Archive for the ‘Recommended Streams and Videos’ Category

Fresh off their first UK tour since the days before Covid, The Kut has released a brand new single ‘Satellite’. Emotive, powerful and featuring a guitar solo straight out of a Clapton ‘How To’ school, the track released on Valentine’s Day as the second single from her forthcoming sophomore album. And now there’s a video to accompany it, which you can watch here:

Announced a Double Award Winner in UK Songwriting Contest this week, winning both the UKSC Rock Award and UKSC Music Video Award, The Kut (PhD) is a rising rock multi-instrumentalist who performs and records alongside a collective of women in music.

The award winning ‘ANIMO’ (meaning courage or spirit) was released in November as the first single from the forthcoming long player. The single charted at No.8 in the UK Physical Singles Chart and No.35 in the UK Sales Chart.

Premiered by Johnny Doom at Kerrang! Radio, the record received playlist support from Janice Long, BBC Radio Wales, Planet Rock, BBC Introducing, Amazing Radio, Total Rock, Primordial Radio, Hard Rock Hell and upwards of 1500 plays worldwide. US Radio is well represented too, with FM playlising in 20+ US States including at 91X, San Diego, The New Music Foodtruck, WVUR, Chicago, WOOL, Burlington, WCSF, Chicago, KXT, Dallas, KXUA, Fayetteville, KFCF, Fresno, KXFM, Laguna Beach, WVZA, Marion, KBRE, Merced, KFAI, Minneapolis, KZMU, Moab, WODU, Norfolk, WRKC, Philadelphia, Radio Phoenix, KMUD, Redway,KAMP, Tucson, WQRR, Tuscaloosa, WERA, Washington, KPCA, California, KUPR, New Mexico, WDWN, New York, WNIA, North Carolina and WVUR, Virginia. The music video has now also been playlisted on LATV, adding to previous US support from MTV, MTV-U AXS TV and Music Choice.

On release the record featured at No.12 in the US NMD NACC Top Singles ‘Heatseeker’ Chart, and subsequently made its debut in the US Submodern Singles (Airplay) Top 100.  Funded by Arts Council England, the award sees in the release of ‘Satellite’ as a second video single from the forthcoming album, alongside touring and documentation from behind the scenes at rehearsals, at the studio and on set.

“Every single release we are challenging ourselves to grow and level up!” The Kut shared in a post from East End Studios, London. The new music video for ‘Satellite’ is directed by Mike Gripz of Smith Town Studios, and expected for release next week. Featuring Diana Bartmann (drums), Alison Wood (keys / bvs), Jennifer Sanin (bass / bvs) alongside The Kut (vocals / guitar), the single’s powerful message is expected to pull some heartstrings this Valentine’s. Dedicate to ‘everyone who’s had my back when I needed it most’ the single is produced by James LeRock Loughrey and was recorded at Axe & Trap Studios, Wells. It releases at all digital retailers, with CDs via the Criminal Records store.

Performing as late headliner on The River Stage, Isle of Wight Festival in September, The Kut has recently taken part in the Music Venue Trust x The National Lottery #ReviveLive Tour, with one rescheduled tour date remaining. The multi-venue event features a series of special shows in grassroots venues with the aim of kick starting the return to live gigs and featuring performances from Enter Shikari, Feeder, Becky Hill and many more.

In 2018, The Kut’s debut album ‘Valley Of Thorns’ reached No. 7 in the UK Rock Albums Chart and No. 18 in the UK Independent Albums Chart. The record was released on Criminal Records, now home to a host of rising artists including Weekend Recovery, The Last Siren, LORI, Mike Walsh, Argonaut, Calaveras and most recently music critic Everett True.

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After a five-year wait for new music, Ruby the Hatchet are premiering the track ‘1000 Years’ from their new EP Live at Earthquaker, their first outing for Magnetic Eye Records. The three-track set is scheduled for release on April 22, with pre-sales commencing today.

Live at Earthquaker features early organic and raw versions of two brand-new songs recorded entirely live at EarthQuaker Devices headquarters in Akron, Ohio during the band’s US tour with KADAVAR, with the cherry on top being the physical format debut of their raucous version of URIAH HEEP’s 70s anthem ‘Easy Livin’’.

The EP’s two new songs will reappear in fully-produced recordings on the New Jersey riff-rockers’ new studio album that has been announced for 2022.

The video clip for ‘1000 Years’ was recorded live and produced at EarthQuaker Devices, and you can watch it here:

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Pic: Mike Wuthritch

A Place to Bury Strangers find tenderness in the unlikeliest of places with ‘Love Reaches Out’, the fifth single and new music video from their critically acclaimed sixth album, See Through You, out now (digitally) and on March 11th (vinyl) on Dedstrange.

“’Love Reaches Out’ is the hope at the end of the tunnel that concludes this album,” says Oliver Ackermann. “I went through such a traumatic experience writing this record and yet people were there to help me, so this song is about appreciating and thanking them.” With its triumphant marching snare and a hooky bassline, ‘Love Reaches Out’ concludes See Through You on a warm and fuzzy note—though not the guitar kind. No circuit can contain the electrifying joy of two souls united. “Moments like this highlight how much [Ackermann has] grown as a singer,” writes Heather Phares at AllMusic. In her review of See Through You, she praises ‘Love Reaches Out’ as “Ackermann and company’s most empathetic song to date.”

In the music video directed by horror auteur Gabriel Carrier (For The Sake Of Vicious, The Demolisher), the third in a series of horror movie directors the band reached out to, a woman unexpectedly encounters and reaches out to a shapeshifting entity in the most unlikely manner. This entity befriends her after it was left for dead and gives her the support needed to help battle her own anxiety and inner demons. “It reminds us not to turn a blind eye to the small things and that friendships can manifest in the most unlikely ways,” says Carrier.

Watch the video here:

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The Neuro Farm recently unveiled their new release, the goth-rock Vampyre.

Vampyrism is a curse dating back to biblical times. Our titular heroine, lured by the promise of immortality, is given this curse by the egomaniacal leader of a vampyric cult. But within the cult there is a growing sense of disillusion, and she builds her own following.

Eventually, she spurns her maker, rebelling against him and his decaying institution. She says a final farewell to her mortal husband, turning away from humanity and embracing her new nature. She slays her former master in the “midnight massacre” and declares herself queen.

They’ve produced a lyric video for one of the tracks, the dramatic, operatic dark electro ‘Confession’, which you can watch here:

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Eight Bells have revealed the dark melancholic video single ‘The Well’ taken from their forthcoming new album Legacy of Ruin, which is scheduled for release on February 25, 2022.

The avant-garde doom project from Portland, Oregon conceived by guitarist and singer Melynda Jackson has previously revealed cover art, tracklist, and further details of their new full-length. Watch the video here:

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“This song’s story is particularly personal for me”, explains singer and guitarist Melynda Jackson. “It explores the emotions and fears of pastoral ‘salt of the earth types’ looking over the land that no longer yields a good harvest as a metaphor describing their lives. Mourning the bountiful past and coming to realize that they themselves are responsible for a bleak future. Melynda Amann, who was a member during the writing of this track, is also singing with us, while  Andrea Morgan adds haunting ambience with his violin.”

With their third album, the Portland metal experimentalists have sharpened their songwriting approach to create a soundtrack for the end of the world. Legacy of Ruin again features the trio’s trademark haunting vocal harmonies along with sometimes blistering, and sometimes impressionistic guitar riffing to create heady atmospheres of dark and light. 

The result of Eight Bells’ musical exploration is an emotional and insistent odyssey that transcends genre and imbues contemporary metal with 19th-century Victorian ghostliness, cinematic soundscapes in combination with female and male vocal harmonies perfectly fitting the album’s lyrical story. "Legacy of Ruin" focuses on themes of the human condition, natural destruction, death, regret, loss, malice, and retribution.

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Pic: Cody Keto

Australian death-doom dealers Malignant Aura have recently shared the opening song from their forthcoming debut album, Abysmal Misfortune is Draped Upon Me, which is set for release on May 30th on CD and vinyl via Bitter Loss Records. 
Titled “Malignant Aura”, this new track is now playing here:

Displaying the artwork of renowned artist Paolo Girardi, Abysmal Misfortune is Draped Upon Me was recorded by Brendan Auld at Black Blood Audio and mastered by Arthur Rizkm and the sees the quintet delivering a devastating, bleak and devilish death-doom that is reminiscent of early Paradise Lost and Hooded Menace.

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Gothic death rock pioneers Christian Death have announced their highly-anticipated new full-length album, Evil Becomes Rule. 

About  Evil Becomes Rule, Valor Kand says the following: ‘Both Evil Becomes Rule and The Root Of All Evilution are pretty much the story of evil. These songs are generally about “The Evil Within Society,” not necessarily stemming from a demon, or a devil, or a God. Instead, it’s about something concerning the evil within mankind. Evil Becomes Rule is a continuation of this theme. We’re going from the present time into the future.  When we started writing this album, we anticipated an event like the pandemic; a disastrous event occurring  on the earth. So now we’re asking the question, “maybe this is just the beginning of it?”’

Ahead of the album, set for release in May via Season of Mist, the band have announced a string of tour dates and unveiled a video for ‘Blood Moon’, which you can watch here:

Evil Becomes Rule US Tour Dates:
05/05: Akron, OH @ Empire Concert Club
05/09: Denver, CO @ HQ*
05/10: Salt Lake City, UT @ Liquid Joe’s*
05/12: Albany, CA @ Ivy Room*
05/14-15: Pasadena, CA @ Cruel World Festival [TICKETS // EVENT LINK]
05/17: San Diego, CA @ Soda Bar*
05/18: Mesa, AZ @ Nile Theater*
05/20: San Antonio, TX @ Rock Box
05/21: Houston, TX @ White Oak Music Hall
05/22: Ft. Worth, TX @ @ Rail Club Live
05/24: St. Louis, MO @ Red Flag
05/26: Pittsburgh, PA @ Hard Rock Cafe
05/29: Brooklyn, NY @ Saint Vitus
* w/ LUNA13

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Forged in the fires of the East Coast underground music scene in the 90s, experimental Hip Hop pioneers, Union City, NJ-based duo Dälek has spent decades carving out a unique niche fusing hardcore Hip Hop, noise and a radical approach to sound. Their brutal sonic temperament pushes rap music’s capacity for noise and protest to some exhilarating conclusions.

Following in the footsteps of their predecessors Public Enemy while drawing from influences as varied as My Bloody Valentine and German experimentalists Faust, Dälek have succeeded in adding completely new textural and structural dimensions to rap music.

A visceral and powerful live act, Dälek spent over a decade touring and bringing their raucous and blistering performances to audiences around the world. During this time they toured with and supported a wide range of acts in the Hip Hop, Rock, Metal, and Experimental genres including Flying Lotus, De La Soul, TOOL, The Melvins, Grandmaster Flash, Pharcyde, Fantomas, KRS One and The Bug.

For their latest and eighth album, Precipice, Dälek unleashes a work that is practically bristling with fury and power. Arriving on April 29th via Ipecac Recordings. Predominantly the work of the core duo, Will Brooks, aka MC Dälek and Mike Manteca (Mike Mare), Precipice features a guest appearance of Adam Jones of Tool on one of the album’s tracks. The band has enlisted Paul Romano (Mastodon) for the striking cover art, and the packaging features the art of Mikel Elam.

Today Dälek are sharing a video for the brickyard boom-bap track ‘Decimation (Dis Nation)’ which was directed by Brooks and can be viewed here:

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Initiated before the outbreak of COVID-19, the group briefly put Precipice on hold before returning to inject a newer, more dynamic energy into the album’s songs. The result is a timely work, that is teaming with immediacy.

“Precipice was a completely different record pre-pandemic.” MC Dälek explains. “We had been working on the sketch of what the album was going to be at the end of 2019. I think me and (Mike) Manteca had narrowed it down to 17 joints out of the 46 or so that we had started with. Me and Joshua Booth had taken the 17 and really fleshed out the joints. The idea was to bounce them back to Mike and then arrange and write lyrics. 2020 obviously had different plans for everybody. We basically put everything on hold. I ended up doing the MEDITATIONS series that year on my own. I think the catharsis of that project, its rawness, the pandemic, all the death, the social upheaval, everything that went down… when I went back and listened to what we had down… it just wasn’t right anymore, it wasn’t strong enough, it wasn’t heavy enough, it wasn’t angry enough. It just didn’t say what I needed it to say.”

With Precipice, Dälek have once again tapped into the heartbeat of the day and used that energy to create a vital statement about the world we live in. Continuing in the long tradition of revolutionary Hip Hop, Precipice builds new cadences born out of tumultuous times.

After decades of challenging and expanding the sonic fabric of Hip Hop itself, giving way to new approaches and possibilities, Dälek is set to take their rightful place as one of the culture’s true innovators.

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Photo Credit: MICHAEL PATRAS

Postpunk-darkwave-electro trio VONAMOR presents their pulsating and enthralling new single ‘You the People’. Recalling the best dark pop of the ‘80s, this is the second taste of their impending debut VONAMOR album, an 8-track collection produced by Lucio Leoni and being released via Time To Kill Records (TTK).

The hypnotic fast-paced videoclip features dystopian imagery depicting the messed-up and borderline world in which we live. The sound weaves together stories of men, power and protest worldwide to sharp dialogue between male and female, voiced in English and Italian. Colours and pounding images mesh with archive footage of clashes between people and power, men and progress, technology and freedom, as flashes of our modern world strike your retina.

“Through our darkwave music and words, we search for the question, the ambiguity, the multiform influence of a variety of demons. We feel the urgency of questioning ourselves, our fellow human beings and the reality around us," says Giulia Bottaro.

“At first it may seem you are watching the videoclip for ‘You the People’, but the more you go on, you may feel that the video itself is watching you – and you are there, at the very intersection between we and you, between past and present, between desire and fear, between sound and colour.”

‘You The People’ underlines VONAMOR’s dialecticism and style, as well as their will to convey originality and sensuality, even when menacing, with passion and intensity. Eternally playing with words and sounds, they never lose sight of the rhythmic, Dyonisian and captivating soul of their electro dark, post-punk vision.

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This single follows the lead track ‘Take Your Heart’, which has been met with international acclaim, and its intriguing video, directed and edited by Fabio Santomauro. Last year, the trio released the singles ‘Never Betray Us’ and ‘Fast-Forward Girl’.

VONAMOR is made up of sisters Giulia Bottaro, Francesca Bottaro and Luca Guidobaldi, with Francesco Bassoli and Martino Cappelli joining the trio for live performances. The band’s roots date back to 2016 in Rome. Initially focused on communicating images and composing scores for short films, they morphed into the trio we know today with their style, literary echoes, imperious art-pop and enigmatic aesthetics.

“VONAMOR is an escape plan, our treasure island, a thick and savage jungle that gives you the chance to let your prayers and whispers reverberate like a church. We used the music in this album to walk paths that we hadn’t known before, to connect Rome to Paris to Berlin to Beijing, to mix techno music with folk, to let our voices and bodies mingle and dance to an incredibly weird yet familiar beat, and finally to search for a boom of love and light into the dark of our everyday life: yes, VONAMOR is a boom!” says Luca Guidobaldi.

Watch the video here:

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Brisbane-based death-metal act Cryptivore have recently unleashed a new track from their forthcoming debut album Celestial Extinction due out on March 15th via Bitter Loss Records.

Listen here:

Five years on from their debut demo “Unseen Divinity”, which was later reissued by Blood Harvest/ Dawning Septic, Cryptivore are now ready to release their first album Celestial Extinction, an effort that remains deeply rooted in old-school death metal, yet also shows the Australian outfit developing and refining their sound.

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