Posts Tagged ‘Icy Cold Records’

26th October 2026

Christopher Nosnibor

‘Hypnotic’ and ‘sensual’ aren’t adjectives one tends to associate with grunge – but then, how many French grunge bands do you know? ‘Unholy Addiction’ is the lead single from Pythies’ upcoming debut album, Suck It. Pythies are from Paris. I say ‘are’, but the band is essentially the solo vehicle and vision of Lise. L, who draws influence from Veruca Salt, Sonic Youth, and Hole, with the assistance of additional musicians. Debut EP, Disillusion (2024) was a blast of feedback, fast and furious riffery, and stealthy hooks all delivered with a punky edge, and which fulfilled the title’s promise in terms of sentiment.

By way of a taster for the follow-up, Unholy Addiction suggests something of a progression. It arrives in a trilling wail of feedback, but the overall sound is denser and more polished. The heavily chorused guitar owes as much to Soundgarden’s ‘Black Hole Sun’ as anything else, but Lise’s vocal delivery, alongside the structure – which is quintessential grunge, with its quite / loud dynamics and the explosive, driving riff that defines the chorus – means that the vibe is very much Hole circa Live Through This.

The timing of that album’s release meant that its greatness was eclipsed to some extent by circumstance – but history has seen some justice done, and it’s come to be recognised as a true classic of the time, and in its own right.

Paving the way for the new album with a slower song may seem an unusual choice, but then, the first single from Live Through This was the comparatively sedate ‘Miss World’ – a song which was unexpectedly accessible, and brought a sting in the tail. And so it is with ‘Unholy Addiction’, which places more emphasis on melody, both in terms of the guitar line and the multitracked vocal, showcasing a more evolved approach to songwriting and arrangement for Pythies.

Packing in some serious power, accelerating to the finish with driving guitar, thumping bass and a crashing crescendo of drums, ‘Unholy Addiction’ not only recreates the energy and excitement of 1994, but hits like an instant classic.

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‘Crippled Crow’ is the final single by Norwegian band Mayflower Madame’s much anticipated upcoming album Insight, out on 1st November via Night Cult Records/ Up In Her Room/Icy Cold Records.

Compared to the album’s previous singles, this newest track expands on their distinctive fusion of edgy post-punk and dreamy shoegaze, incorporating aspects of noise-rock and darkwave. Driven by a driving bass line and dynamic drumming, the song leads you on a captivating journey – from the haunting verse melodies to the intense guitar passages in the choruses, culminating in a powerful ending. It evokes feelings of longing and remorse amidst the wintry streets of Oslo, intertwined with a burning desire for transformation and catharsis.

Check the video here:

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Mayflower Madame return to the UK and Europe for a tour in November. Tickets are available here.

FULL DATES

Sat 2 November – Goldie – Oslo, Norway – Tickets

Wed 13 November – The Moon – Cardiff, UK – Tickets

Thu 14 November – Daltons – Brighton, UK – Tickets

Fri 15 November – The Strongroom Bar – London, UK – Tickets

Sat 16 November – Hot Box, Chelmsford, UK – Tickets

Thu 28 November – Noch Besser Leben – Leipzig, Germany

Fri 29 November – Kulturhaus Insel – Berlin, Germany – Tickets

Sat 30 November – Chmury – Warsaw, Poland

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‘Paint It All in Blue’ is the second taster from Norwegian band Mayflower Madame’s highly anticipated third album Insight, out on 1st November via Night Cult Records/ Up In Her Room/Icy Cold Records.

Following first single ‘A Foretold Ecstasy’, which refined their signature blend of post-punk, shoegaze and psychedelia into a sharper soundscape, the new offering instantly puts a spell on you with its throbbing bass lines, motorik drums and hypnotic guitars, until it opens up midway, leaving you drifting in a sea of dreamy melancholia.

The emotional intensity is heightened by frontman Trond Fagernes’ deeply reverberating lyrics about addiction and escapism when love is experienced as a drug. Combining the rhythmic grooves of krautrock and post-punk with the dazzling atmospherics of shoegaze and neo-psychedelia, ‘Paint It All in Blue’ is a profoundly dynamic song unfolding layer by layer.

Watch the video here:

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Over the past years, Mayflower Madame have gained a reputation far beyond their hometown of Oslo, Norway. Following the release of their debut album Observed in a Dream in 2016, which received rave reviews and earned them tours across Europe and North America, their 2020 sophomore album Prepared for a Nightmare firmly established their position as one of the continent’s leading purveyors of cinematic psych-gaze swathed in 1980s dark romanticism.  

In 2022, the band returned to touring the UK and Europe, while last year it focused on writing and recording new music and releasing a Deluxe Version of Prepared for a Nightmare containing 5 new bonus tracks.  

Their upcoming album has been mixed and mastered by renowned Italian engineer Maurizio Baggio (The Soft Moon, Boy Harsher, The Vacant Lots). It will be released digitally via their label Night Cult Records (Norway), on vinyl via Up In Her Room (UK) and on CD via Icy Cold Records (France).

Mayflower Madame is Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums). On studio recordings, they are joined by Kenneth Eknes (synths). "Paint It All in Blue" also features Rune Øverby (guitar).

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