Posts Tagged ‘Veruca Salt’

26th October 2026

Christopher Nosnibor

‘Hypnotic’ and ‘sensual’ aren’t adjectives one tends to associate with grunge – but then, how many French grunge bands do you know? ‘Unholy Addiction’ is the lead single from Pythies’ upcoming debut album, Suck It. Pythies are from Paris. I say ‘are’, but the band is essentially the solo vehicle and vision of Lise. L, who draws influence from Veruca Salt, Sonic Youth, and Hole, with the assistance of additional musicians. Debut EP, Disillusion (2024) was a blast of feedback, fast and furious riffery, and stealthy hooks all delivered with a punky edge, and which fulfilled the title’s promise in terms of sentiment.

By way of a taster for the follow-up, Unholy Addiction suggests something of a progression. It arrives in a trilling wail of feedback, but the overall sound is denser and more polished. The heavily chorused guitar owes as much to Soundgarden’s ‘Black Hole Sun’ as anything else, but Lise’s vocal delivery, alongside the structure – which is quintessential grunge, with its quite / loud dynamics and the explosive, driving riff that defines the chorus – means that the vibe is very much Hole circa Live Through This.

The timing of that album’s release meant that its greatness was eclipsed to some extent by circumstance – but history has seen some justice done, and it’s come to be recognised as a true classic of the time, and in its own right.

Paving the way for the new album with a slower song may seem an unusual choice, but then, the first single from Live Through This was the comparatively sedate ‘Miss World’ – a song which was unexpectedly accessible, and brought a sting in the tail. And so it is with ‘Unholy Addiction’, which places more emphasis on melody, both in terms of the guitar line and the multitracked vocal, showcasing a more evolved approach to songwriting and arrangement for Pythies.

Packing in some serious power, accelerating to the finish with driving guitar, thumping bass and a crashing crescendo of drums, ‘Unholy Addiction’ not only recreates the energy and excitement of 1994, but hits like an instant classic.

AA

Pythies Lise L image

1st February 2021

Christopher Nosnibor

Mercy is a four-piece alternative rock act propelled by vocalist and guitarist Mercedes Diett-Krendel, and the debut album by Mercy is a short but punchy guitar-driven exorcism of sorts. Most of the best music comes from a dark place, and has a personal element, and Mercedes has dredged deep into her experience to purge it all here. The self-invited comparisons to Veruca Salt, Hole, and No Doubt are all entirely fitting, in that Forever is very much centred around a strong female front person.

It begins with a rendition of the wedding march played on a heavily echoed, overdriven electric guitar… nice day for a white wedding? Nice day to start again, more like. Forever is an album brimming with ire, anguish, and angst, the soundtrack to a wedding massacre that finds the artist picking the scabs of all the shit, all the trauma… in short, it’s a summary of Mercy’s worst relationships bottled up into an epic explosion of revenge, ending in a bloody mess.

The promo shots suggest that this is more than just a theme or concept, but something far, far more intense and deeply personal, and this gives the album its ragged, sore edge.

The songs are melodic, but have edge – a grungy, 90s alt-rock edge, and it’s pretty full-throttle. The mid-album acoustic slowie,‘Gabriel’ really slows the pace, and marks an essential shift in an album that really works that classic quiet/loud dynamic, and it kicks in for a properly anthemic climax. ‘Damage’ kicks ass with an almost gypsy, folksy edge to its grunge attack, while the stomping title track is brimming with emotion. And you feel that emotion, while being buoyed along by some strong melodies.

It’s concise, and it’s fiery, and the success of Forever is in balancing the fury and the tune.

Mercy Band / Photo © Daniel D. Moses www.danielmoses.com