Archive for the ‘Recommended Streams and Videos’ Category

Brazilian grindcore masters Desalmado have just revealed a music video for the title track of their new album Mass Mental Devolution, which was released on October 8th via  Gruesome Records in cooperation with  Xaninho Discos, Sana Maior Records and Shinigami Records.

Watch the video here:

Italian shoegaze and post-rock project led by Gianluca Divirgilio, Arctic Plateau have just revealed a music video for a brand new track titled ‘Saturn Girl’, which is taken from their third album Songs of Shame, due out on December 3rd via Shunu Records.

Watch the video here:

Emerging from an eight-year hiatus, songwriter Gianluca Divirgilio brings his darkest and most introspective thoughts to light with Arctic Plateau’s Songs of Shame. Recorded by Fabio Fraschini at PlayRec Studio,mixed and produced by Gianluca Divirgilio at Arctic Plateau Studio, the follow-up to 2012’s second effort, "The Enemy Inside", is an album of intimate and powerful performances that serve as the first steps toward a healing that has been decades in the making. Pre-orders are now available at this location.

Formed by Gianluca Divirgilio in 2006, Arctic Plateau is a post-rock and shoegaze project from Rome, Italy. Having signed to Prophecy Productions in 2008, Divirgilio recorded his first studio album On a Sad Sunny Day in 2009, followed by a split-release with Les Discrets in 2011. 2012 saw the release of his second full-length, The Enemy Inside, which allowed him to open for Anathema on their Italian tour.

The newest record called Songs of Shame will be released in late 2021 by Shunu Records, and distributed by Season of Mist.

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Tanto. so much. too much.

Lucrecia Dalt and I have shared much music with one another, and over the course of the many years of knowing each other and sharing stages, we decided to collaborate on the track ‘Tanto’ for Qalaq. We discussed a few ideas and wanted to keep it minimal, but maintain the form of a ‘duet’. We exchanged some music and she came up with a beautiful tape loop for the backbone of the track, through which we were able to find our vocal identities. It was a haunting, eerie, out-of-time tape loop, which she proposed after I had sent her the (Arabic) lyrics and a translation of them—and most importantly, their intention. The song is meant to evoke the feeling of ‘envy’ familiar to many people in developing nations.

Legs in an Eastern sewage, eyes in a Western fictitious paradise.

Erin Weisgerber and I decided to make a small film for this song. I had wanted to work with the incredible Stacey Desilier as a choreographer and dancer. We exchanged some ideas and I sent everyone some film references, to which everyone echoed back others, and from there we settled on a setting and imagery and actions and shot this film in the forests north of Tiohtia:ke / Montréal.

–  Radwan Ghazi Moumneh –

Watch the video here:

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Qalaq album cover
Photo of the 2019 Beirut October Revolution by Myriam Boulous

The heavy multidimensional duo Divide and Dissolve share a remix of Gas Lit album track “Denial” by London born, U.S based artist BEARCAT.

“Denial (Bearcat remix)” appears on the Gas Lit remix EP release which is officially out today via Invada Records, and features the previously announced remixes from Chelsea Wolfe and Moor Mother – full details here.

DJ/producer and self-described “dancefloor therapist,” BEARCAT aims to permeate healing through music as she in turn heals herself throughout her practice, a lifelong mission as a survivor with complex trauma and ptsd. BEARCAT’s sound consists of uncompromising rhythm and bass blended with equal parts noise and chaos. For this remix of Divide and Dissolve’s “Denial” BEARCAT edited the original stems and built the rest of the song using kits from native instruments.

Listen here:

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Photo Credit: Jaimie Wdziekonski @sub_lation

Washington DC-based dark alternative band, AMULET has just unveiled the video to their song, ‘Last Ditch.’  The song appears on their latest album, House Of Black + White.

About the song: You can only take so much tragedy. There comes a point where you wonder if you’ll be able to go on. The ache of sorrow and loneliness feels eternal and all-consuming. You have a choice to make. You wonder if seeing crimson is the only way to really heal.

Watch the video here:

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For regular readers of Aural Aggravation, Videostore has been a band we’ve followed from its lockdown inception as something to do for Nathan and Lorna Argonaut while they were unable to operate normally with the rest of the band until the final release. We’ve loved their lo-fi drum-machine led indie rock tunes, and it’s felt like a journey.

The journey ends here. They celebrated their release from lockdown and the return of live music with a one-off live show with the duo expanded to a full band, and as they write, ‘to commemorate the Videostore gig we are releasing a live single of Your Mind and our cover of Suicide by Spacemen 3. Recorded by Joules on his trusty Zoom machine in the one and only rehearsal for our one and only show. Videostore live were Nathan, Lorna, Joules and Chris. We had a blast. Goodnight and thank you’.

Well, thank you, too, guys.

These are cracking versions, and you can hear them here:

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Emma Ruth Rundle’s latest single “Blooms of Oblivion” intimately reflects on an experience that was too big for her as a child — “Down at the methadone clinic we waited / hoping to take home your cure / The curdling cowards, the crackle of china / you say that it’s making you pure” she sings. For anyone that’s endured trauma and grief, there’s a beautiful solace in hearing Rundle articulate and humanise that particular type of pain not only with her words, but with her unique mysterious language of melody and timbre. Her forthcoming album, Engine of Hell captures a moment where a masterful songwriter strips away all flourishes and embellishments in order to make every note and word hit with maximum impact, leaving little to hide behind.

Today’s soft spoken guitar ballad “Blooms of Oblivion” comes alongside a vivid and compelling new video which she co-directed with John Bradburn. She explains, “In the video I use an oversized coat to represent an oversized and burdening experience for the little girl. The feeling of being free falling in chaos. Having no control over your circumstances. The song and video describe the feelings I had as a little girl and how that’s shaped who I have become – negotiating with my past and waking to the woman I strive to become through self-love, self parenting and forgiveness and the transformation that it can bring.”

Watch the video here:

https://youtu.be/Pn12FvaaRMI

panoptique electrical - decades (2001-2021)

I know, I know, poor form, etc., etc. But hey, it’s not every day this kind of thing happens.

…(something) ruined coalesced by happy accident as a live proposition. Like so many bands, lockdown hit our progress and development hard. The ‘white noise and shouting’ worked because of a combination of factors all in the moment – extreme volume, intuition, adrenaline, the consumption of alcohol. Replicating the vibe without those factors proved to be a challenge – but, when offered the platform of the FEAST online streaming events organised by the Nim Brut label during lockdown, it felt like an opportunity to develop a new way of working and to refine that sound in a more controlled setting. Trial and error led to the creation of noise first, vocals second, and over the course of several months, thing evolved, and …(something) ruined became something more, with not only a more defined sound, but a thematic focus lyrically.

E.P. is a cohesive document, but also a document of an evolution, and the tracks are presented in the chronology in which they were created, each first aired at a FEAST event.

‘Life Is Too Short’: small frustrations simmer and boil over when presented with the stark reality that you could die tomorrow and you’ve squandered the last 10 years your waking hours being nice and pandering to utter cunts.

‘On Mute’: anthem for remote workers around the globe as we’ve watched cretins babble away merrily on video calls while no-one can hear a single word – although, frustrating as it is, it’s usually better than hearing their words.

‘Harder, Not Smarter’: another corporate classic. Time and again management promote smart working, time-saving, and economy. But for all the words, there’s only whip-cracking ultimately.

‘On Brand’: brand isn’t just slogans and advertising. It’s an ethos. You don’t just work for a company, you are the company, a walking promotion. Live the brand.

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Hailing from Charlotte (USA), Qoheleth is built from the last remaining scraps of their sanity (Jeremy Hunt, Mike Strickler, and Caiden Withey). The resulting sounds and sights of the collective are rooted in upheaval: loud, obnoxious, and discomforting. Throughout their five year existence, they have focused on three central tenets: pushing the musicality of noise to its limits, never standing in one place for long, and continually asking questions.

Their newest album, Warmonger, explores the American love affair with violence. What happens when a country is: founded in violence, endowed with a mythos that both ignores and celebrates destruction, and continues to perpetuate it, over 200 years later? The American Dream is a violent one. What happens next?

Warmonger reveals a more communal aspect of QOHELETH, as they invited friends to lend their vocals and noise-making talents to the party. Artists E.B. Taylor, K, Juan Carlos Lopez, and Jon Michael help broaden the sonic palette of previous albums, offering their own perspectives on what violence hath wrought.

At the core, this record is one of lament, anger, and grief, tinged on the edges with hope. If there’s a path towards life and well-being for all, it has to start with a reckoning. This is ours.

Watch ‘The Means Undid The Ends’ here:

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