Archive for the ‘Recommended Streams and Videos’ Category

Mi Mye have announced details of the final single to be released from their 2016 album The Sympathy Sigh. The Wakefield quintet will release the soothing and melancholy ‘Methadone Church’ alongside a re-imagined ‘He Believes In Me’ featuring the vocals of James Smith of Post War Glamour Girls.

Inspired by Hemmingway’s ‘The Old Man and the Sea’, the album earned the band praise from the likes of The 405 and The Line Of Best Fit. (Aural Aggravation can’t take any credit here: we’re miserly bastards at times when it comes to praise and even selecting what we cover.)

‘Methadone Church’ is a thoughtful and beautiful song that deals with Jamie observing life around him at his place of work in Armley in Leeds. He explains “Chad and I were leaving the studio where I work and when we got to the bus stop we saw a mother with twin girls walk past us. The girls were identically dressed and the mother had blood on her top lip. That’s all the song is, just that, I wrote it as soon as I got on the bus. It’s a track that doesn’t judge or comment, it’s just what was there.”

The other side of this new single features a new version of album track ‘He Believes In Me’ sung by James Smith of label mates and long standing friends & collaborators Post War Glamour Girls. Jamie recently co-produced the band’s  Swan Songs album.

When asked on what made him so keen to collaborate with Mi Mye, James said “I adore the man and it was an honour to be asked to sing on He Believes in Me. To voice Jamie’s inner monologue of confusion and fear toward a religious maniac ranting and grabbing people on the streets of Wakefield was a more spiritually uplifting experience than that preacher man will ever have.”

So get your lugs round ‘He Believes In Me’  and enjoy….

Aural Aggravation is pant-shittingly proud to present Nightmares For Children (And Other Stories), the debut soundtrack from York-based HFD (Hypnotic Funeral Drone) act, The THING!

Taking some inspiration from drone/doom bands like Sunn O))) and Godflesh, and  created with the sole purpose to force people to recoil in aural horror, the two-piece (featuring TC6’s Kreecha Honey [guitars, samples] and Seep Away’s Dom Smith [drums]) combine haunting samples with ferocious guitar work and intense drums to craft what can only be described as an abrasive, stomach-churning soundtrack to the death and destruction of your emotions…and hearing.

Of the track which was recorded live and raw at Melrose Yard in York, Kreecha comments: “The Thing’s most beautiful of childhood night terrors has been re-awoken for your listening displeasure.”

‘Nightmares For Children (And Other Stories)’ will be released as a free download on Friday, April 28th via Soundcloud – soundcloud.com/the-thing-the- band.

The band will shortly be working on their next instalment of predicted psychosis – ‘Now We Are SixSixSix’.

Listen to Nightmares For Children (And Other Stories) here:

 

The THING

From Chester-based instrumental-electronic artist, Dom Sith, comes this dark goth-inspired tune to soundtrack people’s struggles with themselves.

It’s nothing to do with Allen Ginsberg. Of the inspiration for ‘Howl’, which takes sonic leads from the likes of NIN, The Haxan Cloak, and Burial, Dom comments: “I wanted to create something haunting, something that’d soundtrack those long nights alone, but not in a reassuring way, like how loneliness might sound, and how depression might sound, if it was heard…in the dark.”

We like NIN, The Haxan Cloak, and Burial, and we like this: get your lugs round it here:

Dom Sith

Full Of Hell share another track from their punishing, virulent, and dynamic new album, Trumpeting Ecstasy, upcoming via Profound Lore on 5th May.

Brace yourselves for ome brutality, and get your lugs round it here:

‘Brutalism’ is a brand new compilation album by the British band Cubanate. It covers the years 1992 to 1996 and features 14 songs from their first three albums, including remastered versions of singles such as ‘Oxyacetylene’, ‘Body Burn’ and ‘Joy’.At their peak, Cubanate’s techno-rock crossover was controversial and influential, with their importance still resonating today. They were one of the few UK bands tagged as ‘Industrial’ to cross over to a mainstream audience and were regular fixtures in publications as diverse as Kerrang! and Melody Maker (receiving several Single of the Week accolades in both), as well as on MTV’s Headbanger’s Ball. They also toured with stalwarts such as Front 242, Gary Numan, The Sisters of Mercy and Front Line Assembly. The band later signed to the seminal Wax Trax! Imprint in the USA and their songs have appeared in film, TV and game soundtracks. But, with the demise of their European label Dynamica in 2000, Cubanate’s early work has long been out of print. It’s time for a reassessment.

Brutalism showcases a band that was certainly ahead of its time. These days, when fusion is all the rage, it is hard to understand the fury of rock purists at Cubanate’s pilfering of genres. However, not only were they influential, but they also brought back a genuinely confrontational live approach after the bland, big-hair stylings of the ’80’s.

Britalism is released by Armalyte Industries on 5th May, and Cubanate will play their first shows of the new millennium on the following dates:

28.04.17  GLASGOW  Saint Luke’s

30.04.17  LONDON  O2 Academy Islington

Ahead of the album and th live shows, they’ve unveiled a new promo video for ‘Oxyacetylene’, which you can watch here:

 

Power Trip’s new video for the single ‘Executioner’s Tax (Swing of the Axe)’ takes us front and centre, into the eye of what is guaranteed to be a perfect storm time and time again.

Debuted by Noisey and directed by their own Andy Capper, the video takes footage captured from a spirited hometown show in Dallas and melts it with what Noisey describe ‘clips of politically-ordered carnage, masked maniacs, and the orange smirk of American fascism.’  The imagery articulates Gale’s lyrics that hone in on the devaluation of human life by those who’ve gained power through money and politics.

Power Trip hit us hard last month with their most powerful effort yet – Nightmare Logic – available via Southern Lord.  Released to high critical acclaim and anticipation – their second release does not disappoint.  With hooks and tightness rivalling the likes of Metallica, Pantera or Pentagram, Power Trip punishes fans not only sonically but with pure songwriting skill. 

After a wild, sold out East Coast / Midwest US tour, the band set to takeover the West Coast US this month with Destruction Unit, before they head to Europe with Napalm Death and Brujeria. Check below for the dates.

Watch ‘Executioner’s Tax (Swing of the Axe)’ with tour dates listed below.

 

POWER TRIP JOIN ‘CAMPAIGN FOR MUSICAL DESTRUCTION TOUR’ WITH NAPALM DEATH & BRUJERIA

Tuesday, 25 April 2017 Copenhagen – Amager Bio, DK
Wednesday, 26 April 2017 Gothenburg – Pustervik, SWE
Thursday, 27 April 2017 Stockholm – Kraken STHLM, SWE
Friday, 28 April 2017 Flensburg – Roxy, DE
Saturday, 29 April 2017 Magdeburg – Factory, DE
Sunday, 30 April 2017 Haarlem – Patronaat, NL
Monday 1 May 2017 Koln – Underground, DE
Tuesday, 2 May 2017 Berlin – SO36, DE
Wednesday, 3 May 2017 DAY OFF
Thursday, 4 May 2017 Krakow – Kwadrat Club, PL
Friday, 5 May 2017 Brno – Klub Fléda, CZ
Sunday, 7 May 2017 Saarbrücken – Garage, DE
Monday, 8 May 2017 DAY OFF
Tuesday, 9 May 2017 Birmingham – O2 Institute, UK
Wednesday, 10 May 2017 Glasgow – Classic Grand, UK
Thursday, 11 May 2017 Manchester – Rebellion, UK
Friday, 12 May 2017 London – The Electric Ballroom, UK
Saturday, 13 May 2017 Paris – Le Glazart, FR
Sunday, 14 May 2017 Antwerpen – Zappa, BE
Monday, 15 May 2017 DAY OFF
Tuesday, 16 May 2017 Six Fours Les Plages – Espace André Malraux, FR
Wednesday, 17 May 2017 Geneva – L’Usine, CH
Thursday, 18 May 2017 Bologna – Zona Roveri, IT
Friday, 19 May 2017 Karlsruhe – NCO Club, DE
Saturday, 20 May 2017 München – Backstage, DE
Sunday, 21 May 2017 Eindhoven – Effenaar, NL

More dates to be announced…

Much as we love our grumbling, gnarly, noisy stuff, we do like a bit of dreamy electro-tingd pop for a spot of escapism. It’s good for the blood pressure, and good for the soul. Besides, we’re also committed to giving exposure to acts who you’re unlikely to find splattered all over every other music site or mass-market glossy, and while on the strength of this, their debut single, Leeds’ Dream Estate have the potential to achieve the kind of heights enjoyed by Bastille, the unjust world in which we live mean the chances are slim.

So, get your lugs round ‘Half the World Away’, and remember, if they do go huge, you heard them here first:

Not so long ago, we streamed the video for ‘The Mound’ from the debut double-A-side single by Girls in Synthesis. We’re now pant-creamingly excited to be able to share its partner, ‘Disappear’. Yeah, we like riotous, scuzzed-out punk noise, so get your lugs round this:

We’re elated to bring you a video premiere in the form of ‘The Brightest Stars Leave The Blackest Holes’ by Leeds three-piece purveyors of contempoary prog, Zeitgeist.

The new single is taken from the Vacuums EP, released today.

Zeitgeist’s keyboardist, Aleks Podraza comments on the track’s inspirations: “The tune in itself is about planetary death, and how nothing is permanent, no matter how big. The title can also be considered an allegory for human death, and how we miss the ‘brightest stars’ amongst us.

I spent a lot of time during my wrestle with my own existence and its meaning looking up the different theories surrounding the big bang. One theory I came across was that the big bang was a result of a past universe being swallowed up by a huge black hole, but so dense was the mass that the black hole became that it itself collapse and a huge explosion of matter happened. And here we are. So expiration and death, in accord to this theory, are just part of our universe’s cyclic existence, which I found a comforting and inspiring thought.”

Zeitgeist’s keyboardist, Aleks Podraza comments on the track’s inspirations: “The tune in itself is about planetary death, and how nothing is permanent, no matter how big. The title can also be considered an allegory for human death, and how we miss the ‘brightest stars’ amongst us.

I spent a lot of time during my wrestle with my own existence and its meaning looking up the different theories surrounding the big bang. One theory I came across was that the big bang was a result of a past universe being swallowed up by a huge black hole, but so dense was the mass that the black hole became that it itself collapse and a huge explosion of matter happened. And here we are. So expiration and death, in accord to this theory, are just part of our universe’s cyclic existence, which I found a comforting and inspiring thought.”

Watch the video here:

 

A new Oxbow album? Yep: their seventh LP, Thin Back Duke is out through Hydra Head on My 5th. As a taster, they’ve offered up a video for ‘Cold & Well-Lit Place’. It may or may not be a reference to Ernest Hemingway’s 1933 short story ‘ A Clean, Well-Lighted Place’, but it’s belting. Watch the video here: