Gutter Prince Cabal is proud to announce the release of Melbourne-based sludgy death-metal project AGLO new EP "Into The Maze", now set for release on February 16th on vinyl/digital download.
With ‘Into the Maze’, this one-man doom project created by Aaron Osborne unleash 6 filthy and crushing tracks that take the swagger and groove of Entombed’s ‘Wolverine Blues’ and infuse it with the tar-thick pull of doom. Lumbering like some slow-crawling and atrocious beast through the murk of a polluted swamp, AGLO seem to take pride in all that is rusty and ugly, delivering exceptionally murky and nasty riffs, slow and powerful drumbeats and tormented growls.
Today, AGLO unleash the title-track of the EP, check it out here:
Right off the back of a 6 month world tour the Berlin-based, atmospheric post-metal juggernaut The Ocean (Collective) returns with the new single ‘Preboreal’, the band’s first new music since the critically acclaimed Phanerozoic double album.
The band from Berlin brings its restless exploration of our troubled nature close to home. ‘Preboreal’ opens with haunting synths, shimmering vibraphones and beckoning horn-sections. Purposely building towards an explosive finale lamenting the loss of our critical faculties, The Ocean deliver a striking mirror of our souls.
Progressive rockers Haken recently announced their seventh studio album Fauna, the group’s most genre-busting and conceptually fascinating album to date, will be released on the 3rd March 2023.
Today, the band are pleased to release ‘Taurus’ the 3rd single from the album.
You can watch the video, produced by Crystal Spotlight, here:
Fauna sees the band exploring new ideas conceptually as Ross continues. “The premise of the album when we started writing it was that every song would have an animal assigned to it. They all have something related to the animal kingdom that we could write about, but they also connect to the human world. Each track has layers, and some of them are more obvious than others.”
“It reminds me of The Mountain,” adds guitarist and fellow founder Richard Henshall. “There, we had the idea of not really a narrative-based album, but more the concept of climbing a mountain and overcoming the obstacles along the way. Then we took that and thought about how it could relate to our everyday lives. All of Fauna’s animals relate to us, personally.”
Fauna also marks the return of keyboard player Peter Jones, whose sounds can be heard permeating the entire album. “What Pete’s brought sonically to the band has played a massive role in why we do have a lot of new sounds on this record,” says Ross. “It’s always a new dynamic when there’s a change in personnel, and this is a fresh and reviving one. It’s certainly helped proximity-wise, with Pete being in the country: Pete and Ray [Hearne, Haken’s drummer] would be at Rich’s place and they’d just start jamming. That’s really key to how the songs start.”
A song that’s all about making fresh starts, taking risks, and writing new chapters; this timely release opens the new year with a tantalising glimpse into the Manchester band’s next studio album, Protagonists, which arrives on 31 March (via Kind Violence Records).
Pulling a handbrake turn on the serene electronica of previous single ‘Mary In The Black And White Room’, Ist Ist’s follow-up act kicks things up another gear altogether. Driven by piston-like percussives and veering guitar lines that accelerate headlong into oblivion, ‘Something Has To Give’ is a shot of pure adrenaline that rushes and dissipates all too soon.
Offering a cryptic synopsis of the new single, frontman Adam Houghton says:
“’Something Has To Give’ is all about new beginnings. It’s a sort of stick or twist situation. Do you settle or go for it?”
Liturgy has shared the single ‘Angel of Sovereignty’ from their upcoming album 93696, out March 24th, 2023. The piece showcases Liturgy’s boundless ambition towards transcendence through rich compositions untethered by traditional rock constructs. Comprised almost entirely of a children’s choir, the track is unmistakably the work of Liturgy, building tension through an evolving round whose chords grow more dense and textured.
Liturgy transcends the traditional parameters of what constitutes a rock band. Founded by Ravenna Hunt- Hendrix, Liturgy is a part of a shared discipline of composition, art, and philosophy that thrives on exploring the spaces between. As an ever-evolving practice Hunt-Hendrix has incorporated elements of black metal, art rock, opera, and trap production into the musical language of Liturgy while engaging with transcendental, theological and eschatological theory through lectures series’ and art installations. A profound sense of yearning and emotional depth weaves through the Liturgy’s dense layers and anchors the project’s increasingly complex and innovative work.
New album 93696 is the purest synthesis of the diversity of Liturgy, a sprawling and monumental double album exploring religion, cosmic love, the feminine, and metamorphosis while manifesting the ecstatic with breathtaking grandeur. Listen here:
Norwegian Rock outfit LEPROUS have just launched a brand new “Live in Studio” video-clip for their song “On Hold”, taken from their current album “Aphelion”, in order to promote their upcoming European tour starting February 1st as well as the special ‘Tour Edition’ of “Aphelion”, to be released on February 3rd, 2023 via InsideOutMusic.
The audio for “On Hold (Live in Studio)” was recorded and mixed by Thomas Wang at Urban Sound Studios and the video clip was directed by Troll Toftenes.
LEPROUS commented as follows: “For the first time we chose to release a live recording/video from the studio. We decided to do this in order to capture and show a LEPROUS song in more detail and so allow the fans to get even more into our vibe. This footage was collected as a part of our latest rehearsals before our ambitious European tour taking place February 1st until March 18th. We are looking forward to seeing you all soon…”
The “Aphelion (Tour Edition)” release will be available both as limited 2CD Digipak and as Digital album (2CD) featuring the original “Aphelion” album, its two initial bonus-tracks as well as a separate, brand-new live bonus disc of 6 tracks/40 min. recorded this year during the first leg of the “Aphelion” touring campaign at Motocultor Festival in France and in Berlin, Germany. The new live tracks were recorded and mixed by Chris Edrich as well as mastered by Pierrick Noel at Atelier Mastering.
HIBOU is back with new single ‘Night Fell’, along with the announcement of a new EP ‘Arc’ (due 13 January 2023).
Floating through a breezy blend of gossamer vocals, twinkling instrumentals and lush textured melodies, “Night Fell” is a delicate and jangling track that paves the way for Hibou’s new EP ‘Arc’.
Born in Seattle and now based in Paris, ‘Arc’ is Hibou’s first release since his 2019 full-length LP ‘Halve’ and the new body of work sees the artist emerge from his lengthy silence and reel listeners right back into the glistening whirlwind of his sound.
A delicate blend of lo-fi alt-pop, nostalgic shoegaze and diaphanous dream-pop, Peter Michel (aka Hibou) spent the summer writing the EP along the Canal de l’Ourcq, before recording in various apartments, bathrooms and rehearsal spaces in Paris. Engineered and produced by Michel himself, the multi-instrumentalist also performs vocals, guitar and bass on each track, with drums courtesy of Jase Ihler.
A dreamy and diverse project, ‘Arc’ melds together a rich amalgam of sounds: from the delicate and dazing “June” to the buzzing and buoyant “Already Forgotten” and from the eerie twanging guitars on “Devilry” to the stormy, seesawing soundscapes on “Upon The Clouds You Weep”.
Taking its name from “an electric arc between things, or arc lightning”, ‘Arc’ is both sentimental and stylish with its carefully composed melodies seeming to tap into long-forgotten, hazy memories from the past just as easily as it does bolster hope for the future.
Inspired by shoegaze greats both past and present, Hibou’s elegant arrangements are hard to pin down, falling somewhere between the indie-rock tinted musings of Beach Fossils and DIIV, the folk-flecked intimacies of Alex G and the tenderly tormented sound of The Cure.
There is more than one way to listen to BEBORN BETON’s ninth album "Darkness Falls Again": it is possible to just dance and enjoy contemporary synth pop hymns that have a solid musical based in the golden 80s with a dash of cool 90s influences. Catchy tunes and mature songwriting combine to form a sonic joyride.
Yet there is another side to BEBORN BETON, which is mostly expressed in their lyrics. On "Darkness Falls Again", the Germans wade right into the political battles and culture wars of our times. BEBORN BETON speak out against the attempts to deny and deprive women of their rights. They take a strong stand against those who try to restrict love, the freedom to choose gender, and sexuality. The trio clearly call out racists, demagogues, preachers of hate and violence, and those who destroy our planet in order to enrich themselves. In short, BEBORN BETON put their finger right on the pulse of our time.
BEBORN BETON were founded by vocalist Stefan Netschio, keyboard player and drummer Stefan Tillmann, and keyboard player Michael Wagner in 1989. The trio set out with the declared aim to keep synth pop relevant and give it meaning. Their first signs of life were three self-released works, ‘Pyre’ (1989), ‘Scythe’ (1991, and ‘Die Stahlbetontour’ (1992) that came out on tape.
Following their first two regular albums "Tybalt" (1993) and "Concrete Ground" (1994), BEBORN BETON found a label-home where they joined renowned acts such as WOLFSHEIM and DE/VISION. Having conquered home, the three electro-musicians rapidly expanded abroad and the 1996 full-length "Nightfall", followed by "Truth" in 1997, and "Fake" (1999) gained the Germans strong acclaim by critics and fans around the globe.
By the time, "Rückkehr zum Eisplaneten" (‘Return to the Ice-Planet’) was released in 2000, BEBORN BETON had firmly positioned themselves as a headlining act within their scene and toured in all the strongholds of electronic music such as Canada and the US, the Netherlands, Norway and Sweden, Switzerland, Poland, and even Russia among other places. In the North of America, the Germans had scored a veritable club hit with the track ‘Another World’ in 1997. Across the Atlantic, the track’s ever-growing popularity finally led to the exclusive US release of a best-of double-album entitled "Tales from Another World" in 2002, which was followed by extensive touring in North America with APOPTYGMA BERZERK in the same year.
Yet the heavy touring and the creatively highly demanding output of so many excellent albums in quick succession started to take its toll. After the release of "Tales from Another World" (2002) and the associated touring, BEBORN BETON went on an extended hiatus. It took 13 long years, until BEBORN BETON returned to the delight and surprise of their still huge following with a new album on Dependent Recordings. "A Worthy Compensation" (2015) was showered with accolades from the relevant magazines such as an "album tip of the month" in German Sonic Seducer and Orkus Magazine called the record an "undisputed masterpiece".
Having learned from previous experiences and not to fall back into a relentless production cycle, BEBORN BETON took their time to write another masterpiece. "Darkness Falls Again" has all the ingredients that make synth pop great. Catchy songs that make the legs twitch, a dash of melancholy, a pinch of irony, and a knife-tip of anger. Music with a meaning, welcome back BEBORN BETON!
Almost ten years after their impressive and critically lauded third full-length The Love Album, Volume I, Spanish avantgarde black-metal armada As Light Dies now return with their most complex and multifaceted album in their whole career, The Laniakea Architecture, Volume II, due for release on March 9th via Darkwoods.
Just recently, the Spanish group revealed the leading single titled ‘The Green’. Hear it here:
Produced by mastermind NHT aka Oscar Martin The Laniakea Architecture is an exceptionally ornamented compendium of intertwined extreme metal genres, with long and multidimensional songs containing a myriad of small elements that you will discover, little by little, as you dig deeper into the album…
Taken from their album ‘Apocalypse For Beginners’, Rabbit Junk have released ‘Nostromo’ as a taster of their bold technoindustrial/electropop/metal crossover sound.
Rabbit Junk draws subtle parallels between the challenges facing our species as a whole and the challenges facing our own personal lives. These challenges are characterized as foreseeable and yet tragically unavoidable. As such, the album communicates the fatalism and frustration of modernity alongside the lack of control we often feel over our own lives.
The album’s lead track “Stone Cold" (Feat. Amelia Arsenic) exemplifies Rabbit Junk’s willingness to take risks and defy genre norms. “Stone Cold” is a gender-fluid and genre-mashing anthem with an infectious sing-a-long chorus. The song featuries lyrics in both German and English delivered by masculine and feminine vocal textures floating over a mélange of punk, drum & bass, metal, and hip hop.
Other standout tracks include “Nostromo”, a sci-fi influenced art-metal meets synthwave track which is quickly becoming a fan favorite, and “Love Is Hell”, a decidedly danceable and gritty homage to everyone’s broken hearts.