Papillon de Nuit’s latest single, ‘Frozen Charlotte’ recently got a straight-up rave review here on its release just over a week ago. They’ve since released a magical, haunting video to accompany it. Check it here:
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Papillon de Nuit’s latest single, ‘Frozen Charlotte’ recently got a straight-up rave review here on its release just over a week ago. They’ve since released a magical, haunting video to accompany it. Check it here:
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This October, the indefatigably enigmatic trio The Necks will release Disquiet, their 20th full-length release, a triple disc via Northern Spy. It’s an absolutely intoxicating listen, over three hours of incredible music.
The band has shared the mesmerizing 26-minute ‘Causeway,’ as a first listen. Hear it here:
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Photo credit: Dawid Laskowski
Industrial rock insurgents Jesus on Extasy (JoE) are back – darker, heavier and more relentless than ever. Led by founding member Dorian Deveraux, the band has returned with an uncompromising sound that pushes their signature mix of industrial beats, searing guitars and raw emotion to the next level.
JoE have issued ‘Somewhat Happy’ as a new single today, with Deveraux deeeming it “the apocalyptic post breakup song you didn’t know you needed.” Describing the song as a paean to “how to move on after a traumatic relationship that left your world in shambles, when you’re starting to get clarity and see your ex-partner for who they really are,” the song can be seen as lyrically related to ’Soul Crusher’ its heavy-hitting predecessor released in July.
Like that single, ‘Somewhat Happy’ offers a further brutal preview of what is to come on the forthcoming new JoE album, Between Despair And Disbelief, which is out on 12th September via Metropolis Records. Giving fans a tantalising taste of their second coming with the single ‘Wide Awake’ in 2023, the band then signed to Metropolis Records to issue ‘Days Gone By’ VIDEO in late 2024, followed by ’Soul Crusher’ VIDEO. All three have been heavier, more intense and unapologetically aggressive than ever before. “It looks like the world is going to hell. We might as well deliver the soundtrack for that,” adds Deveraux.
Check it here:
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2025 shows with Die Krupps
27th August KORTRIJK (BE) DVG Club
2nd September WARSAW (PL) Hybrydy
3rd September KRAKOW (PL) Hype Park
7th September LJUBLJANA (SI) Orto Hall
9th September BUDAPEST (HU) Dürer Kert
11th September PRAGUE (CZ) Rock Cafe
16th September STOCKHOLM (SE) Nalen
17th September COPENHAGEN (DK) Pumpehuset
20th September UDEN (NL) De Pul
21st September LONDON (UK) The Dome
24th September PARIS (FR) Petit Bain
2026 shows with KMFDM
21st February OBERHAUSEN (DE) Kulttempel
22nd February EINDHOVEN (NL) De Effenaar
25th February LAUSANNE (CH) Les Docks
26th February WINTERTHUR (CH) Gaswerk
27th February MILAN (IT) Legend Club
6th March BERLIN (DE) Gretchen
8th March LEIPZIG (DE) Moritzbastei
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The forthcoming full-length from Los Angeles–based band Agriculture, The Spiritual Sound, traces a narrative arc through extremes. The album is largely a fusing of the visions of its two principal songwriters: Dan Meyer and Leah Levinson. Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression.
Dan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Levinson leads the charge on the album’s latest single ‘The Weight’ of which she comments:
“’The Weight’ is part of a series of songs on the album that bears witness to queer life. It was written reflecting on a particular month last year when so much seemed heightened. It seemed like many of my friends were being harassed in public—both verbally and physically—for being trans, for being queer, and/or for being women (it’s not always clear which). This was also a time when I was feeling a lot of love and a lot of community. I wanted this song and the songs around it to honestly reflect both these elements. I wanted to write about transness but didn’t want to rely on political aphorisms and indulgent images of suffering. I wanted to paint a holistic portrait of queer life.” – Leah Levinson
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Photo credit: Olivia Crumm
AGRICULTURE LIVE DATES 2025:
Sep 3 Bristol, UK — The Exchange
Sep 4 Brighton, UK — Dust
Sep 5 London, UK — Oslo
Sep 6 Manchester, UK — White Hotel
Sep 7 Newcastle, UK — The Cluny 2
Sep 9 Leeds, UK — Brudenell Social Club
Sep 11 Dublin, IE — Workman’s Club
Sep 12 Cork, IE — Nudes
Sep 13 Belfast, NIR — Voodoo
Sep 14 Glasgow, SC — CORE. Festival
Sep 16 Paris, FR — Point Ephemere
Sep 17 Kortrijk, BE — Wilde Westen
Sep 18 Haarlem, NL — Patronaat
Oct 8 Brooklyn, NY — Union Pool (Record Release Show)
Oct 27 San Antonio, TX — Paper Tiger $
Oct 28 Austin, TX — Mohawk $
Oct 30 Atlanta, GA — Masquerade $
Oct 31 Saxapahaw, NC — Haw River Ballroom $
Nov 01 Silver Spring, MD — The Fillmore $
Nov 02 Philadelphia, PA — Union Transfer $
Nov 04 Louisville, KY — Zanzabar
Nov 06 Oklahoma City, OK — 89th Street
Nov 08 Albuquerque, NM — Launchpad
Nov 09 Phoenix, AZ — Valley Bar
Nov 11 Denver, CO — Hi-Dive
Nov 13 Salt Lake City, UT — The State Room
Nov 14 Boise, ID — Neurolux
Nov 16 Seattle, WA — Madame Lou’s
Nov 18 Vancouver, BC — Fox Cabaret
Nov 19 Portland, OR — Mississippi Studios
Nov 21 Sacramento, CA — Cafe Colonial
Nov 22 San Francisco, CA — The Chapel
Dec 04 San Diego, CA — Soda Bar
Dec 05 Los Angeles, CA — Lodge Room
$ with Boris
San Diego/Los Angeles-based shoegaze outfit Distressor returns with their latest single, ‘Broken Glass’. Following their breakthrough collaboration with shoegaze giant Wisp on Tomorrow (via Interscope Records), the independent four-piece is carving a new lane for themselves—one that blends the haze and texture of shoegaze with the raw, melodic punch of early 2000s emo.
Formed in late 2017, Distressor has built a reputation for pairing massive, driving rhythm sections with high-register vocals and emotionally charged choruses that cut through the fog. Their 2023 debut LP Momentary established the band as one to watch in the new wave of heavy shoegaze, and ‘Broken Glass’ pushes that momentum further.
Originally a shelved demo, ‘Broken Glass’ came to life after new drum and bass parts lit a fire under the track, transforming it into a setlist staple almost overnight. Leaning harder into their emo roots, the band challenged genre norms on this one:
“We’ve grown a little bored of the classic soft shoegaze vocals,” says the band. “With ‘Broken Glass,’ we wanted something more pushy and hooky—a big chorus that hits just as hard as the guitars.”
The accompanying music video, directed by longtime friend Diego Guardado, captures the band’s raw live energy in an unpolished, visceral way. Shot in a small, sweaty LA room—while an island-themed church service played loudly (and out of tune) next door—the DIY spirit of the video reflects Distressor’s independent ethos:
“Even though music videos aren’t as popular anymore, we still love making them,” the band explains. “This one was nothing fancy—just us, some friends, a few Modelos, and a lot of sweat.”
With ‘Broken Glass’, Distressor continues to evolve beyond nostalgia, pushing shoegaze into modern, emotionally honest territory while staying true to their roots.
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Photo: Samuel David Katz
Leeds collective HONESTY have shared a brand new track titled ‘PUSHING UP DAISIES’. George Mitchell takes lead vocal duties, delivering a gentle, intimate performance that contrasts the song’s morbid subject matter. The result is a subtly exhilarating take on club music that’s become HONESTY’s signature and the reason they’re one of the most essential dance acts coming out of the UK. The track was released today in tandem with ‘MEASURE ME (ALT MIX),’ which injects even more rave-fueled vitality into the lead single from their debut album which came out this Feb, this time led by an ethereal performance from vocalist Imi Marston. Listen here:
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HONESTY (Credit Dan Commons)
The Lunar Effect were formed in London in 2017 by brothers Jon and Dan Jefford and later completed by vocalist Josh Neuwford, bassist Brett Halsey, and eventually second guitarist Mark Fuller. Since their arrival on the scene, they’ve carved out a reputation for crafting music that feels both familiar and original – a modern echo of grunge-soaked ’70s rock, fuzzed-out blues, and melancholic British soul.
Following the underground success of 2019’s Calm Before the Calm, the band signed with Svart Records and released the critically praised sophomore album Sounds of Green & Blue in 2024. After touring the album across the UK and Europe, they set their sights on album three, their most ambitious work to date. Fortune’s Always Hiding lands in October 2025; a brooding journey through loss, memory, and the weight of time. It marks a new era for the band – deeper, stranger, and more soul-baring than ever.
The first taste from the upcoming album was released today. “’Feed the Hand’ sets the tone for what’s to come, uncomfortable, deliberate, and heavy with implication. It reaches back with one hand, grabbing a handful of early 90’s alternative nostalgia to bring a high energy groove. With the other, it drags the listener through an unravelling; guidance twisted into obedience, time eroding memory from a feeling to a realisation. There’s weight here, but it’s not theatrical. It’s cathartic and satisfyingly powerful. A quiet reckoning fed by the band’s influences, serving up a whole new dish to the table.” the band comments on the new single. Watch the video for ‘Feed the Hand’:
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