Posts Tagged ‘The Joy Thieves’

Chicago-based alternative all-stars The Joy Thieves unveil the video for their new single ‘No Anchor’ feat. Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface), created by Lumbra Productions. The second taste of their full-length album Apocalypse Pending, out June 5th via Armalyte Industries, fumes about a chilling world where corporate giants and billionaires operate with total impunity and where the absence of a moral "anchor" leads to societal and personal dissolution.

These music mavericks eye the edge of collapse, capturing the zeitgeist with such precision. Touching on the decay of the individual, ‘No Anchor’ explores the isolation in our modern world has pushed people towards amorality and an increased sense of hopeless nihilism. on vocals, this song articulates a world slipping free of moral gravity.

Revolving around musicians-producers Dan Milligan and James Scott (a.k.a. Joy Thieves Productions), The Joy Thieves is a musical supergroup that includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

“These days, it seems like people are capable of being pushed or tempted to exist in a state where they are alone. No moral compass. No ethics. No empathy. No forgiveness. No anchor. In a society where guilt seems to be gone, people can act however they want,” says Chris Connelly.

Dan Milligan adds, “When I was writing the music for ‘No Anchor,’ I purposefully used ever-changing, off-kilter guitar riffs that seem to stray farther and farther from the song’s key as it progresses. Because the music never truly repeats, or settles down, it creates the sickening sense that everything is unresolved, and it’s only going to get worse.”

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Darkwave duo, Johnathan|Christian return with ‘Where Do We Go From Here’—a brooding, cinematic post-election anthem that captures the emotional wreckage of a divided nation. The track opens in hushed reflection (90 BPM) and erupts into a 125 BPM pulse of unrest and reluctant clarity. No slogans. Just aftermath.

The video integrates footage from Maya Deren’s At Land—a woman lies on a beach, disoriented yet unbroken, before rising with quiet resolve. What begins in poetic isolation transforms into documentary collapse: flickering headlines, divided families, shuttered classrooms, and hands reaching—but not always finding. It opens with: “We Still Remain.” It ends with: “WE STILL RISE.”

“We didn’t want spectacle—we wanted aftermath,” says the band. “No fire. No fury. Just a reckoning in the ruins.”

Included in the release are: a 125 BPM DJ Edit for live mixing and DJ sets, and remixes by industrial supergroup, The Joy Thieves and Stoneburner’s Steven Archer. Also included is the track, ‘Fall from Grace’ – a short, ghostly instrumental layered with static and decay; a requiem for what was, and a reflection on what remains.

For fans of Peter Murphy, Human Drama, Laibach, New Order, and politically-driven dance stompers.

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Electro-industrial band KRATE is back and once again teams up with a number of incredible talents on their fourth endeavor, It’s The Hope That Kills You.

The general theme of this release is hopelessness. No matter how hard you try, in the end nothing else matters as all matter is destined to die. Your prayers will be lost while you watch the horizon sink. There is no one to blame but us. We reach for the needle and ask ourselves one last time, "Where do we go from here?" Absolutely nowhere.

Songs like the hard-hitting title track featuring Anatoly Grinberg (Dead Voices On Air) & drummer Dan Milligan (The Joy Thieves). Other tracks feature members of Bow Ever Down, Slighter, Liquid Black Goo and Numbered Men.

Five tracks of electro – industrial spanning the full  spectrum of what this subgenre encompasses; from nightmarish beat-driven to heavy orchestral/industrial. The Hope That Kills You is available now on all digital platforms including Bandcamp. Listen to it in full here:

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KRATE was born in late 2017 when Chris Shortt (VERIN) and Roland Zwaga (Acidrodent, Construct) began discussing a collaboration.

The initial concept was to compose a dark ambient project between the two. After the first stems were exchanged, however, they both quickly agreed that a rhythmic element would be required to augment the sounds thus far created, leading to the abandonment of the original ambient goal.

Dark electro/industrial beats were submerged in deep cavernous, rumbling structures that were later complemented by an ever growing roster of collaborators.

As the songs originate from the input of such a varied group of artists, the music virtually spreads itself across the entire spectrum of electronic music, all the while managing to craft a cohesive and singularly focused sound.

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