Posts Tagged ‘Sonic Youth’

Initial selections available now; new official content to be added on an ongoing basis.

Band to sell guitars, amps, LPs and more from throughout career on Reverb

Wednesday, October 24, 2018-nugs.net, the leading live music distribution platform for concert recordings, webcasts, and live archival releases has partnered with Sonic Youth to celebrate the 30th anniversary of the band’s landmark album, Daydream Nation.

Effective immediately, Sonic Youth fans can access the initial live audio and video content being offered through nugs.net’s ongoing archival release program.  This content is available in the nugs.net music streaming service as well as in multiple download formats ranging from MP3 to hi-resolution audio, as well as on CD.

"Through the years and as the times changed we recorded our live shows as often as we could, on cassettes, DATs, CD-Rs and later on multi-track recorders. We collected fan-generated audience tapes, shady bootlegs and anything we could get our hands on. We now maintain an archive of hundreds of hours of Sonic Youth concerts and we’d like to share some of our favorites, often from the best uncirculated source possible via nugs.net." said Sonic Youth drummer, Steve Shelley.

nugs.net founder and CEO, Brad Serling added "Sonic Youth’s music has influenced innumerable artists across many different genres, past, present, and will continue to do so into the future.  For fans this is an incredible opportunity to revisit what they delivered as a live band touring the planet for three decades."

Sonic Youth’s partnership with nugs.net kicks off with the following shows; additional releases will appear on a regular ongoing basis:

Audio releases at launch include:

  • November 5, 1988: Cabaret Metro, Chicago, IL USA
  • December 13, 1988: CBGB’s, New York, NY USA
  • August 17, 2002: Metro, Chicago, IL USA
  • August 22, 2007:  ABC1, Glasgow, Scotland*
  • October 21, 2009:  Columbiahalle, Berlin, Germany
  • August 12, 2011:  Williamsburg Waterfront, Brooklyn, NY USA

Video release at launch:

  • August 22, 2007:  ABC1, Glasgow, Scotland*

*In further recognition of the 30th Anniversary of the 1988 release Daydream Nation, members of Sonic Youth recently unveiled plans for special "30 Years of Daydream Nation" events to take place in select cities.  This will consist of the screening of three films and additional previously unseen footage. One film features a concert shot on video by filmmaker Lance Bangs, of the band playing Daydream Nation in its entirety in Glasgow, Scotland in 2007. 

Screenings have taken place in Portland, Oregon, Seattle, and Los Angeles, with a San Francisco screening tonight at The Alamo Drafthouse.  Future screenings are scheduled for Chicago, Austin, Philadelphia, and Brooklyn with potentially more dates on the horizon. Details for upcoming events are as follows:

  • October 24, 2018:  San Francisco, CA, New Mission Theatre with discussion panel featuring Lance Bangs, Steve Shelley, Sonic Youth archivist Aaron Mullan and Brian Turner in conversation.
  • November 11, 2018: Chicago, IL, Music Box Theater with discussion panel featuring Thurston Moore, Steve Shelley, and Sonic Youth archivist Aaron Mullan.
  • November 12, 2018:  Austin, TX, Alamo Drafthouse-Ritz with discussion panel featuring Lance Bangs and Matador Records’ Gerard Cosloy in conversation.
  • November 18, 2018: Philadelphia, PA, PhilaMOCA with discussion panel featuring Lance Bangs and Steve Shelley in conversation.
  • November 19, 2018: Brooklyn, NY, Alamo Drafthouse with discussion panel featuring Lee Ranaldo, Steve Shelley, Lance Bangs, and photographer Michael Lavine in conversation.

For those unable to attend these events, nugs.net will be making Lance Bangs’ film available on demand in the nugs.net subscription streaming service.  The show will also be available on DVD via nugs.net. Audio of the show will be made available as well.

The Official Sonic Youth Reverb Shop will launch on Tuesday, October 30, and will feature more than 200 pieces of gear used on tour and in the studio as far back as the 1988 and 1989 Daydream Nation tours through to 2011. The shop will also feature nearly 200 screen-printed show posters, rare poster-sized photographs, memorabilia, and personal relics from concerts throughout the band’s career.

To view currently available official Sonic Youth live releases please visit: https://nugs.net or download the app at http://nugs.net/app

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February 19th sees Blank Editions release a very limited and hand assembled seven inch single from their Stoke Newington neighbour, Thurston Moore, to coincide with Not My President Day.

‘Mx Liberty’ raises its torch of truth and justice, as the poet Radieux Radio and Thurston Moore unleash a punk rock broadside to the current man-boys of the USA government in response to their mockery of democracy. The lyrics (included in a collage insert with the single, which also includes a pin badge) describe ‘Mx Liberty’ climbing over any and all fences with our so-called “enemies” in a radical heaven.

Thurston, with members of his London-based group, Deb Googe (My Bloody Valentine), James Sedwards (Nøught) and Jem Doulton (Dead Days Beyond Help), recorded the music in a studio near the early ‘70s HQ of Britain’s Angry Brigade on Amhurst Road, N16. This non-violent group of anarchists, poets and writers of resistance remain a source of radical inspiration for Thurston and Radieux.

On the flip is ‘Panik’, Thurston’s cover of one of the great generation zero punk rock records of all time. Originally recorded by the legendary Metal Urbain from the 1977 streets of Paris. Burning with insolence and primal angst energy, its lyrics are even more pertinent today in the face of contempo-demagoguery.

The sew single will be available from Blank Editions at their Stoke Newington HQ here:

Limited Edition 7” Package Contains:

– 7” Single

– Lyric Sheet Insert (Designed by Thurston Moore)

– Risograph Printed / Hand folded Covers

– Download Code

– 25mm Pin Badge

Thurston Moore

Unsounds – 54U

Christopher Nosnibor

This is one of many releases I’ve been sitting on – figuratively speaking – for a long time without getting round to playing. I tend to listen to CDs while at work in my day-job, and digital promos at home (because I can’t stream or download on work systems), and while I can stuff a bunch of regular CDs into a jiffy and carry them to and from the office, the packaging of this release made it simply impractical. That, and the fact I had to battle long and hard with myself to resist the urge to burn the thing.

It’s not that I have any kind of objection to any of the artists in this three-way collaboration, or take issue with its premise, namely a series of portraits of radical heretical figures from across history, spanning Caravaggio and the Marquis de Sade, to William Burroughs and Johnny Rotten. In fact, it’s a concept I can get on board with, and for months I’ve looked at the magnificent packaging, a box-type affair which folds out to reveal a CD, a DVD and a book containing all of the words to the tracks – some in French, some in English, some in a combination of the two – forming a rich linguistic tapestry. Published in an edition of just 1,000 copies, including 26 lettered copies, it’s a work of art, not a disposable piece of trash. But the box is a giant flip-front matchbook. The front cover is made of fine sandpaper, and glued inside the flap, on its own, stark and inviting is a match, a full fore inches long. What would be more in keeping with the spirit of the project than burning it without hearing so much as a note, and reviewing the sound of the fire taking hold and the rustle of art burning, the colour of the dancing flames and the texture of the ash? It would hardly be Watch the KLF Burn a Million Quid, but nevertheless… I’m a pussy. I was also too curious to explore the contents of the package. And having heard the album and watched the film, there was no way I could even pretend to burn it. I’m weak. I’m no heretic.

Chaton, Moor and Moore are no heretics, either: they’re artists who appreciate heretics. It’s not always obvious to whom each piece relates, and perhaps a priori knowledge of the individual heretical figures is beneficial, as is an ability to translate French. ‘The Things that belong to William’ does not mention Burroughs by name. However, the bilingual text, in referencing ‘a Paregoric Kid’, ‘Pontopon Rose’, ‘Joselito’, ‘Bradley the Buyer’ and a host of characters and scenes from Naked Lunch and beyond, the connection is clear – to those versed in the author’s work. ‘Poetry Must Me Made By All’ is, then, presumably, a dedication to Comte de Lautreamont, pro-plagiaristic precursor of the Surrealists, Situationists and Neoists, as well as the cut-up technique of Burroughs and Gysin.

Textually – these are texts and not lyrics, delivered in a spoken word / narrative form – it’s an erudite work, researched, intertextual, referential. Sonically, it’s no more immediate. Oblique, obtuse, challenging: these are the first descriptors which volunteer their services in untangling Heretics.

‘Casino Rabelaisien’ is a tense effort, with angular guitar clanging perpendicular to a gritty, awkward bass grind. Chatton remains nonchalant and monotone amidst the chaotic no-wave cacophony. ‘Dull Jack’ begins with Thurston’s voice alone, before churning guitars slither in. There are no regular rhythmic signatures here, no ‘tunes’, no hooks or melodies: instead, this is a set which uses instruments in a more abstract way, conjuring uneasy atmosphere and often simply attacking the senses.

With the guitars of Moor and Moore duelling, playing across one another as much as with one another, the effect is jarring, uncomfortable. Both players employ atonality and discord within their performances, and when discordant passages collide, it’s a brain-bending experience.

Heretics is a work which delivers on its promise and conveys the spirit of the outré, unconventional artists who inspired it. It is, in addition, a true work of art. Don’t burn it.

Heretics

Integrity Records – 21st October 2016

Christopher Nosnibor

This instrument-swapping Australian duo don’t piss about, blasting into their debut EP at a hundred miles an hour with the spitting guitar frenzy of ‘KYMS’ – that’s (should) ‘keep your mouth shut’, as the refrain goes.

They’re pitched as being ‘lost somewhere between The Melvins and Taylor Swift, and Dan’s aggressive holler is contrasted by El’s nonchalant pop tone. Previous single, ‘Sick’ doesn’t only sustain the initial momentum, but ratchets things up a notch. ‘Sky’ brings a mammoth bottom-heavy sludge riff to underpin the duelling vocals, the end result being somewhere between the no-wave noise of Sonic Youth and school of ’94 grunge.

The well-timed breakdowns and softer moments only accentuate the force of their straight-ahead, driving, hell-for leather blasts of bratty, sharp-tongued punky noise. Of course, as much as it’s always about the songs – and these are killer songs, without exception, with an unquestionable pop tint – it’s about the attitude. And yeah, MDS have got plenty of that. This is the sound of a band who have that perfect blend of being pissed off and not giving a fuck, the sound of a band who play hard for the release, who crank it up to the max because, well, it feels good and because they can. It’s a short, sharp, shock of a release, and one equates to awesomeness turned all the way to eleven.

 

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