johnathan Mooney and Stockholm’s Christian Granquist otherwise known as the Trans-Atlantic post-punk project, Johnathan|Christian have released their latest EP, Strip Me.

The EP tells a story through a trilogy of songs, ‘Strip Me,’ ‘Sway Back’ and ‘This Too’.  The topics addressed in the trilogy include acknowledging the fear of rejection, love’s often finite nature, hitting bottom and trying to find ways out.

The EP also features remixes by Ministry’s John Bechdel, EBM legend Leæther Strip, and Steven Archer (Stone Burner/Ego Likeness), which provide unique interpretations of the duo’s sound.

The music video for ‘Strip Me’, produced by Purple Tree Creative’s Nick Van Dyk, takes a subliminal approach in terms of the cuts and imagery addressing the challenges of a relationship.

The animated video aims to explore the different emotions and experiences that come with the life cycle of a relationship in a unique and visually striking way. By using abstract imagery, the video aims to create a powerful and thought-provoking response that can help those going through challenges to understand better and process their feelings, even if it may be on a subconscious level. The video’s goal is to convey empathy and the chaos that comes with the experience of a relationship.

Watch it here:

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‘2072’ is the new single from Kety Fusco’s album The Harp, Chapter I, due for release on 3 March 2023. The composition of this track is based on a live granulation of Kety’s electric harp, combined with drone sounds created with a pulsating massager on the soundbox of the 47-string classical harp, and vocal reminiscences emitted by Kety with scratchy screams inside the harp soundboard, which decorate this post- classical sound.

On the single & accompanying video, Kety says, “On 13 January 2072 I will die: this video is a reminder of what it was. My melody will accompany me in my passing, reminding me that the world was beautiful before I arrived. I did not love the world I was living in and that is why he did not allow me to stay any longer. Forests precede civilizations, deserts follow them. It’s not my phrase, but I like it”.

All sounds on ‘2072’ are produced by an 80-kilo wooden harp, a carbon electric harp and live electronic manipulation. Kety Fusco and the harp met when she was six years old, and they have never left each other since. After years of studying and perfecting with the classical harp, Kety embarked on an exploration of non-traditional harp sounds, made from objects such as hairpins, scotch tape, wax, stones, hairpins, and so she says: "The harp was born in the 7th century, when the air was different, the tastes and experiences had nothing to do with today’s world and to this day I cannot think that there is no evolution: that is why I am designing a new harp instrument, it will still be the same, but contemporary and everyone will have the opportunity to approach it; in the meantime, welcome to THE HARP”.

Kety Fusco launches new album The Harp, Chapter I at London’s prestigious Royal Albert Hall on 3rd March 2023.

Watch ‘2072’ here:

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Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound.

As a forthcoming taste of the band’s new album Meanwhile, Klone have revealed the third and final piece of the puzzle in the form of ‘Apnea’, before the album’s release on February 10th 2023. The beguiling lyric video brings the beautiful words of Yann Ligner to life in an effortless fashion and brings you right into “the rapture of the deep.”

Watch the lyric video here:

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Regarding the new single the band had the following to say:

“Apnea tells the story of a journey into the rapture of the deep. The song is a suspended and poetic moment where characters melt into an entirely graceful and weightless concept. This sense of letting go completely was aided by the powerful yet subtle signature production of Chris Edrich.”

The band continue “As the song progresses in a dreamlike atmosphere we’re treated to nuances between the calm and the storm whilst shaping the musical landscape with a variety of contrasts. The song is an entirely immersive experience that we hope fans will find their own interpretation of weightlessness and we’re so happy with how it turned out.”

LONE will be heading out on tour in support of ‘Meanwhile’ with both headline shows and as main support to Devin Townsend throughout EU / UK see full dates below and get tickets HERE:

France headline tour

FEBRUARY

09 – FRANCE, LE MANS, L’ALAMBIK / SUPERFORMA

10 – FRANCE, BORDEAUX, LE ROCHER DE PALMER

11 – FRANCE, PARIS, LE TRABENDO

18 – FRANCE MULLHOUSE, LE NOUMATROUFF

24 – POITIERS, LE CONFORT MODERNE

Support for Devin Townsend

03 – THE NETHERLANDS, TILBURG, 013

04 – GERMANY, KÖLN, CARLSWERK VICTORIA

05 – FRANCE, LILLE, LE SPLENDID

07 – GERMANY, LEIPZIG, WERK 2

08 – GERMANY, FRANKFURT, BATSCHKAPP

10 – SWITZERLAND, ZURICH, X-TRA

11 – GERMANY, MUNICH, BACKSTAGE WERK

13 – AUSTRIA, DORNBIRN, CONRAD SOHM

14 – ITALY, MILAN, LIVE CLUB

16 – SPAIN, BARCELONA, RAZZMATAZZ

17 – SPAIN, MADRID, LA RIVIERA

18 – PORTUGAL, LISBON, CINETEATRO CAPITÓLIO

20 – FRANCE, TOULOUSE, LE BIKINI

21 – FRANCE, MARSEILLE, LE MOULIN

22 – FRANCE, CLERMONT FERRAND, LA COOPERATIVE DE MAI

24 – BELGIUM, BRUSSELS, A.B.

25 – GERMANY, STUTTGART, LKA LONGHORN

26 – FRANCE, PARIS, L’OLYMPIA

28 – ENGLAND, BEXHILL, DLWP

29 – ENGLAND, BRISTOL, ACADEMY

31 – ENGLAND, MANCHESTER, ACADEMY

APRIL

01 – ENGLAND, NOTTINGHAM, ROCK CITY

02 – ENGLAND, NEWCASTLE, UNIVERSITY

04 – ENGLAND, WOLVES, KK’S STEELMILL

05 – ENGLAND, NORWICH, UEA

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Twice a Man have released a video for their new track ‘Dahlia’, which is featured on the lavish 3-CD and 72-page artbook compilation entitled Songs of Future Memories (1982-2022) that was released on January 27.

The Swedes’ long-time artistic preoccupation with environmental issues is also reflected in the clip, which contrasts the beauty of the natural world with the urban landscapes created by humanity.

Watch the video here:

Twice A Man comment: “The song ‘Dahlia’ is a reflection about our time,” Dan Söderqvist explains on behalf of the trio. “The world is getting darker and uncertain with wars, pandemics, and above all: climate change, environmental destruction, and through that a loss of biodiversity that is all caused by human activity. We experience a conflict between the outer world and an inner imaginary world. We need to feel comfort, and music at its best grants us that inner peace. Two new songs, ‘Lotus’ and ‘Dahlia’, were made to be included in our new compilation album Songs of Future Memories and – in some respect – to epitomise the spirit of Twice a Man.

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Fire and brimstone from Icelandic Black Metal band Altari, as their volcanic new album Kröflueldar erupts via Svart Records on 14 April 2023. Named after a series of eruptions that happened at Krafla in Iceland in 1975, Kröflueldar represents the constant threat of ash that Altari’s music lives under. Kröflueldar was a 9 year series of eruptions, and since the album took almost 9 years to create, Altari felt that it was a fitting title for their scalding and ferocious music.

Fans of Craft, Deathspell Omega, Blut Aus Nord and the more well known Icelandic Black Metal bands like Misþyrming and Sinmara will revel in digging into Kröflueldar’s rotten soil, but there is something far more experimental and avant-garde to be reaped within the whirlwind of sound that Altari produces. With their foundations of sound in the classic eras of early Judas Priest, songs like Leðurblökufjandinn call to mind the discordant soundclash of bands like Voivod, Virus and even Sonic Youth in the interplay of melody and disharmony. The bewildering, but utterly charming frenzy of taking the raw sound of metal to the limits breaks through from Altari’s literal geological location in a landscape in constant upheaval. Guitarist and Vocalist Ó.Þ.Guðjónsson notes that; “bands such as Blue Öyster Cult, Interpol, Killing Joke were a big inspiration for us as well for the use of clean guitars as the sound for leads. I expressed a desire to find some balance between the overdriven rhythm and melodic yet clean leads. These bands helped us find that.”

It is through these uncommon and almost blasphemous influences that Altari proves to be a rare gem in the much vaulted Icelandic Black Metal crown, giving Kröflueldar the dna of a band that feels they have so much potential and fervor brewing up in their molten kiln. Tracks like Sýrulúður with the vocals of Gyða Margrét are as delicate and subtle, cloaked in smoky atmosphere, as they are dark and brooding, giving hints of bands like This Mortal Coil and Cocteau Twins.

When Guðjónsson states that the intention was an “overall desire for us to get away from the sound that has been a gateway for others here in the scene” they imbued Kröflueldar with a beguiling essence that’s hard to pin down, but magnetically unique.

Listen to the title track here:

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AUSTERE have unveiled a sinister video for the epic opening track ‘Sullen’ as the first and only single taken from the black metal duo’s forthcoming new full-length Corrosion of Hearts. The band from Wollongong in Australia’s east coast state New South Wales will release their third album on April 28, 2023.

Watch the video here:

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AUSTERE comment: “The first single ‘Sullen’ is also the first track that we wrote for Corrosion of Hearts and it has an interesting background”, guitarist and singer Mitchell Keepin explains on behalf of the duo. “The main riff theme within the track was actually also the first song written for an album that we started working on directly after ‘To Lay Like Old Ashes’ was released, 13 years ago. For various reasons, that album never came to fruition. Yet the main riff, whilst slightly different at the time, survived. Although it carries a different feel to our previous work, it is a good starting point to pick up the pieces that were left behind so long ago when we decided to rebirth the band. Corrosion of Hearts, as an album, reflects the opportunity to write additional melodies that we didn’t have the time for during the recording of our previous album. This allowed us to deliver a bigger soundscape carried by epic melodies in an atmospheric way. it feels great to be able to expand further and venture into new waters. ‘Sullen’ is an important track for us as it was the catalyst for Austere to reigniting the flames that are burning within us.”

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Pic: Stefan Raduta

When industrial bass artist, Bug Gigabyte heard TikTok star, Kamarah Rae’s ‘a cappella’ rendition of Sam Smith’s ‘Unholy’ with her lyrical re-write, he immediately felt inspired. He wanted to write a full track sampling her vocals while adding his own. So….. he did. 

“When I first heard her version, it inspired me to continue the story and emotion of what she is talking about in the track. I wanted to express the emotions of her lyrics through the music, to bring her idea deeper down the "rabbit hole. This is my tribute to all the female witches in the world, much love goddesses”. – Bug Gigabyte

You can only find the track on SoundCloud, YouTube and as a free download on Bandcamp.

Check it here:

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Huddersfield garage rockers Knuckle have shared new single ‘Doom of Love’ taken from their upcoming second album Life’s a Bench, Then They Put Your Name On It. Due next month via beloved Wakefield DIY label Philophobia, the West Yorkshire DIY stalwarts follow-up to 2019’s ‘Life Is Hard When You’re Soft Inside’ will be released in February. Alongside the new single, Knuckle have shared news of a long run of dates between February and June this year, including headline shows in Leeds, Manchester, Liverpool and Sheffield.

A return to the scuzzy riffs and chaotic garage rock of their much-loved debut, ‘Doom of Love’ is a succinctly explained by singer Jonny Firth as being “a song about being scared to love somebody that’s in love with you, because you know one day you will fuck it up” and finds Knuckle at their raucous best. A slab of perfectly crafted confident and noisy rock music, Firth’s soaring vocals and a wonderfully unserious look at serious subjects.

Check the video here:

Made up of Jonny Firth, Ben Wallbanks and Rob Crisp, Knuckle have been working on their own clash of blistering intensity, massive riffs and tongue in cheek wordplay tackling issues near and dear to them for years, with hundreds of headline, supports and festival shows under their belts, the band released their debut album in 2019 to rave reviews, closing out the year with a massive headline show at Wakefield’s Warehouse 23 venue, documented by Long Division Festival.

Admitting to a slightly longer gap than anticipated between albums one and two, the trio have found life getting in the way since bursting onto the Huddersfield DIY scene. From getting married and starting families to launching t-shirt brands (Jonny Firth’s Wild West Yorkshire label) and standing on CWU picket lines (Drummer Ben Wallbanks is a postie supporting the strikes), the various members of Knuckle have poured all of this living and hard won experience into their second album – a raucous, gentle, crushing, hilarious and complex documentation of their own lives and those around them in Huddersfield.

Knuckle will be launching their new album at Wakefield’s Balne Lane Working Mens Club on Saturday 18th February.

Tour dates:

FEBRUARY

18 – Balne Lane Social Club, Wakefield

25 – The New Adelphi Club, Hull

MARCH

1 – Jacaranda Liverpool

2 – Oporto Leeds

3 – The Peer Hat, Manchester

8 – The Washington Sheffield

9 – Tom Pudding, Google

17 – The Grayston Unity, Halifax

APRIL

15 – West Riding, Dewsbury

JUNE

3rd – The Golden Lion, Todmorden

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Knuckle – Credit: Emily Ryalls

These Beasts are now releasing the track ‘Code Name’ as the first single taken from their forthcoming new album Cares, Wills, Wants. The crushing full-length debut of the sludgy noise rock trio from Chicago is chalked up to hit the streets on April 21, 2023.

These Beasts comment: “The opening track and first single, ‘Code Name’, of our forthcoming album was also the first song that we wrote when we started working on new material”, guitarist and vocalist Chris Roo explains on behalf of the trio. “The lyrics deal with the hypocrisy which seems to become increasingly more common all around us.”

Listen to ‘Code Name’ here:

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