Posts Tagged ‘Video’

Warren Records

Christopher Nosnibor

Lumer follow up ‘Futile’ (which we bloody loved, and which was picked up by BBC Introducing and a host of other tastemakers even more influential than Aural Aggro) with another serrated slice of dark, angular post-punk. ‘Gruel’ is propelled by a bulbous bassline drenched in chorus and flange and distilling the essence of 1983 as represented by bands like The Danse Society and Xmal Deutschland, but with a violent, rabid edge, and the gothy overtones collide with the manic art-rock of Bauhaus circa In the Flat Field as well as heavy hints of 90s grunge with some explosive, driving guitar and crashing drums. 

The lead guitars are fractal, echo-heavy, sinewy. The frenzied, menacing, and borderline psychotic vocals are mashed by effects. There’s a claustrophobic tension that’s almost suffocating and an energy that positively crackles.

Lumar are shaping up to be one of the most exciting new bands around, and ‘Gruel’ has set the bar for future releases. Check the video here:

Lumer are on tour in the coming weeks, too. Dates are as follows:

Thursday 20th July – Fuel Café, Manchester
Friday 21st July – Rough Trade, Nottingham
Saturday 22nd July – Shacklewell Arms, London
Sunday 23rd July – Tramlines Festival, Sheffield

Saturday 5th August – BBC Introducing Stage, Humberside Street Sesh

Tuesday 8th August – Huw Stephens presents at The Social, London

Lumer - Gruel

Another ‘supergroup’ eh? But seriously, check this for a lineup…. Dead Cross, consist of Dave Lombardo (ex-Slayer/Suicidal Tendencies), Justin Pearson (Retox/The Locust), Mike Patton (Faith No More/Tomahawk) and Michael Crain (Retox, Festival of Dead Deer). And ahead of the release of their debit album, they’ve unveiled the video for the track ‘Seizure and Desist’.

Watch it here:

Leeds singles club Come Play With Me have announced their next split single, to be released on the 14th of July. Continuing their tradition of highlighting the exceptional and diverse talent in the Leeds City Region, this next single will feature Leeds bands Furr & RIIB. These two fast risings acts find themselves joining the CPWM roster alongside the likes of Cinerama (The Wedding Present), Harkin (Sleater Kinney, Sky Larkin), Team Picture, Her Name Is Calla, Fizzy Blood, Deadwall, OFFICERS, ZoZo, Laminate Pet Animal, Esper Scout, Ceiling Demons & Maggie8.

The next CPWM single features indie-math-pop-rock band RIIB, and riffy alt-rock indie foursome Furr.

Furr’s Sam Jackson explains their contribution to the Come Play With Me single – “Another Fable is the frankenstein of all these different musical influences that make up what Furr it is about. If someone said ‘what do Furr sound like?’ this would be the song to play them. Loud in your face guitars and popish vocal melodies. There might be a guitar solo! It’s the first time we’ve been critical of things going on around us and what’s been pissing us off recently. It’s about how obsessed with people we are about people we’ve never met and all this pop culture we have shoved in our face constantly….”

Watch the video to ‘Another Fable’ here:

It seems like an age since we heard from Officers, even by their standards, and they’re not a band renowned for their prodigious work rate.

Following the release of the band’s debut album, On The Twelve Thrones, OFFICERSembarked on two celebrated tours with electronic music pioneer Gary Numan, forming a strong friendship that led to the penning and releasing the C.A.L.M. charity-supporting single ‘Petals’ together on the bands own label (hitting No.2 on the German airplay singles charts), and collaborating on various remixes together.

OFFICERS have written and recorded tracks for TV and Film including for ‘The Blacklist’, ‘The Finder/Bones’, ‘Scrubbing In’ and ‘BBC Earth’. The band have remixed, toured and collaborated with artists such as Placebo, and Linkin Park.

The band are Official Ambassadors for the mental health charity the Campaign Against Living Miserably (C.A.L.M) and work with the charity on a number of awareness raising events and campaigns each year.

But On The Twelve Thrones was almost six years ago, and even ‘Attack’, the first single from the forthcoming album emerged over a year ago now. Still, quality beats quantity, and as is always the case with Offers releases, ‘Born in May’ was worth the wait. Watch the vid here:

 

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On Saturday, June 13 Ellesmere Port noise-punks, Saltwater Injection will release their new anti-anthem, ‘Cuntryfile Part 3’ into the world.

Inspired by Bleach-era Nirvana, and Black Flag, Joe Nuttal (bass) and Paul Soames (drums, vocals) are ready to smash up your expectations of what to expect from a two-piece band.

As the press release puts, it, ‘this is quite frankly, pure and proper balls-to-the-wall heaviness, and we hope you’re ready?!’ and yes, it’s as gnarly as fuck: just the way we like it here at Aural Aggravation.

Recorded at The Vic Studios in Wrexham with Michael Harmina (Def Neon), and produced by Addz Milner (The Ladder), the track is a vehicle for the band’s aggression, and an outlet for their defiant and angry creation. Vocalist Paul Soames comments: "We needed to vent our anger at the terrible actions at the policies that we can see ruining our country, and at the strongly unstable people putting those policies in place."

Formed in 2013, Saltwater Injection have toured with the likes of Baby Godzilla, Blitz Kids and Sham 69.

 

Ironically, this news piece is longer than the song itself, which you can get your soon-to-be-bleeding lugs round here:

 

 

Ok, so Thunderclap is new to us, too. And we thought we knew everything about music promo. It turns out it’s a no-money pledge thing, whereby the only committment on the part of the pledger is to share a link.

While we’re new to Thunderclapping, Salvation Jayne are known to us here at Aural Aggravation, and their single, ‘Burn it Down’, is a belter that deserves to be heard far and wide. You can get involved in making a Thunderclap wave for Salvation Jayne here: https://www.thunderclap.it/projects/56919-burn-it-down. Who knows, this could be the future of music promo.

In advance of the video release, you can get your lugs round ‘Burn it Down’ here:

 

Burn It Down

Nottingham two-piece death-electronica band Bone Cult are set to release their new single, ‘SALT’ on 3rd May, and Aural Aggravation is immensely proud to present a video exclusive of  said video.
Formed by Sam Hartill (bass, production) and Richard Watte (vocals, guitar, production) with a desire to offer a strong alternative to “the regular four guys in jeans and t-shirt look”, the band has since gained high-profile support slots with the likes of The Qemists, Slaves, Sleaford Mods and more.
‘The track SALT, which is an acronym for Such A Long Time, was a step away from our previous releases, showcasing a different side of Bone Cult’s production whilst still reflecting the same emotions explored in their last single ‘Fortune and Sorrow’.
“There are different layers of vocals to portray the same narrative, only from alternative perspectives,” says Sam Hartill.
Championing solid production and strong visuals, ‘SALT’ carries the visceral pulsing energy of 65daysofstatic via the slick, accessible dance vibes of Daft Punk.
Watch the video here (and remember where you saw it first!)
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‘Brutalism’ is a brand new compilation album by the British band Cubanate. It covers the years 1992 to 1996 and features 14 songs from their first three albums, including remastered versions of singles such as ‘Oxyacetylene’, ‘Body Burn’ and ‘Joy’.At their peak, Cubanate’s techno-rock crossover was controversial and influential, with their importance still resonating today. They were one of the few UK bands tagged as ‘Industrial’ to cross over to a mainstream audience and were regular fixtures in publications as diverse as Kerrang! and Melody Maker (receiving several Single of the Week accolades in both), as well as on MTV’s Headbanger’s Ball. They also toured with stalwarts such as Front 242, Gary Numan, The Sisters of Mercy and Front Line Assembly. The band later signed to the seminal Wax Trax! Imprint in the USA and their songs have appeared in film, TV and game soundtracks. But, with the demise of their European label Dynamica in 2000, Cubanate’s early work has long been out of print. It’s time for a reassessment.

Brutalism showcases a band that was certainly ahead of its time. These days, when fusion is all the rage, it is hard to understand the fury of rock purists at Cubanate’s pilfering of genres. However, not only were they influential, but they also brought back a genuinely confrontational live approach after the bland, big-hair stylings of the ’80’s.

Britalism is released by Armalyte Industries on 5th May, and Cubanate will play their first shows of the new millennium on the following dates:

28.04.17  GLASGOW  Saint Luke’s

30.04.17  LONDON  O2 Academy Islington

Ahead of the album and th live shows, they’ve unveiled a new promo video for ‘Oxyacetylene’, which you can watch here:

 

Like your experimental noise / black metal to be ulra-dark and heavy with sinister occultism and mystical imagery? The new video from T.O.M.B. (Total Occultic Mechanical Blasphemy) for the track ‘Awake…Darkness’ from Fury Nocturnus should be right up your darkened, blood-slicked alley…

‘Negative Drone’ is one third of a final suite on the record, born out of his own research into the sound of fear and the weaponisation of audio over the past few decades. It is a piece about “recognising that technologies with huge promise tend to fall into particular tropes that are pre-existent and reflect cycles of power and capital interests.” Lawrence continues to describe how his research led him to all manner of surveillance and target acquisition footage from drones and other military craft… “Needless to say it was harrowing viewing, but it very much made me recognise the dynamic shifts erupting just beyond our everyday horizons. We don’t tend to think about these things, what they are used for and what it is they could be used for. We just assume that their uses are somehow prefigured. For most of us these machines and the implications they carry are distant and in some way unthinkable, but for other peoples across the world their sound alone is enough to bring terror and anxiety. I found this a powerful question to explore and the composition grew out of it. In fact the final third of the album grew from this particular line of investigation.”

Musically, ‘Negative Drone’, featuring Norman Westberg and Thor Harris of Swans, Werner Defeldecker and The Australian Voices, was one of the final pieces to come be completed on the record. It is also one of a number of pieces in which Lawrence plays pipe organ, recorded on what was once the largest organ in Queensland, the state he resides in.

Expanding investigations into the politics of perception, and exploring the possibilities of new recording processes, technologies, locations and relationships, as well as conveying different sonic textures, Cruel Optimism is ultimately a record that considers power (present and absent). It meditates on how power consumes, augments and ultimately shapes two subsequent human conditions: obsession and fragility.

We’re big fans of Lawrence English and Room40 here at AA (as our many reviews of the label’s output attest) and the indications are that this could be one of his strongest works yet. Check out ’Negative Drone’ here:

 

https://player.vimeo.com/video/194648555