Eville have come to be regulars here at Aural Aggravation. We rate them highly, and we rate their latest single, ‘No Pictures Please’, from their forthcoming debut EP Brat Metal, out next month. Check it here:
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Portuguese grindcore masters BESTA return this autumn with their fiercest work to date. Their reimagined album John Carpenter Redux will be released October 4th via Raging Planet in an exclusive limited vinyl edition.
Originally unleashed in 2013 and mixed by Steve Austin (Today Is The Day), the record has now been completely re-mixed and reimagined by the band itself, with long-time frontman Paulo Rui re-recording all vocals to deliver the most unhinged and powerful version yet.
As the ultimate homage to the master of horror, John Carpenter Redux bridges feral grindcore and politically charged punk, channeling the same tension, anger, and resistance that fuel many of Carpenter’s timeless films. The result is raw, uncompromising, and urgent, a soundtrack to chaos that feels both cinematic and confrontational.
This is BESTA at their fiercest: a band with over a decade of grinding, raging, and raging against the system, now paying tribute to one of cinema’s most visionary rebels.
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The most inspiring bands are the ones that can create a world around themselves that is about far more than just the music. The artwork, lyrics, sounds and ethos all merge together perfectly to create its own universe, a secret club. The Lovely Eggs are one such band. And against all the odds, 2025 sees them celebrate their 20th anniversary as a band! Stubbornly and heroically independent, The Lovely Eggs have forged their own path and have achieved mainstream success without ever compromising their DIY ethics.
To mark their 20th anniversary, The Lovely Eggs have announced a very special LTD release entitled Bin Juice – a collection of self-recorded outtakes from their last album Eggsistentialism, alongside rare B sides.
Released on their own label Egg Records, with eye watering artwork by Casey Raymond and hand packed in a black plastic bin bag on neon toxic slime green vinyl, this is yet another collectible release from a band who care as much about the art and ideas in their records as they do about the sound.
There will also be 300 copies exclusive to Rough Trade with alternative coloured sleeve and sticker art, on special edition transparent vinyl with toxic orange and slime green Bin Juice splatters.
“We had all these spare songs after we released our last album Eggsistentialism, and we didn’t really know what to do with them,” explained Holly. “They just didn’t seem to fit in with the vibe of Eggsistentialism, but we’d recorded them and wanted to get them out there.”
“They’re kind of a sketchbook of songs,” added David. “They’re not polished or laboured over but we thought it would be interesting to release them. It’s why we called the record Bin Juice. These were songs we had thrown away. But hopefully people like going through bins collecting trash.”
You can have a pre-release peak inside their bins with the just released track ‘The Grind’.
“Everybody wants an excuse to escape the 9-5 and day to day normality,” said Holly. “It’s our raison d’être for being in a band. ‘The Grind’ looks at all that stuff and is a bit of a paperback anthem for the disenfranchised and disillusioned."
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Catch The Lovely Eggs live on their 20th anniversary tour on the following dates in October. Tickets available HERE.
OCTOBER
Weds 22 – La Belle Angele, Edinburgh
Thur 23 – Òran Mór, Glasgow
Fri 24 – Newcastle University, Newcastle
Sat 25 – All day 20th Anniversary Party at The Brudenell, Leeds *SOLD OUT*
Sun 26 – Concorde 2, Brighton
Mon 27 – The Garage, London
Tues 28 – The Globe, Cardiff
Weds 29 – Castle and Falcon, Birmingham
Thur 30 – Academy 2, Manchester
Fri 31 – Metronome, Nottingham
NOVEMBER
Sat 1 – Trinity, Bristol
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Constellation are releasing the second album from the Beirut-based avant-rock sextet, SANAM this fall – who merge psych/kraut, improv/skronk, electronics, goth, and jazz elements with traditional Egyptian song and modern Arabic poetry in a compelling brew of widescreen hybrid avant-rock.
The new album, Sametou Sawtan expands on the genre-bending exploration of sound, memory, and cultural identity from their acclaimed 2023 debut Aykathani Malakon on Mais Um Discos, and is already garnering accolades from Uncut, Songlines, and Loud and Quiet.
Today, they share the track and video ‘Habibon’, a slow-burning, autotune-doused freakout, which follows their previously arresting lead single ‘Harik’ - check out the new video below.
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In support of the new album, SANAM has announced headline dates in the EU and UK from October-December.
SANAM LIVE
Oct-Dec 2025 • Europe and UK
09.10 Nantes (FR) Stereolux
14.10 Geneva (CH) Cave 12
15.10 Grenoble (FR) Le Ciel
16.10 Lyon (FR) Le Periscope
17.10 Briançon (FR) Bruit Blanc
18.10 Gap (FR) Le Gorille
22.10 Paris (FR) Petit Bain
23.10 Brest (FR) La Carène
24.10 Ghent (BE) De Koer
21.11 Milano (IT) Spazio Teatro 89
22.11 Ravenna (IT) Transmissions
28.11 Mestre (IT) youTHeater
30.11 Leeds (UK) The Attic
01.12 Glasgow (UK) The Flying Duck
02.12 Salford (UK) The White Hotel
03.12 Bristol (UK) Strange Brew
04.12 Brighton (UK) Patterns
05.12 London (UK) Rich Mix
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SANAM photo by Karim Ghorayeb
WHITEHORSE is the new band from Thomas Haywood, the former frontman of The Blinders. Their new single ‘Red Riptide’ is released on the 2nd of September, riven with urgency, with guitar licks like knives being unsheathed, dexterous basslines, scampering drums and a vocal that simmers, broods and reaches crescendo. It’s about being completely clear-headed and in a place of certainty in your mind, and the rushing feeling of violence that comes with determination when you’re cutting through the chaos and staying true to a vision you’re so certain of.
They say “It’s as heavy as we go at the moment and to me describes desire in a tune and screams ‘fucking come on then’ to anything thrown your way
"It was written when heavy rains burst the waters of a riverbank and the whole thing was just gushing all over the place and it set me off big time.”
Formed in Sheffield in late 2024 by Haywood alongside Bobby Bouché, John McCullagh & Nathan Keeble, and James Keith.
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From the cold depths of Norway, Uaar emerge with their punishing debut full-length: Galger og brann (“Gallows and Fire”), a brutal, blackened slab of d-beat hardcore that pulls no punches.
Written and produced by Jon Schaug Carlsen and the band, the album is set to be released on October 17th via Fysisk Format, on vinyl and digital formats.
The band has dropped the new video for the track ‘Galgeås.
Fans of Tragedy, Skitsystem, From Ashes Rise, and Sibiir will find themselves right at home in the storm: crushing riffs, pulverizing d-beats, and an atmosphere so suffocatingly dark it feels like the world collapsing in real time. This is the soundtrack to disorder, decay, and the slow grind toward oblivion.
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