Posts Tagged ‘Single’

KAYO DOT have revealed the video single ‘Oracle by Severed Head’ taken from their forthcoming new album Every Rock, Every Half-Truth under Reason, which is scheduled for release on August 1, 2025.

Watch it here:

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KAYO DOT comment: “The song ‘Oracle by Severed Head’ is about prophecy, but not the clean, transcendent kind that we’ve been taught to expect”, mastermind Toby Driver reveals. “This is prophecy as defilement – a sacred voice ripped from the past and forced through a severed head – a voice no longer truly its own, but distorted, fragmented, bleeding into the present. It is a song that interrogates the ways in which manipulated versions of the past continue to invade the present, asserting themselves in violent ways. These voices might be real and they might speak some truths, but who, through the obscene fracture that brought them back, are we really listening to? And at what cost? Musically, ‘Oracle by Severed Head’ pulls us into that space of rupture. It is built on a large ensemble – guitars, drums, bass, strings, woodwinds, trumpet, and vocals – an orchestration that calls back to the earliest Kayo Dot works. The song is a perfect choice for a first single, as it celebrates our return to form while marking the passing of time since ‘Choirs of the Eye’. The music is expansive but controlled, allowing tension and release to breathe in real time. Its beauty is at odds with its plaintiveness, as aching melodies and delicate harmonies evoke a sense of loss and longing. The climaxes feel inevitable, yet somehow unexpected. In these moments, the music mirrors the emotional intensity of our most powerful moments, but also speaks to the underlying disquiet of the present – trapped between what was and what is yet to come.”

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dälek share a new track ‘The Essence’ ahead of European tour dates this May. The experimental hip-hop pioneers are currently in the studio working on their follow up to Precipice and have given fans a taste of what’s to come in this new single.

“The Essence is a window to where me and Mike are at right now.  We quite literally took it back to the essence on this joint. Straight up me on the  MPC 3000 and Mike on Processed guitar, playing off of each other as we created the track. Lyrics and flow are central to the joint and dictated the direction of the production and how we sculpted the arrangement.

As always there are layers to the meaning but I also wanted to be crystal clear on what I was spitting. There are minimal to no overdubs. We somehow kept the heavy “wall of sound” feel but stripped away superfluous layers to just the parts and pieces that were needed to complete this as a “dälek” song. This is just a taste of what is coming.” – Dälek

The lyrics of ‘The Essence’ are full of defiance and energy, something which the band will no doubt bring to their live shows; "We had civilizations interconnected throughout history/Our art and architecture composed with sacred symmetry/I’m seeing these past lives vividly/Refuse to let them kill our joy wit bigotry."

dälek live 2025:

May 20th – Berlin, DE – Neue Zukunft
May 21st – Vilnius, LT – Kirtimai Cultural Center
May 22nd – Tallinn, EE – Paavli Kultuurivabrik
May 23rd – Helsinki, FI – Sonic Rites Festival
May 24th – Budapest, HU – Instant-Fogas
May 26th – Prague, CZ – Palac Akropolis
May 27th – Brno, CZ – Kabinet Muz
May 28th – Vienna, AT – Flucc

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Brooklyn hardcore outfit Cash Bribe are back with a vengeance, unveiling their third EP Demonomics on June 13, 2025, via Futureless. This marks the band’s debut release with the label, and they’ve never sounded more vicious, precise, or relentless.

The EP’s title track, ‘Demonomics’, is now streaming everywhere—an absolute sonic assault that sets the tone for what’s to come.

Hear it here:

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There are two kinds of heavy bands: the ones that make a lot of noise and the ones that drag you somewhere you didn’t know you needed to go. Cwfen (pronounced ‘Coven’) are the latter, and Sorrows is a record that doesn’t just crush – it haunts long after the final note.

The allure of Cwfen’s sound lies in contrasts: the glacial ferocity of Amenra, with the velvet-and-razor vocals of King Woman, and the rotting grandeur of Type O Negative. It’s as hypnotic as it is harrowing, but somehow even better than the sum of those parts.

Since emerging from Glasgow’s underground just 18 months ago, Cwfen have built a solid reputation, selling out shows and pulling growing audiences into their doom-laden fever dream. Released in October, the band’s debut single ‘Reliks’ was a hit with fans and critics, landing a spot on Kerrang!‘s release of the week playlist. And rightly so. Their sound devours and delights in equal measure. And people are craving more.

Today sees the band share new single ‘Bodies’ with vocalist and rhythm guitarist Agnes Alder stating,

“Bodies was one of the first songs I’d written for Cwfen. I’d gone through a period of significant change in my life and had burned out to the point of caring a lot less about things that had previously been important to me when I was younger. As I was writing, I’d imagined this sort of vast, feminine cosmic horror. Sort of the opposite of what women are supposed to be. And I had this thought: what if, instead of being told to stay small and keep producing, a woman took up the biggest space possible and just… consumed? Almost a black-hole-sized matriarch hoovering up everything until there was nothing left. It was fun to think about this sort of monstrous feminine presence that can’t be stopped. So the song was sort of an exploration of those feelings, a catharsis of sorts. And permission to be terrifying.”

Listen to ‘Bodies’ now:

Upcoming shows including UK tour dates with Faetooth:

21/5  –  Audio, Glasgow – Supporting Castle Rat

22/5 – Legends, Edinburgh – Supporting Castle Rat

13/06 – Glasgow, Hug & Pint w/ Faetooth

14/06 – Huddersfield, Northern Quarter w/ Faetooth

17/06 – London, The Black Heart w/ Faetooth

18/06 – Manchester, Star & Garter w/ Faetooth

19/06 – Norwich, Arts Centre w/ Faetooth

20/06 – Ramsgate, Music Hall w/ Faetooth

Tickets: https://linktr.ee/cwfen

02/08 – Cardross Estate, Stirling – Back Doune the Rabbit Hole Festival

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AZURE EMOTE drop the video clip ‘Feast of Leeches’ as the first single taken from their new full-length Cryptic Aura. The fourth studio album of the American progressive death alchemists has been scheduled for release on July 25, 2025.

AZURE EMOTE comment: “The first single ‘Feast of Leeches’ is a frantic release of anger and madness”, mastermind Mike Hrubovcak writes. “For far too long have we suffered the pressure of outside vultures feeding off our personal energies. It’s fitting that this video was created by ‘Drain Hope’, because it visually expresses the frustration of being surrounded by leeches and parasites that are sucking on our lifeblood, while leaving us ultimately drained and lethargic. It’s like suffocating under dirt but still crawling through the mud in hopes of getting out. We are all waiting to breathe, but always holding our breath, and continually striving to be, while awaiting our death.”

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Here’s something of a curio… ‘PolarForest’ by Anja Huwe / Xmal Deutschland.

A saturnine mashup of Xmal’s 1987 track ‘Polarlicht’ and Anja Huwe’s ‘Living In The Forest’ from her 2024 album Codes, the single reinvigorates the binding of Anja’s past to her future.

‘Polarlicht’ explores the enchanting beauty of the northern lights, with Anja’s vocals repetitively calling “scheine, scheine,” emphasizing the hypnotic nature of the Aurora Borealis. Contrasted with Anja’s stronger vocals of ‘Living In The Forest,’ the theme and lyrics of the track bring melancholy and subliminal aggression and anger to the mix.

The single is accompanied by a music video which features Huwe’s stunning visual art alongside sequences from the art and dance project COAX, ARCHETYPE, formed by internationally renowned choreographer and performing artist Rica Blunck and multi-talented artist Nicolas Anatol Baginsky.

You can watch the video here:

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Gothenburg’s metallic hardcore crew Obstruktion have just dropped a brand-new music video for their latest single, ‘Touched by the Void’ and it hits with the force of a collapsing world.

Taken from the band’s highly anticipated second album The End Takes Form, which is set to be released on May 30 via Suicide Records, this track shows Obstruktion at their most intense, merging pummeling hardcore grooves, death metal heaviness, and raw emotional catharsis.

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The band comments: “In many ways, ‘Touched by the Void’ feels like a full-circle moment for us on this album. Much like ‘Death Comes Near’ it draws heavily from our roots in Swedish death metal, but we wanted to expand on that with a hardcore intensity that reflects the urgency of the themes we’re exploring,"

"Lyrically, the song wrestles with two interconnected ideas: the personal struggle to confront our own mortality and the broader, collective destruction we perpetuate as a culture. It’s raw, heavy, and deeply reflective — a snapshot of both individual and societal chaos. This track embodies the duality that defines the album: unrelenting power paired with introspective vulnerability.”

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Jakko M. Jakszyk, perhaps most recently known as lead singer and second guitarist in King Crimson, is proud to announce his new solo album Son Of Glen – set for release on the 27th June 2025. The record is a companion piece of sorts to his acclaimed memoir ‘Who’s The Boy With The Lovely Hair’, that was released in October 2024, and explores many of the themes and the subjects that the book touches upon.

To coincide with this announcement, you can now hear the stunning 10-minute long title track here:

A specially commissioned video for Son Of Glen, will be premiered on the 2nd May. Look out for more information on that soon.

Jakko comments: “A romantic fantasy narrative based on what I discovered about my real father after decades of fruitless searching for him.

Glen Tripp was a US airman based in the UK who fell for a dark-haired Irish singer. And here I was many, many years later repeating what he had done by falling for another. What if he had been watching me and guiding me from ‘afar’?”

Jakko’s remarkable songcraft is evident on ‘Son Of Glen’, as his elegiac lyric muses on our fixation with nostalgia and the human condition, and yet where great songwriting, pathos and poetry would be enough to satiate most listeners, let us not forget that Jakko is (somewhat enviably) also a phenomenal guitarist, exceptional singer and multi-instrumentalist, whose precision production and skill for crafting glorious spatial soundscapes takes his arsenal of talents and skills, to a place where it’s more than justified to say, there is no one else quite like Jakko, doing everything that he does, with the proficiency he does it.

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Belgium’s harbingers of doom and despair, Growing Horns, have just unleashed a music video for ‘Godvergeten’, the latest single from their crushing debut album The Essence of Suffering, set to be released on May 3rd.

With riffs that crash like falling cathedral walls and vocals that echo like the wails of the damned, ‘Godvergeten’ is a sludge-soaked sermon of pure sonic punishment. Filmed in stark black and white, the video captures the primal energy and unfiltered bleakness that defines Growing Horns sound.

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Formed in 2015 in the shadow-cloaked depths of Kortrijk, Belgium, Growing Horns didn’t emerge as just another sludge band—they rose as a séance. A slow-burning, punishing invocation of pain, fury, and existential dread. Their sound isn’t forged—it’s exorcised.

Their 2019 debut EP, The Nobility of Pain, landed like a blow to the chest. A raw, unrelenting outpouring of emotion that critics called relentless and fans called home. It wasn’t just music—it was a wound. Pulsing. Festering. Unrepentantly real.

Now, the Belgian collective returns with The Essence of Suffering—an album that doesn’t simply gaze into the abyss, but sets up camp, builds an altar, and lights black candles in its honor. Heavier, darker, and more immersive than anything before, this new chapter digs even deeper into their signature sound: a harrowing fusion of sludge, doom, and stoner-infused despair.

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ASTARI NITE has just announced the release of their new single, ‘Miss Rain On My Parade’ courtesy of Negative Gain Productions. The highly-anticipated single follows the recently successful, ‘Unisex Games’.

Vocalist Mychael states: “Validation is not love, and some people are confused by the two. It’s unfortunate how many live their lives, yearning for that certain approval by others. This world can be very dishonest if you allow it to be and the longer you continue to dive into someone else’s sea of lies, you’ll always be alone, with your telephone, and all four walls of the room.”

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ASTARI NITE is an alternative rock band that has made a significant mark in the dark wave music scene. Originating from Miami, Fl, their music blends elements of alternative, post-punk and new wave, resulting in a distinctive dark glam sound.

ASTARI NITE’s style is reminiscent of classic alternative bands like Clan of Xymox and Placebo, yet their modern production and unique lyrical content give them a contemporary edge. ASTARI NITE have supported notable acts such as Peter Murphy, The Damned, Black Rebel Motorcycle Club, Cold Cave, Peter Hook and The Light, Psychedelic Furs, Modern English, Midge Ure (UltraVox) as well as newer acts on the scene: Actors, Twin Tribes, Then Comes Silence, Rosegarden Funeral Party and Bestial Mouths.

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