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Industrial Sludge Metal Band WORST ONES Unleashes New EP Cold Case Against Institutions Carrying Out Cruelty.

Philadelphia’s industrial sludge metallers WORST ONES are ready to come back with a new EP, after releasing the single ‘Vex’ in March this year. The new effort is called ‘Cold Case’ and it is composed by the title-track and a remix version of the same.

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‘Cold Case’ is a searing indictment of power, complicity, and the violence hidden in plain sight. Built on punishing industrial grooves, a 303 bassline, and layers of moody textures and noise scorched guitars, the track hits with a menacing, high energy momentum that channels the raw intensity of Twitch era Ministry and Skinny Puppy, the gritty pulse of Die Warzau, and the impactful aggression of The Prodigy.

Lyrically, it exposes how institutions carry out cruelty with precision while society turns away, pretending not to see the blood on its hands. The phrase “just another cold case” becomes a symbol of willful ignorance, where injustice is not buried because it is unsolvable, but because it is inconvenient. The chorusʼ imagery – “up against the wall / going in for the kill” – evokes violent repression and execution, while the line “every sick and nightmare reason comes to life” suggests how dark motives are brought to the surface and acted upon. Even in the face of horror, the masses “rally in their fervor,” a reference to mob mentality and blind nationalism. Violence is not just permitted; it is ritualized. Power is the culture, and the aftermath is “a feast for vultures.”

But at its heart, ‘Cold Case’ is a protest. It ends not just in defiance with “I wonʼt fall in fear,” but with a warning: “Now you’re sick, their eyes can see it.” The mask has slipped. Itʼs a refusal to be complicit and a demand to confront the truth, even when it burns.

‘Cold Case’ was written and recorded by Drew Ew. Mixed and mastered by Jared Birdseye. Promo Photography by Luz Karolina Sanchez. Live photography by Vinny Barreras. Cover and logo by Drew Ew except “deathmetallogo” by Darren Adcock. Music Video by Drew Ew.

WORST ONES is:

Drew Ew – Vocals, Guitar, Programming

Doppleganga – Drums, Programming

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Canada-born and LA-based singer-songwriter Andy Stochansky makes a heartfelt return with his new single, ‘500 Symphonies,’ a moving preview of his forthcoming solo album, Poetry of Birds. Known for his evocative lyrics and organic instrumentation, Stochansky once again weaves emotional vulnerability with poetic clarity.

“’500 Symphonies’ is about telling somebody that someone is interested in them, when they do not know about it,” says Stochansky. "If they feel the same way, then I am telling this person that it will feel so real and magical—just like 500 symphonies."

Poetry of Birds marks a return to introspection, shaped by Andy’s deepening connection with nature and a longing to quiet the chaos of modern life. The album invites listeners into a reflective sonic space—where small moments become epic, and stillness carries weight.

With a career that spans decades, Stochansky’s journey has taken him from the stage — touring for seven years with Ani DiFranco —to the studio, writing hits like Shannon Noll’s chart-topping ‘Shine’ and collaborating with artists such as Goo Goo Dolls, Dragonette, and Lola Lennox. His music has graced major film and TV soundtracks, including The Twilight Saga: Breaking Dawn – Part 1.

In 2020, he launched the acclaimed experimental project White Elephant Orchestra, earning a spotlight from NPR’s World Café. Now, he returns to his solo roots with Poetry of Birds—an album inspired by poetry, film, everyday people, and the natural world.

Other standout tracks include’“Beautiful Sky,” a tender meditation on digital fatigue, and ‘Champion,’ a tribute to the quiet strength of a diner waitress.

“I want people to walk away with a sense of hopefulness,” Andy shares. “I put a lot of care into these stories, and I’m excited to finally share them.”

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Andy Stochansky 500 Symphonies

Heddlu is the new musical project by Rhodri Daniel. The Ceredigion native was a founding member of renowned Welsh band Estrons who had a major impact on the industry having gained rave reviews from the likes of NME, Vice, DIY and Clash to BBC Radio, Radio X, Ultimate Guitar, The Guardian and Independent.

After finishing the band in 2019, Rhodri became aware that his hearing was severely damaged. Years of touring the live circuit had taken their toll, Rhodri ultimately being diagnosed with hearing loss, tinnitus and severe sensitivity to noise. The effects were so acute, Rhodri was unable to play live music, leading to him composing his critically acclaimed debut album (Cantref, 2022) in his head whilst completing the entirety of the Wales Coastal Path (900 miles). His family and namely his sister, were great sources of comfort and hope during this difficult period. Serendipity led Rhodri back to music, and heddlu was born. Meaning ‘Police’ in Welsh, from the words ‘peace-force’, heddlu’s music has been true to its’ name, offering a force of peace to the songwriter.

Rhodri spent the next few years writing and experimenting with new sounds and instruments as his hearing slowly recovered. Whilst writing and recording his 2nd album, life found a way of both disrupting and influencing the creative process, leading to multiple re-writes and an entire album being erased. Eventually, despite the interruptions, heddlu’s 2nd album, Tramor – was completed.

Meaning ‘Overseas’ in Welsh, Tramor is series of intimate and volatile songs, detailing years of loss, estrangement, trauma and hope.

‘Wish You Were Her’ is the 2nd single from heddlu’s 2nd album Tramor, it is a raw emotionally charged track that pleads for someone close to grow into a better version of themselves—driven by equal parts frustration and love. Both confrontational and compassionate, it’s a self-aware lament that blurs the line between calling someone out and looking inward, capturing the messy beauty of caring deeply and hurting honestly.

‘Wish You Were Her’ is out 12th June 2025 on Zawn Records.

Beloved Australian ensemble Hand To Earth will release their album Ŋurru Wäŋa (pronounced Wooroo Wanga) via Room40 on 22nd August.

Ŋurru Wäŋa is an album which traces notions of home, belonging, and displacement. The title translates as ‘the scent of home’, and as we travel, we long for that fragrance, passing the bee, guku, making the bush honey while the crow circles calling overhead.”

Today, the band share the album opener, ‘Bush Honey (guku)’.

In the two parts of the title track, Sunny Kim intones the words of Korean poet Yoon Dong Ju’s poem, ‘Another Home’, in counterpoint to Daniel Wilfred’s song, sung in the Wáglilak language.

This theme – this search for a sense of belonging – is at the heart of what drives Hand to Earth, a group of five people, who come together from different backgrounds, different birthplaces, and different musical approaches to share their songs, and by doing that to create something new.

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Photo credit: Emma Luker

KHNVM drop the video clip ‘Fetid Eden’ as the first single taken from their new full-length Cosmocrator. The fourth album of the German death metal act with Bangladeshi roots has been scheduled for release on August 29, 2025.

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KHNVM comment: “Our new single, ‘Fetid Eden’ is not merely music – but a visceral report from the heart of conflict”, singer and guitarist Obliterator explains. “This track plunges listeners into the brutal aftermath of war, where shattered dreams lie scattered like debris across ravaged landscapes, and the echoes of loss reverberate through the silence. This is a soundscape where the weight of existence is amplified by the relentless machinery of war and every breath is a struggle against the suffocating grip of despair. ‘Fetid Eden’ serves as a stark reminder of the enduring human cost of conflict, a descent into the gore-soaked reality that lies beyond the headlines. As the lead single of our upcoming album, it signals our unflinching commitment to confronting the darkest aspects of the human condition in a world consumed by violence.”

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Brooklyn bruisers Cash Bribe are back with their third EP, Demonomics, dropping June 13, 2025, via Futureless. This marks their first release on the label, and they’ve never sounded louder, sharper, or more furious.

The band is debuting their new single, ‘Bay of Pigs’ ahead of the EP’s release. Guitarist Kirk McGirk explains the inspiration behind the track: “One thing that really gets to me about the world today is how the rich, powerful, and privileged constantly gaslight everyday people—making us believe everything’s fine or that there’s nothing wrong. It’s like they’re pissing on your head and telling you it’s raining. Some folks have a real stake in keeping the rest of us from trusting what we see and feel.”

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Cash Bribe

The German dark electro-pop duo Rotersand have announced a new album entitled Don’t Become The Thing You Hated. Out on 8th August via Metropolis Records, it will be their first full length studio record since How Do You Feel Today?, which appeared just a week before the world was forced to shut down in March 2020.

A single from the album entitled ‘Private Firmament (I Fell For You)’ is out today. Explaining its meaning, the band say: “human nature is not binary, but algorhythm induced communication forces us to choose virtual sides to stimulate emotions and click rates. Yes or no, black or white, for or against, one or the other. Ultimately, we sit in our post-fact, post-science, post-truth private firmaments with nothing in common other than the cold light of screens pretending to shine for us. We say, leave the private firmaments and dance with us, with real faces under real stars.”

Don’t Become the Thing You Hated sees the Hamburg based act (comprised of Rascal Nikov and Krischan Jan-Eric Wesenberg) return with an album that is as much a cultural critique as it is a musical statement. In a world increasingly defined by division, alienation and existential anxiety, the duo cast a sharp eye on the psychological toll of our times and issue a warning. The message is clear: in fighting what we oppose, we risk becoming it ourselves.

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Fascinating metal innovators DORDEDUH have unveiled a new live video for the track ‘Timpul întâilor’, which was recorded during their show at the prestigious ProgPower Europe festival at the Sjiwa in Baarlo, the Netherlands in 2023.

While the Romanians were playing, their compatriot and renowned artist Costin Chioreanu created a live painting at the venue, which was directly inspired by the music. His artistic process was projected onto the backdrop behind the band.

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DORDEDUH comment: “First I need to mention that ProgPower is a very special festival with a particularly nice vibe to it”, frontman Edmond “Hupogrammos” Karban writes. “It is very intimate but feels like a big family meeting. There were great shows and great bands, but the afterparty at that castle-like hotel that accommodates both the musicians and the audience is something else entirely. We had a really great time there. Therefore, I am especially glad that we did something special there with our amazing friend of so many years now, Costin Chioreanu. Everybody involved deserves that and we are grateful for this opportunity. This kind of memory, this kind of beautiful moment will stay in our memories. Luckily, this one memory got immortalised for all to see in this video. Hopefully, you will enjoy it, too!”

The track ‘Timpul întâilor’ is taken from the album Har.

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AZURE EMOTE present the video clip ‘Disease of the Soul’ as the next single taken from their new full-length Cryptic Aura. The fourth studio album of the American progressive death alchemists has been slated for release on July 25, 2025.

AZURE EMOTE comment:  “The dichotomy of silver and gold is forever entangled in our lives and pulling our proverbial strings”, mastermind Mike Hrubovcak states. ”This world suffers from an oppressive wealth corruption that engulfs every human soul. A landscape of crushed hopes is polluting our intentions and confusing our innate senses. When we relinquish control over to fear, the uncertainty slowly erodes our focus from what is meaningful to that which is an endless struggle. Much like the quick glimmer of silver and gold, it quickly passes like our reflection in the mirror over time. This hell that we try to erase, reflects on us face to face, as we observe this daily calamity and struggle with the agony of reality.”

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New Hampshire indie rock outfit Replaced by Robots presents ‘Since You Broke My Ouija Board’, a haunted love story where heartbreak crosses over to the other side. The final audio-visual gem showcasing their powerful debut mini-album The Experiment, here we have a surreal blend of eerie visuals, vintage séance aesthetics, and emotional rawness.

The video brings the supernatural fallout of a shattered connection to life. Who knew losing someone could silence the spirits, too? As a bonus, the video begins with ‘The Air of Uncertainty’, an instrumental interlude – a pause to welcome the spirits.

Replaced By Robots formed as a sound and vision laboratory, where they search through the wreckage and noise of modern life to find unusual combinations and create moments of beauty. Goolkasian (The Elevator Drops, The Texas Governor, Lovesick) and Heather Joy Morgan initially met guitar maestro Adam Wade (Funeral Party, The Uprisers) at a Chameleons UK show they hosted in their living room, a fateful meeting that led to the musical chemistry we know as Replaced by Robots.

“’Since you Broke My Ouija Board’ was a spontaneous expression of grief and longing to connect, for Goolkasian broke my antique oujia board, hurling my spirit telephone into oblivion. And I can’t talk to ghosts no more,” says Heather Joy Morgan, adding, “Adam Wade really stretches out on guitar and shines on this track.”

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For this album, they worked with legendary producer Paul Q.Kolderie (Pixies, Dinosaur Jr, Throwing Muses, Radiohead) and Josh Hager (Devo, The Elevator Drops), as well as mastering engineer Terry Palmer.

“We got to work with Paul Q. Kolderie, who instinctively did a lot of weird things. He pushed the bass and guitars to the max, giving this record an undeniably glam-era feel and a rhythmic pulse, driving songs like ‘All The Lonely Nights’”, says Goolkasian.

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