Posts Tagged ‘Southern Lord’

Engine Kid, the 90s post hardcore collective featuring Greg Anderson (Southern Lord label owner, also in Sunn O))), Goatsnake & Thorr’s Hammer) share the previously unreleased track "Angel Dust" appearing on their special Record Store Day 6 x LP boxed set release Everything Left Inside

About this track Greg Anderson comments, "during the process of unearthing Angel Wings master tapes a previously unreleased/unheard track from the session was discovered.  Our recollections of this song were extremely foggy and the reason it was left off the full-length album remains a mystery! Vitality was injected into the track by wizard producer Brad Wood."

The boxed set includes other unreleased/unheard recordings as well as hard to find/sought after albums including the “Novocaine/Astronaut” 12”, Bear Catching Fish 2xLP, Angel Wings 2xLP and Split w/ Iceburn / Everything Left Inside 12” – all remastered and with an extensive 12-page booklet.  A black vinyl version of the box is set for RSD on June 12th (not available outside the US) with additional versions of the record for the rest of the world to arrive at a later date TBC. Digital for the time being available via bandcamp:

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Minimalism and instinct, structure/freedom and meticulous timing form the cornerstones of BIG | BRAVE’s precise, rhythmical sound.

Lyrically, the new album VITAL explores the weight of race and gender, endurance and navigating other people’s behaviours, observation and protest. The band further commented “this album involves what it means navigating the outside world in a racialized body and what it does to the psyche as a whole while exploring individual worth within this reality.”

Our first glimpse of the album arrives today in the form of a video for the track "Half Breed", consisting of a single shot of a single performative action that can be read as the representation of the damage an external force can have on someone or something without ever having to bear any responsibility and consequence.  BIG | BRAVE adds "The action of shovelling dirt onto the person, also acts a way to discredit, shame and discriminate the individual. With the victim (on screen), being painfully covered with dirt by the perpetrator (off screen), all we have to witness is the damage done and left behind. We are aware of what is happening, what has happened, but the source is kept anonymous and can easily be missed and overlooked."

VITAL features the core trio Robin Wattie, Mathieu Ball and Tasy Hudson, for their most collaborative record they’ve made so far. The band say “having cut our teeth in very different musical backgrounds respectively, our intuitions vary, which has an interesting effect on our individual approaches and ears.”
For this record, BIG | BRAVE once again made the trek down to Rhode Island to record with Seth Manchester at Machines with Magnets. They remark “we fully trust his instinct as an engineer and his creative output, getting to experiment with textures, concepts, layers, and with pretty much every single recorded sound, the process of making records with Seth is an absolute journey in sonic exploration".

Watch the video here:

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Photo by Mathieu Ball

Anna von Hausswolff presents an immersive new video for "Dolore di Orsini." The track appears on the latest album All Thoughts Fly, out now on Southern Lord. 

The breathtaking new video for "Dolore di Orsini" was directed by Ludvig Holtenäs and Gustaf Holtenäs, with animation effects by Mathias Söderberg.

Anna von Hausswolff writes, "’Dolore di Orsini’ is a song about profound sadness and finding freedom in grief. It’s inspired by the idea that Pier Orsini, a wealthy patron of arts, created the garden Sacro Bosco as a way to cope with grief and loss after losing his wife, Giulia Farnese. I look at the park as a symbol for love where love is an incitement for chaos and harmony. The video depicts Mr. Orsini burying his wife, the passing of time in nature, and sculptures taking shape and being set up by the help of a spirit. A movement forwards whilst looking backwards."

Watch the video here:

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Photo credit: Gianluca Grasselli

Anna von Hausswolff shares the title track from her forthcoming new album, All Thoughts Fly, to be released via Southern Lord on 25th September. Here in solo instrumental mode, the entire record consists of just one instrument, the pipe organ, and represents absolute liberation of the imagination. Anna offers further insight into the title track below. 

"I wanted to play with dissonance and polyrhythms to create a harmonic landscape that is constantly changing and expanding into something else. Everything you hear in this track, every little overtone and all ambience is entirely made through the organ. We used EQ but that’s it.  The overall idea was to create an illusion of flying thoughts, intertwining and entangling into each other. Different words and worlds happening at the same time, affecting each other and changing each other’s directions and courses."

Listen to ‘All Thoughts Fly’ here:

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BIG|BRAVE share a video for "This Deafening Verity" a stand-out track from their most recent album A Gaze Among Them, out now on Southern Lord.

"The video is made from re-appropriated footage from a hot dog eating competition in the USA. With the video we didn’t want to only investigate the competitive hot dog eating community but rather at all spectacles of this character. Ones where gratuitous displays of abundance are celebrated and worshiped,"  the band remark.

BIG|BRAVE are returning to Europe in April and May opening the tour with their second appearance at Roadburn Festival, followed by dates in the UK and beyond – dates, details and tour poster below. Joining them for three dates will be violinist and sound artist Jessica Moss, who has toured with, and appeared on BIG|BRAVE’s previous album.

Since their inception in 2012, BIG|BRAVE have explored terrains of experimental rock with a clear focus on the key principles; space, volume, and raw emotion. The essence of BIG | BRAVE’s magic has always been the way they balance these dynamics, and particularly how much sheer power comes from the beautifully quiet moments.

Watch the video here:

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BIG | BRAVE LIVE DATES:

19/04 Tilburg Netherlands – Roadburn *

20/04 Paris France – La Boule Noire *

21/04 London UK – Electrowerkz *

22/04 Brighton UK – The Hope & Ruin

23/04 Norfolk UK – Norwich Arts Centre

24/04 Glasgow UK – Nice N Sleazy

25/04 Manchester UK – The Peer Hat

26/04 Newcastle UK – The Cluny

28/04 Nantes France – La Scène Michelet

29/04 Bilbao Spain – Shake

30/04 Madrid Spain – Wurlitzer Ballroom

01/05 Lisboa Portugal – ZDB

02/05 Porto Portugal – Maus Hábitos

03/05 Oviedo Spain – La Lata de Zinc

06/05 Barcelona Spain – Sala VOL

07/05 Talence France – Antirouille

08/05 Lyon France – Le Farmer

09/05 Zürich Switzerland – Rote Fabrik

10/05 Piacenza Italy – ChezArt

12/05 Vienna Austria – Grillx

13/05 Budapest Hungary – Három Holló

14/05 Prague Czech Republic – Klubovna

15/05 Wroclaw Poland – Into The Abyss

16/05 Gdansk Poland – Dizzy Grizzly

17/05 Berlin Germany – ZUKUNFT am Ostkreuz

19/05 Moscow Russia – Bumazhnaya Fabrika

20/05 St. Petersburg Russia – Serdce

21/05 Tallinn Estonia – Sveta Baar

23/05 Zottegem Belgium – Dunk! Festival

24/05 Waregem Belgium – W-Fest

* with Jessica Moss

Long-running Swedish d-beat/hardcore punk icons Wolfbrigade present the sole single from their impending tenth full-length, The Enemy: Reality, set for release next week through Southern Lord Recordings. The hammering new track ‘he Wolfman’ as been revealed through an official new video.

Directed by MeANkind and edited by Henrik Norsell, ‘The Wolfman’ is built upon the theme of Sigmund Freud’s ‘Wolfman’s dream.’ The video is an incredibly stark, prime example not only of Wolfbrigade’s long-established, ever progressing sound, but also of the band’s political message, beliefs, and outlook on humanity. A visual amalgamation of Orwellian overwatch by governmental powers, lessons unlearned from the nuclear arms race of the mid-1900s, and our current state of worldwide socio-political unrest serves as a backdrop for the band’s raging d-beat angst and scathing vocal detestation.

Just as anyone who complained that everything Mötörhead did sounded the same was missing the point, so anyone who complains that Wolfbrigade sound like Mötörhead are, too.

Check out the video for ‘The Wolfman’ here:

Southern Lord – 25th October 2019

Christopher Nosnibor

The appearance of a new Sunn O))) album just six months after Life Metal represents a significant upsurge in their usually steady output. But then, as much as it is a standalone document, Pyroclasts exists in many ways as a companion and counterpart to Life Metal, which in the slow-moving scheme of Sunn O))) represented a seismic shift on a par with Monoliths and Dimensions in that it brought a new focus. The question posed by Life Metal centred around what precisely could Steve Albini bring to Sunn O)))’s eternal drone guitar noise. In the event, his ‘stick the mics in front of the amps at a precise distance and angle and let the tape roll’ approach brought new sonic dimensions (but no monoliths) to the fore, giving the band a new and unexpected richness of sound. It’s this clarity and depth that also defines Pyroclasts recorded during the same sessions.

An element of ritual is integral to much of Sunn O)))’s work, and while this is perhaps nowhere more evident than in their live performances, the very nature of the music, the image, and the titling of their albums alludes to a certain type of repetitive organisation and (pseudo)spiritual convention. The origins of Pyroclasts is rooted in that ritualism, as is explained in the press release:

‘The Pyroclasts album is the result of a daily practice which was regularly performed each morning, or evening during the two week Life Metal sessions at Electrical Audio during July 2018, when all of the days musical participants would gather and work through a 12 minute improvised modal drone at the start and or end of the day’s work. The piece performed was timed with a stopwatch and tracked to two inch tape, it was an exercise and a chance to dig into a deep opening or closing of the days session in a deep musical way with all of the participants. To connect/reconnect, liberate the creative mind a bit and greet each other and the space through the practice of sound immersion.’

And so the four pieces on Pyroclasts last between 10’54” and 11’04”, and being aware of the time constraints imposed by the players, the endings make sense: the first track, ‘Frost’, is close to what sounds like a natural ending as the drone hum hangs, but fades uncommonly fast when ordinarily they’d let the note hang for an eternity. Likewise the last of the four, ‘Ascensions’, which starts higher, faster, more aggressively than is usual for Sunn O))), and ends abruptly as though the tape was simply stopped dead – which it probably was.

Given the band’s maximalist tendencies and a propensity for sprawling sludgescapes spanning fifteen to twenty minutes this discipline and concision offers a new insight into their methods. Four tracks and a running time of circa forty minutes is tight for Sunn O))), and it works remarkably well.

Pyroclasts is exploratory and experimental in context of Sunn O))), and in revealing new facets while at the same time mining the same seam the band have explored since their inception, it’s an interesting and highly necessary document of their evolution and practises. Moreover, it’s another booming slab of texture-heavy droning doom and absolutely classic Sunn O))).

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The Pyroclasts album is the result of a daily practice which was regularly performed each morning, or evening during the two week Life Metal sessions at Electrical Audio during July 2018, when all of the days musical participants would gather and work through a 12 minute improvised modal drone at the start and or end of the day’s work. The piece performed was timed with a stopwatch and tracked to two inch tape, it was an exercise and a chance to dig into a deep opening or closing of the days session in a deep musical way with all of the participants. To connect/reconnect, liberate the creative mind a bit and greet each other and the space through the practice of sound immersion. The players across the four pieces of Pyroclasts are Tim Midyett, T.O.S., Hildur Guðnadóttir, and as always Stephen O’Malley and Greg Anderson.

Pyroclasts was recorded and mixed by Steve Albini at Electrical Audio on two inch tape July 2018, and mastered by Matt Colton through all analogue AAA process at Metropolis July 2019. The album is released via Southern Lord on 23rd September.

While you’re waiting, you can check the trailer here:

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Sunn - Pyroclasts

Southern Lord – 14 June 2019

The press release describes Friendship’s second album as ‘merciless’. I’ve barely recovered from their 2017 debut, Hatred.

The one -word titles are indicative of the succinct brutality on offer here. Those titles are as nihilistic as they are stark: ‘Punishment’; ‘Lack’; ‘Abandon’; ‘Plague’; ‘Hatred’ – gruesome, dark, signifiers of absence rather then presence, or otherwise of something sitting at the negative end of the spectrum. And Undercurrent is indeed brutal. The tempo is frenetic, with the drumming a whirlwind of sticks on skins and thrashing, crashing cymbals and the guitars a blurred mess of distortion. As for the vocals… spluttering, spewing, splenetic, this is the sound of inarticulable fury and the tearing down of the strictures of cultural confines, a primal roar that decimates all niceties in favour of pure, visceral release.

With only one of the album’s ten tracks crossing the three-minute mark, and the majority clocking in at under two and a half, it’s a short album that prioritises intensity over duration. And after a mere 22 minutes, Undercurrent has more than left its mark and I’m scarred, bruised, and half-deaf.

There’s no space for conversation here, and critique feels futile in the face of obliteration on such an absolute level. This is the sound of the dirtiest metal, with no soft corners or moments of respite. The only mercy is its brevity, but even in this short time, it’s got more than enough force to inflict serious damage.

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Friendship – Undercurrent