Archive for the ‘Recommended Streams and Videos’ Category

NYC no-wave veterans Live Skull will return with new album Party Zero on May 26th, 2023 on Bronson Recordings. Following on album opener ‘Magic Consciousness’, a modern post-punk protest tune of uncanny subtlety and power, today they share new track ‘Neutralize The Outliers’. Both urgent and catchy, it’s an addictive anthem of otherness perfectly balanced with incredible guitar work and riffs. Recorded at legendary Deepsea in Hoboken NJ by Mark C, this is timely music, essential, impassioned, angry and beautiful. It’s the sound of Live Skull in the 21st Century, a desperate time that needs heroes like these. They are back from the past and still holding the post-punk sceptre.

Live Skull’s Dave Hollinghurst explains: "We watched the chaos unfold live on the computer screen, freaking out, confusion and doubt on our faces. I realized that not only are we the hunted, but we are the hunters – and what are we going to do about it? Strike back with our own brand of chaos and noise – at least we go down in a sonic blaze of glory".

Listen to ‘Neutralize the Outliers’ here:

Insurrections. Global pandemics. The return of fascism. Climate crises. These are some serious times. But if you’ve got angst in your pants and you need to dance, or scream, or play guitar too loud, too close to your amplifier, turn your ear to what Live Skull are doing. The New York noisers, who went on indefinite hiatus just before their kind of smart, gnarly, inventive din became lucrative, rose again in 2016. Their new album ‘Party Zero’, a thrilling work redefining what Live Skull means and what they stand for: no longer a group with a past, but one with a future. 

‘Party Zero’ marks the arrival of guitarist Dave Hollinghurst, an electrifying presence pushing the band in a fresh, new direction. It’s a fiercely political album, in keeping with this politically fierce age. “Desperation inspires us to make art and music,” he says. “There’s a lot of birth and rebirth, looking for pathways of resistance and promoting the good and trying to fight against evil. I once said we had to start Live Skull because Reagan became president. And we had to restart Live Skull because Trump became president.”

‘Party Zero’ is big in sound, brash in dynamics. But the sophistication that was always the group’s calling card remains an essential element, dealing in the kind of pulverising pell-mell that characterised the 80s New York sound, but also radiant with melody, the fusion of noise and unexpected tunefulness delivering a heady, psychedelic effect.

“We’ve been pushed to the edge – how do we claw our way back?” asks Mark. “That’s been a common theme in Live Skull since the beginning, and so it is now. We’re trying to provoke thought.”

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Photo Credit: Jen Jaffe

Bloody hell, they really are keeping them coming! Argonaut’s work ethic means they’re kicking out tracks like a conveyor-belt, and April’s instalment from the ‘open-ended album’, Songs of the Black Hat is ‘Bad Virgo’ – a slow, moody tune with heaps of chorus all over everything before erupting in a blast of distortion and tremolo.

As a Virgo myself, I spent many years reading and hearing about all of the negative qualities associated with the sign, but eventually came to realise it’s all bollocks, and that there’s nothing wrong with seeking perfectionism, pedantry, and being safe and dependable instead of exciting or whatever.

What isn’t bollocks, however, is this song. Hear it here:

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Something unlike anything you’ve heard before, Severance is the 9th release from multi-instrumentalist, compulsive creator, and unrepentant volume addict Timo Ellis (Cibo Matto, Spacehog, Yoko Ono) under the Netherlands moniker. Just out on Svart Records, Severance features all the hallmarks of Ellis’ work, including blistering post-shred guitar heroics, primal drumming, and soulful, yet searing caterwauls. But as with every Netherlands release, Ellis has inexplicably found a way to ratchet up the intensity, render the dynamic shifts more extreme, and hone his menacing melange of melody and rhythm into a uniquely weaponized form of rock ‘n’ roll that reaches towards high art.

To coincide with the release of their new album, Netherlands have shared the video for their animal-rights anthem ‘Animal Insults’. Band leader Timo Ellis comments, ‘The song (and video of) ‘Animal Insults’ is more or less a straight up, punk rock animal-rights anthem/ scream of anger and grief. IMO, any regular meat/ fish/ dairy eaters that have the (relative) privilege + access to be able to *extremely easily* transition to a fully plant-based diet…ought to summon the guts to unflinchingly watch footage like this…in order to plainly see how horrifically inhumane (and socially and environmentally catastrophic!) the worldwide, legal, factory farm system really is. The current cultural and commercial manifestations of malevolent, ecocidal speciesism need to be dismantled, at scale…and as soon as humanly possible. ANIMAL LIBERATION RIGHT NOW! ‘

Watch the video now:

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THESE BEASTS release a dashing video for the track ‘Cocaine Footprints’ as the final single taken from their forthcoming new album Cares, Wills, Wants. The crushing new full-length from the Chicago sludgy noise rock trio is slated for release on April 21, 2023 through Magnetic Eye Records.

Watch the video here:

THESE BEASTS comment: “There’s a bar near our rehearsal building that is sort of a hang out for bands and a great place to catch up with friends and talk music”, bass player and singer Todd Fabian relates. “One day, our friend Shirilla told us a hilarious story about someone calling the bar and asking him to find their cocaine. Of course, he told them no, but after getting off the phone, he did look over and saw these cocaine footprints coming out of the bathroom. Once we named the song that, the lyrics became an ambiguous story about our local hangout and our friends there. We also had a listening party at the bar one night after we got our test press and filmed a lot of it for the video.”

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These Beasts by Joe Malone

Girls Under Glass unveil the black and white video ‘We Feel Alright’, which is also the first single taken from the forthcoming album Backdraft. After a long hiatus the Hamburgian gothic rockers return with fiery new tracks that take the best elements from the band’s past and shapes them into an album that leads the way to the future. The release date of Backdraft has been slated to June 2, 2023.

‘We Feel Alright’ is also available as a digital single with two Girls Under Glass remixes entitled ‘Who the F*** Is Killing Joke?’ and ‘Into the Shining Light’ through the regular platforms.

The electric noire clip ‘We Feel Alright’ is now available to watch here:

Girls Under Glass comment: “The original version of ‘We Feel Alright’ was already introduced for years ago live on stage, but ever since we have continued to work on the song until it was just perfect for us”, synth player Axel Ermes explains. “This track comes with the vibe of our classics, yet it is also moving forward. It was fun to work on the two alternative mixes, which will be available as bonus tracks.”

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Girls Under Glass by Bianca Chang

Dave Lombardo shares the second single ‘Separation from the Sacred"’today, from his upcoming debut solo record, Rites of Percussion, coming 5th May via Ipecac Recordings.

Lombardo is one of the busiest musicians working right now. Never one to rest on his laurels, the drumming pioneer recently released new albums with Dead Cross and Venamoris, and announced Empire State Bastard, a new project with members of Biffy Clyro who have just shared a new single. He will also be hitting the road with Mr. Bungle and The Misfits in the coming months, as well as festival appearances with John Zorn (including Big Ears Fest in April).

Listen to ‘Separation from the Sacred’ here:

The recording process of the film score-like album had a simple mantra: drums had to be drums. Mixed in early 2022 by Lombardo’s son, David A. Lombardo, the self-produced release features a large concert bass drum, a timpani, a grand piano, and a flock of shakers, maracas, Chinese and symphonic gongs, Native American drums, congas, timbales, bongos, batás, wood blocks, djembes, ibos, darbukas, octobans, cajóns, and cymbals.

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Alaska’s premier goth rock band, Cliff And Ivy recently unveiled their new single, ‘Die Tonight’ on their label, House of Extreme Darkness.

‘Die Tonight’ is a dark punk song for those who love like vampires – legendary, eternal and full of fire.  Almost an eternity in the making, it was inspired by the undying flame of love that exists between immortal lovers and in the natural world.

Death and life are always linked together, as it takes the clearest dark night to be able to see the aurora in the northern sky. ‘Die Tonight’ was recorded in Alaska while the northern lights exploded above. 

‘Die Tonight’ is available on all streaming services including Bandcamp.

Listen here:

After unveiling two singles of ‘Bortgang’ and ‘Tilbake Til Opprinnelsen’, Norwegian black-metal band MORK deliver a stunning video for ‘Forført Av Kulden’ to celebrate the release of their new album Dypet which is out now on Peaceville.

You can check out the video here:

Thematically, ‘Forført Av Kulden’ deals with the beguiling force of the cold, often portrayed as an omnipresent character within the world of Black Metal and a look into the natural beauty in death. On the single our protagonist enters a trance-like state to wander the forest and eventually freeze.

The song is also accompanied by a striking video, directed by Trond-Atle Bokerød, which echoes the primordial allure of nature, synonymous with the Black Metal subgenre, whilst exploring the unforgiving winter that is the song’s subject. After a veil of synthesizers are lifted MORK’s signature Black Metal tonalities are revealed for a mid paced rhythm that eventually gives way to Eriksen’s signature vocals and lachrymose lead lines.

Regarding the track Thomas Eriksen had the following to say:

“Forført Av Kulden’About being seduced into the cold hard weather outside by an unknown force. Wandering into the snowstorm at night and ending up freezing to death. It depicts a somewhat glorified theme of death as a beautiful and unavoidable thing.”

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‘Move Fast’ is from the open-ended Argonaut album Songs from the Black Hat.

It is Gen X Silicon Valley slogans, 80’s pop synths and 90’s noise.

The video follows the adventures of some hapless microserfs in an office pod near you.

We’re reminded of Douglas Coupland, and also a time pre-pandemic when offices 9-5, 5 days a week were the usual. It’s a fizzy li-fi indie tune: check it here:

‘A Classic Dictionary of the Vulgar Tongue’ is the first video from Now That We Are All Ghosts, the second album from Milwaukee’s Resurrectionists.

The project was self-engineered, recorded and produced; it was mastered by Bob Weston at Chicago Mastering Service. The album features nine songs of Doom Chamber-Americana, all powerfully cinematic and ripe for video treatments, leading the group to take the unusual and ambitious step of commissioning videos for every one of them. Now That We Are All Ghosts, will be released on Seismic Wave Entertainment on 12” vinyl LP, CD and Digital formats.

Watch here:

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The new album sees a marked change in the band’s direction and stylistic range. Resurrectionists were originally formed by lyricist, guitarist and banjo picker Joe Cannon and bassist Jeff Brueggeman from the locally revered trio WORK with drummer Josh Barto and pedal steel player Gavin Hardy. On the group’s 2019 debut album What Comes In — a collection of everyman trouble tales delivered with dark wit and piquant Midwestern tang — Gavin’s mournful, swelling steel work helped steer songs into Gothic-country territory.

On Now That We Are All Ghosts, Hardy has been replaced by multi-instrumentalist Gian Pogliano. Gian’s penchant for more adventurous, wider-ranging sonic discourse inspires Resurrectionists to branch out into unexpected stylistic experimentation. The material here is informed equally by the meticulous melodic abstractions of pre-punk icons Television as the Old Weird American sounds of Dock Boggs and Bascom Lamar Lunsford. The album’s opener ‘A Classic Dictionary of the Vulgar Tongue,’ for instance begins as a mournful, banjo-driven meditation but ends as an apocalyptic howl, filled with shrieking banjo feedback – ideal support for Cannon’s writing and singing.

Joe’s lyrics on Now That We Are All Ghosts are both primal and poetic and he sings the hell out of them with a tent preacher’s conviction and a working-class punk’s urgency. Lines that seem to squarely address experiences of the COVID-19 pandemic were actually influenced by reading Thomas Mann’s Death in Venice and The Magic Mountain pre-2020, married to strange ruminations concerning Walt Whitman’s death mask.

It all adds up to a collection of life-or-death songs that are incredibly haunting, daunting and visceral.

Resurrectionists re pc TW Hansen

Pic: TW Hansen