Archive for the ‘Recommended Streams and Videos’ Category

Arriving as a third and final glimpse into their upcoming sophomore album,  Wylderness have unleashed a scintillating new shoegaze cut, ‘Chet Chat’. 

Boasting their knack for creating sprawling soundscapes and deeply textured instrumentals, Wylderness’ latest offering arrives as the band gear up to release their long-awaited second album Big Plans For A Blue World (out 15th July, via Succulent Recordings).

Written when Marz of Wylderness experienced the full, frightening force of an earthquake while on a trip to Greece some years ago, the new track finds the singer and guitarist reflecting on what was a life-changing event and seeking to emulate the force of nature that reverberated through him that day. As Marz remembers:

“I was on the balcony of an apartment in Athens writing lyrics for this song when all of a sudden there was this enormous roar and the building started shaking. The earthquake lasted about 15 seconds but seemed like it went on forever. Everyone was fine thankfully and I wanted to write something about what had happened, but not make it too obvious and clunky, so it ended up being a bit cryptic.”

Echoing the raw sonic energy of a tectonic shift, ‘Chet Chat’ ripples like an agitated seismic wave impacting the earth’s surface. From its sparse and seemingly tranquil beginnings, the track builds towards an immense crescendo as towering electric guitars, warped organ grindings and distorted rhythmic pulses stretch-out into a six-minute shoegaze epic that evokes the likes of DIIV, Spacemen 3 or Sonic Youth at their climactic heights.

Recorded at Giant Wafer Studios on a farm in rural Wales, and with wonky organ sounds added in by producer Rory Atwell, the enigmatic new track sees Wylderness further find themselves in their sound as they deftly forge their own cataclysmic and confident path on their second studio outing.

Check the slow-burning ‘Chet Chat’ here:

 

AA

Wylderness

On the eve of their European tour dates, Buñuel have shared the video for Killers Like Us album track ‘Roll Call’.

Speaking of the song, vocalist Eugene S. Robinson says, “Any day that ends with a night that has me hiding behind curtains with the sharpest straight razor I have ever laid eyes, and hands, on is going to be a good day. And in an obvious nod to the inspiration for the band’s name, Director Annapaola Martin rides Buñuel’s straight razor right into David Lynch territory in her video for ‘Roll Call’… a song that for sure makes the most of the fact that ‘the devil never takes his time.’ Also I don’t think I’ve said the word ‘fuck’ as many times in a single song. Which makes it a perfect soundtrack for the horrors within which we now all live.”

Director Annapaola Martin adds; “Dealing with the devil is always difficult. ‘Roll Call’ reminds me how unconscious thoughts can be hard to manage. They are always with us but sometimes they become difficult to control and when they take over, everything becomes possible.”

Watch the video here:

AA

EUROPEAN AND UK TOUR DATES:

02/07 – Arcella Bella, Padova (IT)

03/07 – Fluc, Wien (AT)

04/07 – T3 Kultùrny Prostriedok, Bratislava (SK)

05/07 – Cassiopeia, Berlin (DE)

06/07 – DS17 – Dordrecht (NL)  NEW

07/07 – La Bulle Café, Lille (FR)

08/07 – Cafe Oto, London (UK)

09/07 – Supersonic Fest, Birmingham (UK)

10/07 – The Prince Albert, Brighton (UK)

11/07 – Crofters Rights, Bristol (UK)

12/07 – Glazart, Paris (FR)

13/07 – Le Bamp, Brussels (BE)

14/07 – La Grenze, Strasbourg (FR)

15/07 – Humbug, Basel (CH)

16/07 – Freakout Club, Bologna (IT)

cosmicimg-prod.services.web.outlook

Enigmatic Italian singer Elena Alice Fossi has released the next fascinating single, ‘Indigo Cypher’, which is taken from the forthcoming new full-length of her dark electro project SPECTRA*Paris. The fifth album of that band is entitled Modernism and has been scheduled for release on August 26.

Watch the seductive and deceptively gentle electro track ‘Indigo Cypher’ here:

AA

“Memories of a life that does not belong to you”, singer, composer, and lyricist Elena Alice Fossi muses. “If you don’t feel at least a bit like a fish out of water in this grotesque theater that is humanity, then this song is not for you! We were born in deception and there we stay until we realise that real life is running elsewhere. ’They’ shape us in order that we make our own lives and that of others worse. ‘They’ mold us to obey slaves and to become slaves ourselves. ‘They’ shape us so as to love our family even when it has nothing to do with us.”

1d8bbaf0-d471-0a26-3812-e34ebd719b54

It’s time for another deep dive into the horrors of mortality and the foul side of the supernatural – It’s time for "Survival Of The Sickest"! The sixth full-length album from BLOODBATH, Sweden’s undisputed masters of old school death metal, will be unleashed on September 9, 2022 via Napalm Records. This is death metal at its ugly best: vicious, unrelenting and irrevocably sworn to the black.

The world is in flames, and Survival Of The Sickest, produced by Bloodbath and co-produced and mixed by Lawrence Mackrory at Rorysound Studios, offers no respite from the horrors of reality. Instead, with the addition of new guitarist Tomas ‘Plytet’ Åkvik (Lik) onboard, BLOODBATH’s latest and greatest album gleefully confronts the slavering ghoul lurking in the shadows, and treats him to ten songs of ripping death metal frenzy. Alongside Bloodbath’s official alumni, Survival Of The Sickest boasts a smattering of irresistible cameos from the great, good and ghoulish of the metal underground, including Barney Greenway (Napalm Death), Luc Lemay (Gorguts) and Marc Grewe (Morgoth).

Alongside its pre-order kickoff, Bloodbath have released the crushing new single and album opener, “Zombie Inferno”, a thrashing death metal assault set to draw the listener into a lunatic outburst of ferocity. The song breaks in with anxiety-inducing riffs and the insanely killer vocals of Nick Holmes, and is visually highlighted via a fast-paced, gory music video, acting as a tribute to the glory days of 80s splatter flicks.

Watch the video here:

AA

Bloodbath

CRONE have released a pro-shot video illustrating the first single ‘Gemini’ taken from the dark rockers’ forthcoming new album Gotta Light?, which has been slated for release on September 23.

Watch the melancholic and longing video for ‘Gemini’, which perfectly mirrors the mood of this track here:

AA

“I wrote all the basics for ‘Gemini’ on an old acoustic guitar”, vocalist and guitarist Phil Jonas reveals. “It is amazing to look back and see how the song eventually developed into the piece that it is now. The lyrics came to me very quickly. I am sure their meaning unfolds with a little digging. The video by director Robert Piel at least in my mind tells the story of a lost twin and its inevitable return in some kind of a rebirth. This can be interpreted in many directions. I think each of us has already had to leave someone behind.”

AA

ppvElhW0

Industrial/glam-rock hybrid Terminal have just issued a video for ‘Godfire’, a song from their debut album ‘Blacken The Skies’, which was released via Metropolis Records in 2021. Showcasing the heavier, almost metallic side of the group’s sound, the track would sit well on playlists featuring the likes of Rammstein, Rob Zombie or Null Positiv, while Terminal frontman Thomas Mark Anthony has previously cited Killing Joke’s Geordie Walker as an influence on his own guitar playing.

‘Godfire’ is presented in trademark Terminal style with frantic visuals and confrontational lyrics, with words such as "Seethe in razor wire / as your palace is your pyre" a ‘j’accuse’ pointed at those bad actors who have taken the Ukrainian invasion as an opportunity to commit their own misdeeds while the world’s attention is elsewhere.

For Anthony, who was born in South Africa but raised in Canada, anti-apartheid issues remain tragically timely. The video for ‘Godfire’ is dedicated to Palestinian journalist Shireen Abu Akleh, who was recently killed by Israel’s defence forces while documenting their brutality in the West Bank. “Apartheid is unsustainable,” he states. "It will fall. We’ve seen it. But the longer it goes on, and the worse its atrocities, the harder it will be to have reconciliation instead of violent retribution.”

Watch the video here:

AA

ced69b3b5ff7b330757db67925c2b48c268a2c4c

Dallas, TX, Sloth Fist are a 5 piece punk / rock ‘n’ roll band that combine the melodic sense of Descendents and Teenage Bottlerocket with the fierceness of bands like Motorhead and Turbonegro. The result is an eclectic mix of songs that will satisfy anyone who likes their music hard and heavy, but still catchy with hooks galore.

With lyrics written mainly during the pandemic, the band’s upcoming EP ‘Bombs Away’ (out October 7 on Mindpower Records) takes a much darker turn than past efforts.

The lead single, ‘Cut Through It’ deals with ‘The Great Resignation’ and lashes out at the current state of corporate greed.

Watch the lyric video for ‘Cut Through It’ here:

AA

Screen_Shot_2022-06-20_at_11.41.55_AM

O.R.k., comprising of celebrated Italian vocalist, producer, and award-winning film score composer Lorenzo Esposito Fornasari a.k.a LEF (lead vocals), King Crimson’s Pat Mastelotto (drums), ex-Porcupine Tree’s Colin Edwin (bass) and Marta Sui Tubi’s Carmelo Pipitone (guitars) have premiered the video for their new single “As I Leave”, their first new music since the release of the acclaimed 2019 album Ramagehead.

The new single “As I Leave” is the first foray into the band’s new album (the second on Kscope) which will be released later this year. It is accompanied by an otherworldly and dreamlike video from 3D-VR artist Chiara Orsi who has managed to match the song’s expressive intensity in a highly imaginative visual display. Watch the video here:

AA

“As I Leave”, was an obvious choice for a new first single/calling card for the band, containing all the sonic elements that make up O.R.k’s unique and inviting world. Lef’s powerful vocals, Carmelo Pipitone’s energetic riffing, Pat Mastelotto’s inventive rhythmic accompaniment and Colin Edwin’s distinctive bass tones all infuse the sound with a refreshed intensity and a new luminosity.

O.R.k bassist Colin Edwin states that “Lyrically, ‘As I Leave’ is an ambiguous contemplation on the inexplicable reasons for close personal bonds and human connections. It’s a song for anyone who ever desired deeper connections with another, but in some puzzling way, just couldn’t make it work. The profoundest differences are rarely geographical, as most of us have discovered over the last few years.  There’s often an unknowable reason under the surface, did your blow your chance? …or did your dreams just get old?”

ORk

Electronic project NADJIA celebrates 25 years of releasing music with their new single ‘Spy vs Spy’, a biographical song commemorating the life of frontman and founder M’s father, who passed from COVID-19 in December of 2020. The track is a continuation of NADJIA’s Bat-O-Matic, their full-length album being released one song at a time. ‘Spy vs Spy’ is the second single.

While M handles lead vocals, percussion, samples and synths, he is joined by Angela Denk on the track. Denk, who sings and plays guitar for Chicago rock project Pretty Cliques, lends her vocals on the hook. NADJIA cofounder Paul Jansen sings backup and provides a symphonic touch with the violin, and Johnny McAndrew—of Baton Rouge’s goth rock group Kali Yuga—plays guitar.

“I wanted to capture the truly cinematic scope of remembrance on this track. There’s no way to encapsulate a whole life inside one song, but I wanted to give the feel of that sweeping span of time if possible, and I feel like Paul’s strings really brought this there,” said M.

The single comes out as both audio and video. The video, a black and white visual nod to mid 20th century espionage films, was directed by New Orleans visual artist Opus Mercury.

Watch the video here:

AA

843497

19th June 2022

Christopher Nosnibor

Having put their lockdown Argonaut side-project Videostore to bed with a one-off live show, Nathan and Lorna Argonaut have resurfaced under a new guise. It’s similar to the Videostore format – simple, lo-fi indie, and if there was ever any question over their no-budget ‘bedroom’ credentials, then the video for this first offering – which is as much Toyah and Robert as anything else – is all the evidence you could want.

It’s neat, simple, catchy, and as usual exploits the contrasting dual vocals over fizzy guitars and aa primitive drum machine. The lack of pretence is disarming, and it’s a solid tune – and clocking in at under a minute and a half, it really is as no-frills as 3p beans and 19p loaves of bread back in ‘95.