Archive for the ‘Recommended Streams and Videos’ Category

Maud the moth, the solo project of Spanish-born and Scotland-based pianist, singer and songwriter Amaya Lopez-Carromero shares the new track ‘Despeñaperros’, taken from her forthcoming album, The Distaff, to be released via The Larvarium (digital +CD) and La Rubia Producciones (vinyl), with Woodford Halse/Fenny Compton contributing a tape release on 21st February 2025.

Amaya has long used the mantle of Maud the moth as an alter-ego, a séance-like conduit to explore themes of rootlessness, identity and trauma. The Distaff in particular refers to the stick or spindle onto which wool or flax is wound for spinning, and an object which has historically been used across multiple cultures as a symbol wielded by the “virtuous woman”, an authoritarian ideal around which much of the trauma surrounding the feminine coalesces. The album takes the form of a sort of self reflective and surreal autobiography. It was in part inspired by the poem of the same name written by the Greek poet Erinna, as she mourns her friend’s loss of individuality and agency in exchange for marriage – and therefore safety and acceptance in the eyes of society.

Maud the moth shares the video for ‘Despeñaperros’. About the track, Maud the moth says;

"Despeñaperros is one of the cornerstones of The Distaff’s universe. A canyon and natural reserve with dramatic geology and very violent historical background, the Despeñaperros Pass is a gateway into the wilderness. Its name, which can be translated as “where dogs are thrown off the cliff”, has unclear origins and adds to the lore and mystery shrouding this area in the Spanish collective consciousness. Growing up in an environment where hunting and animal cruelty were commonplace and artistic sensitivities often ridiculed, Despeñaperros unfolded in my imagination, transcending its real physical location, and reforming as a quasi-mythical location for the sacrifice of those perceived as weak, different, misunderstood or simply challenging tradition.”

Watch the video here:

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Photo credit: Scott McLean

“Way way back in the early days I used to say a lot about ‘The Terminal Kaleidoscope’, a concept comparing the fragile planet we live on to a drowning human being with life flashing before his or her eyes, the images constantly accelerating. It’s 2024, a little over two decades since the turn of this unbearably turbulent century and the concept appears to have become an unlikely soap opera where we are the cast. Let’s hang in there….”
Edward Ka-Spel – The Legendary Pink Dots

SO LONELY IN HEAVEN – THE CREATION

So Lonely in Heaven is the new album by the Anglo-Dutch experimental rock band The Legendary Pink Dots, who formed in London in 1980 and are still helmed by co-founder and frontman Edward Ka-Spel. Their second full-length effort since the World stopped for a Global Pandemic, group members were still scattered across three countries and two continents as they began writing it, with ideas spun across Cyberspace for months. However, the magic eventually happened collectively in small spaces with the tape running.

SO LONELY IN HEAVEN – THE MESSAGE

The machine is everything we are. It sees everything, hears everything, knows everything and feeds, speeds, drinks us down, spits us out – we lost control of it at the instant of its conception. You may cough, curse and die, but the machine will resurrect you without the flaws, at your peak, smiling from a screen, bidding someone in a lonely room to join you. It’s an invitation from Heaven, where anyone can be anything they want to be, but it’s a Nation of One. You’ll be everything we are. You’ll be a shadow of yourself. You’ll repeat yourself – endlessly. You’ll be desperate for some kind of explanation. You’ll be lonely. So very lonely….

Check ‘Blood Money’ here:

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THE LEGENDARY PINK DOTS | photo: Michael McGrath

Noisepicker share the remarkable video for ‘Chew’ ahead of the release of their second record, The Earth Will Swallow The Sun, out 21st March 2025 via Exile on Mainstream.

The band says:

"7/8 groove and a mountain of fat chugs. Splattered with disgust at the human form displayed in the mirrors. ‘Chewed up and spat out’ as the chorus declares. The result of generations of human failure through self interest. ‘So sick and tired of that stupid grin’. The only logical solution: destroy it."

…and further about the video itself: "The two of us live on opposite sides of the country, which makes getting together tricky at times. To the point where we never rehearse. Apart from two songs, we had only played the entire new album together when we entered the studio to record it. And those two tracks were only ever played during soundcheck, an hour before we played them live. Which probably explains a lot! This means we need to be ‘inventive’ when thinking about videos, basically making sure that we are not the main focus of them. We grab footage of each other when we can and store it up in case it’s needed. That’s where the puppet idea came from. I couldn’t get us both in the same room, so I had to improvise. I think it actually makes for a better video! The song is about hating what you’ve become after chasing the expectations of an unfulfilling society, and only realising you’ve been had when it’s far too late. You’ve been played. Like a puppet on a string. Enjoy!"

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Photo credit:  Jerry Deeney

Dark electronic music producer, MISS FD has just released her latest bewitching cinematic gothic music video for her song, ‘Curse Breaker’.

‘Curse Breaker’ is a liberating dark piano piece with laid bare female vocals that channel raw emotion, empowerment, and mystique.  A spell unbinding transformative song about overcoming and letting go.

The music video, directed by long-time collaborator and friend Tas Limur, was filmed in a Victorian mansion in Historic Old Louisville, KY.

The video follows MISS FD through a curse-breaking séance which releases her from a haunting apparition, symbolizing freeing oneself from the binds and limitations of the past.

Watch it here:

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Former LORDS OF ACID vocalist, Mea Fisher (aka DJ Mea) and her solo project, ME AND MY NIGHTMARE just unveiled the heartfelt & poignant new single and video, ‘Don’t Forget Me’. The single features En Esch (Slick Idiot, <PIG>, Pigface, Ex-KMFDM) on keyboards.

‘Don’t Forget Me’ is Mea’s tribute to her mother, Patricia who tragically passed away after a battle with Alzheimer’s disease at the age of 84.

A common occurrence during the stages of Alzheimer’s disease is when the patient loses their memory. Mea states, “As her only child, the fear of being told that someday my mother might forget me terrified me to the core.  I feared it everyday but it didn’t happen. She always remembered her ‘little baby girl’ all the way to the very end. Never once did she forget me. It was a gift, even though I lost her.”

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A homage to Speilberg’s seventies masterpiece Close Encounters, masterfully recreated by Dave Meyer.

ASTARI NITE unveils ‘Double Feature Matinee’ – the fourth music video off the Resolution of Happiness album! It now joins ‘Ashtray Ballet’, ‘Bowie in Daydreams’ and ‘Tongue Tied Galore’ in short music films.

Says ASTARI NITE vocalist, Mychael, “We had a few songs that we were very pleased with and wanted to share this year, so we released our Resolution of Happiness record a few months back, in the summer of June… This one song in particular, ‘Double Feature Matinee’ was quite playful! It is a real delight to play out at concerts, a song that I am not ashamed to admit is honestly about me.

“So, we set out to create a music video with a little help from our friends! Snippets, if you will, were taken from a few special days and nights of our lives while traveling and playing in my new shoes.

Honestly, at this stage in my life, I find it to be healing, surrounded by individuals that simply enjoy being alive and are accompanied by a vibrant and cheerful personality.
The word “fun” kind of drives me mad, though I’m finding that it’s okay to have some whenever needed. I personally can’t be gloomy all the time; you know what I mean? I would rather smile the most instead.

Happy Holidays and I wish everyone a lot of love going into the start of the new year.”

2025 will hear the release of two new singles by the band titled, ‘Ms. Rain on My Parade’ and ‘Unisex Games’.

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It’s been another incredible year for Benefits, and one which has seen them evolve – and drop a single with Pete Doherty ahead of their second album, Constant Noise, due on 21 March 2025 via Invada Records.

And what a treat for Christmas eve – a new tune which is, again, more ambient than noisy, but which pitches a low-key and quite menacing-sounding spoken-word assessment of the state of things as war rages around the world and death tolls continue to increase as do tensions as the West bankrolls mass destruction and civilian slaughter.

New Benefits may not be quite as in-yer-face sonically, but don’t think for a second that they’ve gone soft.

Check ‘Missiles’ here:

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French progressive metal collective March of Scylla has released a captivating music video for their latest track, ‘Ulysses’ Lies’, from the forthcoming album Andromeda, set to be released on March 7, 2025, via Klonosphere/Season of Mist. Directed by Kevin Meriaux, the video seamlessly merges the band’s dark, progressive metal sound with their signature mythological storytelling, offering a mesmerizing visual experience.

Watch the video here:

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Initiated by Christofer Fraisier, guitarist and former member of Taman Shud, March Of Scylla is a dark, progressive metal project that emerged in Amiens in 2020. The band features drummer Gilles Masson from Ashura, bassist Robert Desbiendras, and vocalist Florian Vasseur. Their two EPs, Archives and Dark Myth, showcase their diverse influences, drawing comparisons to Gojira, Tesseract, Sleep Token, and Architects.

Their debut album Andromeda was recorded, mixed, and mastered at Studio Sainte-Marthe in Paris by Francis Caste, and explores the vastness of space and humanity’s complex relationship with science, the cosmos, and the afterlife. The album tackles fundamental human anxieties, injustices, and emotional struggles, blending personal lyrics with universal mythology and history.

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