Archive for the ‘Recommended Streams and Videos’ Category

The latest release from the darkly delicious mind of Raymond Watts aka PIG is ‘Baptise Bless & Bleed’, a brand new EP awash with religious lyrical fervour and riffs that could effortlessly crush a tank. The title track is a relentless juggernaut before ‘Speak Of Sin’ takes to the dancefloor. It sounds like an instant PIG masterpiece.

Things take a turn for the sublime as ‘Tarantula’ sinks its pernicious fangs deep into the psyche, clasping the listener tight in its electronic web, while closing out the release is the slower but no less ecclesiastic ‘Shooting Up Mercy’, an epic paean to the cosmic joke that is human existence.
Accompanying these four new slices of PIGgish playfulness on its 12” vinyl format are three bonus extended versions added to the digital release to fully sate your fix.

The beginning of the end or the end of the beginning? ‘Baptise Bless & Bleed’ completes PIG’s tarot quadrilogy, a tragedy in four parts that also includes the earlier volumes ‘Sex & Death’, ‘Pain is God’ and ‘Drugged Dangerous & Damned’.

Providing blessings, but hopefully not the bleeding, on this particular release are regular PIG collaborators Steve White, En Esch and Michelle Martinez.

As with the other releases in the set, Watts has determined that presentation is paramount, and the spellbinding physical edition of ‘Baptise Bless & Bleed’ comes on opulent 12" white vinyl in a die cut custom sleeve that houses a printed inner sleeve and three brand new tarot cards.

Watch the lyric video for ‘Baptise Bless & Bleed’ here:

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Norwegian technical metal quartet Insense, have recently shared the opening song of their forthcoming new EP "The Silent Epidemic B-Sides", which is set for release on May 13 via Mas-Kina Records.

The new EP features two songs from the recording sessions of their 2007 album The Silent Epidemic, and although these two tracks didn’t make the final cut they’re still representative of the band’s strong ability to write some powerful, complex and chugging riffs.

Emerging over two decades ago, Insense has grown and evolved their sound with creative hunger but an ability to ignite the senses whilst turning them inside out has been an ever-present fertility they have fuelled their invention since day one.

From their early days Insense were given comparisons to the likes of Machine Head, Dillinger Escape Plan, and Meshuggah, but the reality is that while of course being huge fans of all the aforementioned giants, their sound is simply theirs, a one of a kind sonic predation which sets the band apart from those inspirations and the rest.

Listen to ‘Crushed Beneath the Weight’ here:

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They’ve had records produced by Jon Spencer. Henry Rollins and Debbie Harry are fans. The Bobby Lees are HOT.

Un-tempered, no frills rock ‘n’ roll comes from The Bobby Lees as they release the video for the riotous new track ‘Dig Your Hips’, taken from the upcoming four-song Hollywood Junkyard EP on June 17th. The band are also set to tour throughout June and July, which will mark the band’s first shows in the UK and Ireland.

On the song, Sam (vocals) says "This song’s about a psychotic episode I had while partying in the desert, and the feeling of wanting to set fire to your life and run away from it with someone you barely know."

Drummer Macky adds, "this song is about exactly what it sounds like. With most things but most notably art there’s no such thing as objectivity, pretty ironic considering how objects are viewed as a pretty ubiquitous medium for artistic expression. Anyway, the way we relate with an object, surprisingly, has a lot to do with our own spacial and conceptual relationship to it. All that is to say that it’d feel a little too self indulgent to give a personal overview of the song as at the end of the day I’d just be forcing you to watch the movie, my movie, before you read the book, so to speak… That being said, this song is about exactly what it sounds like. I really hope you like it!"

The video, directed by John Swab, was shot in an abandoned factory whilst the band were on tour in Tulsa, Oklahoma in March.  Watch the video here:

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Photo Credit: John Swab

In the magical volcanic landscapes of Lanzarote, Jana Irmert found images for the ideas, moods and feelings that fueled the work on the tracks of What Happens At Night: For me this release is a window through which I could express my thoughts and feelings about our planet in turmoil. Starting out from a point of hopelessness, my fascination with travelling into Deep Time and learning about geologic ages grew. After all, what will be left of us will only be a delicate layer in the rock.“

‘Stratum’, named after the word used in geology for a single layer of sediment, attempts to dissolve time and space, merging the abstract and the concrete. The volcanic landscapes, which are very young from a geological perspective, thereby become a place where human existence plays only a marginal role.

Watch the video here:

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Four years in making, Toronto artist Barzin is releasing his fifth studio album Voyeurs In The Dark. That the album is more cinematic in its scope and conceptual in feel than his previous studio albums can be attributed to the time he spent over the past several years composing the soundtrack for the independent film, Viewfinder.

Voyeurs In the Dark retains that cinematic quality, and at the same time infuses the music with elements taken from Jazz, electronica, rock and pop. Having primarily explored the quiet side pop and folk in his previous four albums, Barzin has expanded his musical palate, broadening his sound towards a more an experimental direction, while still retaining his preoccupation with exploring the  internal landscape. The uniformity of sound that characterized the previous albums has been abandoned for the expression of differing aspects of the self that at times hold opposing views and desires. This is best represented in the image chosen for the cover of the album, which depicts three figures in one body. The album seems to be the expression of not one unified self, but the various aspects of the self.

Voyeurs In the Dark sees the artist plot a seductive, contemplative route through city haze, shuttling between graceful glimmering interludes, with wonderfully atmospheric songs at every stop. On new single ‘It’s Never Too Late To Lose Your Life’, Barzin has a affirming and urgent tone, shade turning into shapes and motion.

About the track, Barzin explains, “I guess you can say I was chasing my own private white whale when I was writing it. I was trying to create from a place of not knowing. I didn’t want to know what the hell I was talking about. If something started to make sense to me, I knew I was on the wrong track.

The Sufi poet, Rumi, wrote many years back that we must make room inside of us for these unwelcome guests that visit us every day. Not only did I invite the guests to come inside, but I asked them to stay and make an album for me. I have no idea what I/they made, but it was an interesting experience to create something that felt foreign to me.

I think this song and this video is a good example of what happens when you let the “other” take the wheel and drive the car”.

Watch ‘It’s Never To Late To Lose Your Life’ here:

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Having been away from the recording studios for nearly seven years, Melbourne-based black-metal collective Thrall appeared to be relegated to the fate of “cult act”, especially considering they vanished after releasing their most accomplished and critically lauded album Aokigahara Jukai.

Back with an enlivened recorded line-up that features members of Gatecreeper, Noose Rot, ex-Extinct Exist, Förfalla, Slothferatu, ex-Ruins, Mar Mortuum and Myotragus, the group picks up where they left off, merging some primeval and heinous black metal, with a ferocious thrash metal attack, a raucous crust and miserable doom atmosphere.

Ripping, engaging, and despairing, new album Schisms shows a vast number of guests joining Thrall in studio and hopefully will cement Thrall position as one of most interesting and creative bands from the current Australian extreme metal scene.

Listen to ‘Tyrant’ here:

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Wardruna are releasing an official music video for the streamed live performance of ‘Fehu’. Einar Selvik says, “Fehu is a song inspired by ancient runic poetry. The word itself refers to cattle/livestock and wealth and the song discusses the duality of wealthiness. "Fehu" was originally released on the album Runaljod – Yggdrasil in 2013. It has been a permanent song in our live-set ever since the release and thus, it feels great to finally release a live version of the song.”

The release date of Kvitravn: First Flight of the White Raven has been moved to 10th June. A statement from Einar is as follows; "Due to a very unfortunate production issue, we are forced to move the release date of First Flight Of The White Raven in all of its formats to June 10th. On a more positive note and due to popular demand, we will make the DVD available as a standalone item and offer the concert as VOD (Video-On-Demand) through our World and US online-shops." He continues, "the DVD presale starts April 22nd along with a new digital single and video from the upcoming release. We apologise for the inconvenience this may cause and we are grateful for your understanding."

Watch ‘Fehu’ here:

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Photo Credit: M12 Kultur

Plotting a rapid follow-up to their acclaimed 2021 debut album, the track arrives as the first insight of what the band confirm will be their upcoming second full studio release.

Whereas much of their debut album, ‘Deathretro’, was thrashed out during the band’s first incarnation almost 15 years ago, “Exit Point” stands as Deathretro’s first completely original composition in over a decade.

A frenzied post/punk thrill, it veers and swerves through surf-carved curvatures and barbed guitar prangs, as the band spout nihilistic lyrics for the end-of-days.

“In the bowels, the people scream. Humanity, it appeals to me. Dirty machine, a wretched beast, We give life to the old devil.” howl Deathretro here.

Touching on the darkest of themes with a white-hot intensity, “Exit Point” rages against religion and propaganda in a dystopian realm of vivid, Dantean imagination.

Having already aired the track live at a smattering of live fixtures, Adrian of Deathretro sums-up the response so far:

“This is the only second album track that we have played live and to great reception…It’s punky, urgent, does it’s job and f**ks off”

Listen to ‘Exit Point’ here:

Around the release Deathretro are lining up a run of Spring headline shows and Summer festival dates (including Bluedot and Kendal Calling) that will offer fans another opportunity to catch the band performing “Exit Point” live. Full dates are as follows:

DEATHRETRO – LIVE DATES

28th April – Oporto, Leeds
(w/ Deathretro / Neeta)

18th June – Gorilla, Manchester
(w/ Sea Fever / Riding the Low / Deathretro

+ DJ sets from Gillian Gilbert & Stephen Mortis (New Order) & Chris Hawkins (BBC6 Music))

24th July – Bluedot
30th July – Kendal Calling

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Sydney-based sludgy doom-metal merchants Mountain Wizard Death Cult have recently dropped a music video for a brand new song to be included in their yet-untitled debut album coming later this year via Blighttown Records.

The band comments: "Initiation" feels like a culmination of the journey we’ve been through together as a band… channeling our frustrations, influences and aggression to bring the listener into our World. The record is going to be one hell of a journey and this track is a great example of what’s to come.”

Watch the video here:

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Black Nail Cabaret have released a video single for the new track ‘Orchid’. The Hungarian avant-garde synth pop duo that has added this stunning song to the bonus material, which is enhancing the reissue of their originally self-released and thus widely overlooked 2018 masterpiece Pseudopop. The album will first be re-released on Digipak CD and at a later date also on vinyl due to production shortages. Pseudopop will also include the previously hidden bonus track ‘The Worm’ and the Digipak CD has been slated to hit stores on April 29, 2022.

Watch the video for ‘Orchid’ here:

Black Nail Cabaret comment: “We wrote ‘Orchid’ towards the end of 2021, which means that this song is a completely new recording”, singer Emèse Árvai-Illes reveals. “We felt that the remastered Pseudopop needed a new track in addition to the previously hidden track, ‘The ‘Worm’. It was a means to distinguish the reissue from the original first release and and also adds value for those fans, who already own Pseudopop, but want to have the new version as well. ‘Orchid’ fits perfectly into the atmosphere and concept of the album. The song deals with intimacy and trust, but also obsession and vulnerability. The music video was created by Tamás Mesmer, who has previously captured the wonderful images for our songs ‘My Casual God’ and ‘Resonance’. He approached the clip from the perspective of obsession and intimacy. Tamás’ clip conveys the feeling of a 90s art film about a complex relationship.”

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Pic by Zoran Varga