Lifted from last year’s ‘Night Tides’ EP, which very much got our vote, the rippling trancegaze electroambient ‘Coral Sea’ has now been paired with a video. It’s gloriously mellow, and you can watch it here.
AA
Lifted from last year’s ‘Night Tides’ EP, which very much got our vote, the rippling trancegaze electroambient ‘Coral Sea’ has now been paired with a video. It’s gloriously mellow, and you can watch it here.
AA
Salt Lake City-based duo Eagle Twin share ‘The Heavy Hoof’ from their incoming and third album, The Thundering Heard (Songs Of Hoof And Horn), due out on March 30th via Southern Lord.
About the track Gentry Densley comments,”The Heavy Hoof is the first Eagle Twin song we ever wrote so it has been something we have played throughout the years but never properly recorded until now. Its a simple ditty, that has only gotten heavier over time, all about death and the devil and all that good stuff! Its also about, you know, leaving your particles tingling, dancing in space, after your consciousness has been trampled."
‘The Heavy Hoof’ is heavy alright: get your lugs round it here:
AA
Let’s skip the preamble: we fucking love Cannibal Animal. Their latest effort, ‘Ellipsisism’, released on 16th March through Warren Records is a snaking goth-tinged swamp-surf garage rattler that calls to mind the spirit of the late 70s and early 80s with haunting, echo-drenched guitars and frenzied vocals. But we don’t need to talk it up. Just listen to this:
AA
Centuries have premiered a video from their second LP, The Lights Of This Earth Are Blinding out now through Southern Lord. Set to the album track ‘May Love Be With You Always’, the video was filmed and edited by Derrick Flanagin, and uses footage from Germany, Italy, Austria, India, Thailand, Vietnam, and Japan.
In the band’s words, "the video is about human movement and the constant inertia we experience, frequently without taking time to properly reflect on it. Things we see, people we meet, places we go, stories we are told; events that are so fleeting they often don’t become catalogued in our memory and will forever exist only in that moment."
Watch the video below – tour dates in full after.
AA
CENTURIES EUROPEAN TOUR WITH PORTRAYAL OF GUILT:
28/04/18 GER Greifswald Klex
29/04/18 SWE Gothenburg Sekten
30/04/18 SWE Stockholm Firestorm Fest
01/05/18 SWE Malmö
02/05/18 DK Copenhagen
03/05/18 GER Hamburg
04/05/18 NL Amsterdam/Utrecht Fest
05/05/18 GER Cologne Privat
06/05/18 BE Antwerp Kavka
07/05/18 FR Paris La Comedia Michelet
08/05/18 CH / FR
09/05/18 GER Stuttgart Juha West
10/05/18 GER Bielefeld/GER Weimar
11/05/18 GER Berlin Miss the Stars Fest
+ + +
12/05/18 CZ Prague **
13/05/18 AT Vienna Venster 99 **
14/05/18 HRO Zagreb AKC Attack **
15/05/18 IT Bolzano Bunker Youth Center TBA **
16/05/18 AT Innsbruck DeCentral **
17/05/18 GER Regensburg Alte Mälzerei **
18/05/18 GER Darmstadt Oettinger Villa **
19/05/18 GER Leipzig/Halle **
**Dates without Centuries. Portrayal Of Guilt only
Bearfoot Beware have come a long way from their scrappy, DIY beginnings. They’ve shared stages with luminaries like Future of the Left, played on the BBC Introducing stage at Reading and Leeds, and toured all over mainland Europe. Now, after years on the road they’re back with their most coherent sonic manifesto in the shape of second album, Sea Magnolia.
Eschewing for the most part their crossover punk-meets-math of their early recordings and debut LP, Sea Magnolia is a much more heavy-hitting release that doesn’t feel the need to overcomplicate for the sake of egos. “The heavier tunes are where we had the most fun” they say, linking this change in their sound to “a lot of the music that surrounds us down at CHUNK [collective, a space which the band co-founded] and in the Leeds Music Community.”
Lyrically, this aggression is felt as well. “It’s angry but not hateful,” they explain, “anger is a tool you can use to express yourself but hate is a weapon.” The simple fact was that “creating something way more direct and focused this time meant this time the lyrics felt like they needed that too.”
They’ve unveiled ‘Point Scorer’ as a taste for Sea Magnolia, and you can listen to it here:
Sea Magnolia is out on 16th March via Superstar Destroy Records.
South London duo VLMV (FKA Alma) have announced their new album ‘Stranded, Not Lost’ will be released on Fierce Panda on the 16th Feb.
They’ve shared this exciting news with new music in the form of beautiful single ‘All These Ghosts’ with an accompanying live video shot at The Nave in Leeds.
VLMV is made up of Pete Lambrou of Codes In The Clouds & Monsters Build Mean Robots and Ciaran Morahan, also of Codes In The Clouds. They’ve describe themselves as "ambient-ish, post-something” their music is beautiful and spacious ambient post-rock.
‘Stranded, Not Lost’ is a gorgeous and moving record replete with the kind of brooding, ambient soundscapes, soaring vocals and crashing intensity that have earned the band a small legion of dedicated fans and recent tours supporting the likes of post-rock stalwarts Nordic Giants.
You can see the video for ‘All These Ghosts’ here:
We like Rachel Mason here at AA. Her latest offering, a stand-alone release apart from her recent album Das Ram, is a sample-soaked collage that laves no question over her stance on the current President of the US. It’s not surprising it’s racking up the hits on YouTube. It certainly gets our vote… and you can watch it here:
Japan Suicide are a dynamic post-punk alternative rock band from Italy. ‘Circle’ is the first single from their forthcoming album Santa Sangre, due in February. We’re digging very much indeed.
Enjoy!